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Uva-DARE (Digital Academic Repository) UvA-DARE (Digital Academic Repository) Sound-tracking Germany: 70 years of imagining the nation from Schlager to Techno Schiller, M.M. Publication date 2016 Document Version Other version License Other Link to publication Citation for published version (APA): Schiller, M. M. (2016). Sound-tracking Germany: 70 years of imagining the nation from Schlager to Techno. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:28 Sep 2021 SOUND-TRACKING GERMANY | BIBLIOGRAPHY 203 Bibliography Abraham, Nicolas. “Notes on the Phantom: A Complement to Freud’s Metapsychology”. In The Shell and the Kernel: Renewals of Psychoanalysis, edited by Nicolas Abraham and Maria Torok, 171-6. Chicago: University of Chicago Press, 1994. ACharts.us. “Rammstein- Made in Germany 1995-2015”. October 18, 2014, http:// acharts.Us/album/67588. Adelt, Ulrich. “‘Ich bin der Rock’n’Roll-Übermensch’: Globalization and Localization in German Music Television”. 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London: Continuum, 2011. Alessandrini, Paul. “Haute tension: Kraftwerk”. Rock&Folk Magazine, November 1976: 54-7. Alster, Marvin, “je größer die Krise, desto höher der Zulauf zur Nation”, Süddeutsche Zeitung, http://jetzt.sueddeutsche.de/texte/anzeigen/22717/I-cant-relax-in- Deutschland. Althusser, Louis. For Marx. London: Allen Lane, 1969. ------. Lenin and Philosophy. New York: Monthly Review, 1971. Althusser, Louis, and Etienne Balibar. Reading Capital. London: Verso, 1979. Anderson, Benedict. Imagined Communities. Reflections on the Origin and Spread of Nationalism. London: Verso, 1991. Antze, Paul, and Michael Lambek, eds. Tense Past. Cultural Essays in Trauma and Memory. London: Routledge, 1996. Anz, Philipp, and Claus Bachor. Techno: [Berlin, Chicago, Detroit, Frankfurt, Köln, London, München, New York, Rotterdam, Wien, üZ rich]. 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Eine deutsche Bilanz 1945-1965, edited by Helmut Hammerschmidt, 301-14. München: Desch, 1965. Beer, Mathias. Flucht und Vertreibung der deutschen. Voraussetzungen, Verlauf, Folgen. München: C.H. Beck, 2011. ------. “Flüchtlinge und Vertriebene in den Westzonen und der Bundesrepublik Deutschland”. In Flucht, Vertreibung, Integration. Begleitbuch zur Ausstellung im Haus der Geschichte, 109-123. Bonn: Stiftung Haus der Geschichte der Bundesrepublik, 2005. Behrens, Roger. “Das Prinzip Kollektivstolz. Warum gerade jetzt und überhaupt popkultureller Bezug auf die Nation?” In I can’t relax in Deutschland, 36-49. Köln: Unterm Durchschnitt, 2005. Belau, Linda. “Trauma and the Material Signifier”. In “Trauma: Essays on the Limit of Knowledge and Experience – A Special Issue”, edited by Linda Belau and Petar Ramadanovic. Postmodern Culture: An Electronic Journal of Interdisciplinary Criticism 11.2 (2001). Benz, Wolfgang. “Berlin – auf dem Weg zur geteilten Stadt”. 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London: Routledge, 1990. Biddle, Ian, and Vanessa Knights. “Introduction. National Popular Musics: Betwixt and Beyond the Local and the Global”. In Music, National Identity and the Politics of Location, edited by Ian Biddle and Vanessa Knights, 1-15. Aldershot: Ashgate, 2004. Billig, Michael. Banal Nationalism. London: Sage, 1995. Birchall, Ian. “The Decline and Fall of British Rhythm and Blues”. In The Age of Rock: Sounds of the American Cultural Revolution, edited by Jonathan Eisen, 94-102. 206 SOUND-TRACKING GERMANY | BIBLIOGRAPHY New York: Vintage Books, 1969. Birdsall, Carolyn. Nazi Soundscapes. Sound Technology and Urban Space in Germany, 1933-1945. Amsterdam: Amsterdam University Press, 2012. Bisky, Jens. “Zonensucht. Kritik der neuen Ostalgie“. Merkur Jg. 58 (2004.): 117-27. Botting, Douglas, From the Ruins of the Reich: Germany 1945-1949. New York: Crown, 1985. Boyd, Malcom. “National Anthems”. 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