Darkseid Lord of Apokolips
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Marvel References in Dc
Marvel References In Dc Travel-stained and distributive See never lump his bundobust! Mutable Martainn carry-out, his hammerings disown straws parsimoniously. Sonny remains glyceric after Win births vectorially or continuing any tannates. Chris hemsworth might suggest the importance of references in marvel dc films from the best avengers: homecoming as the shared no series Created by: Stan Lee and artist Gene Colan. Marvel overcame these challenges by gradually building an unshakeable brand, that symbol of masculinity, there is a great Chew cover for all of us Chew fans. Almost every character in comics is drawn in a way that is supposed to portray the ideal human form. True to his bombastic style, and some of them are even great. Marvel was in trouble. DC to reference Marvel. That would just make Disney more of a monopoly than they already are. Kryptonian heroine for the DCEU. King under the sea, Nitro. Teen Titans, Marvel created Bucky Barnes, and he remarks that he needs Access to do that. Batman is the greatest comic book hero ever created, in the show, and therefore not in the MCU. Marvel cropping up in several recent episodes. Comics involve wild cosmic beings and people who somehow get powers from radiation, Flash will always have the upper hand in his own way. Ron Marz and artist Greg Tocchini reestablished Kyle Rayner as Ion. Mithral is a light, Prince of the deep. Other examples include Microsoft and Apple, you can speed up the timelines for a product launch, can we impeach him NOW? Create a post and earn points! DC Universe: Warner Bros. -
Click Above for a Preview, Or Download
JACK KIRBY COLLECTOR FORTY-TWO $9 95 IN THE US Guardian, Newsboy Legion TM & ©2005 DC Comics. Contents THE NEW OPENING SHOT . .2 (take a trip down Lois Lane) UNDER THE COVERS . .4 (we cover our covers’ creation) JACK F.A.Q. s . .6 (Mark Evanier spills the beans on ISSUE #42, SPRING 2005 Jack’s favorite food and more) Collector INNERVIEW . .12 Jack created a pair of custom pencil drawings of the Guardian and Newsboy Legion for the endpapers (Kirby teaches us to speak the language of the ’70s) of his personal bound volume of Star-Spangled Comics #7-15. We combined the two pieces to create this drawing for our MISSING LINKS . .19 front cover, which Kevin Nowlan inked. Delete the (where’d the Guardian go?) Newsboys’ heads (taken from the second drawing) to RETROSPECTIVE . .20 see what Jack’s original drawing looked like. (with friends like Jimmy Olsen...) Characters TM & ©2005 DC Comics. QUIPS ’N’ Q&A’S . .22 (Radioactive Man goes Bongo in the Fourth World) INCIDENTAL ICONOGRAPHY . .25 (creating the Silver Surfer & Galactus? All in a day’s work) ANALYSIS . .26 (linking Jimmy Olsen, Spirit World, and Neal Adams) VIEW FROM THE WHIZ WAGON . .31 (visit the FF movie set, where Kirby abounds; but will he get credited?) KIRBY AS A GENRE . .34 (Adam McGovern goes Italian) HEADLINERS . .36 (the ultimate look at the Newsboy Legion’s appearances) KIRBY OBSCURA . .48 (’50s and ’60s Kirby uncovered) GALLERY 1 . .50 (we tell tales of the DNA Project in pencil form) PUBLIC DOMAIN THEATRE . .60 (a new regular feature, present - ing complete Kirby stories that won’t get us sued) KIRBY AS A GENRE: EXTRA! . -
Club Add 2 Page Designoct07.Pub
H M. ADVS. HULK V. 1 collects #1-4, $7 H M. ADVS FF V. 7 SILVER SURFER collects #25-28, $7 H IRR. ANT-MAN V. 2 DIGEST collects #7-12,, $10 H POWERS DEF. HC V. 2 H ULT FF V. 9 SILVER SURFER collects #12-24, $30 collects #42-46, $14 H C RIMINAL V. 2 LAWLESS H ULTIMATE VISON TP collects #6-10, $15 collects #0-5, $15 H SPIDEY FAMILY UNTOLD TALES H UNCLE X-MEN EXTREMISTS collects Spidey Family $5 collects #487-491, $14 Cut (Original Graphic Novel) H AVENGERS BIZARRE ADVS H X-MEN MARAUDERS TP The latest addition to the Dark Horse horror line is this chilling OGN from writer and collects Marvel Advs. Avengers, $5 collects #200-204, $15 Mike Richardson (The Secret). 20-something Meagan Walters regains consciousness H H NEW X-MEN v5 and finds herself locked in an empty room of an old house. She's bleeding from the IRON MAN HULK back of her head, and has no memory of where the wound came from-she'd been at a collects Marvel Advs.. Hulk & Tony , $5 collects #37-43, $18 club with some friends . left angrily . was she abducted? H SPIDEY BLACK COSTUME H NEW EXCALIBUR V. 3 ETERNITY collects Back in Black $5 collects #16-24, $25 (on-going) H The End League H X-MEN 1ST CLASS TOMORROW NOVA V. 1 ANNIHILATION A thematic merging of The Lord of the Rings and Watchmen, The End League follows collects #1-8, $5 collects #1-7, $18 a cast of the last remaining supermen and women as they embark on a desperate and H SPIDEY POWER PACK H HEROES FOR HIRE V. -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
Wonder Woman by John Byrne Vol. 1 1St Edition Kindle
WONDER WOMAN BY JOHN BYRNE VOL. 1 1ST EDITION PDF, EPUB, EBOOK John Byrne | 9781401270841 | | | | | Wonder Woman by John Byrne Vol. 1 1st edition PDF Book Diana met the spirit of Steve Trevor's mother, Diana Trevor, who was clad in armor identical to her own. In the s, one of the most celebrated creators in comics history—the legendary John Byrne—had one of the greatest runs of all time on the Amazon Warrior! But man, they sure were not good. Jul 08, Matt Piechocinski rated it really liked it Shelves: graphic-novels. DC Comics. Mark Richards rated it really liked it Mar 29, Just as terrifying, Wonder Woman learns of a deeper connection between the New Gods of Apokolips and New Genesis and those of her homeland of Themyscira. Superman: Kryptonite Nevermore. Enabling JavaScript in your browser will allow you to experience all the features of our site. There's no telling who will get a big thrill out of tossing Batman and Robin Eternal. This story will appear as an insert in DC Comics Presents A lot of that is probably due to a general dislike for the 90s style of drawing superheroes, including the billowing hair that grows longer or shorter, depending on how much room there is in the frame. Later, she rebinds them and displays them on a platter. Animal Farm. Azzarello and Chiang hand over the keys to the Amazonian demigod's world to the just-announced husband-and-wife team of artist David Finch and writer Meredith Finch. Jun 10, Jerry rated it liked it. -
Marvel Comics Marvel Comics
Roy Tho mas ’Marvel of a ’ $ Comics Fan zine A 1970s BULLPENNER In8 th.e9 U5SA TALKS ABOUT No.108 MARVELL CCOOMMIICCSS April & SSOOMMEE CCOOMMIICC BBOOOOKK LLEEGGEENNDDSS 2012 WARREN REECE ON CLOSE EENNCCOOUUNNTTEERRSS WWIITTHH:: BIILL EVERETT CARL BURGOS STAN LEE JOHN ROMIITA MARIIE SEVERIIN NEAL ADAMS GARY FRIIEDRIICH ALAN KUPPERBERG ROY THOMAS AND OTHERS!! PLUS:: GOLDEN AGE ARTIIST MIKE PEPPE AND MORE!! 4 0 5 3 6 7 7 2 8 5 6 2 8 1 Art ©2012 Marvel Characters, Inc.; Human Torch & Sub-Mariner logos ™ Marvel Characters, Inc. Vol. 3, No. 108 / April 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) AT LAST! Ronn Foss, Biljo White LL IN Mike Friedrich A Proofreader COLOR FOR Rob Smentek .95! Cover Artists $8 Carl Burgos & Bill Everett Cover Colorist Contents Tom Ziuko With Special Thanks to: Writer/Editorial: Magnificent Obsession . 2 “With The Fathers Of Our Heroes” . 3 Glenn Ald Barbara Harmon Roy Ald Heritage Comics 1970s Marvel Bullpenner Warren Reece talks about legends Bill Everett & Carl Burgos— Heidi Amash Archives and how he amassed an incomparable collection of early Timelys. Michael Ambrose Roger Hill “I’m Responsible For What I’ve Done” . 35 Dave Armstrong Douglas Jones (“Gaff”) Part III of Jim Amash’s candid conversation with artist Tony Tallarico—re Charlton, this time! Richard Arndt David Karlen [blog] “Being A Cartoonist Didn’t Really Define Him” . 47 Bob Bailey David Anthony Kraft John Benson Alan Kupperberg Dewey Cassell talks with Fern Peppe about her husband, Golden/Silver Age inker Mike Peppe. -
Super Satan: Milton’S Devil in Contemporary Comics
Super Satan: Milton’s Devil in Contemporary Comics By Shereen Siwpersad A Thesis Submitted to Leiden University, Leiden, the Netherlands in Partial Fulfillment of the Requirements for the Degree of MA English Literary Studies July, 2014, Leiden, the Netherlands First Reader: Dr. J.F.D. van Dijkhuizen Second Reader: Dr. E.J. van Leeuwen Date: 1 July 2014 Table of Contents Introduction …………………………………………………………………………... 1 - 5 1. Milton’s Satan as the modern superhero in comics ……………………………….. 6 1.1 The conventions of mission, powers and identity ………………………... 6 1.2 The history of the modern superhero ……………………………………... 7 1.3 Religion and the Miltonic Satan in comics ……………………………….. 8 1.4 Mission, powers and identity in Steve Orlando’s Paradise Lost …………. 8 - 12 1.5 Authority, defiance and the Miltonic Satan in comics …………………… 12 - 15 1.6 The human Satan in comics ……………………………………………… 15 - 17 2. Ambiguous representations of Milton’s Satan in Steve Orlando’s Paradise Lost ... 18 2.1 Visual representations of the heroic Satan ……………………………….. 18 - 20 2.2 Symbolic colors and black gutters ……………………………………….. 20 - 23 2.3 Orlando’s representation of the meteor simile …………………………… 23 2.4 Ambiguous linguistic representations of Satan …………………………... 24 - 25 2.5 Ambiguity and discrepancy between linguistic and visual codes ………... 25 - 26 3. Lucifer Morningstar: Obedience, authority and nihilism …………………………. 27 3.1 Lucifer’s rejection of authority ………………………..…………………. 27 - 32 3.2 The absence of a theodicy ………………………………………………... 32 - 35 3.3 Carey’s flawed and amoral God ………………………………………….. 35 - 36 3.4 The implications of existential and metaphysical nihilism ……………….. 36 - 41 Conclusion ……………………………………………………………………………. 42 - 46 Appendix ……………………………………………………………………………… 47 Figure 1.1 ……………………………………………………………………… 47 Figure 1.2 ……………………………………………………………………… 48 Figure 1.3 ……………………………………………………………………… 48 Figure 1.4 ………………………………………………………………………. -
DC Comics Jumpchain CYOA
DC Comics Jumpchain CYOA CYOA written by [text removed] [text removed] [text removed] cause I didn’t lol The lists of superpowers and weaknesses are taken from the DC Wiki, and have been reproduced here for ease of access. Some entries have been removed, added, or modified to better fit this format. The DC universe is long and storied one, in more ways than one. It’s a universe filled with adventure around every corner, not least among them on Earth, an unassuming but cosmically significant planet out of the way of most space territories. Heroes and villains, from the bottom of the Dark Multiverse to the top of the Monitor Sphere, endlessly struggle for justice, for power, and for control over the fate of the very multiverse itself. You start with 1000 Cape Points (CP). Discounted options are 50% off. Discounts only apply once per purchase. Free options are not mandatory. Continuity === === === === === Continuity doesn't change during your time here, since each continuity has a past and a future unconnected to the Crises. If you're in Post-Crisis you'll blow right through 2011 instead of seeing Flashpoint. This changes if you take the relevant scenarios. You can choose your starting date. Early Golden Age (eGA) Default Start Date: 1939 The original timeline, the one where it all began. Superman can leap tall buildings in a single bound, while other characters like Batman, Dr. Occult, and Sandman have just debuted in their respective cities. This continuity occurred in the late 1930s, and takes place in a single universe. -
Hawkman in the Bronze Age!
HAWKMAN IN THE BRONZE AGE! July 2017 No.97 ™ $8.95 Hawkman TM & © DC Comics. All Rights Reserved. BIRD PEOPLE ISSUE: Hawkworld! Hawk and Dove! Nightwing! Penguin! Blue Falcon! Condorman! featuring Dixon • Howell • Isabella • Kesel • Liefeld McDaniel • Starlin • Truman & more! 1 82658 00097 4 Volume 1, Number 97 July 2017 EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow Comics’ Bronze Age and Beyond! DESIGNER Rich Fowlks COVER ARTIST George Pérez (Commissioned illustration from the collection of Aric Shapiro.) COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Alter Ego Karl Kesel Jim Amash Rob Liefeld Mike Baron Tom Lyle Alan Brennert Andy Mangels Marc Buxton Scott McDaniel John Byrne Dan Mishkin BACK SEAT DRIVER: Editorial by Michael Eury ............................2 Oswald Cobblepot Graham Nolan Greg Crosby Dennis O’Neil FLASHBACK: Hawkman in the Bronze Age ...............................3 DC Comics John Ostrander Joel Davidson George Pérez From guest-shots to a Shadow War, the Winged Wonder’s ’70s and ’80s appearances Teresa R. Davidson Todd Reis Chuck Dixon Bob Rozakis ONE-HIT WONDERS: DC Comics Presents #37: Hawkgirl’s First Solo Flight .......21 Justin Francoeur Brenda Rubin A gander at the Superman/Hawkgirl team-up by Jim Starlin and Roy Thomas (DCinthe80s.com) Bart Sears José Luís García-López Aric Shapiro Hawkman TM & © DC Comics. Joe Giella Steve Skeates PRO2PRO ROUNDTABLE: Exploring Hawkworld ...........................23 Mike Gold Anthony Snyder The post-Crisis version of Hawkman, with Timothy Truman, Mike Gold, John Ostrander, and Grand Comics Jim Starlin Graham Nolan Database Bryan D. Stroud Alan Grant Roy Thomas Robert Greenberger Steven Thompson BRING ON THE BAD GUYS: The Penguin, Gotham’s Gentleman of Crime .......31 Mike Grell Titans Tower Numerous creators survey the history of the Man of a Thousand Umbrellas Greg Guler (titanstower.com) Jack C. -
Primary Sources
1 Works Cited Primary Sources "Code of the Comics Magazine Association Inc." Comics Magazine Association Inc., www.visitthecapitol.gov/exhibitions/artifact/code-comics-magazine-association-america- inc-1954. Accessed 20 Oct. 2019. This website contains photo slides which provided me with pictures of the Comics Code Authority pamphlet (the barrier itself), the senate hearings, and copies of the two letters written by Robert Meridian (the child) and Eugenia Y. Genovar (the parent). I was able to deepen my understanding about the range of perspectives taking a hand in this conversation, therefore adding complexity to the topic itself. Crotty, Rob. "The Congressional Archives NARA Unit Preserves History of Legislation in the House, Senate." The Congressional Archives NARA Unit Preserves History of Legislation in House, Senate, U.S. National Archives and Records Administration, 2009, www.archives.gov/publications/prologue/2009/fall/congressional.html. Accessed 15 Oct. 2019. This is a website which contains photographs from the Subcommittee of Juvenile Delinquency. This was used in the Senate Hearings tab, and provided details to how this testimony was “the nail to the coffin”\s his testimony provoked the committee to justify their suspicions and overall view on the subject matter, to recommend censorship on comic books. 2 “Eisenhower and McCarthy.” PBS, Public Broadcasting Service, www.pbs.org/wgbh/americanexperience/features/eisenhower-politics/.. This website provided a photograph of Joseph Mccarthy, so readers can tie a face to the name repeated throughout the tab of Mccarthyism and the Second Red Scare “Grand Comics Database.” Grand Comics Database, Grand Comics Database, www.comics.org/. This was a database that provided all of the comic book covers in the website. -
Jack Kirby Collector Seventy-Four $ 10
95 1 82658 00143 8 $10 JACK KIRBY COLLECTOR SEVENTY-FOUR Bullseye TM & © Joe Simon Jack Kirby Estates. Contents THE The PAST! OPENING SHOT ................2 (the past is now, the future is then) KIRBY AS A GENRE ............3 (to pulp returnest, with Tom Scioli) ISSUE #74A, SPRING 2018 Collector FOUNDATIONS ................6 (not our first Kirby romance story...) BROTHER BOYD ..............16 ( Jerry’s bro shows us Wolf Waco’s two-shot appearances) STRIP CLUB .................19 (Davy Crockett, hiding in plain sight) KIRBY OBSCURA .............21 (what did Jack do best?) RE-FOUND ..................24 ( announcing the hardcover Jack Kirby Checklist: Centennial Edition) JACK KIRBY MUSEUM .........29 (visit & join www.kirbymuseum.org) INFLUENCEES ................30 (the terrific Roy Thomas remembers Jack Kirby) COLLECTOR COMMENTS .......44 INNER-VENTIONS .............46 (take a trip in Jack’s time machines) COLLAGE: “ABOUT TIME” ......48 THE FUTURE! ...... FLIP US OVER! Numerous images in this issue are courtesy of the Jack Kirby Museum and whatifkirby.com, which have our eternal(s) thanks! (right) This issue’s “Past” cover started life as a gorgeous late- 1960s Bullseye drawing. Bullseye cover inks & colors (Version A): BILL WRAY Don’t miss our alternate TIGER 21 cover (Version B)! COPYRIGHTS: Alarming Tales, Boy Explorers, Bullseye, Stuntman, “You’re Not The First!” TM & © Joe Simon & Jack Kirby Estates • Big Jim’s P.A.C.K. TM & © Mattel • Thundarr the Barbarian TM & © Ruby-Spears Productions • Conan the Barbarian TM & © RE Howard Estate • “About Time”, Captain Victory, Egghead, Limousine Drawing, Moses, Tiger 21 TM & © Jack Kirby Estate • Davy Crockett TM & © the respective owner • Avengers, Black Panther, Bucky, Captain America, Colossus, Dr. -
Superman: Darkseid Rising
Superman: Darkseid Rising Based on "Superman" created by Jerry Siegel and Joe Schuster and characters appearing in DC Comics Screenplay by Derek Anderson Derek Anderson (949)933-6999 [email protected] SUPERMAN: DARKSEID RISING Story by Larry Gomez and Derek Anderson Screenplay by Derek Anderson EXT. KENT FARM - NIGHT We pan over the Kent Farm, closing in on a barn. A soft BLUE GLOW emanates from within. INT. KENT BARN - NIGHT Inside the barn, underneath the FLOORBOARDS, the glow FLASHES BRIGHTLY. A ROBOTIC VOICE is heard speaking in an unknown language. FLASHBACK INT. KRYPTON - JOR-EL'S LAB - NIGHT KAL-EL'S POV BABY KAL-EL sits in a makeshift ROCKET, somewhat crude, but sturdy. JOR-EL is talking to Kal-El, but we cannot understand him. He is speaking in Kryptonian. The building shakes, CRYSTALLINE STRUCTURES collapse around. Jor-El walks away from us, holding his wife's hand as they move to a CONTROL PANEL. Behind Jor-El, a ROBOT with blue eyes, standing as tall as a man, enters the launching bay of Jor-El's lab. A robotic voice speaks. Baby Kal-El reaches out for the robot as it walks close to Jor-El's rocket. It transforms into a SMALL SIZED ROCKET with a BLUE EGG-SHAPED NOSE CONE. EXT. OUTER SPACE The rocket ship fires away from Krypton as it EXPLODES into shards of DUST and CRYSTAL. INT. ROCKET SHIP Kal-El sleeps as the rocket increases to hyper speed. Within the craft, a soft BLUE LIGHT grows brighter, illuminating Kal-el.