Upregulation of B-Cell Genes and Improved Function in Rodent Islets Following Chronic Glucokinase Activation
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Risktaking Behavior in Juvenile Myoclonic Epilepsy
FULL-LENGTH ORIGINAL RESEARCH Risk-taking behavior in juvenile myoclonic epilepsy *†Britta Wandschneider, *†Maria Centeno, *†‡Christian Vollmar, *†Jason Stretton, §Jonathan O’Muircheartaigh, *†Pamela J. Thompson, ¶Veena Kumari, *†Mark Symms, §Gareth J. Barker, *†John S. Duncan, #Mark P. Richardson, and *†Matthias J. Koepp Epilepsia, 0(0):1–8, 2013 doi: 10.1111/epi.12413 SUMMARY Objective: Patients with juvenile myoclonic epilepsy (JME) often present with risk-tak- ing behavior, suggestive of frontal lobe dysfunction. Recent studies confirm functional and microstructural changes within the frontal lobes in JME. This study aimed at char- acterizing decision-making behavior in JME and its neuronal correlates using functional magnetic resonance imaging (fMRI). Methods: We investigated impulsivity in 21 JME patients and 11 controls using the Iowa Gambling Task (IGT), which measures decision making under ambiguity. Perfor- mance on the IGT was correlated with activation patterns during an fMRI working memory task. Results: Both patients and controls learned throughout the task. Post hoc analysis revealed a greater proportion of patients with seizures than seizure-free patients hav- ing difficulties in advantageous decision making, but no difference in performance between seizure-free patients and controls. Functional imaging of working memory networks showed that overall poor IGT performance was associated with an increased Dr. Wandschneider is activation in the dorsolateral prefrontal cortex (DLPFC) in JME patients. Impaired registrar in neurology learning during the task and ongoing seizures were associated with bilateral medial and is pursuing a PhD prefrontal cortex (PFC) and presupplementary motor area, right superior frontal at the UCL Institute of gyrus, and left DLPFC activation. Neurology. -
Ebook Download This Is Grime Ebook, Epub
THIS IS GRIME PDF, EPUB, EBOOK Hattie Collins | 320 pages | 04 Apr 2017 | HODDER & STOUGHTON | 9781473639270 | English | London, United Kingdom This Is Grime PDF Book The grime scene has been rapidly expanding over the last couple of years having emerged in the early s in London, with current grime artists racking up millions of views for their quick-witted and contentious tracks online and filling out shows across the country. Sign up to our weekly e- newsletter Email address Sign up. The "Daily" is a reference to the fact that the outlet originally intended to release grime related content every single day. Norway adjusts Covid vaccine advice for doctors after admitting they 'cannot rule out' side effects from the Most Popular. The awkward case of 'his or her'. Definition of grime. This site uses cookies. It's all fun and games until someone beats your h Views Read Edit View history. During the hearing, David Purnell, defending, described Mondo as a talented musician and sportsman who had been capped 10 times representing his country in six-a-side football. Fernie, aka Golden Mirror Fortunes, is a gay Latinx Catholic brujx witch — a combo that is sure to resonate…. Scalise calls for House to hail Capitol Police officers. Drill music, with its slower trap beats, is having a moment. Accessed 16 Jan. This Is Grime. From Wikipedia, the free encyclopedia. More On: penn station. Police are scrambling to recover , pieces of information which were WIPED from records in blunder An unwillingness to be chained to mass-produced labels and an unwavering honesty mean that grime is starting a new movement of backlash to the oppressive systems of contemporary society through home-made beats and backing tracks and enraged lyrics. -
Grime + Gentrification
GRIME + GENTRIFICATION In London the streets have a voice, multiple actually, afro beats, drill, Lily Allen, the sounds of the city are just as diverse but unapologetically London as the people who live here, but my sound runs at 140 bpm. When I close my eyes and imagine London I see tower blocks, the concrete isn’t harsh, it’s warm from the sun bouncing off it, almost comforting, council estates are a community, I hear grime, it’s not the prettiest of sounds but when you’ve been raised on it, it’s home. “Grime is not garage Grime is not jungle Grime is not hip-hop and Grime is not ragga. Grime is a mix between all of these with strong, hard hitting lyrics. It's the inner city music scene of London. And is also a lot to do with representing the place you live or have grown up in.” - Olly Thakes, Urban Dictionary Or at least that’s what Urban Dictionary user Olly Thake had to say on the matter back in 2006, and honestly, I couldn’t have put it better myself. Although I personally trust a geezer off of Urban Dictionary more than an out of touch journalist or Good Morning Britain to define what grime is, I understand that Urban Dictionary may not be the most reliable source due to its liberal attitude to users uploading their own definitions with very little screening and that Mr Thake’s definition may also leave you with more questions than answers about what grime actually is and how it came to be. -
IN SEARCH of WARMER CLIMES Following a Move to LA, Bonobo Returns to Ninja Tune with New LP, ‘Migration’
MUSIC ONE STOP SHOP February’s tunes reviewed p.106 THE LONG GAME Albums arriving this month p.128 MIX ‘N’ MATCH Compilations not to miss p.132 IN SEARCH OF WARMER CLIMES Following a move to LA, Bonobo returns to Ninja Tune with new LP, ‘Migration’... p.129 djmag.com 105 HOUSE BEN ARNOLD QUICKIES Roberto Clementi Avesys EP [email protected] Pets Recordings 8.0 Sheer class from Roberto Clementi on Pets. The title track is brooding and brilliant, thick with drama, while 'Landing A Man'’s relentless thump betrays a soft and gentle side. Lovely. Jagwar Ma Give Me A Reason (Michael Mayer Does The Amoeba Remix) Marathon MONEY 8.0 SHOT! Showing that he remains the master (and managing Baba Stiltz to do so in under seven minutes too), Michael Mayer Is Everything smashes this remix of baggy dance-pop dudes Studio Barnhus Jagwar Ma out of the park. 9.5 The unnecessarily young Baba Satori Stiltz (he's 22) is producing Imani's Dress intricate, brilliantly odd house Crosstown Rebels music that bearded weirdos 8.0 twice his age would give their all chopped hardcore loops, and a brilliance from Tact Recordings Crosstown is throwing weight behind the rather mid-life crises for. Think the bouncing bassline. Sublime work. comes courtesy of roadman (the unique sound of Satori this year — there's an album dizzying brilliance of Robag small 'r' is intentional), aka coming — but ignore the understatedly epic Ewan Whrume for a reference point, Dorsia Richard Fletcher. He's also Tact's Pearson mixes of 'Imani's Dress' at your peril. -
Lucid Dream-Pop
MUSIC TRACK IT DOWN The only tunes you need this March p.130 HOCUS OPUS The month’s most spellbinding albums p.152 COMPETITIVE COMPILATIONS Key comps and mixes reviewed p.156 LU C I D DREAM-POP Kelly Lee Owens breaks the mould with her stunning, self-titled debut album... p.152 djmag.com 129 HOUSE BEN ARNOLD James Hadfield and Danny Linton. With its tribal howls, Soak skirts the right side of QUICKIES 'world music' without being Phil Weeks wanky — always a perilous Raw Instrumental Vol. 2 [email protected] tightrope act. Instead, it's PW/Robsoul Recordings wonky and wonderful. Man 8.0 Power himself drops in a moody, Phil Weeks is clearly never visited with writer's acidic re-rub, while Axel Boman block. This eight-track EP being rather sturdy wallops yet another remix out evidence of this, a collection of weaponised into the bleachers, dropping house music to damage dancefloors. Bravo. the four-four in favour of a new genre, Balearic garage (which Justin Cudmore has just been coined here, this Forget It EP very moment). The Bunker New York 8.5 Oh yes. This blisteringly acidic four-tracker for MICHAEL ZAHNSCHIRM & THERESA LIPP ZAHNSCHIRM MICHAEL Jamie Lidell/Matthew The Bunker New York had us at hello. 'New Jack Pic: Herbert MONEY Lidell/Herbert The House' is a deeply classy slab, while 'Forget Moony Me SHOT! Accidental Jnr It' is machine music par excellence. Contemplatin' EP 9.0 Klamauk Lidell and Herbert have been 9.5 muckers for donkey's years, MIA LUCCI KINDISCH Thoroughly arresting house but this bootleg of the former's music here from German/ track 'When I Come Back Venezuelan/Austrian, Around' from his majestic 2005 Eduardo A. -
Download Rymez Bio &
As a producer, Rymez has enjoyed a meteoric rise that has seen him reach the absolute peak of the UK Pop Charts (“Heatwave” by Wiley) while displaying his diversity as a producer who has crafted numerous chart topping hits across a multitude of genres. Rodney Kumbirayi Hwingwiri was born in Kariba, Zimbabwe where he quickly adopted a love of music that was nurtured by his parent’s eclectic tastes that ranged from UB40 to the late Dr. Oliver Mtukudzi. At 13 Rymez immigrated from Zimbabwe to the United Kingdom where he quickly ingratiated himself in music and the arts as an escape. At school he was given the moniker Rymez by classmates for the poems and raps he performed in-between lessons. It was during these formative years as an artist that Rymez was introduced to software like Dance eJay and Adobe Audition which is where he began producing and recording music on his mother’s desktop computer. While in high school Rymez would make regular trips from Derby to London to try and network with artists and offer his beats. After graduating Highschool Rymez then attended University of Wolverhampton where he studied Business Studies. Rymez would work in his dorm studio after class until he passed out. It was during this time that he developed his work ethic as he plunged himself into music and school. He was also able to use the marketing skills he was learning at University to reach out and network with artists. Rymez quickly caught the attention of a then upcoming rapper named Tinie Tempah and Rymez’ first official producer credit came on Tinie’s 2009 “Sexy Beast Mixtape”. -
View Our Latest Issue
VOL. 2 - ISSUE 18 // SPRING 2019 MUSIQUARIUM - MONDAYS FROM 4PM TO 6PM FRESHLY SQUEEZED - WEDNESDAYS FROM 4PM TO 6PM THE SPIN EVOLUTION - FRIDAYS FROM 4PM TO 6PM CJSW WEEKLY SPINS TUNE INTO 90.9 FM IN CALGARY OR ONLINE AT CJSW.COM FEATURE FEATURE - TECH DOM & BIO SUIT TEAM FREQ. DIRECTOR OF CUSTODIAL SERVICES Avi Butalia – [email protected] EDITOR-AT-LARGE Sheena Jardine-Olade – [email protected] Kim Noseworthy & Sandra McIntyre MUSIC EDITOR Kayla Graham – [email protected] CULTURE EDITOR Magdalena Gorski – [email protected] FASHION EDITOR Kim Noseworthy – [email protected] COPY EDITING Maria Berlando – [email protected] CONTENTS PUBLISHING CONSULTANT Brad Simm MUSIC PRODUCTION BY Blackwater Creative 12 DESIGN & LAYOUT GRIME FACTS Tariq Bakir 04 Alannah Pohran – [email protected] Mike Trudeau – [email protected] Danielle MacLean – [email protected] Rendel Valerio – [email protected] - FEATURE LABELLED: RECORD STORE DAY Kasia Gorski 06 Each Freq is thematic and every issue will be stamped with our brand of perceptiveness, Ashley Ang – [email protected] curiosity and honesty. Adrian DeVries – [email protected] Zak McGurk – [email protected] A SAMPLE STORY: THE AMEN BREAK Michelle Hillman – [email protected] Kayla Graham & Alannah Pohran 08 DIGITAL MEDIA WELCOME TO TIJUANA EMERGENCE (ih-mur-juh ns) Chris Murphy – [email protected] WAAJEED Shaylon Haberman – [email protected] Sheena Jardine-Olade 10 Matt Hill – [email protected] • the act or process of coming into being; becoming apparent, visible. DISTRIBUTION Be Seen Street Team – [email protected] FASHION SALES ASCENSION (uh-sen-shuh n) Kim Noseworthy – [email protected] TECH DOM & BIO SUIT PHOTOGRAPHERS Kim Noseworthy & Sandra McIntyre 12 • The act of changing location in an upward direction; rising. -
Chronic Heat Stress Up-Regulates Leptin and Adiponectin Secretion and Expression and Improves Leptin, Adiponectin and Insulin Sensitivity in Mice
129 Chronic heat stress up-regulates leptin and adiponectin secretion and expression and improves leptin, adiponectin and insulin sensitivity in mice Patrizia Morera, Loredana Basirico` , Kenji Hosoda1 and Umberto Bernabucci Department of Agriculture, Forestry, Nature and Energy, University of Tuscia, via San Camillo De Lellis, SNC 01100 Viterbo, Italy 1National Institute of Livestock and Grassland Sciences, National Agriculture and Food Research Organization, Tochigi, Japan (Correspondence should be addressed to U Bernabucci; Email: [email protected]) Abstract Heat stress (HS) induces adaptive responses that are responsible for alterations of carbohydrate and lipid metabolism. This study aimed to evaluate the effects of chronic heat treatment on the expression and secretion of leptin and adiponectin, important regulators of energy homeostasis, food intake and insulin action. C57BL/6 mice were subdivided into three groups (24 mice each). The first group was kept under control conditions (C: 22G2 8C). The second group was exposed to HS (35G1 8C). The third group was kept under control conditions and was food restricted (FR). The HS group had higher rectal temperature than the C and FR groups and lower food intake than the C group. Hspa1 (Hspa1a) gene expression in adipose tissue, muscle and liver was higher under HS than FR and C. Heat treatment resulted in decreased blood glucose and non-esterified fatty acids; increased leptin, adiponectin and insulin secretion; and greater glucose disposal. Leptin, adiponectin, leptin and adiponectin receptors, insulin receptor substrate-1 and glucose transporter mRNAs were up-regulated in HS mice. This study provides evidence that HS improves leptin and adiponectin signalling in adipose tissue, muscle and liver. -
A Comparative Analysis of the Legal Means to Oppose the Use of Campaign Music
THE JOHN MARSHALL REVIEW OF INTELLECTUAL PROPERTY LAW YOU CAN'T ALWAYS GET WHAT YOU WANT? A COMPARATIVE ANALYSIS OF THE LEGAL MEANS TO OPPOSE THE USE OF CAMPAIGN MUSIC STEFAN MICHEL ABSTRACT The conflict between politicians and musicians over the use of songs as campaign music is a recurring issue in almost every election cycle. Due to its energizing and unifying force, music can be an efficient instrument in political campaigning. However, artists feel aggrieved as the use of their music might invite the assumption that they are somehow endorsing the candidate. After giving a brief overview of the history of campaign music and the qualities that make it so attractive for campaigning, this piece will analyze the chances a musician stands in the jurisdictions of the U.S., the UK and Germany. The choice of the assessed jurisdictions is reflective of the common law approach to copyright found in the U.S. and in the UK and the author’s right system represented by Germany. In the absence of an express moral rights regime for musical works in the U.S., artists need to rely on adjacent claims, including copyright, the right of publicity and trademark law, to vindicate their moral interests. It will be seen, though, that these claims are futile in the assessed scenario in which the campaign obtains a public performance license. While the UK implemented statutory moral rights into its copyright law, the situation does not look promising either. The considerably narrow scope of acts that trigger the integrity right bars a successful moral rights claim. -
The Year's Best Music Marketing Campaigns
DECEMBER 11 2019 sandboxMUSIC MARKETING FOR THE DIGITAL ERA ISSUE 242 thE year’s best music marketing campaigns SANDBOX 2019 SURVEY thE year’s best music marketing campaigns e received a phenomenal Contents 15 ... THE CINEMATIC ORCHESTRA 28 ... KIDD KEO 41 ... MARK RONSON number of entries this year and 03 ... AFRO B 16 ... DJ SHADOW 29 ... KREPT & KONAN 42 ... RICK ROSS had to increase the shortlist W 17 ... BILLIE EILISH 30 ... LAUV 43 ... SAID THE WHALE 04 ... AMIR to 50 in order to capture the quality 05 ... BASTILLE 18 ... BRIAN ENO 31 ... LD ZEPPELIN 44 ... SKEPTA and breadth of 2019’s best music campaigns. 06 ... BEE GEES 19 ... FEEDER 32 ... SG LEWIS 45 ... SLIPKNOT We had entries from labels of all 07 ... BERET 20 ... DANI FERNANDEZ 33 ... LITTLE SIMZ 46 ... SAM SMITH sizes around the world and across 08 ... BIG K.R.I.T. 21 ... FLOATING POINTS 34 ... MABEL 47 ... SPICE GIRLS a vast array of genres. As always, 09 ... BON IVER 22 ... GIGGS 35 ... NSG 48 ... SUPERM campaigns are listed in alphabetical 10 ... BRIT AWARDS 2019 23 ... HOT CHIP 36 ... OASIS 49 ... THE 1975 order, but there are spot prizes 11 ... BROKEN SOCIAL SCENE 24 ... HOZIER 37 ... ANGEL OLSEN 50 ... TWO DOOR CINEMA CLUB throughout for the ones that we felt 12 ... LEWIS CAPALDI 25 ... ELTON JOHN 38 ... PEARL JAM 51 ... UBBI DUBBI did something extra special. Here are 13 ... CHARLI XCX 26 ... KANO 39 ... REGARD 52 ... SHARON VAN ETTEN 2019’s best in show. 14 ... CHASE & STATUS 27 ... KESHA 40 ... THE ROLLING STONES 2 | sandbox | ISSUE 242 | 11.12.19 SANDBOX 2019 SURVEY AFRO B MARATHON MUSIC GROUP specifically focusing on Sweden, Netherlands, Ghana, Nigeria, the US and France. -
“One Line Flows, Yeah I Got Some of Those”: Genre, Tradition, and the Reception of Rhythmic Regularity in Grime Flow
“ONE LINE FLOWS, YEAH I GOT SOME OF THOSE”: GENRE, TRADITION, AND THE RECEPTION OF RHYTHMIC REGULARITY IN GRIME FLOW Alexander Harvey Marsden A thesis submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfilment of the requirements for the degree of Master of Arts in the Department of Music Chapel Hill 2017 Approved by: Jocelyn R. Neal Allen Anderson Mark Katz © 2017 Alexander Harvey Marsden ALL RIGHTS RESERVED ii ABSTRACT Alexander Harvey Marsden: “One Line Flows, Yeah I Got Some of Those”: Genre, Tradition, and the Reception of Rhythmic Regularity in Grime Flow (Under the direction of Jocelyn Neal) In its musical style and performance practices, the British rap genre grime bears the traces of London’s electronic dance music scene, out of which it emerged in the early 2000s. One such trace is grime’s characteristic style of flow—the rhythmic dimensions of a rapper’s delivery of text—and the role that this plays in encouraging grime’s listeners to move. This thesis argues that grime flow exhibits a tendency towards rhythmic regularity, which differentiates it from flow styles that tend toward irregularity. Drawing from music cognition and music-theoretic work on the pleasures of repetition for listeners, particularly in electronic dance music, it asks what listeners find engaging about grime flow’s regularity. It argues, through an analysis of Skepta’s “That’s Not Me,” that grime flow encourages a participatory mode of listening from its audience, which in turn contributes to a broader orientation towards communality in the genre. -
Nice and Not So Nice Otherwise
EDITORIAL 685 Nice and not so nice otherwise. One obvious lesson is that J Med Ethics: first published as 10.1136/jme.2005.014134 on 30 November 2005. Downloaded from ....................................................................................... such exercises are fraught with diffi- culty. However, procedural justice does not solve this problem, rather it seeks to Nice and not so nice make the process of failing to solve the problem transparent, and to demon- John Harris strate the reasonableness of the process and only via the reasonableness of the ................................................................................... process the reasonableness of the pro- duct of that process, inter alia, so that those who make decisions (such as NICE) can be easily held to account. ichael Rawlins and Andrew editorial I provided arguments for all ‘‘When we lack consensus on principles Dillon start their defence of claims made, none of which are engaged that tell us what is fair, or even when we MNice in fine polemical style, by Rawlins and Dillon. Let’s get down to have general principles but are bur- unfortunately polemics is all they have cases. dened by reasonable disagreements to offer. They totally fail to justify the Rawlins and Dillon seem to think that about how they apply, we may never- Nice proposals on dementia treatments unless I (or anyone) is prepared to offer theless find a process or procedure that nor do they make any more plausible solutions to the problem of distributing most can accept as fair to those who are than formerly their use of the notorious health resources under conditions of affected by such decisions. That fair QALY.