TRITON Extreme Voice Name List
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Spanish Language Broadcasting Collection
Spanish Language Broadcasting Collection NMAH.AC.1404 IrMarie Fraticelli, Edwin A. Rodriguez, and Justine Thomas This collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Gilda Mirós, (bulk 1950 - 2016, undated) (bulk 1950 - 2016, undated).................................................................................................................... 4 Series 2: Hector Aguilar, 1940 - 2002, undated.................................................... -
Und Audiovisuellen Archive As
International Association of Sound and Audiovisual Archives Internationale Vereinigung der Schall- und audiovisuellen Archive Association Internationale d'Archives Sonores et Audiovisuelles (I,_ '._ • e e_ • D iasa journal • Journal of the International Association of Sound and Audiovisual Archives IASA • Organie de I' Association Internationale d'Archives Sonores et Audiovisuelle IASA • Zeitschchrift der Internationalen Vereinigung der Schall- und Audiovisuellen Archive IASA Editor: Chris Clark,The British Library National Sound Archive, 96 Euston Road, London NW I 2DB, UK. Fax 44 (0)20 7412 7413, e-mail [email protected] The IASA Journal is published twice a year and is sent to all members of IASA. Applications for membership of IASA should be sent to the Secretary General (see list of officers below). The annual dues are 25GBP for individual members and IOOGBP for institutional members. Back copies of the IASA Journal from 1971 are available on application. Subscriptions to the current year's issues of the IASA Journal are also available to non-members at a cost of 35GBP I 57Euros. Le IASA Journal est publie deux fois I'an etdistribue a tous les membres. Veuillez envoyer vos demandes d'adhesion au secretaire dont vous trouverez I'adresse ci-dessous. Les cotisations annuelles sont en ce moment de 25GBP pour les membres individuels et 100GBP pour les membres institutionels. Les numeros precedentes (a partir de 1971) du IASA Journal sont disponibles sur demande. Ceux qui ne sont pas membres de I'Association peuvent obtenir un abonnement du IASA Journal pour I'annee courante au coOt de 35GBP I 57 Euro. -
Œa-DSM SERVICE DE PHYSIQUE THEORIQUE
FR0108562 CEA-SPHT-RA-l 998-2000 SERVICE DE PHYSIQUE THÉORIQUE RAPPORT D'ACTIVITE JUIN 1998 - MAI 2000 œa-DSM SERVICE DE PHYSIQUE THEORIQUE RAPPORT D'ACTIVITE JUIN 1998 - MAI 2000 PHYSIQUE THEORIQUE CEA/DSM Centre d'Etudes de Saclay F-91191 Gîf-sur-Yvette Cedex Tel: +33 (0)1 6908 7385 - Fax: +33 (0)1 6908 8120 URL: http://www-spht.cea.fr Cover : Time evolution of a two-dimensional Ising system at zero temperature. Coarsening can be observed in the bottom row snapshots (time 400 and 1000). Corresponding time-averaged magnetizations of each spin are represented on the top row in a color code varying continuously from blue to red; black dots identify persistent spins (which have never nipped). GENERAL CONTENTS INTRODUCTION (written in French) 1 QUANTUM FIELD THEORY AND MATHEMATICAL PHYSICS 5 NUCLEAR PHYSICS, PARTICLE PHYSICS AND ASTROPHYSICS ... 21 STATISTICAL PHYSICS AND CONDENSED MATTER 43 LIST OF PUBLICATIONS 69 LIST OF REFERENCES 93 APPENDICES (written in French) 95 PLEASE BE AWARE THAT ALL OF THE MISSING PAGES IN THIS DOCUMENT WERE ORIGINALLY BLANK INTRODUCTION Le rapport d'activité du Service de Physique Théorique est établi tous les deux ans. Celui- ci résume l'activité scientifique du SPhT durant la période juin 1998-mai 2000, et servira de document de base pour l'évaluation du laboratoire qui aura lieu à l'automne 2000. Pour la première fois la partie scientifique de ce rapport est écrite en anglais. Il y a plusieurs raisons à cela. D'une part un nombre important de collègues étrangers, pas tous francophones, participent à notre conseil scientifique extérieur (CSE). -
Exploring Cosmic Strings: Observable Effects and Cosmological Constraints
EXPLORING COSMIC STRINGS: OBSERVABLE EFFECTS AND COSMOLOGICAL CONSTRAINTS A dissertation submitted by Eray Sabancilar In partial fulfilment of the requirements for the degree of Doctor of Philosophy in Physics TUFTS UNIVERSITY May 2011 ADVISOR: Prof. Alexander Vilenkin To my parents Afife and Erdal, and to the memory of my grandmother Fadime ii Abstract Observation of cosmic (super)strings can serve as a useful hint to understand the fundamental theories of physics, such as grand unified theories (GUTs) and/or superstring theory. In this regard, I present new mechanisms to pro- duce particles from cosmic (super)strings, and discuss their cosmological and observational effects in this dissertation. The first chapter is devoted to a review of the standard cosmology, cosmic (super)strings and cosmic rays. The second chapter discusses the cosmological effects of moduli. Moduli are relatively light, weakly coupled scalar fields, predicted in supersymmetric particle theories including string theory. They can be emitted from cosmic (super)string loops in the early universe. Abundance of such moduli is con- strained by diffuse gamma ray background, dark matter, and primordial ele- ment abundances. These constraints put an upper bound on the string tension 28 as strong as Gµ . 10− for a wide range of modulus mass m. If the modulus coupling constant is stronger than gravitational strength, modulus radiation can be the dominant energy loss mechanism for the loops. Furthermore, mod- ulus lifetimes become shorter for stronger coupling. Hence, the constraints on string tension Gµ and modulus mass m are significantly relaxed for strongly coupled moduli predicted in superstring theory. Thermal production of these particles and their possible effects are also considered. -
KD-ADV49/KD-AVX44 RÉCEPTEUR DVD/CD RECEPTOR CONDVD/CD DVD/CD RECEIVER Pour L’Installationetlesraccordements,Seréféreraumanuelséparé
ENGLISH DVD/CD RECEIVER RECEPTOR CON DVD/CD RÉCEPTEUR DVD/CD ESPAÑOL KD-ADV49/KD-AVX44 FRANÇAIS For canceling the display demonstration, see page 7. Para cancelar la demonstración en pantalla, consulte la página 7. Pour annuler la démonstration des affichages, référez-vous à la page 7. For installation and connections, refer to the separate manual. For customer Use: Para la instalación y las conexiones, refiérase al manual separado. Enter below the Model No. Pour l’installation et les raccordements, se référer au manuel séparé. and Serial No. which are located on the top or bottom of the cabinet. Retain this information for future INSTRUCTIONS reference. MANUAL DE INSTRUCCIONES MANUEL D’INSTRUCTIONS Model No. Serial No. LVT1797-001B [J/C] CCover_KDADV49AVX44[JC].inddover_KDADV49AVX44[JC].indd 2 008.2.188.2.18 110:45:380:45:38 AAMM Thank you for purchasing a JVC product. Please read all instructions carefully before operation, to ensure your complete understanding and to obtain the best possible performance from the unit. IMPORTANT FOR LASER PRODUCTS 1. CLASS 1 LASER PRODUCT ENGLISH 2. CAUTION: Do not open the top cover. There are no user serviceable parts inside the unit; leave all servicing to qualified service personnel. 3. CAUTION: (For U.S.A.) Visible and/or invisible class II laser radiation when open. Do not stare into beam. (For Canada) Visible and/or invisible class 1M laser radiation when open. Do not view directly with optical instruments. 4. REPRODUCTION OF LABEL: CAUTION LABEL, PLACED OUTSIDE THE UNIT. INFORMATION (For U.S.A.) WARNINGS: This equipment has been tested and found to To prevent accidents and damage comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. -
Note About the Drumsets Almost All Drum Sets Use Layer 1 for the Bass Drums, Layer 2 for the Snares, Layer 3 for the Rest, Layer 4 for Only the Hi-Hats
Intro The Techno Synth Construction Yard 32 MB ROM is a stunning collection of great new sounds designed for the dance, ambient and techno producer or artist. European sound designer Rob Papen has assembled over 600 of his best samples and coupled them with the Proteus 2000’s ultra-powerful synth engine to create a sound set like you’ve never heard before! Proteus’ 12 knob controllers let you tweak sounds to your heart’s content. Presets can morph into completely new sounds and textures at the touch of your fingers. Explore the presets by pressing the Audition button! The Techno Synth Construction Yard includes 136 spankin’ new RIFFs which you can use as backing tracks in your music. Note about the Drumsets Almost all drum sets use Layer 1 for the Bass Drums, Layer 2 for the Snares, Layer 3 for the rest, Layer 4 for only the hi-hats. This means also that the open hi-hat and closed hi-hat work together like real drums! This layering is also useful when using separate outputs or adding FX In the basic setting of the presets the knob control- lers for FX-A and B work only on Layer 2 (snares) and Layer 3 (rest of percussion and drums). Layer 1 and Layer 4 will stay dry for the FX-A knob (K). The non-GM sets have extra Bass and Snare Drums in each kit. Also Note: Many presets have a drum kit located at C-2 to A#1. 2 E-MU Systems TEKNO-Snyth 2 10/28/99, 4:36 PM Note about the MIDI G and MIDI H Controllers Almost all presets use clocked LFOs (MIDI G and MIDI H) to make the sound sync with your song. -
Bearmach Accessories
LAND ROVER Parts and Accessories suitable for All Land Rovers from BEARMACH Ltd SERIES 2a & 3 FRONT END PROTECTION All of our black, nylon coated steel Nudge Bars, Bull Bars and ‘A’ frames give an aggressive and purposeful look and offer improved front end protection due to their strength. Spot light mounting points are also included on accessories most. The units bolt to the existing holes on the chassis/bumper although some cutting of the front spoiler may be required. BA 119 BA 009 nudge bars INTEGRAL BUMPER & NUDGE BAR Replaces the existing bumper & uses existing fixings. Flame cut profiles with wraparounds mounted to a 14 gauge steel box bumper with a lower protector bar. 11/2” (37mm) diameter tube. Box section 21/2” x 4" (63 x 100mm). Shot blasted, etched and then black nylon coated for superior finish and TUBULAR “A” FRAME NUDGE BAR durability. This is the ultimate coating finish which endures all conditions. Weight: – 26kgs. Robust “A” Frame bar suitable for Series 3. Manufactured in 2" diameter 14 Fits all models (including 90/110). gauge steel. To fit to Series vehicles 8 holes need to be drilled. Also features Spotlight mounting facility. Will also fit air conditioned vehicles. NOTE: For vehicles fitted with side lift jacks use extension BA 2140 (optional) NOTE: For vehicles fitted with side lift jacks use extension BA 2140 (optional) BA 009 – Integral Bumper and Nudge Bar BA 119 Tubular ‘A’ Frame Nudge Bar, Black Nylon Coated. PROTECTION BAR ALSO AVAILABLE BA 119S Tubular ‘A’ Frame Nudge Bar, Polished Stainless Steel. IN STAINLESS STEEL Spotlight mounting brackets to the rear PROTECTION BAR A simple tubular bar, made from heavy gauge steel tubing. -
New/Addition Building and Pool Permits Issued Between 10/01/2015 and 10/31/2015
New/Addition Building and Pool Permits Issued Between 10/01/2015 and 10/31/2015 Addition-Alteration and Patio Count: 19 Activity#: 1504084 Type: Residential Sub-Type: Addition-Alteration and Patio Issued: 10/01/2015 Parcel#: 201-14-587 SQ FT: 1634 Address: 7639 W ARTEMISA AV Description: DETACHED RV GARAGE (2012) NO OPTIONS Applicant: SHEA FAMILY Contractor: SHEA FAMILY Phone: Owner: SHEA HOMES LP Valuation: $32,375.00 Class: Occupancy: Reqd Fees: $778.88 Fees Col: $778.88 Balance Due: $0.00 Activity#: 1504085 Type: Residential Sub-Type: Addition-Alteration and Patio Issued: 10/01/2015 Parcel#: 201-14-587 SQ FT: 300 Address: 7639 W ARTEMISA AV Description: DETACHED RAMADA VENTANA PICACHOS -(2012) NO SPRINK - CABANA Applicant: SHEA FAMILY Contractor: SHEA FAMILY Phone: Owner: SHEA HOMES LP Valuation: $16,650.00 Class: Occupancy: Reqd Fees: $460.76 Fees Col: $460.76 Balance Due: $0.00 Activity#: 1504158 Type: Residential Sub-Type: Addition-Alteration and Patio Issued: 10/01/2015 Parcel#: 200-38-503 SQ FT: 420 Address: 9443 W MENADOTA DR Description: NEW ALUMAWOOD LATTICE COVER 14' X 30' Applicant: SUN CITY AWNING & PATIO Contractor: SUN CITY AWNING & PATIO Phone: 623-583-9646 Owner: BIELECKI FRANCIS W / DORIS V Valuation: $2,100.00 Class: Occupancy: Reqd Fees: $100.00 Fees Col: $100.00 Balance Due: $0.00 Activity#: 1504159 Type: Residential Sub-Type: Addition-Alteration and Patio Issued: 10/01/2015 Parcel#: 510-03-155 SQ FT: 165 Address: 27522 N MAKENA PL Description: NEW ALUMAWOOD LATTICE COVER 14' 10" X 10' 11" Applicant: SUN CITY AWNING -
2017 Annual Report
CASCO, MAINE 2017 ANNUAL REPORT WWW.CAMPSUNSHINE.ORG A RETREAT FOR CHILDREN WITH LIFE-THREATENING ILLNESSES AND THEIR FAMILIES 2017 ANNUAL REPORT 1-Reflecting on 2017 3-Mission 4-History 5-Family Letter 6-Camp Families 7-By the Numbers 9- The Power of Camp 10-Seasons of Hope 11-Positivity and Hope 12-Volunteers 17-Treasurer’s Report 18-Financials 19-New Board Members 20-Sunshine Society 21-2017 Donors 42-Staff/Board REFLECTING ON 2017 What an amazing year! Thanks to your kindness, generosity and support, our 33rd year in service was a tremendous success. It is difficult to capture everything that transpired and the whirlwind of events that took place during our 2017 campaign. In reflecting back over the year, we were fortunate to experience many achievements, receive a number of accolades and create special moments and cherished memories. Camp Sunshine offered 22 programs and served 637 families (2,505 family members) from 46 states and 5 countries. We enhanced our outreach by visiting hospitals, clinics and fairs across the country and by partnering with Tropical Smoothie Café, placing information about Camp Sunshine in each of their cafes. The highlight was the unveiling of the Sunshine Smoothie & Sunshine Cup. We also expanded our transportation assistance program to families in need, thanks to the generosity of Hands on Tzedakah, Leukemia & Lymphoma Society, Noyes Brain Tumor Foundation, SEALs for Sunshine, Windham Automotive (Ron Eby), John & Ann Ewalt, Tropical Smoothie Café, and Texas Roadhouse. In fact, you may have even seen our branded van or bus on the road during your travels. -
Chorusing and Flanging Effects on The
. The Independent News Magazine for Ensoniq Users Inthis issue Chorusing and Flanging Effects on the SQs - The Plot Thickens Articles: Clark Salisbury Chorusing and Flanging on the SQs Clark Salisbury cover give the impression that the original signal is echoing. This simple approach yields the DP/4 Specifications original signal and a single echo. If one Ensoniq " 9 wishes to create the sound of multiple (More) "Hidden Waves" on the VFX echoes, one need only route the delayed sig- Walter Cooper ". 14 nal back into the delay itself. This delayed signal is then again delayed, yielding a Sample Variations second echo, and since the output of the William PonJ ".. 15 delay is routed back to its own input, this Pickin' on EPS Bass Sounds second echo is again delayed, and so on. TomShear " 17 The process of routing a delayed signal Welcome to this month's installment of back into the delay is referred to as Reviews: "Programming The SQ When You Should "regeneration" or "feedback." Le Cover Dust Covers Be Looking For A Real Job." So far we've Steve VincenJ 4 talked about how to route voices to the ef- If this regenerated signal is routed back into fects busses and how to work with the the delay at full intensity, however, the Basement Tapes: G2 Daniel Mandel 6 reverb parameters to customize reverb ef- echoes will continue to multiply at full fects. This time out, let's move on to some volume until the sound finally becomes a I Jazz Through MIDI of the other on-board effects. -
Hand Claps, Orchestra Hits, and the Production of Popular Music
Cult Sound Studies: Hand Claps, Orchestra Hits, and the Production of Popular Music Paul Harkins is a lecturer in music at Edinburgh Napier University. His research is about the history and use of digital technologies in popular music and his book, Digital Sampling, is due to be published by Routledge. Other research interests include copyright, mash-ups, and the music industries. His academic writing has been published in Popular Music, Popular Music & Society, IASPM@Journal, Journal on the Art of Record Production, and Reseaux. [email protected] Brockhaus, Immanuel. Cult Sounds. http://www.cult-sounds.com Writing about popular music has often caused problems for scholars attempting to make sense of its sounds. Sociologists have been accused of failing to take them seriously by focusing on the contexts of production, distribution, and consumption and ignoring the ‘text’. Treating music as a text, though, has created its own issues as musicologists use the tools of musical analysis to look at lyrics and notes, things that are easy to write down or notate. Since the turn of the century, there have been a number of developments that have impacted on how scholars approach the sounds of popular music: the Art of Record Production (ARP) conference, which started in 2005, brought together those researching music within the academy, sound engineers starting PhDs, and record producers with books to promote. Moreover, the growth of Sound Studies as an interdisciplinary field has led to an increased focus on the production of sound itself, often outwith the contexts of music making and popular music. -
Cooked in the Lab Dark, Techy D&B Trio Ivy Lab Break Bad on LP P.108
MUSIC DECEMBER ON THE DANCEFLOOR This month’s tracks played out p. 92 GO LONG! The long-players listened to p. 108 WILD COMBINATION The most crucial compilations p. 113 Cooked In The Lab Dark, techy d&b trio Ivy Lab break bad on LP p.108 djmag.com 091 HOUSE REVIEWS BEN ARNOLD [email protected] melancholy pianos, ‘A Fading Glance’ is a lovely, swelling thing, QUICKIES gorgeously understated. ‘Mayflies’ is brimming with moody, building La Fleur Fred P atmospherics, minor chord pads Make A Move Modern Architect and Burial-esque snatches of vo- Watergate Energy Of Sound cal. ‘Whenever I Try To Leave’ winds 9.0 8.5 it up, a wash of echoing percus- The first lady of Berlin’s A most generous six sion, deep, unctuous vibrations Watergate unleashes tracks from the superb and gently soothing pianos chords. three tracks of Fred Peterkin. It’s all This could lead Sawyer somewhere unrivalled firmness. If great, but ‘Tokyo To special. ‘Make A Move’’s hoover Chiba’, ‘Don’t Be Afraid’, bass doesn’t get you, with Minako on vocals, Hexxy/Andy Butler ‘Result’’s emotive vibes and ‘Memory P’ stand Edging/Bewm Chawqk will. Lovely. out. Get involved. Mr. Intl 7. 5 Various Shift Work A statuesque release from Andy Hudd Traxx Now & Document II ‘Hercules & Love Affair’ Butler’s Mr. Then Houndstooth Intl label. Hexxy is his new project Hudd Traxx 7. 5 with DJ Nark, founder of the excel- 7. 5 Fine work in the lent ‘aural gallery’ site Bottom Part four of four in this hinterland between Forty and Nark magazine.