Creating Tomorrow's Barcelona
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Els Plets De Les Baronies De Bellpuig 1 Linyola (1731-1840)
ELS PLETS DE LES BARONIES DE BELLPUIG 1 LINYOLA (1731-1840) 129 Per Esteve Mestre i Roige 9 I - INTRODUCCIO l'Arxiu Historic Comarcal de Cervera, en la seva secci6 comarcal i en l'apartat de Bellpuig, Atrobem una relaci6 de plets que es plantejaren a les Baronies de Bellpuig i vila de Linyola ı entre el bar6 i els seus pobles. D'aquests plets cal remarcar diverses coses: 1.- EIs plets, majoritariament, foren iniciats pel bar6, en negar-se els pobles a complir les seves obligacions -pagaments de delmes, quisties, censos, etc ... -; els plets es resolgueren en ge neral a favor del bar6. 2.- Despres de les lleis de Mendizabal de 1836 i 1837, el bar6 continua pledejant amb els seus pobles, amb la intenci6 de tornar a cobrar els delmes. 3.- Tots els plets foren iniciats pel procurador del bar6, que era Ramon Maria de Jover, de Tarrega, i part dels plets es portaren davant l'Alcaldia Major de Tarrega. Quant ala historia d'aquests pobles de la Plana d'Urgell durant aquesta epoca, tingueren grans dificultats degut a la postguerra, a les grans sequeres que va patir l'UrgelP i als canvis politics que va viure el p~is (epoca liberal de 1821-1823, decada ignominiosa de 1823-1833, gue rra carlina de 1833-40 i, enmig, les lleis de Mendizabal de 1836-7). Tots aquests canvis~s veuran reflectits en els plets. II - ELS PLETS En un 1libre de comptes de la baronia de Bellpuig3 trobem, en el foli 47, la Relacion gene ral 0 noticia de tos pteitos y expedientes litigosos que activa 0 pasivamente se han seguido por parte de Su Exca. -
Baixa Descarrega El
DURANT EL SEGLE XVIII. ELS CASOS DE LES BORGES m » 3i ICASIELLOTS S! Roser Ripollès i de la Fragua A vjr rá * UrV, Q kr ^ L éC . iS B 3r« jr*' .. • I i y > d* «r- / • I '>* LA MIGRACIÓ A LES GARRIGUES DURANT EL SEGLE XVIII. ELS CASOS DE LES BORGES I CASTELLOTS M'ha semblat interessant fer l'estudi de la migració a grafia actual i al costat, entre parèntesis, la o les grafies les Garrigues precisament al segle XVIII, perquè aquest trobades quan aquestes són diferents. Als pobles, a més és un segle de prosperitat i de repoblament de tot a més, he indicat a quin bisbat corresponien i a quina Catalunya després de la devastació produïda per les comarca pertanyen avui i quan es tracta de llocs que successives epidèmies de pesta, des del segle XIV fins no tenien municipi propi, he indicat el municipi al a mitjan segle XVII, i les Garrigues, lògicament, també qual pertanyien, si em consta. He escollit de fer-ho va participar d'aquesta prosperitat i d'aquest així per tal que si algú els vol localitzar en un mapa li repoblament. Per saber que és un període sigui més fàcil de trobar-los i, al mateix temps, se'n d'expansió només cal donar un tomb pels pobles de la pugui calcular la distància simplement llegint el treball. comarca i mirar les seves esglésies. Pràcticament totes Cal tenir en compte, però, que la superfície dels bisbats són del segle XVIII: en alguns pobles, com a les Borges, en aquella època no era igual que l'actual, ja que hi va es van fer noves de peu; en altres, com a Fulleda, es va haver petites modificacions al segle XIX i molt ampliar l'església existent. -
MOCC MÉS QUE UNA ENTITAT CENTENARIA DE SANT ANDREU L'any 1899 Es Funda I'orfeó L'eco De Catalunya
L'ORFEÓ L'ECO DE CATALUNYA: MOCC MÉS QUE UNA ENTITAT CENTENARIA DE SANT ANDREU L'any 1899 es funda I'Orfeó L'Eco de Catalunya, a SantAndreu de Palomar, d'on és una de les societats corals n~ésemblematiques. Des del moment de la seva cons- tituciófins al moment en que s'han escrit aquestes ratlles, L'Eco de Catalunya no ha deixat de ser una associació puntera del nostre barri. La seva vida ha estat, i encara ho esti, unida a la vida col.lectiva de Sant Andreu. Des d'aleshores, ni en els moments ilgids ni en els de dificultats,mai no ha interromput les seves activitats.Curiosament, les hores de joia de l'entitat han estat vinculades a hores gloriases de la vida i la cul- tura de Catalunya i de Barcelona, així com les de dificultats ho han estat a moments tristos i dolorosos de la historia del nostre país, de la riostra ciutat i de la nostra barriada. Nombroses families andreuenques -unes que viuen al barri i al districte de Sant Andreu i unes altres que 110 fan a districtes que historicament han format Sant Andreu (Nou Barris, etc.)- han estat membres de L'Eco de Catalunya,ja sigui com a cantaires, com a socis o com a dirigents de I'entitat. No hi ha gaires associacions que hagin estat tan estretament unides a la gent i a la vida cultural de SantAndreu com ha ha estat L'Eco, que, durant molts anys, n'ha representat el puntal més important.Aquesta és una de les característiques cssencials per coneixer la vida associativa de Sant Andreu: poques enti- tats han estat tan basiqiies i han marcat tan proíundament el taranna i la ideologia dels homes i les dones del harri. -
Barcelona and the Paradox of the Baroque by Jorge Luis Marzo1
Barcelona and the Paradox of the Baroque By Jorge Luis Marzo1 Translation by Mara Goldwyn Catalan historiography constructed, even from its very beginnings, the idea that Catalunya was not Baroque; that is, Baroque is something not very "proper" to Catalunya. The 17th and 18th centuries represent the dark Baroque age, in contrast with a magnificent Medieval and Renaissance era, during which the kingdom of Catalunya and Aragón played an important international role in a large part of the Mediterranean. The interpretation suggests that Catalunya was Baroque despite itself; a reading that, from the 19th century on - when it is decided that all negative content about Baroque should be struck from the record in order to transform it into a consciously commercial and urban logo - makes implicit that any reflection on such content or Baroque itself will be schizophrenic and paradoxical. Right up to this day. Though the (always Late-) Baroque style was present in buildings, embellishments and paintings, it however did not have an official environment in which to expand and legitimate itself, nor urban spaces in which to extend its setup (although in Tortosa, Girona, and other cities there were important Baroque features). The Baroque style was especially evident in rural churches, but as a result of the occupation of principle Catalan plazas - particularly by the Bourbon crown of Castile - principal architectonic realizations were castles and military forts, like the castle of Montjuic or the military Citadel in Barcelona. Public Baroque buildings hardly existed: The Gothic ones were already present and there was little necessity for new ones. At the same time, there was more money in the private sphere than in the public for building, so Baroque programs were more subject to family representation than to the strictly political. -
2012 Barcelona Christmas Agenda Ang
CHRISTMAS NEW YEAR’S EVE IN BARCELONA We celebrate New Year with food and parties as 2012 / 2013 we wait for the city clocks to strike midnight. Then everyone eats twelve lucky grapes, one by FESTIVALS AND TRADITIONS one, and drinks a toast with cava while they wish each other a Happy New Year. “PESSEBRE” THE THREE KINGS OF THE ORIENT The crib is displayed in the home and features This is the big day for children during the festive figures from the Nativity arranged in a specific season. On the evening of 5th January, the Three order. In recent years, living nativity scenes have Kings arrive in Barcelona and travel in a grown in popularity in Catalonia. They feature procession around the city in their royal carriages real people who re-enact different episodes from throwing sweets to the people in the crowd. After the Christmas story and are usually held in the children have welcomed the Kings, it’s time beautiful settings in towns and villages around the for them to go to bed. Before they do, they leave region. their slippers and something to eat for the Kings, their camels and pages, by the window or the “CAGANER” balcony. On the morning of the 6th January the The caganer , the curious crouching figure, is one children find the presents left by the Kings. of the most popular features of Catalan Nativity Children that have been naughty receive a lump of scenes. It is believed to date back to the 17th or coal. 18th centuries. For further information: www.bcn.cat/nadal “TIÓ” An old log which people used to place by the fire CHRISTMAS FAIRS AND MARKETS on Christmas Eve as a token of abundance. -
Les Corts 27 Julio
Análisis estructural de edificios del siglo XX: Cubierta del Estadio de Les Corts Pág. 1 RESUMEN El Proyecto Final de Carrera bajo el título “Análisis estructural de edificios del siglo XX: Cubierta del Estadio de Les Corts” se engloba dentro de un conjunto de proyectos cuyo fin es analizar edificios reseñables de la ciudad de Barcelona construidos durante el siglo pasado, en función de la época, normativa y el lugar en el que se construyeron. Los estadios son catedrales modernas [1]. Es ahí donde radica la importancia de la existencia del campo de Les Corts durante la primera mitad del siglo XX: punto de reunión de la sociedad, lugar de evasión ante la convulsa política del momento. Este documento comienza con una descripción de la historia del Fútbol Club Barcelona desde sus inicios, pasando por las necesidades que llevaron a la construcción del estadio de Les Corts y su posterior derribo, condicionado por la creación del actual Camp Nou. Así mismo, se comenta la biografía del ingeniero que diseñó y calculó la cubierta, Eduardo Torroja, uno de los mayores representantes de las estructuras de hormigón estatal durante la primera mitad del siglo XX. También se verán algunos de los edificios contemporáneos al estadio de Les Corts, como es el Pabellón de Alemania de la Exposición Universal o el edificio de la Unión y el Ave Fénix que se puede encontrar en el Paseo de Gracia. A continuación, se analizan las normativas utilizadas en el diseño de la cubierta de tribuna, tanto publicadas en el Boletín Oficial del Estado en los años treinta y cuarenta, como normativas alemanas contemporáneas. -
Catalonia Accessible Tourism Guide
accessible tourism good practice guide, catalonia 19 destinations selected so that everyone can experience them. A great range of accessible leisure, cultural and sports activities. A land that we can all enjoy, Catalonia. © Turisme de Catalunya 2008 © Generalitat de Catalunya 2008 Val d’Aran Andorra Pirineus Costa Brava Girona Lleida Catalunya Central Terres de Lleida Costa de Barcelona Maresme Costa Barcelona del Garraf Tarragona Terres Costa de l’Ebre Daurada Mediterranean sea Catalunya Index. Introduction 4 The best destinations 6 Vall de Boí 8 Val d’Aran 10 Pallars Sobirà 12 La Seu d’Urgell 14 La Molina - La Cerdanya 16 Camprodon – Rural Tourism in the Pyrenees 18 La Garrotxa 20 The Dalí route 22 Costa Brava - Alt Empordà 24 Vic - Osona 26 Costa Brava - Baix Empordà 28 Montserrat 30 Maresme 32 The Cister route 34 Garraf - Sitges 36 Barcelona 38 Costa Daurada 40 Delta de l’Ebre 42 Lleida 44 Accessible transport in Catalonia 46 www.turismeperatothom.com/en/, the accessible web 48 Directory of companies and activities 49 Since the end of the 1990’s, the European Union has promoted a series of initiatives to contribute to the development of accessible tourism. The Catalan tourism sector has boosted the accessibility of its services, making a reality the principle that a respectful and diverse society should recognise the equality of conditions for people with disabilities. This principle is enshrined in the “Barcelona declaration: the city and people with disabilities” that to date has been signed by 400 European cities. There are many Catalan companies and destinations that have adapted their products and services accordingly. -
Socio-Ecological Complexity and Ecosystem Services. an Analysis Of
ADVERTIMENT. Lʼaccés als continguts dʼaquesta tesi queda condicionat a lʼacceptació de les condicions dʼús establertes per la següent llicència Creative Commons: http://cat.creativecommons.org/?page_id=184 ADVERTENCIA. El acceso a los contenidos de esta tesis queda condicionado a la aceptación de las condiciones de uso establecidas por la siguiente licencia Creative Commons: http://es.creativecommons.org/blog/licencias/ WARNING. The access to the contents of this doctoral thesis it is limited to the acceptance of the use conditions set by the following Creative Commons license: https://creativecommons.org/licenses/?lang=en Socio-ecological complexity and ecosystem Services An analysis of ecosystem services coproduction and access in the case of Barcelona’s cruise ship tourism PhD Thesis Liliana Solé Figueras Socio-ecological complexity and ecosystem services An analysis of ecosystem services coproduction and access in the case of Barcelona’s cruise ship tourism PhD thesis developed by Liliana Solé Figueras Supervised by Dr.Eduard Ariza Solé PhD program in Geography Department of Geography Universitat Autònoma de Barcelona (UAB) September 2019 Supervisor statement I STATE that the present study, entitled ‘Socio-ecological complexity and ecosystem services. An analysis of ecosystem services coproduction and access in the case of Barcelona’s cruise ship tourism’, presented by Liliana Solé Figueras for the award of the degree of Doctor, has been carried out under my supervision at the Department of Geography of this university. Bellaterra, 17th Setember 2019. Doctoral thesis supervisor PhD student Director de la tesis doctoral Doctoranda Eduard Ariza Solé Liliana Solé Figueras i Summary Coastal landscapes are highly dynamic and complex socio-ecological systems resulting from the interface of land and sea. -
Bolstering Community Ties and Its Effect on Crime
Bolstering community ties and its effect on crime: Evidence from a quasi-random experiment Magdalena Dom´ınguez and Daniel Montolio∗ Work in progress - Do not cite without permission This version: February 2019 Abstract In this paper we study the effect of bolstering community ties on local crime rates. To do so, we take advantage of the quasi-random nature of the implementation of a community health policy in the city of Barcelona. Salut als Barris (BSaB) is a policy that through community-based initiatives and empowerment of citizenship aims at improving health outcomes and reducing inequalities of the most disadvantaged neighborhoods. Based on economic and sociological literature it is also arguable that it may affect other relevant variables for overall welfare, such as crime rates. In order to test such a hypothesis, we use monthly data at the neighborhood level and a staggered Differences-in-Differences approach. Overall we find that BSaB highly reduces crimes related to non-cognitive features as well as those where there is a very close personal link (labeled as home crimes), with responses ranging from 9% to 18%. Additionally, female victimization rates drop for all age groups as well as the offense rates of younger cohorts. We argue that such outcomes are due to stronger community ties. Such results provide evidence in favor of non-traditional crime preventing policies. Keywords: crime; community action; differences-in-differences. JEL codes: C23, I18, I28, J18. ∗Dept. of Economics, University of Barcelona and IEB: [email protected] ; [email protected] We are grateful to Elia Diez and Maribel Pasarin at the Barcelona Public Health Agency (ASPB) and IGOP researchers Raquel Gallego and Ernesto Morales at Autonomous University of Barcelona (UAB) for their insightful comments on the program. -
ROMANESQUE ART ROUTES R ART ROUTES Omanesque
Romanesque ART ROUTES ROMANESQUE ART ROUTES ISBN 978-84-393-9921-6 9 788439 399216 Romanesque ART ROUTES 2 3 4 Summary 6 - Catalonia, land of Romanesque art 8 - The frst European art 9 - Evolution and main characteristics 10 - Suggested routes 12 - Route 1 From La Seu d’Urgell to La Pobla de Claramunt via the Segre Valley, the La Segarra plateaus and L’Anoia 20 - Route 2 From La Val d’Aran to Lleida via Pallars and Ribagorça 32 - Route 3 From Penedès to New Catalonia via the monasteries of the Cistercian and military orders 38 - Route 4 From La Cerdanya to the Barcelona area via the Llobregat and Cardener valleys 48 - Route 5 From the Pyrenees to Barcelona via El Ripollès, Osona and Vallès 58 - Route 6 From Empordà and La Garrotxa to La Selva via Girona 69 - Romanesque art in museums 73 - Map of the Romanesque art routes 77 - Tourist information << TAÜLL. SANT CLIMENT < RIPOLL. SANTA MARIA Catalonia, land of Romanesque art Catalonia is and always has been receptive to the various artistic styles that have succeeded one another in Europe. Perhaps one of the most profoundly assimilated was Romanesque art, which emerged while Catalonia’s historical personality was taking shape during the height of feudalism. The birth and expansion of Romanesque art took place at a time when the sovereignty of the Counts of Barcelona had been recognised by the other Catalan counts. This unifcation coincided with two other major events. One was the de facto severing of all feudal ties with the French kings who had succeeded the last Carolingians; the other was the expedition to Crdoba (1010), which defnitively quashed the threat of an invasion from Al-Andalus and put the small Muslim-ruled principalities, into which the caliphate had been split up, under the protection of the Catalan counts. -
Quan Els Vescomtes De Barcelona Eren Història, Crònica I Documents D’Una Família Catalana Dels Segles X, XI I XII
FUNDACIÓ NOGUERA Textos i Documents, 39 Quan els vescomtes de Barcelona eren Història, crònica i documents d’una família catalana dels segles X, XI i XII per JOSÉ ENRIQUE RUIZ-DOMÈNEC BARCELONA, 2006 © José Enrique Ruiz-Domènec, 2006 Edita: Pagès Editors, S L Sant Salvador, 8 - 25005 Lleida [email protected] www.pageseditors.com Primera edició: desembre de 2006 ISBN: 84-9779-475-3 Dipòsit legal: L-1.505-2006 Impressió: Arts Gràfiques Bobalà, S. L. A Martí de Riquer, veritable mestre. Índex Introducció...................................................................................... 11 GÈNESI (954-991) 1 GUITARD O LA MORAL DEL GUERRER La rella de l’arada i el llaurador ..................................................... 23 Entre l’espasa i la creu.................................................................... 24 Una coincidència inesperada ......................................................... 26 Missions a Alandalús ...................................................................... 30 2 ORGULL FAMILIAR La discreta Gerberga....................................................................... 35 Talent per viure ............................................................................... 38 Llegendes urbanes .......................................................................... 39 3 UN ESDEVENIMENT HEROIC El 6 de juliol de 985 ........................................................................ 44 L’enfadosa vida................................................................................ 46 4 -
The Politics of Bulls and Bullfights in Contemporary Spain
SOCIAL THOUGHT & COMMENTARY Torophies and Torphobes: The Politics of Bulls and Bullfights in Contemporary Spain Stanley Brandes University of California, Berkeley Abstract Although the bullfight as a public spectacle extends throughout southwestern Europe and much of Latin America, it attains greatest political, cultural, and symbolic salience in Spain. Yet within Spain today, the bullfight has come under serious attack, from at least three sources: (1) Catalan nationalists, (2) Spaniards who identify with the new Europe, and (3) increasingly vocal animal rights advocates. This article explores the current debate—cultural, political, and ethical—on bulls and bullfighting within the Spanish state, and explores the sources of recent controversy on this issue. [Keywords: Spain, bullfighting, Catalonia, animal rights, public spectacle, nationalism, European Union] 779 Torophies and Torphobes: The Politics of Bulls and Bullfights in Contemporary Spain s is well known, the bullfight as a public spectacle extends through- A out southwestern Europe (e.g., Campbell 1932, Colomb and Thorel 2005, Saumade 1994), particularly southern France, Portugal, and Spain. It is in Spain alone, however, that this custom has attained notable polit- ical, cultural, and symbolic salience. For many Spaniards, the bull is a quasi-sacred creature (Pérez Álvarez 2004), the bullfight a display of exceptional artistry. Tourists consider bullfights virtually synonymous with Spain and flock to these events as a source of exotic entertainment. My impression, in fact, is that bullfighting is even more closely associated with Spanish national identity than baseball is to that of the United States. Garry Marvin puts the matter well when he writes that the cultur- al significance of the bullfight is “suggested by its general popular image as something quintessentially Spanish, by the considerable attention paid to it within Spain, and because of its status as an elaborate and spectacu- lar ritual drama which is staged as an essential part of many important celebrations” (Marvin 1988:xv).