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Packaging of Dairy Products - II
Paper no.: 12 Paper Title: Food Packaging Technology Module-19: Packaging of Dairy Products - II 19.1 Introduction In this module, we will discuss regarding the packaging of butter, ghee, cheese and milk powder. Butter and ghee contains a high percentage of fat, so they are very susceptible to spoilage. So packaging material used should be selected in such a way that it possesses good grease resistance, and barrier properties against oxygen and moisture. Cheese is fermented dairy product, having low pH and comparative higher moisture content while milk powder is dried product, containing very low moisture. 19.2 Butter It consists primarily of about 80% milk fat, 16% moisture and in table butter up to 3% common salt. Because of high moisture content butter is susceptible to mold growth and lypolytic rancidity 19.2.1 Characteristics of Butter 1. Due to high moisture content butter unlike solid fats is susceptible to mold growth. 2. Flavour and odour are easily absorbed by butter from its environment. 3. Deterioration of the butter may take place due to rancidity. 4. Butter has tendency to lose Moisture. 19.2.2 Requirement of Packaging: 1. Non toxic, not harmful to consumer’s health. 2. It should be grease/moisture proof. 3. Shall be barrier for Oxygen. 4. Low metallic content as metals favor oxidation of fat. 5. Shall not transmit light. 19.2.3 Packaging Material In India, butter is packed in bulk as well as in retail packages. For bulk packaging, there is no standard method, and generally polyethylene bags/parchment paper along with corrugated boxes are used. -
Camp Wanna-Read: Program Guide for the Texas Reading Club 1991. INSTITUTION Texas State Library, Austin
DOCUMENT RESUME ED 337 135 IR 015 121 AUTHOR Switzer, Robin Works TITLE Camp Wanna-Read: Program Guide for the Texas Reading Club 1991. INSTITUTION Texas State Library, Austin. Dept. of Library Development. SPONS AGENCY Department of Education, Washington, DC. PUB DATE 91 NOTE 273p.; For the 1990 program guide, see ED 326 245. PUB TYPE Guides - Nun-Classroom Use (055) EDRS PRICE MF01/PC11 Plus Postage. DESCRIPTORS Adolescent Literature; *Childrens Libraries; Childrens Literature; Elementary Secondary Education; Films; Guidelines; Handicrafts; *Library Planning; Library Services; Preschool Children; Program Development; Public Libraries; Reading Games; *Reading Programs; *Recreational Reading; State Programs IDENTIFIERS *Texas Reading Club ABSTRACT Camp Wanna-Read is the theme for the 1991 program for the Texas Reading Club, which centers around the experIences and types of things that happen at summer camp. Each chapter is a type of camp a child might attend such as cooking camp, art camp, music camp, science camp, Indian ..:amp, nature camp, and regular summer camp. The chapters are divided by program and age level. In each chapter there are themes, ideas, and books for programs for children from preschool age through grade two, and grades three and up. The themes are used to unite the literature presented into a memorable whole, and to help with lesson planning. Programs for the grade two and under include books, films, fingerplays, dramatics, puppets, and crafts, and: last for 30 minutes. Programs for grade three and up run from 30 minutes to an hour and include booktalks, films, guest speakers, creative writing, drama, and art. Also included in this manual a::e guidelines and resources for providing services to children with hearing disabilities; clip art; lists of outside resources including outside speakers and music, miscellaneous, and environmental resources; puzzles, drawings, handouts, and giveaways; and guidelines and sample materials to assist librarians in organizing a reading program. -
Bottle Trees
Bottle Trees by Daniela Edwards RC Creative Writing Winter 2012 1 For Paige, my oldest sister, most frequent rival, consistent critic, steadfast supporter, and oldest friend. And for Mona, in return for fast friendship and late-night sci-fi marathons. 2 Contents Introduction: A Conceit…………………...………………………………………………4 Gingerbread……………………………….……………………………………………….9 Lasting……………………………………………………………………………………13 Horseplay………………………………..……………………………………………….18 Mag……………………………………..………………………………………………..29 Compulsion……………………………..………………………………………………..37 Storm……………………………………..………………………………………………44 Clock……………………………………………………………………………………52 Doll……………………………………...……………………………………………….65 Bottle Tree……………………………….………………………………………………73 Cellar Wine………………………………………………………………………………82 Nan……………………………………….………………………………………………95 3 Introduction: A Conceit During my last semester as an undergraduate, I took a class called “Creative Musicianship.” Mark Kirschenmann, one of the two instructors for the course, focused particularly upon the “creative” part of the course description. Several sessions of the lab section consisted of him showing the class portions of online lectures about creativity (Elizabeth Gilbert’s TED video is certainly worth a look), talking to us about his own creative challenges – such as a course he took as a college student which required him to compose a new piece each week – and urging the class to discuss our own methods and difficulties. Though I entered the course hoping to get more of a grasp on musical creation methods, I ended up learning a lot about creativity -
Printing Presses in the Graphic Arts Collection
Printing Presses in the Graphic Arts Collection THE NATIONAL MUSEUM OF AMERICAN HISTORY 1996 This page blank Printing Presses in the Graphic Arts Collection PRINTING, EMBOSSING, STAMPING AND DUPLICATING DEVICES Elizabeth M. Harris THE NATIONAL MUSEUM OF AMERICAN HISTORY, SMITHSONIAN INSTITUTION WASHINGTON D.C. 1996 Copies of this catalog may be obtained from the Graphic Arts Office, NMAH 5703, Smithsonian Institution, Washington D.C. 20560 Contents Type presses wooden hand presses 7 iron hand presses 18 platen jobbers 29 card and tabletop presses 37 galley proof and hand cylinder presses 47 printing machines 50 Lithographic presses 55 Copperplate presses 61 Braille printers 64 Copying devices, stamps 68 Index 75 This page blank Introduction This catalog covers printing apparatus from presses to rubber stamps, as well as some documentary material relating to presses, in the Graphic Arts Collection of the National Museum of American History. Not listed here are presses outside the accessioned collections, such as two Vandercook proof presses (a Model 4T and a Universal III) that are now earning an honest living in the office printing shop. At some future time, no doubt, they too will be retired into the collections. The Division of Graphic Arts was established in 1886 as a special kind of print collection with the purpose of representing “art as an industry.” For many years collecting was centered around prints, together with the plates and tools that made them. Not until the middle of the twentieth century did the Division begin to collect printing presses systematically. Even more recently, the scope of collecting has been broadened to include printing type and type-making apparatus. -
Corrugated 101! ! !Corrugated Vs
Corrugated 101! ! !Corrugated vs. Cardboard! • The term "cardboard box" is commonly misused when referring to a corrugated box. The correct technical term is "corrugated fiberboard carton.”! • Cardboard boxes are really chipboard boxes, and used primarily for packaging lightweight products, such as cereal or board games.! • Corrugated fiberboard boxes are widely utilized in retail packaging, shipping cartons, product displays and many other applications ! requiring lightweight, but sturdy materials.! !Corrugated Composition! Corrugated fiberboard is comprised of linerboard and heavy paper medium. Linerboard is the flat, outer surface that adheres to the medium. The medium is the wavy, fluted paper between the liners. Both are made of a special kind of heavy paper called !containerboard. Board strength will vary depending on the various linerboard and medium combinations.! • Single Face: Medium glued to 1 linerboard; flutes exposed! • Single Wall: Medium between 2 liners! • Double Wall: Varying mediums layered between 3 liners! !• Triple Wall: Varying mediums layered between 4 liners! !Flute Facts! !Corrugated board can be created with several different flute profiles. The five most common flute profiles are:! • A-Flute: Original corrugated flute design. Contains about 33 flutes per foot.! • B-Flute: Developed primarily for packaging canned goods. Contains about 47 flutes per foot and measures 1/8" thick! • C-Flute: Commonly used for shipping cartons. Contains about 39 flutes per foot and measures 5/32" thick! • E-Flute: Contains about 90 flutes per foot and measures 1/16" thick! • F-Flute: Developed for small retail packaging. Contains about 125 flutes per foot and measures 1/32" thick! • Generally, larger flute profiles deliver greater vertical compression strength and cushioning. -
Manufacturing of Paperboard and Corrugated Board Packages
Lecture 9: Manufacturing of paperboard and corrugated board packages Converting operations: printing, die-cutting, folding, gluing, deep-drawing After lecture 9 you should be able to • describe the most important converting operations in paper and paperboard package manufacturing • discuss important runnability considerations in paperboard package handling • relate factors affecting runnability to pppaperboard app earance and pyphysical performance quality parameters 1 Literature • Pulp and Paper Chemistry and Technology - Volume 4, Paper Products Physics and Technology, Chapter 10 • Paperboard Reference Manual, p. 157-225 • Fundamentals of packaging technology Chapters 4, 6, 15 and 18 Paperboard Packaging Design is the result of • Personal creativity plus – Knowledge and understanding of packaging materials, including: • Structural properties • Graphic capabilities • Converting processes and converting properties • Customer packaging systems • Marketing objectives • Distribution requirements • Retail outlet expectations • Needs and desires of end user • How end user will use the product • Many people may contribute to the design 2 Overall, the design must provide: • Containment of product • Protection of product • Ease in handling through distribution • Prevention of product spoilage • Tamper evidence • Consumer convenience • Brand identification • Communications for the consumer: – Instructions for product use – Coding for quality assurance, expiration dates – Dietary and nutritional information The design should consider: 1. Converting -
4. Printing and Converting Performance
4. Printing and converting performance Paperboard converting 147 Clean edges and surfaces 155 Handling paperboard 158 Offset lithography 160 UV-offset 161 Waterless offset 162 Hybrid offset 162 Flexography 163 Screen printing 164 Digital printing 165 Gravure printing 166 Hot foil stamping 169 Embossing 171 Die-cutting & creasing 174 Lasercutting 178 Scoring 182 Creasabilty & foldability 186 Gluing 194 Binding in practice - the last link 199 Heat sealing 206 Packaging operation 203 Deep drawing 212 146 Reference Manual | IGGESUND PAPERBOARD Paperboard converting Paperboard converting Paperboard has the ability to achieve or exceed the same The increasing demands in the brand promotion process excellent image reproduction as for the best fine papers. for graphic design and the use of non-print surface enhance- Paperboard offers equal possibilities to achieve new, ment are creating innovative shapes and multi-sensory ex- challenging shapes as competing packaging materials. periences for the consumer or user who hand les the product. However, increasing demands on performance of the An understanding of the interaction between paper- material in various converting processes have become board properties and converting effi ciency is essential for evident when speeds in both printing processes and post- designers and converters, since the ultimate design of the press converting have increased. Additionally, the accept- product together with the choice of paperboard will impact ance level for impurities or slight deviations in quality in the on crucial conversion factors like printability, fl atness, and fi nal product has dropped noticeably as a result of both creasing/folding properties. Considering all the variables, end-user demands and the use of modern quality control it is probably true to say that consistency in the behaviour equipment in the various converting machines. -
PRESS RELEASE Paper and Plastic Sacks Provide Equivalent Shelf Life
PRESS RELEASE 11th December 2019 Paper and plastic sacks provide equivalent shelf life Paris/Stockholm, 11th December 2019: A recent study found that paper sacks and form-fill- seal (FFS) polyethylene sacks provided equivalent protection for cement when stored for 18 months under the same conditions. The study was conducted by the Norwegian research organisation SINTEF on behalf of the European Paper Sack Research Group (ESG), a collaboration between CEPI Eurokraft and EUROSAC. “Since cement hardens when reacting with water, perfect product protection of the packaging is vital when storing cement for a longer period of time in order to conserve its quality and properties,” explains Catherine Kerninon, General Delegate of EUROSAC. “To ensure that our industry meets the requirements of cement producers and can compete within the packaging market for cement, we investigated the shelf life of the two sack solutions that are used most widely on the market: cement paper sacks and cement plastic sacks.” For the study, typical sack solutions of each type were Paper sacks protect the product quality chosen: a standard cement paper valve sack made and performance for at least 18 months of two paper layers of 80 g and 70 g with a 12 μm in storage. Image storage depot: Sika Deutschland, Rosendahl, Germany high density polyethylene (HDPE) free film barrier, and a standard plastic sack made of three layers of COEX PE film (LDPE, HDPE and LLDPE) with a total thickness of 120 µm. Study design Three sacks of each type were filled with the same type of cement and stored in an outside storage house in Norway where they were exposed to ambient weather conditions throughout the test period. -
ARTWORK Guidelines for Medical Packaging Graphic Design
6153C West Mulford St. Niles, IL 60714 USA Our Quality, Our Performace, Toll Free Phone: 855-966-6100 Fax: 847-966-6168 Your Success. peelmaster.com ARTWORK Guidelines for Medical Packaging Graphic Design • Background • Print in the heat seal area – Avoid if possible • Close registration and “traps” – Discouraged, but possible • Screens and halftones – Recommended screen: 80 line; gradients/vignettes discouraged • Small type – 6 pt. or larger recommended • Color specifications – Use Pantone uncoated for paper, Tyvek®; Pantone coated for films • Large solids – Large solid area of print are discouraged • Metallic Inks – Discouraged, and may incur extra expense • Electronic artwork – Vector based format (see page 2 for further details) Background: Because medical packaging materials (particularly Tyvek®) can be of uneven thicknesses, there are some limitations on printing that graphic designers should take into consideration when designing artwork for medical packaging. PeelMaster is one of the best printers in the medical packaging business, and can provide expert assistance in your design process. No matter what the challenge, we will give our best efforts. However, often it is possible to reduce or eliminate potential problems with proper design in the first place. For this reason, to assist you, we have assembled the following guidelines: 1. PeelMaster uses a web-fed (roll-to-roll) flexographic printing process. 2. We can print up to 4 colors in register on one side of the web, or can print in register on both sides, 2 colors on one side, one color on the other. (Note: Most medical packaging is one or two colors. If more colors are needed, up to 4 colors can be printed on each side of the web–in two print passes–but the image on one side will randomly located on the package.) 3. -
PACKAGING Folding Carton & Corrugated
WEDNESDAY, NOV. 4, 2020 GUIDE TO DAY EIGHT: PACKAGING Folding Carton & Corrugated INSIDE: CONNECTED PACKAGING DELIVERING GENUINE CONSUMER ENGAGEMENT IS YOUR BRAND READY? THE STATE OF THE FOLDING CARTON & CORRUGATED MARKETS FIVE PACKAGING AND DESIGN TRENDS FOR 2020 TODAY’S SPONSOR: POWERED BY: WELCOME Welcome to this special publication for attendees of the 2020 PRINTING United Digital Experience. In June, PRINTING United announced the decision to transition from an in-person event in Atlanta, Ga. to a comprehensive digital platform. The PRINTING United Digital Ex- perience, taking place Oct. 26 – Nov. 12, o ers attendees three weeks of live, guided programming, educational sessions, and panel discussions with the experts; along with access to a complete online exhibitor showcase featuring information about the newest industry technology, case studies, whitepapers, the chance to speak with exhibitor repre- sentatives, and more. Today is Day Eight of this 14-day event. Focused on the package printing market — spe- cifi cally the folding carton and corrugated segments — attendees have a packed sched- ule of content and product demos (see the detailed agenda on page 4). According to the Digital Printing for Folding Carton Converting study by PRINTING United Alliance and Keypoint Intelligence, the folding carton segment represents about $18 billion in annual print value in the U.S. and Canada. The Fibre Box Association reports that the U.S. corrugated packaging market represents about $35.2 billion in annual print value. For both of these markets, however, it is estimated that 99% of the products are printed via analog technologies. There is a signifi cant amount of opportunity for digital printing going forward. -
Tyvek ® Printing Guide
, China 兽桃 Mask Bag, designed by Shou Tao Tao Mask Bag, designed by Shou DuPont™ Tyvek ® Graphics EMEA Printability Guide Water Resistant Paper-like Light Tear Resistant Recyclable Printable DuPont™ Tyvek ® Graphics EMEA Printability Guide DuPont™ Tyvek® is a popular printing substrate due to its light weight, smooth surface, high dimensional stability, opacity, toughness and durability. Uncoated Tyvek® can be printed using most digital and commercial printing processes. Some digital presses and some aqueous ink jet printers require a special coating. Tyvek® can be printed either sheet or web-fed. Tyvek® can be printed the same way as paper, although some of its physical properties do require special attention. To achieve excellent print quality, both the designer and printer must understand the unique properties and characteristics of Tyvek®. Tyvek® is made of continuous high-density polyethylene filaments. By using heat and pressure, these filaments are bonded into a base material for printing which turns out to be neither paper, cloth nor plastic film, but it integrates the advantages of those three materials. Tyvek® material has a melting point of 135°C and is a water-resistant and non-absorbent material with superior dimensional stability, high strength, and a smooth matt surface. Most traditional printing technologies can be used for Tyvek® printing, as well as some digital printing. The following Tyvek® printing quick reference guidelines have been summarized based on our current knowledge and the relevant contents will be updated -
Developing and Applying a Selection Model for Corrugated Box Precision Printing Machine Suppliers
mathematics Article Developing and Applying a Selection Model for Corrugated Box Precision Printing Machine Suppliers Chin-Tsai Lin and Cheng-Yu Chiang * Department of Business Administration, Ming Chuan University, 250 Zhong Shan N. Rd., Sec. 5, Taipei 111, Taiwan; [email protected] * Correspondence: [email protected]; Tel.: +886-04-2206-1660-630 Abstract: Corrugated box printing machines are precision equipment produced by markedly few manufacturers. They involve high investment cost and risk. Having a corrugated box precision printing machine (CBPPM) supplier with a good reputation enables a corrugated box manufacturer to maintain its competitive advantage. Accordingly, establishing an effective CBPPM supplier selection model is crucial for corrugated box manufacturers. This study established a two-stage CBPPM supplier selection model. The first stage involved the use of a modified Delphi method to construct a supplier selection hierarchy with five criteria and 14 subcriteria. In the second stage, an analytic network process was employed to calculate the weights of criteria and subcriteria and to determine the optimal supplier. According to the results, the five criteria in the model, in descending order of importance, are quality, commitment, cost, service attitude, and reputation. This model can provide insights for corrugated box manufacturers formulating their CBPPM supplier selection strategy. Keywords: corrugated box printing machine; modified Delphi method; analytic network process (ANP); supplier 1. Introduction Citation: Lin, C.-T.; Chiang, C.-Y. The global e-commerce market is rapidly developing, with exponential growth in Developing and Applying a Selection online and TV shopping as well as demand for global shipping. Because most products Model for Corrugated Box Precision purchased online or through TV shopping channels (e-commerce) are packaged using Printing Machine Suppliers.