The Year 2017 Top 150.Pdf
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Dossier De Imprensa Carmen Souza "Kachupada" Culturgest 17 De Janeiro De 2014 Revista De Imprensa 22-01-2014
Dossier de Imprensa Carmen Souza "Kachupada" Culturgest 17 de janeiro de 2014 Revista de Imprensa 22-01-2014 1. (PT) - Jornal de Notícias, 17/01/2014, Carmen Souza em Lisboa e Viseu 1 2. (PT) - Diário de Notícias Online, 17/01/2014, Carmen Souza junta "Donna Lee" e funaná 2 3. (PT) - Cotonete Online, 17/01/2014, Carmen Souza: Concerto do Dia 4 4. (PT) - Portugal News - Better News Online, 17/01/2014, Carmen Souza apresenta Kachupada na 5 Culturgest 5. (PT) - Público Online, 17/01/2014, Canções de um jazz nascido em Cabo Verde 6 6. (PT) - Público, 17/01/2014, Canções de um jazz nascido em Cabo Verde 8 7. (PT) - RTP Online, 17/01/2014, Carmen Souza apresenta Kachupada na Culturgest 9 8. (PT) - RTP 1 - Jornal da Tarde, 17/01/2014, Carmen Souza está de regresso a Portugal 10 9. (PT) - TSF - Fila J, 17/01/2014, "Fila J" 11 10. (PT) - Sol - Guia TV & Espectáculos, 17/01/2014, Espectáculos e Exposições 12 11. (PT) - Destak, 16/01/2014, Carmen Souza a ver 14 12. (PT) - Diário de Notícias, 16/01/2014, Carmen Souza junta ´Donna Lee´ e funaná 15 13. (PT) - Diário de Notícias Online, 16/01/2014, Dívida das empresas públicas sobre 565 milhões com troika 16 14. (PT) - Diário de Notícias Online, 16/01/2014, Dívida das empresas públicas sobe 565 milhões com troika 20 15. (PT) - SIC Notícias - Cartaz, 16/01/2014, Sugestões 24 16. (PT) - Sábado - Tentações, 16/01/2014, Música 25 17. (PT) - Visão, 16/01/2014, Entrevista a Carmen Souza 27 18. -
How to Play in a Band with 2 Chordal Instruments
FEBRUARY 2020 VOLUME 87 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Carmen Souza
CARMEN SOUZA Carmen Souza was born 27 years ago in Lisbon within a Christian family of Cape Verdeans. She grew up in a mixed language environment of Creole, the Cape Verde dialect her parents spoke at home, and Portuguese, always surrounded by the Cape Verdean way of life. In her teens she sang professionally in a Lusophone Gospel Choir and later participated in several projects ranging through such musical genres as Funk, Soul, Jazz and World music. Being a strongly spiritual person, Carmen always saw music as her mission and felt privileged to have the opportunity to express herself through it, working hard every day to deserve that opportunity. Musicians like Luis Morais, Theo Pas'cal, Ella Fitzgerald, Joe Zawinul, Herbie Hancock, Keith Jarret, Diana Krall, etc, are definitely those that truly inspire her evolution and search for a unique personal style. Theo Pas'cal, her producer and mentor and one of the best bass players in Portugal, discovered her talent and introduced Carmen to Jazz, Fusion and other contemporary sounds that markedly influenced her musical development. In 2003, Carmen began working with Theo on the compositions that would be included on her début album Ess ê nha Cabo Verde. Carmen wanted to create a new sound, in her ancestor’s dialect Creole, that would mix traditional African and Cape Verde rhythms like Batuke, Morna, Cola djon, and others, with her jazz contemporary influences, in a totally intimate and acoustic vibe, different from the traditional festive environment of Cape Verdean sounds. Ess ê nha Cabo Verde, was released two years later in 2005 to critical acclaim and led to her international breakthrough performance at the WOMAD at Reading Festival of the same year. -
Fascinating New Disc...Souza Infuses Silver's Repertoire with A
CARMEN SOUZA | PRESS QUOTES «fascinating new disc...Souza infuses Silver’s repertoire with a few Cape Verdean creole musical idioms, such as funaná (an accordion-powered dance music) and the rhythmically rubato and social-conscious coladeira, as well as Northern Brazil's pulsating duple-metered dance music, baião. She glides thorough these styles and in between sings in Portuguese, English and creole with supple ease and superb invention.» ~ John Murph, 4**** Downbeat Magazine (USA) «What Souza creates is more than a fusion of two worlds, it´s simply beautiful music…It's hard to imagine a more moving homage to one of her heroes.» ~ Gonçalo Frota, 4**** Songlines Magazine (UK) «The Silver Messengers' delivers as the ultimate tribute» ~ Imran Mirza, 4**** UKVIBE.org (UK) «In the interpretation of these songs she changes in a breath-taking speed from scat singing to virtuoso rapping and back» ~ AUDIO Magazine (DE) 4**** «...she and her musicians put a Latin slant on everything but manage to keep the essence of Horace's music intact» ~ JazzJornal (UK) 3*** 'SOUL SEARCHING: 'Superb from Carmen Souza' Marl bank (UK) «Her voice, singing technic, her grace and knowledge make her jazz loved worldwide... A super CD» ~ FOLKMAGAZIN (DE) «Carmen Souza her fellow musicians thrill the listener immediately and guarantee a very special musical enjoyment...Outstanding!» ~ WEGOTMUSIC.DE (DE) «I was really surprised by the Portuguese-Cape Verdean singer Carmen Souza, who, with The Silver Messengers, brings a particularly beautiful tribute to the legendary American-Cape Verdean jazz pianist, singer and composer Horace Silver.» ~ Heaven Magazine (NL) «The band are terrific. -
Some of CARMEN SOUZA and THEO PASCAL PRESS Quotes Over the Years See the Clipping At
Some of CARMEN SOUZA AND THEO PASCAL PRESS Quotes over the years See the clipping at www.carmensouzapresskit.blogspot.com CD/DVD_LIVE LAGNY JAZZ FESTIVAL (2014) 5 STARS (CD of the week)"Carmen Souza is one of a kind—an original as rare as a throat singer and as exquisite as a vocalist who combines the best of Billie Holiday and Elis Regina—whose time has certainly come. Carmen Souza’s star is certainly on the rise. Her performances are riveting; she has a sensuous manner and her delicate swaying to the music seems to suggest that her body absorbs the melodies and harmonies of her songs that are surely made deep down in her soul." Raul da Gama, Latin Jazz Network, USA 5 STARS "Une artiste impressionnante. Chanteuse charismatique, Carmen Souza scatte à la manière d’Ella Fitzgerald et passe de l’aigu au grave avec une virtuosité certaine. Tantôt suave, tantôt mélancolique dans Live at Lagny Jazz festival, elle s’approprie avec simplicité et malice le fameux « sodade » si cher à la Diva au pieds nus (ndlr Cesaria Evora). Elle joue de la guitare, du piano et utilise sa voix tel un instrument. Dans cet album, ses reprises de My favorite things - John Coltrane - et Donna Lee – standard du jazz composé par Miles Davis – prouvent, s’il en était besoin, tout le talent de cette artiste. Elle réussit la prouesse de s’approprier des classiques du jazz sans les dénaturer." Eva Dréano, AFRICAVIVRE, FR 5STARS "La chanteuse a ainsi trouvé sa voi(e)x dans un métissage réussi des rythmes africains et capverdiens et du jazz contemporain...Piochant dans son répertoire quelques succès, Carmen y présente aussi trois inédits, dont un reprise sublime d’Edith Piaf « Sous le Ciel de Paris ». -
Carmen Souza
www.capmagellan.org Octobre 2012 n° 215 www.capmagellan.sapo.pt Crédit Photo : Jazzpilon Carmen Souza : Entrevista e novo álbum ISSN 1274-3569 - Prix 2 euros ROTEIRO ÉVÉNEMENT 9e Rencontre Nationale 27 oct.: le Gala des Associations Portugaises de Cap Magellan est de retour 2 SOMMAIRE Je veux aller à l’Université… E jà agora aprender o Português ;-) 06 ACTUALITÉ C’est peu dire qu’il faut être inquiet, puis fâché, puis Milhares de portugueses très fâché, à la lecture des propos de Madame Geneviève Fioraso. Même remis dans un contexte qui édulcore nas ruas contra a austeridade toujours le sentiment premier, cette phrase louant la langue portugaise mais la rejetant des langues ayant 08 ÉCONOMIE naturellement une place dans nos universités, traduit tellement une idée générale sur la culture, l’espace luso- Merkel defende continuação phone, qu’elle doit être dénoncée, par les faits, par le nombre et avec plus de régularité. da austeridade em Portugal Langue d’émigration ? Langue des citoyens du Monde, comme quelques unes. Langue rare ? Langue que l’on veut maintenir à un 10 DOSSIER degré inférieur. Langue des familles lusophones ? Langues des échanges et des évolutions géo-politiques et pour encore quelques bonnes cen- Pourquoi apprendre taines d’années. le portugais ? Ces quelques phrases de colère sourde, peu habituelles en introduc- tion d’un journal qui démontre, avec d’autres, mois après mois, toute 14 É V É NEMENT la force du monde lusophone et tout l’intérêt de son lien à l’espace francophone, pour réprimander, pour ouvrir les yeux, pour informer Le Gala à l’Hôtel de Ville et pour appeler à une meilleure organisation des forces qui devraient participer à cette visibilité accrue de la langue portugaise, à la défense de Paris est de retour le 27 octobre ! – avec des objectifs et mieux encore – des résultats, ice et maintenant, en France. -
IBERIAN SUITE: Global Arts Remix March 3–24, 2015 the Kennedy Center Washington, D.C
IBERIAN SUITE: global arts remix March 3–24, 2015 The Kennedy Center Washington, D.C. March 3–24, 2015 The Kennedy Center Washington, D.C. IBERIAN SUITE: global arts remix Presented in cooperation with the governments of Portugal and Spain Presenting Underwriter HRH Foundation Honorary Chairman His Majesty King Juan Carlos Festival Leadership Committee José Andrés, Natalia and Carlos Bulgheroni, Helen Lee Henderson, Amalia Perea Mahoney, Former President Felipe González Márquez, The Honorable Luis Alberto Moreno, and David M. Rubenstein Festival Benefactors Ambassador Elizabeth F. Bagley, Natalia and Carlos Bulgheroni, Amalia Perea Mahoney and William Mahoney, and David and Alice Rubenstein Major Sponsors Additional support is provided by The Honorable and Mrs. Thomas F. McLarty, III and Repsol. Picasso Ceramist and the Mediterranean Presenting Underwriter HRH Foundation International Programming at the Kennedy Center is made possible through the generosity of the Kennedy Center International Committee on the Arts. he title of this festival, IBERIAN SUITE, echoes the suite of exquisite piano compositions by acclaimed Spanish composer INDEX Isaac Albéniz, Iberia. Albéniz’s music richly reflects the colors Exhibition ...........................Page 6 Tand textures of the Iberian Peninsula, and the aesthetics and spirit of its people. The Peninsula was once a grand crossroads of Europe, Special Events . .Page 10 Africa, Asia, and the Middle East. For more than a millennium, it was Dance ..............................Page 14 a vibrant melting pot of people, culture, and religions. When Spanish and Portuguese explorers and conquistadors set sail in the 15th century, Theater .............................Page 20 the resulting encounters transformed the world. Global arts remix Music...............................Page 26 seeks to capture a sense of the reach of those historic voyages and the Free Concerts........................Page 34 extraordinary mingling of arts and cultures they engendered. -
Governo Do Estado De Mato Grosso Demonstrativo De Rendimentos Dos
Instituição Página Governo do Estado de Mato Grosso 1 / 1,107 Emissão Departamento 02-01-2020 11:29:23 Secretaria de Estado de Gestão Referência : SEAP1438P Demonstrativo de Rendimentos dos Servidores Públicos Estaduais Mes/Ano: 12/2019 Órgão: 36 Num. Folha: 1 Órgão: INATIVO E PENSIONISTA CIVIL PODER EXEC. Nome do Servidor Vinculo Tipo de Vinculo Cargo Efetivo Comissão/Função Redimentos I.R. C. Prev. Liquido* ABADIA APARECIDA DA CRUZ 1 ESTAB. CONSTIT. TEC ADM EDUC PROFISSIONALIZADO-30 4349.55 40.62 0 4308.93 ABADIA DOS REIS GONDIM PASSOS 1 NOMEADO EFETIVO PROFESSOR EDUC. BASICA 6950.58 1008.44 122.22 5819.92 ABADIA FATIMA BEZERRA 1 NOMEADO EFETIVO PROFESSOR EDUC. BASICA 7394.24 593.43 171.02 6629.79 ABADIA MONTEIRO DO AMARAL 1 NOMEADO EFETIVO PROFESSOR EDUC. BASICA 7421.69 600.15 174.04 6647.5 ABADIA ROSA PEREIRA MORAES 1 NOMEADO EFETIVO PROFESSOR EDUC. BASICA 6950.58 956.3 122.22 5872.06 ABADIO DE FREITAS 1 NOMEADO EFETIVO PROFESSOR EDUC. BASICA 6156.13 0 34.83 6121.3 ABDEL HAKIM KHALIL OKDE 1 NOMEADO EFETIVO PROFESSOR EDUC. BASICA 7689.99 1189.41 203.55 6297.03 ABDIAS MAGALHAES 1 NOMEADO EFETIVO AGENTE DE TRIBUTOS EST/LC363 20780.97 3869.83 1643.56 15267.58 ABEGAIR ARAUJO DA SILVA 1 NOMEADO EFETIVO PROFESSOR EDUC. BASICA 7542.11 629.62 187.29 6725.2 ABEL CEDRO CRUZ 1 ESTAB. CONSTIT. AUXILIAR DE SERVICOS GERAIS I 998 0 0 998 ABEL DE MAGALHAES 1 ESTAB. CONSTIT. APOIO DESENV ECO SOC L 10177/14 4629.04 61.58 0 4567.46 ABEL JOSE DE BRITO 1 ESTAB. -
Cinematic and Literary Representations of Africans And
Cadernos de Estudos Africanos 24 | 2012 Africanos e Afrodescendentes em Portugal: Redefinindo Práticas, Projetos e Identidades Cinematic and Literary Representations of Africans and Afro-descendants in Contemporary Portugal: Conviviality and conflict on the margins Representações fílmicas e literárias de africanos e afrodescendentes no Portugal contemporâneo: Convivialidade e conflito nas margens Fernando Arenas Electronic version URL: http://journals.openedition.org/cea/676 DOI: 10.4000/cea.676 ISSN: 2182-7400 Publisher Centro de Estudos Internacionais Printed version Number of pages: 165-186 ISSN: 1645-3794 Electronic reference Fernando Arenas, « Cinematic and Literary Representations of Africans and Afro-descendants in Contemporary Portugal: Conviviality and conflict on the margins », Cadernos de Estudos Africanos [Online], 24 | 2012, Online since 13 December 2012, connection on 19 April 2019. URL : http:// journals.openedition.org/cea/676 ; DOI : 10.4000/cea.676 O trabalho Cadernos de Estudos Africanos está licenciado com uma Licença Creative Commons - Atribuição-NãoComercial-CompartilhaIgual 4.0 Internacional. Cadernos de Estudos Africanos (2012) 24, 165-186 © 2012 Centro de Estudos Africanos do ISCTE - Instituto Universitário de Lisboa Ca a Lay Ra Aa a A-a Cay Pa: Cay a a Fernando Arenas Departamento de Estudos Afroamericanos e Africanos Universidade de Michigan Ann Arbor, E.U.A. [email protected] 166 CINEMATIC AND LITERARY REPRESENTATIONS OF AFRICANS AND AFRO -DESCENDANTS IN CONTEMPORARY PORTUGAL : CONVIVIALITY AND CONFLICT ON THE MARGINS Cinematic and literary representations of Africans and Afro-descendants in contemporary Portugal: Conviviality and conlict on the margins This article ofers an analysis of feature ilms and literary iction related to sub-Saha- ran African immigrants and their descendants in contemporary Portugal. -
Carmen Souza | Biografie
CARMEN SOUZA | BIOGRAFIE CARMEN SOUZA Carmen Souza wurde 1981 in Lissabon in einer christlichen kapverdischen Familie geboren. Da ihr Vater we- gen seiner Arbeit auf dem Meer immer lange weg war, erfuhr sie schon sehr früh, was das Gefühl der "Soda- de" bedeutet. Sie wuchs zweisprachig Creole, das ihre Eltern zu Hause sprachen, und Portugiesisch auf. Im- mer umgeben von der kapverdischen Art zu Leben. Während ihrer Teenager Zeit sang sie professionell in einem lusophonen Gospelchor. Als streng gläubige Person sah Carmen ihre Musik immer als ihre Mission an und fühlte sich privilegiert, die Möglichkeit zu haben, sich mit ihr aus- zudrücken und arbeitete jeden Tag hart an sich. Musiker wie Luis Morais, Theo Pas'cal, Ella Fitzgerald, Billie Holi- day, Nina Simone, Joe Zawinul, Herbie Hancock, Keith Jarret, Bill Evans, Miles Davis, Horace Silver, etc. waren diejenigen, die ihre Entwicklung und Ihre Suche nach ihrem persönlichen Stil inspiriert haben. Theo Pas'cal, ihr Produzent und Mentor und einer der besten Bassisten Portugals, entdeckte ihr Talent und führte Carmen in den Jazz und andere zeitgenössische Sounds ein, die ihre musikalische Entwicklung nachhaltig prägten. 2003 begann Carmen mit Theo an den Kompositionen zu arbeiten, die auf ihrem Debüt Album "Ess ê nha Cabo Ver- de" erschienen. Carmen wollte einen neuen Sound in dem Dialekt ihrer Vorfahren, dem Creole, kreieren, der traditio- nelle afrikanische und kapverdische Rhythmen wie Batuke, Morna, Cola djon und andere mit ihren zeitgenössischen Jazzeinflüssen und einer intimen akustischen Stimmung vermischt und sich von dem bekannten traditionellen festi- ven kapverdischen Sound unterscheidet. "Ess ê nha Cabo Verde" wurde zwei Jahre später im Jahr 2005 veröffentlicht und von der Kritik gefeiert. -
Bart Paul VANSPAUWEN
THE (R) EVOLUTION OF LUSOPHONE MUSICS IN THE CITY OF LISBON Bart Paul VANSPAUWEN ___________________________________________________ Dissertação de Mestrado em Ciências Musicais. Variante de Etnomusicologia SETEMBRO DE 2010 USICS HE HE M 2010 , ISBON L USOPHONE L ITY ITY OF C IN THE IN THE Bart Paul VANSPAUWEN, T VANSPAUWEN, Bart Paul EVOLUTION OF EVOLUTION (R) Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Ciências Musiciais. Variante de Etnomusicologia, realizada sob a orientação científica da Professora Doutora Salwa El-Shawan Castelo-Branco. ACKNOWLEDGEMENTS I wish to express my gratitude to all those who stimulated me to complete this work. This includes Prof. Dr. Salwa El-Shawan Castelo-Branco and the Instituto de Etnomusicologia at FCSH/UNL, all interviewees and the people that brought me into contact with them, my teachers, as well as my family and friends. I am also grateful to the Fundação Calouste Gulbenkian for financial support received which allowed me to complete the preliminary stage of my research. I ABSTRACT THE (R) EVOLUTION OF LUSOPHONE MUSICS IN THE CITY OF LISBON Bart Paul VANSPAUWEN KEYWORDS: lusofonia , migration, cultural politics, urban ethnomusicology, identity formation, postcolonialism, cross-cultural processes, cosmopolitanism, globalization. This dissertation explores the concept of lusofonia . Departing from a discursive analysis of the concept, I will address the ways through which it figures in the cultural policies of the Municipality of Lisbon and of governmental institutions, and how it informs their actions. I will also explore the role of voluntary associations such as Sons da Lusofonia that evoke lusofonia as part of their goals. -
Carmen Souza | Biography
CARMEN SOUZA | BIOGRAPHY CARMEN SOUZA Carmen Souza was born in Lisbon (81) within a Christian family of Cape Verdeans. Very early she experien- ced the “Sodade” feeling of missing someone with the long absence of her father due to his work at sea. She grew up in a mixed language environment of Creole, the Cape Verde dialect her parents spoke at home, and Portuguese, always surrounded by the Cape Verdean way of life. In her teens she sang professionally in a Lusophone Gospel Choir. Being a strongly spiritual person, Carmen always saw music as her mission and felt privileged to have the opportunity to express herself through it, working hard every day to deserve that opportunity. Musicians like Luis Morais, Theo Pas'cal, Ella Fitzgerald, Billie Holiday, Nina Si- mone, Joe Zawinul, Herbie Hancock, Keith Jarret, Bill Evans, Miles Davis, Horace Silver, etc, are definitely those that truly inspire her evolution and search for a unique personal style. Theo Pas'cal, her producer and mentor and one of the best bass players in Portugal, discovered her talent and introdu- ced Carmen to Jazz and other contemporary sounds that markedly influenced her musical development. In 2003, Carmen began working with Theo on the compositions that would be included on her début album Ess ê nha Cabo Verde. Carmen wanted to create a new sound, in her ancestor’s dialect Creole, that would mix traditional Afri- can and Cape Verde rhythms like Batuke, Morna, Cola djon, and others, with her jazz contemporary influences, in a totally intimate and acoustic vibe, different from the traditional festive environment of Cape Verdean sounds.