UvA-DARE (Digital Academic Repository) Sound-tracking Germany: 70 years of imagining the nation from Schlager to Techno Schiller, M.M. Publication date 2016 Document Version Other version License Other Link to publication Citation for published version (APA): Schiller, M. M. (2016). Sound-tracking Germany: 70 years of imagining the nation from Schlager to Techno. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:28 Sep 2021 SOUND-TRACKING GERMANY | BIBLIOGRAPHY 203 Bibliography Abraham, Nicolas. “Notes on the Phantom: A Complement to Freud’s Metapsychology”. In The Shell and the Kernel: Renewals of Psychoanalysis, edited by Nicolas Abraham and Maria Torok, 171-6. Chicago: University of Chicago Press, 1994. ACharts.us. “Rammstein- Made in Germany 1995-2015”. October 18, 2014, http:// acharts.Us/album/67588. Adelt, Ulrich. “‘Ich bin der Rock’n’Roll-Übermensch’: Globalization and Localization in German Music Television”. Popular Music and Society 28.3 (2005): 279-95. ------. “Machines with a Heart: German Identity in the Music of Can and Kraftwerk”. 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