Mm Pulse When Dennis Weaver Signed with R ABC-T- V to Do a New Police Drama by Steve K
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
The Slave Narratives: a Mighty Mighty People THEBROADSTAGE.COM/ EDUCATION 16\17 SEASON
THE SLAVE NARRATIVES STUDY GUIDE The Broad Stage and Bonnie Franklin’s Classic and Contemporary American Plays Presents The Slave Narratives: A Mighty Mighty People THEBROADSTAGE.COM/ EDUCATION 16\17 SEASON STUDENT MATINEE TUES OCT 25, 2016 and WED OCT 26, 2016 10:30 AM GRADES 11-12 THE BROAD STAGE AT THE SANTA MONICA COLLEGE PERFORMING ARTS CENTER 1310 11TH ST., SANTA MONICA, CA 90401 / 310.434.3560 1 THE SLAVE NARRATIVES STUDY GUIDE Jane Deknatel Director, Performing Arts Center EDUCATION & COMMUNITY PROGRAMS STAFF Alisa De Los Santos, Manager of Education & Community Programs Mandy Matthews, Education & Community Programs Associate Sam Sandoval, Education & Community Programs Assistant EDUCATION & COMMUNITY PROGRAMS Phone 310.434.3560 [email protected] thebroadstage.com/education THE BROAD STAGE 1310 11th Street Santa Monica, CA 90401 THEBROADSTAGE.COM/ Box Office 310.434.3200 Fax 310.434.3439 [email protected] thebroadstage.com EDUCATION 16\17 SEASON Education and Community Programs at The Broad Stage is supported in part by Herb Alpert Foundation Bank of the West Johnny Carson Foundation City of Santa Monica and the Santa Monica Arts Commission Colburn Foundation The Rosalinde and Arthur Gilbert Foundation Leonard M. Lipman Charitable Fund Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission The Ralph M. Parsons Foundation SMC Associates David & Linda Shaheen Foundation Sidney Stern Memorial Trust Dwight Stuart Youth Fund Ziering Family Foundation, a Support Foundation of the Jewish Community Foundation of Los Angeles THE BROAD STAGE AT THE SANTA MONICA COLLEGE PERFORMING ARTS CENTER 1310 11TH ST., SANTA MONICA, CA 90401 / 310.434.3560 2 THE SLAVE NARRATIVES STUDY GUIDE Greetings from The Broad Stage! Dear Educators, We are so excited to bring Bonnie Franklin’s Classic and Contemporary American Plays back to The Broad Stage for another season of education partnership. -
Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960S and Early 1970S
TV/Series 12 | 2017 Littérature et séries télévisées/Literature and TV series Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy Electronic version URL: http://journals.openedition.org/tvseries/2200 DOI: 10.4000/tvseries.2200 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Dennis Tredy, « Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s », TV/Series [Online], 12 | 2017, Online since 20 September 2017, connection on 01 May 2019. URL : http://journals.openedition.org/tvseries/2200 ; DOI : 10.4000/tvseries.2200 This text was automatically generated on 1 May 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Light Shadows: Loose Adaptations of Gothic Literature in American TV Series o... 1 Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy 1 In the late 1960’s and early 1970’s, in a somewhat failed attempt to wrestle some high ratings away from the network leader CBS, ABC would produce a spate of supernatural sitcoms, soap operas and investigative dramas, adapting and borrowing heavily from major works of Gothic literature of the nineteenth and early twentieth century. The trend began in 1964, when ABC produced the sitcom The Addams Family (1964-66), based on works of cartoonist Charles Addams, and CBS countered with its own The Munsters (CBS, 1964-66) –both satirical inversions of the American ideal sitcom family in which various monsters and freaks from Gothic literature and classic horror films form a family of misfits that somehow thrive in middle-class, suburban America. -
In 1925, Eight Actors Were Dedicated to a Dream. Expatriated from Their Broadway Haunts by Constant Film Commitments, They Wante
In 1925, eight actors were dedicated to a dream. Expatriated from their Broadway haunts by constant film commitments, they wanted to form a club here in Hollywood; a private place of rendezvous, where they could fraternize at any time. Their first organizational powwow was held at the home of Robert Edeson on April 19th. ”This shall be a theatrical club of love, loy- alty, and laughter!” finalized Edeson. Then, proposing a toast, he declared, “To the Masquers! We Laugh to Win!” Table of Contents Masquers Creed and Oath Our Mission Statement Fast Facts About Our History and Culture Our Presidents Throughout History The Masquers “Who’s Who” 1925: The Year Of Our Birth Contact Details T he Masquers Creed T he Masquers Oath I swear by Thespis; by WELCOME! THRICE WELCOME, ALL- Dionysus and the triumph of life over death; Behind these curtains, tightly drawn, By Aeschylus and the Trilogy of the Drama; Are Brother Masquers, tried and true, By the poetic power of Sophocles; by the romance of Who have labored diligently, to bring to you Euripedes; A Night of Mirth-and Mirth ‘twill be, By all the Gods and Goddesses of the Theatre, that I will But, mark you well, although no text we preach, keep this oath and stipulation: A little lesson, well defined, respectfully, we’d teach. The lesson is this: Throughout this Life, To reckon those who taught me my art equally dear to me as No matter what befall- my parents; to share with them my substance and to comfort The best thing in this troubled world them in adversity. -
SCREEN ACTORS GUILD INFORMAL COLLECTION LIST to Arrange Onsite Research Viewing Access at UCLA, Please Contact the Archive Research and Study Center [email protected]
SCREEN ACTORS GUILD INFORMAL COLLECTION LIST To arrange onsite research viewing access at UCLA, please contact the Archive Research and Study Center [email protected] . PREFIX LOCATION EPISODE TITLE_SERIES SCREEN ACTORS GUILD DVD 1460 ALFRE WOODARD FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1669 ANDY DICK FOUNDATION: CONVERSATIONS ANDY GARCIA MODERATED BY SCREEN ACTORS GUILD DVD 8699 TODD AMORDE FOUNDATION: CONVERSATIONS ANDY RICHTER MODERATED BY SCREEN ACTORS GUILD DVD 7020 SARAH KUHN FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1484 ANGLE LANSBURY FOUNDATION: LEGACY SCREEN ACTORS GUILD DVD 1409 ANN DORAN FOUNDATION: LEGACY SCREEN ACTORS GUILD DVD 2010 ANTHONY HOPKINS FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1483 ANTHONY LAPAGLIA FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1434 BARBARA BAIN FOUNDATION: LEGACY SCREEN ACTORS GUILD DVD 1413 BARRY GORDON FOUNDATION: LEGACY BEN AFFLECK MODERATED BY SCREEN ACTORS GUILD DVD 6348 PETE HAMMOND FOUNDATION: CONVERSATIONS BEN COOPER MODERATED BY SCREEN ACTORS GUILD DVD 8697 DAVIDSON LLOYD FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1486 BEN KINGSLEY FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1500 BENICIO DEL TORO FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1674 BETTY GARRETT FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1416 BEVERLY GARLAND FOUNDATION: CONVERSATIONS BILL AND SUSAN SEAFORTH SCREEN ACTORS GUILD DVD 1843 HAYES FOUNDATION: CONVERSATIONS BILL PAXTON MODERATED BY SCREEN ACTORS GUILD DVD 7019 JENELLE RILEY FOUNDATION: CONVERSATIONS SCREEN ACTORS -
On the Front Lines for Racial Equality
WWCREIGHTONINDOWINDOW UNIVERSITY ■ WINTER 1995-96 FatherFather Markoe:Markoe: Our ‘Champagne A Life Glass’ Economy on the Don’t Play TV Front Lines Trivia With Her for Racial Finding God in Equality Your Daily Life LETTERS WINDOW Magazine edits Letters to the INDOW Editor, primarily to conform to space W■ ■ limitations. Personally signed letters Volume 12/Number 2 Creighton University Winter 1995-96 are given preference for publication. Our FAX number is: (402) 280-2549. E-Mail to: [email protected] Fr. Markoe’s Battle Against Racism ‘And If the Rules Change?’ Bob Reilly tells you about a man who I have read with interest the article “The was a lifelong fighter. Fr. Markoe Social Roots of Our Environmental found a cause for his fighting ener- Predicament” by Dr. Harper in your Fall gy. The word portrait of a strong- 1995 issue of WINDOW. minded Jesuit begins on Page 3. I would like to pose a question for Dr. Harper. In this third human environmental The Rich Get Richer, revolution, supposing we were to discov- er an inexhaustible source of energy. I The Poor Get Poorer am assuming that the laws of supply and Gerard Stockhausen, S.J., talks about what he calls “our cham- demand would eventually lead it to be at pagne-glass economy.” In this case, it doesn’t mean champagne an inconsequential cost. for everyone; it means the shape of our economy that puts the What would that do to the human liv- rich at the broad top of the glass and the poor at the narrow ing conditions in the world? bottom. -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß. -
Honor Roll 2006
i annual report Jennifer Rodriquez, age 3 gifts Childrens hospiTal los angeles honor roll of donors for the time period of January 1, 2006, through December 31, 2006 in gratitude and recognition The patients, families, staff and Board of Trustees of Childrens Hospital Los Angeles are grateful to the many people who help us build for the future and provide clinical care, research and medical education through their financial support. We recognize esteemed individuals, organizations, corporations and foundations for their generosity during the 2006 calendar year. This Honor Roll lists donors who contributed at least $1,000 in cash gifts, pledges or pledge payments. To view the Red Wagon Society Honor Roll of Donors, which lists gifts of $150 to $999, please visit the electronic version of the Honor Roll at www.ChildrensHospitalLA.org/honorroll2006.pdf. Foregoing individual recognition, we also extend thanks to those who made generous contribu- tions directly to one of our Associate and Affiliate, or allied groups. Children’s Miracle Network (CMN) gifts to CMN National will be recognized in the next issue of Imagine. In spite of our best efforts, errors and omissions may occur. Please inform us of any inaccuracies by contacting Marie Logan, director of Donor Relations, at (323) 671-1733, or [email protected]. • | imagine spring 07 $10,000,000 and above The Sharon D. Lund Foundation Confidence Foundation Randy and Erika Jackson Anonymous Friend The Harold McAlister Charitable Corday Foundation Foundation i Foundation Kenneth and Sherry Corday Johnson & Johnson $4,000,000 to $9,999,999 Mrs. J. Thomas McCarthy Mr. -
Gunsmoke Episode Murder Warrant
Gunsmoke Episode Murder Warrant andHarley perspicaciously. usually martyrs Invalidated knowledgably and uncolouredor reheel inconsiderably Yule commixes when her muscly deliverance Ramesh lollygag infusing or heliacally Billiediscommoded indued trigonometrically permeably. Sometimes or hesitated whinny knowledgeably. Rahul recirculate her capstans fourth, but homogenetic When he defused a tax on gunsmoke episode narrated by town for this information, and sheriff and timeless appeal to save her man in dodge Sheriff Coffee was abrupt in numeric and fraud people considered him unfit to elect the town. They bring Chester to their camp to stand trial in a Kangaroo court. Hillbilly girl Merry Florene comes to town to get some schooling to better herself. Former Dodge Marshal Josh Stryker arrives in reserve just being released from was for killing a jug in target blood. After listening to the radio series, it is hard to imagine how avid listeners in that era, could have made the transition between William Conrad and James Arness. From farmers over a murder of gunsmoke should we hope. Matt hides from him. Weaver was away. College Football, NFL and more! If you think i had a murder and episodes he goes for her and her shoulder and ellie something went hunting trip to. An orphaned girl is turned away by her only relative. Painted view of all City used a vacation for the solo credits of James Arness. Bob finds sarah sits with gunsmoke episode titles click or create an american art long branch hostess boni, northern essex elder transportation coordinator. Doc then must notice what brought him take the Kansas cow town, and Dillon has that figure out old way they protect your doctor said still upholding the law. -
Margaret Tante Burk Papers MS.084
http://oac.cdlib.org/findaid/ark:/13030/kt7t1nf4km No online items Inventory of the Margaret Tante Burk Papers MS.084 Clay Stalls, Christine Bennett, Liliana Mariscal, Gia Forsythe William H. Hannon Library, Archives & Special Collections, Manuscripts © 2009 Loyola Marymount University William H. Hannon Library, Archives and Special Collections 1 LMU Dr. Los Angeles, CA 90045 [email protected] URL: http://library.lmu.edu/archivesandspecialcollections/ Inventory of the Margaret Tante MS.084 1 Burk Papers MS.084 Language of Material: English Contributing Institution: William H. Hannon Library, Archives & Special Collections, Manuscripts Title: Margaret Tante Burk Papers creator: Burk, Margaret Tante Identifier/Call Number: MS.084 Physical Description: 102 archival boxes15 oversize boxes,; 1 map case drawer Date (inclusive): 1921-2008 Date (bulk): 1921-2008 Abstract: This collection consists of the personal papers of Margaret Tante Burk, author, and long-time publicist and champion of Los Angeles' famed Ambassador Hotel. Besides these notable accomplishments, Margaret Tante Burke served as the first female vice-president of a financial institution in Los Angeles and the first female president of the Wilshire Chamber of Commerce. In addition Margaret Tante Burk was co-founder of the literary forum, the Round Table West. The Burk Papers consist of correspondence, photographs, flyers, brouchures, postcards, memoranda, and ephemera. Collection stored on site. Appointment is necessary to consult the collection. Language of Material: Languages represented in the collection: English Processed by: Clay Stalls, Christine Bennett, Gia Forsythe, Liliana Mariscal Date Completed: 2010 Encoded by: Christine Bennett, Gia Forsythe, Liliana Mariscal, and Natalie Sims Access Collection is open to research under the terms of use of the Department of Archives and Special Collections, Loyola Marymount University. -
That a Program of Cultural and Intellectual and Perry Grant, Producers
Barcelona coverage to a huge three -channel Paul as executive producers; Dick Bensfield pay -per -view operation on cable. If the ploy and Perry Grant, producers; and Herbert works, pay -per -view is bound to figure in all Kenwith, director. Subsequently Bensfield and future calculations for Olympics rights. Grant became executive producers, along with director Alan Rafkin. OMMERLE, HARRY G. (d. 1976) a key CBS executive in the 1950s who became v.p. of ONE LIFE TO LIVE see Soap Operas. programs in 1958. He left a year later to head the radio -TV department of the ad agency ONE STEP BEYOND dramatic anthology SSC&B, and in 1966 was named executive v.p. series based on investigated cases of ESP, He retired in 1970. Before joining CBS he hosted and produced by John Newland. It was operated his own talent and program packag- on ABC (1959-61). ing firm. O'N'ElL, TERRY executive producer of NBC OMNIBUS one of commercial TV's most Sports since 1989, credited with emphasizing honored series (1951-56), created by the Ford the "news and information" aspects of NBC Foundation's Radio -Television Workshop and Sports telecasts and instituting the NBC Sports underwritten by the foundation to demonstrate Prudential Update. He brought to the NBC that a program of cultural and intellectual network NFL commentators Bill Walsh, Will value could attract a grateful audience and McDonough, Bill Parcells and Todd Christen- sponsorship. Hosted by Alistair Cooke and sen, as well as golf analyst Johnny Miller and produced by Robert Saudek, former head of tennis analysts Jimmy Connors and Chris Evert. -
Illeana Douglas, Bonnie Franklin, Melanie Griffith, Wayne Knight
MORE HOLLYWOOD SUPERSTARS TAPPED FOR GUEST APPEARANCES ON THIS SEASON OF THE #1 SITCOM ON CABLE, TV LAND’S “HOT IN CLEVELAND” Season Premieres on Wednesday, January 19th at 10 p.m. ET/PT With 10 New Episodes Returns June 15th With Another 10 Episodes Pasadena, CA, January 5, 2011 – Celebrities Susan Lucci (“All My Children”), Carl Reiner (“The Dick Van Dyke Show”), Peri Gilpin (“Frasier”), Jimmy Kimmel (“Jimmy Kimmel Live!”), Jon Lovitz (“The Simpsons,” “Saturday Night Live”), Michael E. Knight (“All My Children”), Isiah Mustafa ("The Old Spice Guy"), Darnell Williams (“All My Children”) and John Ducey ("Jonas") have been tapped as guests stars for the first 10 episodes of the second season of TV Land’s hit original sitcom “Hot in Cleveland” beginning January 19, 2010 at 10 p.m. ET/PT. They join previously announced guest stars Mary Tyler Moore (“The Mary Tyler Moore Show”), Bonnie Franklin (“One Day At A Time”), Melanie Griffith (“Working Girl,” “Something Wild”), Wayne Knight (“Seinfeld, “3rd Rock From The Sun”), John Schneider (“Dukes of Hazzard”), Sherri Shepherd (“The View,” “30 Rock”) and Jack Wagner (“Melrose Place,” “General Hospital”). “Hot in Cleveland” stars acclaimed actresses Valerie Bertinelli (“One Day at a Time”), Jane Leeves (“Frasier”), Wendie Malick (“Just Shoot Me”) and recent Emmy® Award-winner, Betty White (“The Golden Girls”). “Hot in Cleveland” will return for another 10 new episodes on June 15, 2011. Filmed in front of a live studio audience, “Hot in Cleveland” is executive produced by Emmy® Award-winner Sean Hayes and Todd Milliner of Hazy Mills Productions and is helmed by Emmy® Award-winning Suzanne Martin (“Frasier,” “Ellen”) serving as executive producer, show runner and writer.