The Andromeda Strain
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Mapping Robert Storr
Mapping Robert Storr Author Storr, Robert Date 1994 Publisher The Museum of Modern Art: Distributed by H.N. Abrams ISBN 0870701215, 0810961407 Exhibition URL www.moma.org/calendar/exhibitions/436 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art bk 99 £ 05?'^ £ t***>rij tuin .' tTTTTl.l-H7—1 gm*: \KN^ ( Ciji rsjn rr &n^ u *Trr» 4 ^ 4 figS w A £ MoMA Mapping Robert Storr THE MUSEUM OF MODERN ART, NEW YORK DISTRIBUTED BY HARRY N. ABRAMS, INC., NEW YORK (4 refuse Published in conjunction with the exhibition Mappingat The Museum of Modern Art, New York, October 6— tfoti h December 20, 1994, organized by Robert Storr, Curator, Department of Painting and Sculpture The exhibition is supported by AT&TNEW ART/NEW VISIONS. Additional funding is provided by the Contemporary Exhibition Fund of The Museum of Modern Art, established with gifts from Lily Auchincloss, Agnes Gund and Daniel Shapiro, and Mr. and Mrs. Ronald S. Lauder. This publication is supported in part by a grant from The Junior Associates of The Museum of Modern Art. Produced by the Department of Publications The Museum of Modern Art, New York Osa Brown, Director of Publications Edited by Alexandra Bonfante-Warren Designed by Jean Garrett Production by Marc Sapir Printed by Hull Printing Bound by Mueller Trade Bindery Copyright © 1994 by The Museum of Modern Art, New York Certain illustrations are covered by claims to copyright cited in the Photograph Credits. -
It Came from Outer Space: the Virus, Cultural Anxiety, and Speculative
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2002 It came from outer space: the virus, cultural anxiety, and speculative fiction Anne-Marie Thomas Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Thomas, Anne-Marie, "It came from outer space: the virus, cultural anxiety, and speculative fiction" (2002). LSU Doctoral Dissertations. 4085. https://digitalcommons.lsu.edu/gradschool_dissertations/4085 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. IT CAME FROM OUTER SPACE: THE VIRUS, CULTURAL ANXIETY, AND SPECULATIVE FICTION A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Anne-Marie Thomas B.A., Texas A&M-Commerce, 1994 M.A., University of Arkansas, 1997 August 2002 TABLE OF CONTENTS Abstract . iii Chapter One The Replication of the Virus: From Biomedical Sciences to Popular Culture . 1 Two “You Dropped A Bomb on Me, Baby”: The Virus in Action . 29 Three Extreme Possibilities . 83 Four To Devour and Transform: Viral Metaphors in Science Fiction by Women . 113 Five The Body Electr(on)ic Catches Cold: Viruses and Computers . 148 Six Coda: Viral Futures . -
Michael Crichton and the Distancing of Scientific Discourse
ASp la revue du GERAS 55 | 2009 Varia Apparent truth and false reality: Michael Crichton and the distancing of scientific discourse Stéphanie Genty Electronic version URL: http://journals.openedition.org/asp/290 DOI: 10.4000/asp.290 ISBN: 978-2-8218-0408-1 ISSN: 2108-6354 Publisher Groupe d'étude et de recherche en anglais de spécialité Printed version Date of publication: 1 March 2009 Number of pages: 95-106 ISSN: 1246-8185 Electronic reference Stéphanie Genty, « Apparent truth and false reality: Michael Crichton and the distancing of scientific discourse », ASp [Online], 55 | 2009, Online since 01 March 2012, connection on 02 November 2020. URL : http://journals.openedition.org/asp/290 ; DOI : https://doi.org/10.4000/asp.290 This text was automatically generated on 2 November 2020. Tous droits réservés Apparent truth and false reality: Michael Crichton and the distancing of scie... 1 Apparent truth and false reality: Michael Crichton and the distancing of scientific discourse Stéphanie Genty Introduction 1 This article began as an inquiry into the relation of FASP, or professional-based fiction, to professional reality. I was interested in elucidating the ways in which this reality, which formed the basis for such fiction, was transformed by the writer in his/her work and the reasons behind the transformation. Since my own professional activity has been related to the sciences, I chose to study the novels of Michael Crichton, a commercially-successful writer whose credentials and practice qualify him as an author of professional-based fiction as defined by Michel Petit in his 1999 article “La fiction à substrat professionnel: une autre voie d'accès à l'anglais de spécialité”. -
A Heuristic Event: Reconsidering The
‘A heuristic event’: reconsidering the problem of the Johnsian conversation Amy K. Hamlin Does it mean anything? -Leo Steinberg, ‘Jasper Johns: the First Seven Years of His Art’, 1962 It is one of the great idées reçues in the history of contemporary art that Jasper Johns is difficult to interview. Despite his otherwise affable rapport, he is alleged to stonewall his interlocutors by blocking their efforts to find meaning in his artworks and intentions. He has given many interviews in the course of his career.1 These dialogues contain plenty of parry and joust that, at first glance, appear to yield very little insight. In what Michael Crichton dubbed the ‘Johnsian conversation’,2 the reader routinely encounters the sort of exchange that the late Leo Steinberg fictionalized in his now canonical essay on Johns in 1962.3 The interview, as Steinberg later acknowledged, was not transcribed from an actual dialogue, but This is a revised and expanded version of a paper entitled “Interviewing Johns” that I presented on February 22, 2008 at the Annual Conference of the College Art Association in Dallas. Richard Shiff chaired the Art History Open Session entitled “New Criticism and an Old Problem.” I would like to thank Richard Shiff and Jonathan Katz for their insights following that presentation. I would also like to thank Charles Haxthausen and Wayne Roosa for their incisive comments and suggestions. 1 On the occasion of the exhibition Jasper Johns: A Retrospective held at the Museum of Modern Art (MoMA) in 1996, Kirk Varnedoe edited an anthology of Johns’ writings, sketchbook notes, and interviews that complemented the exhibition catalogue. -
Radical Empiricist Poetics in the New York School and Beyond by Maude
Radical Empiricist Poetics in the New York School and Beyond by Maude Chanson Emerson A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Charles Altieri, Chair Professor Eric Falci Professor John Campbell Spring 2017 ! Abstract Radical Empiricist Poetics in the New York School and Beyond by Maude Chanson Emerson Doctor of Philosophy in English University of California, Berkeley Professor Charles Altieri, Chair This dissertation contends that the first-generation New York School poets—especially John Ashbery, Frank O’Hara, and James Schuyler—develop the aesthetic possibilities of the philosophical stance that William James called “radical empiricism.” James followed the British empiricists in granting priority to parts, individuals, and unanalyzed sensations, but he radicalized the empiricist perspective by holding experiences of cohesion and relation to be as real as those of disjunction and discrete sensation. Schuyler, Ashbery, and O’Hara each practice an empiricist poetics: a poetics of the everyday, the felt, and the miscellaneous. At the same time, their poetries pose challenges to the conceptions of experience on which empiricism historically has been based, from the presumption of a unified experiencing subject to the relegation of sensation and abstraction to separate orders of reality. I argue that these challenges should not be seen as a denial of experience, as some postmodernist readings of New York School poetry allege, but as part of a careful and critical commitment to experience. As radical empiricists, these poets understand experience not as an inward phenomenon but as a field in which inner and outer are merely potential and constantly shifting divisions. -
Radical Empiricist Poetics in the New York School and Beyond
Radical Empiricist Poetics in the New York School and Beyond by Maude Chanson Emerson A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Charles Altieri, Chair Professor Eric Falci Professor John Campbell Spring 2017 ! Abstract Radical Empiricist Poetics in the New York School and Beyond by Maude Chanson Emerson Doctor of Philosophy in English University of California, Berkeley Professor Charles Altieri, Chair This dissertation contends that the first-generation New York School poets—especially John Ashbery, Frank O’Hara, and James Schuyler—develop the aesthetic possibilities of the philosophical stance that William James called “radical empiricism.” James followed the British empiricists in granting priority to parts, individuals, and unanalyzed sensations, but he radicalized the empiricist perspective by holding experiences of cohesion and relation to be as real as those of disjunction and discrete sensation. Schuyler, Ashbery, and O’Hara each practice an empiricist poetics: a poetics of the everyday, the felt, and the miscellaneous. At the same time, their poetries pose challenges to the conceptions of experience on which empiricism historically has been based, from the presumption of a unified experiencing subject to the relegation of sensation and abstraction to separate orders of reality. I argue that these challenges should not be seen as a denial of experience, as some postmodernist readings of New York School poetry allege, but as part of a careful and critical commitment to experience. As radical empiricists, these poets understand experience not as an inward phenomenon but as a field in which inner and outer are merely potential and constantly shifting divisions. -
This Book Served As the Basis for the Script of the Highly Acclaimed Film, “Darkest Hour.” a Short Book, Quick Read
HLG Best Reads of 2018 Kendall Bentz Five Days in London: May 1940 John Lukacs This book served as the basis for the script of the highly acclaimed film, “Darkest Hour.” A short book, quick read. Lukacs’ lively writing gives you a front-row seat to the most consequential decisions of the 20th Century. He makes a compelling case that, through the force of argument and unwavering adherence to core principles, one man single-handedly saved the Western world from fascism. Maddie Boudreau The Next 100 Years George Friedman A very thought-provoking read, especially considering it was written in 2009 and we get to see some of the predictions unfolding today. It’s quite US-centric, but definitely worth picking up! Brittany Burns The Hate U Give Angie Thomas A really grounding and personal view of the Black Lives Matter movement from the perspective of a teenage girl who sees her unarmed friend shot by the police. For those who are a bit lazier, the movie is also excellent. Pachinko Min Jin Lee A really interesting (and heartbreaking) dive into the experience of Koreans living in Japan in the 20th century through the life of a young Korean woman. What’s truly shocking is that a lot of the hardships and discrimination experienced in the early 1900s are still happening today. 1Q84 Haruki Murakami My favorite of Murakami’s intense dream-like epics. It’s a deep and complex web of stories but it’s so worth the effort. Jeremy Button The Men Who United The States Simon Winchester I love this book because it’s about how America went from being an east of the Appalachian Mountains collection of states to becoming a nation as its size grew exponentially. -
The Poison of Misinformation: Analyzing the Use of Science in Science Fiction Novels, in · Original Short Story
THE POISON OF MISINFORMATION: ANALYZING THE USE OF SCIENCE IN SCIENCE FICTION NOVELS, INCLUDING AN ORIGINAL SHORT STORY By CLARA DAWN PIAZZOLA A THESIS Presented to the Department of Biology and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Science December 2015 An Abstract of the Thesis of Clara Dawn Piazzola for the degree of Bachelor of Science in the Department of Biology to be taken December 2015 Title: The Poison of Misinformation: Analyzing the use of science in science fiction novels, in · original short story The purpose of this thesis was to read a variety of science fiction novels and understand how the science progresses each novel. For the novels Creature by Peter Benchley, The Andromeda Strain by Michael Crichton, Dune by Frank Herbert, and The Windup Girl by Paolo Bacigalupi, I considered the role of science in relation to plot and character development. For Jurassic Park by Michael Crichton, I analyzed the creativity that the author used with science in addition to the role science played in the novel. For Jaws by Peter Benchley, I researched the accuracy of the science used and determined that the majority was accurate. With all of these analyses in mind, I created a template to guide authors in writing science fiction. Finally, I wrote my own science fiction short story, titled "Poison." ii Copyright Page This work is licensed under the Creative Commons Attribution-NonCommercial 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. -
New and Old Forms in the Aspern Papers by Henry James
found that-Miss 'tHiI- (for such the name of this high tre1T5O little are';~,omen 'to be count it as a triumph, but only for Ihe"editor, (in the ·~ous ,spinster pr?ved somewhat incongruously to be) ha~ i a despondent view of il.1lysisl, not for the man, who had <1ot the tradition of, IOsatlable appetlte for them, When I speak of my SUit I pretended to have the,l conquest. When I went back on the morrow the little: won I mean that before I left her she had promised that sl that r had a distinct pre":rvant conducted me strai~ht thrNlgh the long sala: would refer the question to her aunt. I inquired who h Upon this Mrs. PresLned there as befqre in perfect puspective and was ,aunt m.ight be and she answered, "Why. Miss Borderearnur head! You fancy you now which I thought a good omen) into the apart ed with an air of surprise, as if I might have Deen expected 3. quarter of an hour thaLom ';"'hich the recipient of my form0r visit had em.erg know, There were contradictions like this in Tita Bordereican be denended upon lOt oc('asion. It was a large shabby oar!our, with a 'fine' which, as I observed later, contributed to make her an o(~in)I<:)U'lI count it as a nted ceiling and a strange figure ~itting alone at one, and affecting person, It was the study of the two ladies t('the idea into mv h'~f the windows, They come back to me now almost with the' live so that the world should not ,t~uch them. -
Sol Rising Issue
December 2008 FREE Sol Rising is a free publi- SOL RISING cation of the Friends of the Merril Collection sup- ported by your donations. The Newsletter of The Friends of the Merril Collection of Science Fiction, Speculation Want to donate? Check and Fantasy out the back page for more information. SOL RISING “Knot after Knot” – Friends of the Merril Collection Andreas Eschbach Reads Number 39, December 2008 Inside from The Carpet Makers Articles 1 “Knot after Knot” - Andreas Eschbach Reads from The Carpet Makers 2 The World Fantasy Convention in Calgary 5 Les Klinger at the Merril 6 Another Exciting Year of Events at the Merril 8 Notable Acquisitions at the Merril Collection in 2008 9 In Memorium: Michael Crichton 11 Selling Fleas (Well, Not Really) at TRL Info Bits 3 Donations 3 Merril Events and German author Andreas Eschbach made a rare North American appearance in Volunteering September at a reading sponsored jointly by the Goethe-Institut Toronto, the 12 Membership and Renewal Friends of the Merril Collection and Toronto Public Library. Photo courtesy of Marianne Eschbach By Mary Armstrong Reach Us Friends of the Merril Collection, ndreas Eschbach, acclaimed author of The Carpet Makers, gave a reading c/o Lillian H.Smith Branch, TPL, at the Beeton Auditorium of the Toronto Reference Library in the 239 College St. 3rd Floor, Toronto, evening of September 26, 2008. The Carpet Makers, his first published Ontario, M5T 1R5 A http://www.torontopubliclibrary.ca/ - continued on page 4 uni_spe_mer_index.jsp www.friendsofmerril.org/ Call for Submissions! Contact Sabrina ([email protected]) if you wish to submit articles, essays or art pieces. -
Remixing Generalized Symbolic Media in the New Scientific Novel Søren Brier
Ficta: remixing generalized symbolic media in the new scientific novel Søren Brier To cite this version: Søren Brier. Ficta: remixing generalized symbolic media in the new scientific novel. Public Un- derstanding of Science, SAGE Publications, 2006, 15 (2), pp.153-174. 10.1177/0963662506059441. hal-00571086 HAL Id: hal-00571086 https://hal.archives-ouvertes.fr/hal-00571086 Submitted on 1 Mar 2011 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. SAGE PUBLICATIONS (www.sagepublications.com) PUBLIC UNDERSTANDING OF SCIENCE Public Understand. Sci. 15 (2006) 153–174 Ficta: remixing generalized symbolic media in the new scientific novel1 Søren Brier This article analyzes the use of fictionalization in popular science commu- nication as an answer to changing demands for science communication in the mass media. It concludes that a new genre—Ficta—arose especially with the work of Michael Crichton. The Ficta novel is a fiction novel based on a real scientific problem, often one that can have or already does have serious consequences for our culture or civilization. The Ficta novel is a new way for the entertainment society to reflect on scientific theories, their consequences and meaning. -
“Just What Was It That Made U.S. Art So Different, So Appealing?”
“JUST WHAT WAS IT THAT MADE U.S. ART SO DIFFERENT, SO APPEALING?”: CASE STUDIES OF THE CRITICAL RECEPTION OF AMERICAN AVANT-GARDE PAINTING IN LONDON, 1950-1964 by FRANK G. SPICER III Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation Adviser: Dr. Ellen G. Landau Department of Art History and Art CASE WESTERN RESERVE UNIVERSITY May, 2009 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of Frank G. Spicer III ______________________________________________________ Doctor of Philosophy candidate for the ________________________________degree *. Dr. Ellen G. Landau (signed)_______________________________________________ (chair of the committee) ________________________________________________Dr. Anne Helmreich Dr. Henry Adams ________________________________________________ Dr. Kurt Koenigsberger ________________________________________________ ________________________________________________ ________________________________________________ December 18, 2008 (date) _______________________ *We also certify that written approval has been obtained for any proprietary material contained therein. Table of Contents List of Figures 2 Acknowledgements 7 Abstract 12 Introduction 14 Chapter I. Historiography of Secondary Literature 23 II. The London Milieu 49 III. The Early Period: 1946/1950-55 73 IV. The Middle Period: 1956-59: Part 1, The Tate 94 V. The Middle Period: 1956-59: Part 2 127 VI. The Later Period: 1960-1962 171 VII. The Later Period: 1963-64: Part 1 213 VIII. The Later Period: 1963-64: Part 2 250 Concluding Remarks 286 Figures 299 Bibliography 384 1 List of Figures Fig. 1 Richard Hamilton Just What Is It That Makes Today’s Homes So Different, So Appealing? (1956) Fig. 2 Modern Art in the United States Catalogue Cover Fig. 3 The New American Painting Catalogue Cover Fig.