IBERIAN SUITE: Global Arts Remix March 3–24, 2015 the Kennedy Center Washington, D.C
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Dossier De Imprensa Carmen Souza "Kachupada" Culturgest 17 De Janeiro De 2014 Revista De Imprensa 22-01-2014
Dossier de Imprensa Carmen Souza "Kachupada" Culturgest 17 de janeiro de 2014 Revista de Imprensa 22-01-2014 1. (PT) - Jornal de Notícias, 17/01/2014, Carmen Souza em Lisboa e Viseu 1 2. (PT) - Diário de Notícias Online, 17/01/2014, Carmen Souza junta "Donna Lee" e funaná 2 3. (PT) - Cotonete Online, 17/01/2014, Carmen Souza: Concerto do Dia 4 4. (PT) - Portugal News - Better News Online, 17/01/2014, Carmen Souza apresenta Kachupada na 5 Culturgest 5. (PT) - Público Online, 17/01/2014, Canções de um jazz nascido em Cabo Verde 6 6. (PT) - Público, 17/01/2014, Canções de um jazz nascido em Cabo Verde 8 7. (PT) - RTP Online, 17/01/2014, Carmen Souza apresenta Kachupada na Culturgest 9 8. (PT) - RTP 1 - Jornal da Tarde, 17/01/2014, Carmen Souza está de regresso a Portugal 10 9. (PT) - TSF - Fila J, 17/01/2014, "Fila J" 11 10. (PT) - Sol - Guia TV & Espectáculos, 17/01/2014, Espectáculos e Exposições 12 11. (PT) - Destak, 16/01/2014, Carmen Souza a ver 14 12. (PT) - Diário de Notícias, 16/01/2014, Carmen Souza junta ´Donna Lee´ e funaná 15 13. (PT) - Diário de Notícias Online, 16/01/2014, Dívida das empresas públicas sobre 565 milhões com troika 16 14. (PT) - Diário de Notícias Online, 16/01/2014, Dívida das empresas públicas sobe 565 milhões com troika 20 15. (PT) - SIC Notícias - Cartaz, 16/01/2014, Sugestões 24 16. (PT) - Sábado - Tentações, 16/01/2014, Música 25 17. (PT) - Visão, 16/01/2014, Entrevista a Carmen Souza 27 18. -
How to Play in a Band with 2 Chordal Instruments
FEBRUARY 2020 VOLUME 87 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Carmen Souza
CARMEN SOUZA Carmen Souza was born 27 years ago in Lisbon within a Christian family of Cape Verdeans. She grew up in a mixed language environment of Creole, the Cape Verde dialect her parents spoke at home, and Portuguese, always surrounded by the Cape Verdean way of life. In her teens she sang professionally in a Lusophone Gospel Choir and later participated in several projects ranging through such musical genres as Funk, Soul, Jazz and World music. Being a strongly spiritual person, Carmen always saw music as her mission and felt privileged to have the opportunity to express herself through it, working hard every day to deserve that opportunity. Musicians like Luis Morais, Theo Pas'cal, Ella Fitzgerald, Joe Zawinul, Herbie Hancock, Keith Jarret, Diana Krall, etc, are definitely those that truly inspire her evolution and search for a unique personal style. Theo Pas'cal, her producer and mentor and one of the best bass players in Portugal, discovered her talent and introduced Carmen to Jazz, Fusion and other contemporary sounds that markedly influenced her musical development. In 2003, Carmen began working with Theo on the compositions that would be included on her début album Ess ê nha Cabo Verde. Carmen wanted to create a new sound, in her ancestor’s dialect Creole, that would mix traditional African and Cape Verde rhythms like Batuke, Morna, Cola djon, and others, with her jazz contemporary influences, in a totally intimate and acoustic vibe, different from the traditional festive environment of Cape Verdean sounds. Ess ê nha Cabo Verde, was released two years later in 2005 to critical acclaim and led to her international breakthrough performance at the WOMAD at Reading Festival of the same year. -
Fascinating New Disc...Souza Infuses Silver's Repertoire with A
CARMEN SOUZA | PRESS QUOTES «fascinating new disc...Souza infuses Silver’s repertoire with a few Cape Verdean creole musical idioms, such as funaná (an accordion-powered dance music) and the rhythmically rubato and social-conscious coladeira, as well as Northern Brazil's pulsating duple-metered dance music, baião. She glides thorough these styles and in between sings in Portuguese, English and creole with supple ease and superb invention.» ~ John Murph, 4**** Downbeat Magazine (USA) «What Souza creates is more than a fusion of two worlds, it´s simply beautiful music…It's hard to imagine a more moving homage to one of her heroes.» ~ Gonçalo Frota, 4**** Songlines Magazine (UK) «The Silver Messengers' delivers as the ultimate tribute» ~ Imran Mirza, 4**** UKVIBE.org (UK) «In the interpretation of these songs she changes in a breath-taking speed from scat singing to virtuoso rapping and back» ~ AUDIO Magazine (DE) 4**** «...she and her musicians put a Latin slant on everything but manage to keep the essence of Horace's music intact» ~ JazzJornal (UK) 3*** 'SOUL SEARCHING: 'Superb from Carmen Souza' Marl bank (UK) «Her voice, singing technic, her grace and knowledge make her jazz loved worldwide... A super CD» ~ FOLKMAGAZIN (DE) «Carmen Souza her fellow musicians thrill the listener immediately and guarantee a very special musical enjoyment...Outstanding!» ~ WEGOTMUSIC.DE (DE) «I was really surprised by the Portuguese-Cape Verdean singer Carmen Souza, who, with The Silver Messengers, brings a particularly beautiful tribute to the legendary American-Cape Verdean jazz pianist, singer and composer Horace Silver.» ~ Heaven Magazine (NL) «The band are terrific. -
International Literary Program
PROGRAM & GUIDE International Literary Program LISBON June 29 July 11 2014 ORGANIZATION SPONSORS SUPPORT GRÉMIO LITERÁRIO Bem-Vindo and Welcome to the fourth annual DISQUIET International Literary Program! We’re thrilled you’re joining us this summer and eagerly await meeting you in the inimitable city of Lisbon – known locally as Lisboa. As you’ll soon see, Lisboa is a city of tremendous vitality and energy, full of stunning, surprising vistas and labyrinthine cobblestone streets. You wander the city much like you wander the unexpected narrative pathways in Fernando Pessoa’s The Book of Disquiet, the program’s namesake. In other words, the city itself is not unlike its greatest writer’s most beguiling text. Thanks to our many partners and sponsors, traveling to Lisbon as part of the DISQUIET program gives participants unique access to Lisboa’s cultural life: from private talks on the history of Fado (aka The Portuguese Blues) in the Fado museum to numerous opportunities to meet with both the leading and up-and- coming Portuguese authors. The year’s program is shaping up to be one of our best yet. Among many other offerings we’ll host a Playwriting workshop for the first time; we have a special panel dedicated to the Three Marias, the celebrated trio of women who collaborated on one of the most subversive books in Portuguese history; and we welcome National Book Award-winner Denis Johnson as this year’s guest writer. Our hope is it all adds up to a singular experience that elevates your writing and affects you in profound and meaningful ways. -
Some of CARMEN SOUZA and THEO PASCAL PRESS Quotes Over the Years See the Clipping At
Some of CARMEN SOUZA AND THEO PASCAL PRESS Quotes over the years See the clipping at www.carmensouzapresskit.blogspot.com CD/DVD_LIVE LAGNY JAZZ FESTIVAL (2014) 5 STARS (CD of the week)"Carmen Souza is one of a kind—an original as rare as a throat singer and as exquisite as a vocalist who combines the best of Billie Holiday and Elis Regina—whose time has certainly come. Carmen Souza’s star is certainly on the rise. Her performances are riveting; she has a sensuous manner and her delicate swaying to the music seems to suggest that her body absorbs the melodies and harmonies of her songs that are surely made deep down in her soul." Raul da Gama, Latin Jazz Network, USA 5 STARS "Une artiste impressionnante. Chanteuse charismatique, Carmen Souza scatte à la manière d’Ella Fitzgerald et passe de l’aigu au grave avec une virtuosité certaine. Tantôt suave, tantôt mélancolique dans Live at Lagny Jazz festival, elle s’approprie avec simplicité et malice le fameux « sodade » si cher à la Diva au pieds nus (ndlr Cesaria Evora). Elle joue de la guitare, du piano et utilise sa voix tel un instrument. Dans cet album, ses reprises de My favorite things - John Coltrane - et Donna Lee – standard du jazz composé par Miles Davis – prouvent, s’il en était besoin, tout le talent de cette artiste. Elle réussit la prouesse de s’approprier des classiques du jazz sans les dénaturer." Eva Dréano, AFRICAVIVRE, FR 5STARS "La chanteuse a ainsi trouvé sa voi(e)x dans un métissage réussi des rythmes africains et capverdiens et du jazz contemporain...Piochant dans son répertoire quelques succès, Carmen y présente aussi trois inédits, dont un reprise sublime d’Edith Piaf « Sous le Ciel de Paris ». -
BIOGRAPHY Carminho Is the Great Voice of Fado and One of the Most Celebrated International Portuguese Artists of the New Generation
BIOGRAPHY Carminho is the great voice of Fado and one of the most celebrated International Portuguese artists of the new generation. Carminho was born in the middle of the guitars and voices of Fado, daughter of the renowned Fado singer, Teresa Siqueira, she began singing in public at the age of twelve in the Coliseum. Fado was always so present in her life that she never thought it could be her profession. During college she sang at Fado houses. She had several offers to record, but she decided to wait. She graduated in Marketing and Advertising and realized that singing required a maturity and worldliness that she did not yet have. For a whole year she traveled the world, participating in humanitarian missions, and returned to Lisbon determined to giver herself entirely to an artistic journey. FADO, her first album, was released in 2009, and became the most acclaimed album of the year and decade. It achieved Platinum status, an enviable result for a debut, and opened the hearts of Portugal to her voice, and of the world, to her talents. This led to being awarded the best album of 2011 for the British magazine – SONGLINES, followed by performances in European capitals, WOMEX 2011 in Copenhagen, and at the Parisian UNESCO headquarters as part of the FADO bid for World Heritage. In the same year she collaborated with Pedro Alboran, and became the first Portuguese artist to debut at number 1 on the Spanish charts. In 2012, her next album, ALMA, debuted at No. 1 in sales in Portugal, and achieved prominent positions in other international markets. -
Cafuné / Carminho Zona Platea Frontal
FESTIVAL DE FLAMENCO Y FADO BADAJOZ Del 2 al 10 de julio 2021 Viernes, 2 de julio 22:00h Terraza de verano del López de Ayala Teresinha Landeiro ‘Agora’ Javier Conde ‘El flamenco y su vibrante mundo ’ Sábado, 3 de julio 22:00h Terraza de verano del López de Ayala Pedro de Castro ‘A Guitarra de Lisboa’ Las Migas ‘Empatía’ Jueves, 8 de julio 22:00h Auditorio Ricardo Carapeto Katia Guerreiro ‘Sempre’ Rocío Márquez ‘Visto en el jueves’ Viernes, 9 de julio 22:00h Auditorio Ricardo Carapeto Lina y Raül Refree ‘Lina y Raül Refree’ Estrella Morente ‘Estrella Morente y su cuadro flamenco’ Sábado, 10 de julio 22:00h Auditorio Ricardo Carapeto Carmen La Parreña ‘Cafuné’ Carminho ‘María’ FESTIVAL DE FLAMENCO Y FADO BADAJOZ Del 2 al 10 de julio 2021 Una nueva edición del Festival Flamenco y Fado de Badajoz que aprovecha la unión de dos grandes músicas como son el fla- menco y el fado para unirlas en el escenario y mostrar lo mejor de cada artista. Este año tiene como protagonistas a grandes voces femeninas, voces emergentes en el panorama de ambos estilos. Con carácter pero sobre todo con gran presencia de es- tilos y formas actuales. Sin perder la esencia pero actualizadas a los tiempos que corren. De esta forma a través del FFFB se acercan las fronteras, se mezclan estilos y pervive el gusto por la música en directo que en esta edición se reparte en dos es- cenarios: la terraza de verano del López de Ayala y el Audito- rio Municipal Ricardo Carapeto. Nuestra ciudad se convierte del 2 al 10 de julio en la capital flamenca de Extremadura y en capital transfronteriza, donde pervive la íntima relación cultural, social y comercial con nuestros vecinos de la Raya. -
The Times | Wednesday November 22 2017 1G T 11 CATHERINE ASHMORE Artsfirst Night
the times | Wednesday November 22 2017 1G T 11 CATHERINE ASHMORE artsfirst night a London of the past is preserved in the venue’s faded splendour. In one of World music the Georgian bars, I could almost Dance Carminho Sings Jobim believe I had seen Tom Rakewell Pavement Barbican himself stopping for a tot of gin on his Sadler’s Wells {{{{( Hogarthian journey from bucolic bliss {{{{( to brothel to Bedlam. o an outsider they can A choice setting, then, for the yle Abraham has become sometimes sound like two inaugural production of OperaGlass a force in American different languages. With its Works, set up by the actor-director dance since founding soft, nasal shades, the Selina Cadell and the dramaturg Eliza Abraham.In.Motion in 2006. Portuguese we hear on a Thompson to bring chamber operas This past weekend his TJoão Gilberto record can make the up close to audiences. With Alan Kcompany made its London debut with cadences of the motherland appear Bennett, Stephen Fry and Vanessa an hour-long production inspired in harsh and guttural. Bossa nova is all Redgrave on the list of supporters, this part by John Singleton’s powerhouse about understatement; fado, the folk fledgling outfit has cachet. And this is 1991 film Boyz n the Hood as well as by music of Portugal, is much more a fine outing for Stravinsky’s morality the writings of the civil rights activist declamatory, sometimes downright tale. A little safe, perhaps, but drawing WEB Du Bois. The good news is that melodramatic. first-rate performances. Sadler’s Wells has already promised The two traditions were woven If Cadell doesn’t entirely overcome to present more of Abraham’s work. -
Iberian Suite – National Symphony Orchestra with Conductor Jesús
MUSIC Iberian Suite – National WASHINGTON, D.C. Symphony Orchestra With Thu, March 05– Conductor Jesús López-Cobos Sat, March 07, 2015 Venue Concert Hall, The John F. Kennedy Center for the Performing Arts, 2700 F Street, NW Washington, DC 20566 View map Phone: 202-467-4600 Admission Buy tickets. Tickets are now on sale for all paid events —and for a limited time, patrons can save up to 20% on 3 or more performances. More information Festival's website Credits Spain’s Jesús López-Cobos conducts two programs: one Presented by the Kennedy Center in featuring Portuguese fado with Camané & Carminho and cooperation with the governments of Portugal and Spain. Presenting another celebrating composers from Spain and Colombia with Underwriter HRH Foundation. J. Lascarro & J. Perianes. Spanish programs presented with the support of SPAIN arts & culture, Jesús López-Cobos, one of Spain’s most distinguished conductors, leads Marca España and the Ministry of two programs as part of the Kennedy Center’s International Festival Education, Culture and Sport of IBERIAN SUITE: global arts remix. Spain. View the full festival credits. PORTUGUESE FADO WITH CAMANÉ & CARMINHO ■ On Thursday, March 5 at 7 pm. ■ Portugal / Spain / U.S. ■ Jesús López-Cobos, conductor; Carminho, singer; Camané, singer. Led by Jesús López-Cobos, one of Spain’s most distinguished conductors, the NSO presents an evening of fado, sometimes called the “soul music of Portugal.” Bringing this haunting and evocative music to life are two of the greatest fadistas of today. Camané is the leading man in a new generation of Portugal’s fado singers, with more than 6 million albums sold and several Portuguese Golden Globe nominations to his credit. -
Picador December 2019
PICADOR DECEMBER 2019 PAPERBACK The Inflamed Mind A Radical New Approach to Depression Edward Bullmore Worldwide, depression will be the single biggest cause of disability in the next twenty years. But treatment for it has not changed much in the last three decades...until now. In this game-changing book, University of Cambridge Professor of Psychiatry Edward Bullmore reveals the breakthrough new science on the link between depression and inflammation of the body and brain. He explains how and why we now know that mental disorders can have their root cause in the immune PSYCHOLOGY / system, and outlines a future revolution in which treatments could be PSYCHOPATHOLOGY / specifically targeted to break the vicious cycle of stress, inflammation, and DEPRESSION depression. Picador | 12/31/2019 9781250318169 | $18.00 / $24.50 Can. Trade Paperback | 256 pages | Carton Qty: 32 The Inflamed Mind goes far beyond the clinic and the lab, representing a whole 8.3 in H | 5.4 in W new way of looking at how mind, brain, and body all work together in a Includes 15 black-and-white illustrations throughout sometimes-misguided effort to help us survive in a hostile world. It offers insights into the story of Western medicine, how we have got it wrong as well as Subrights: UK: Short Books; tr.: The Gener right in the past, and how we could start getting to grips with depression and Company; 1st Ser: Picador, Aud.: Picador other mental disorders much more effectively in the future. Other Available Formats: Hardcover ISBN: 9781250318145 • For readers of Atul -
Discovering Stephen Varble
Discovering Stephen Varble Janet Werther Stephen Varble, RUBBISH AND DREAMS: The Genderqueer Performance Art of Stephen Varble, a retrospective exhibition curated by David Getsy at the Leslie-Lohman Museum, New York, NY, September 29, 2018– January 27, 2019. pon entering RUBBISH AND DREAMS: The Genderqueer Performance Art of Stephen Varble at the Leslie-Lohman Museum of LGBTQ+ art and Uhistory, patrons walk through a bubblegum-pink fabric canopy entitled “Homage to Stephen Varble’s Enormous Pink Satin Skirt” by Diego Montoya. Like Alice following the white rabbit, we enter unknowingly into a (gender)queer Wonderland of sorts. Just inside the gallery is a silky pink mannequin sporting an orange life vest and a skirt of large costume pearls, punctuated by enlarged pearly genital fabrications. A metal cheese grater is perched atop the mannequin’s head as an ornate hairpiece, while more plastic pearls cascade down and curl around her would-be ears like tendrils of hair in glamorous absurdity. Later we discover that the original life vest (this display is a re-creation) was stolen from the Staten Island Ferry. The introductory statement by curator David Getsy (School of the Art Institute of Chicago) orients viewers to Varble’s performance of “gender as an open question in both his life and his work”; his evolution from Fluxus co-conspirator to outra- geous art-world provocateur to reclusive spiritualist and filmmaker; and his drag persona Marie Debris.1 Young queer performance historians of the late twentieth century must necessarily become accustomed to receiving belated introductions to would-have-been elders who lost their lives to AIDS.