GUSTAV KLIMT 2 GUSTAV KLIMT 150 Jahre
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Die Letzten Tage Der Menschheit“
DIPLOMARBEIT Titel der Diplomarbeit „Die Rolle der Frau in Karl Kraus´ Satire Die letzten Tage der Menschheit“ Verfasserin Anna Winkler angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, 2011 Studienkennzahl lt. Studienblatt: A 332 Studienrichtung lt. Studienblatt: Deutsche Philologie Betreuer: Ao. Univ.-Prof. Dr. Murray G. Hall Für Mario und meine Eltern INHALTSVERZEICHNIS EINLEITUNG .............................................................................. 5 Der Forschungsstand und das Forschungsziel ........................................... 6 Die Methode............................................................................................... 9 Die Zitierweise ........................................................................................... 9 1. Die Frau um 1900 ................................................................. 10 1.1. Der Diskurs um die Frau ................................................................ 10 1.1.1. Sigmund Freud und das Rätsel der Weiblichkeit ...................................... 15 1.1.2. Georg Simmel und die weibliche Kultur .................................................. 17 1.1.3. Paul Julius Möbius zur Frauenthematik ................................................... 19 1.1.4. Otto Weininger über Geschlecht und Charakter ....................................... 21 1.1.5. Karl Kraus und Otto Weininger ................................................................ 23 1.1.6. Karl Kraus und die Frau .......................................................................... -
KOLOMAN MOSER Ø KOLOMAN DESIGNING MODERN VIENNA Ø MOSER 1897–1907 Edited by Christian Witt-Dörring
5294-NG_MOSER_jacket_offset 19.03.13 13:47 Seite 1 MOSER KOLOMAN KOLOMAN MOSER ø KOLOMAN DESIGNING MODERN VIENNA ø MOSER 1897–1907 Edited by Christian Witt-Dörring With preface by Ronald S. Lauder, foreword by Renée Price, and contributions by Rainald Franz, Ernst Ploil, Elisabeth Schmuttermeier, Janis Staggs, Angela Völker, and Christian Witt-Dörring FRONT COVER: This catalogue accompanies an (TOP ROW) Armchair, ca. 1903, Neue Galerie DESIGNING New York; Easter egg, 1905, A.P. Collection, MODERN VIENNA exhibition at the Neue Galerie London; (MIDDLE ROW) Vase, 1905, New York and the Museum of A.P. Collection, London; Jewelry box, 1907, 1897–1907 Fine Arts, Houston, devoted to Private Collection; (BOTTOM ROW) Vase, 1903, Ernst Ploil, Vienna; Bread basket, 1910, Austrian artist and designer Asenbaum, London Koloman Moser (1868–1918). It BACK COVER: is the first museum retrospec- (TOP ROW) Centerpiece with handle, 1904, tive in the United States focused Private Collection; Coffer given by Gustav on Moser’s decorative arts. The Mahler to Alma Mahler, 1902, Private Collection; (MIDDLE ROW) Two napkin rings, exhibition is organized by Dr. 1904, Private Collection; Table, 1904, Private Christian Witt-Dörring, the Neue Collection; (BOTTOM ROW) Mustard pot, 1905, Private Collection; Display case for the Galerie Curator of Decorative Arts. Schwestern Flöge (Flöge Sisters) fashion salon, 1904, Private Collection The exhibition and catalogue survey the entirety of Moser’s decorative arts career. They ex- amine his early work as a graphic designer and his involvement with the Vienna Secession, with spe- cial focus given to his role as an PRESTEL PRESTEL artist for the journal Ver Sacrum (Sacred Spring). -
Vienna Guide
April 22—24, 2015, Vienna, Austria Hotel Park Royal Palace Vienna Guide SIGHTSEEING Vienna is old, Vienna is new… and the sights are so varied: from the magnificent Baroque buildings to “golden” Art Nouveau to the latest architecture. And over 100 museums beckon… ALBERTINA The Albertina has the largest and most valuable graphical collection in the world, including works such as Dürer’s “Hare” and Klimt‘s studies of women. Its latest exhibition presents masterpieces of the Modern era, spanning from Monet to Picasso and Baselitz. As the largest Hapsburg residential palace, the Albertina dominates the southern tip of the Imperial Palace on one of the last remaining fortress walls in Vienna. ANKER CLOCK This clock (built 1911–14) was created by the painter and sculptor Franz von Matsch and is a typical Art Nouveau design. It forms a bridge between the two parts of the Anker Insurance Company building. In the course of 12 hours, 12 historical figures (or pairs of figures) move across the bridge. Every day at noon, the figures parade, each accompanied by music from its era. AUGARTEN PORCELAIN MANUFacTORY Founded in 1718, the Vienna Porcelain Manufactory is the second-oldest in Europe. Now as then, porcelain continues to be made and painted by hand. Each piece is thus unique. A tour of the manufactory in the former imperial pleasure palace at Augarten gives visitors an idea of how much love for detail goes into the making of each individual piece. The designs of Augarten have been created in cooperation with notable artists since the manufactory was established. -
„Es Muss Damals in Wien Ganz Interessant Gewesen Sein …“
2018 90 18 en, Wi in elier At seinem „Es muss damals in in Wien ganz interessant Moser olo gewesen sein…“ oK ien.inf .w www 2 WasKlimt undSchiele für die Malerei bedeuteten,das leistetenGustav Mahler und ArnoldSchönbergfürdasWienerMusikleben. Wirzeigen Ihnen, wo ihr Werk lebendig ist, und wie musikalischeNeuerungeninWiens Talenteschmieden vonheuteentstehen. Liebe Leserin, lieber Leser, Wiebreit das Klangspektrum der Musikstadt ist, verdeutlichen zwei Musikerporträts: „Es muss damals in Wien ganz interessant Thilo Fechner, Bratschist bei den Wiener gewesen sein…“, so beschriebHermann Bahr, Philharmonikern, und DJ undSängerin Joyce Schriftsteller und kritischer Wortführer,die Muniz erzählen vonihrer Liebe zur Musik WienerModerne. In jener Zeit zwischen 1890 und zu Wien. Wirladen Sie ein, Musik mit und 1938bewegten sich Gesellschaftund allen Sinnen zu erleben, veranschaulichen, Kunst zwischen zeitloser Schönheit und den welchenaktuellen Kunstpositionen die Abgründen zweier Weltkriege.Das Portrait WienerFestwochen Geltung verschaffen vonKoloman Moser auf dem Coverdieses und blicken mit einer „Workshopaholic“ rt Journals ist Sinnbild dieser Stimmung. hinter die Kulissen vonEuropas größtem Heute,100 Jahrenach dem Todvon vierder Tanzfestival. wo or bedeutendsten Protagonistender Wiener Moderne –Gustav Klimt, Egon Schiele, Außerdempräsentierenwir ungewöhn- Otto Wagnerund Koloman Moser –sind liche Facetten desWiener Lebensgefühls: —V die Errungenschaften dieser Äraaktueller Mehlspeisenklassiker wie Sachertorte und 18 denn je.Wie modern sie sind, -
Living War, Thinking Peace (1914-1924)
Living War, Thinking Peace (1914-1924) Living War, Thinking Peace (1914-1924): Women’s Experiences, Feminist Thought, and International Relations Edited by Bruna Bianchi and Geraldine Ludbrook Living War, Thinking Peace (1914-1924): Women’s Experiences, Feminist Thought, and International Relations Edited by Bruna Bianchi and Geraldine Ludbrook This book first published 2016 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2016 by Bruna Bianchi, Geraldine Ludbrook and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-8684-X ISBN (13): 978-1-4438-8684-0 CONTENTS Introduction .............................................................................................. viii Bruna Bianchi and Geraldine Ludbrook Part One: Living War. Women’s Experiences during the War Chapter One ................................................................................................. 2 Women in Popular Demonstrations against the War in Italy Giovanna Procacci Chapter Two .............................................................................................. 26 Inside the Storm: The Experiences of Women during the Austro-German Occupation -
American University Thesis and Dissertation Template for PC 2016
© COPYRIGHT by Olivia Rettstatt 2019 ALL RIGHTS RESERVED BRONCIA KOLLER-PINELL’S MARIETTA, 1907: FACING TRUTH IN THE VIENNA SECESSION BY Olivia Rettstatt ABSTRACT Broncia Koller-Pinell’s Marietta, 1907, an ambitious painting of a female nude, is an outlier within the artist’s oeuvre in terms of both style and genre. This thesis interrogates the painting’s relationship to the canon of Viennese modernism: the work provides an opening-point to consider Koller-Pinell’s relationship to the “Klimt Group,” a faction of artists who in 1905 seceded from the original Secession group, founded in 1897. I argue that Marietta confronts and reinterprets Gustav Klimt’s Nuda Veritas (Naked Truth), 1899, a major icon of the Secession and referent to the nude as a symbol of truth. By questioning the gendering of art and the artist in the Secession, Koller-Pinell pointed directly to the conditions that barred women from full participation in the movement. Further, I discuss the artist’s adaptation of Neo-Byzantine style and Christian iconography in the painting, relating these aspects to religious tensions within Viennese society and to Koller-Pinell’s own identity as a Jewish woman. Lastly, by re- introducing Marietta back into the context of the 1908 Kunstschau alongside Koller-Pinell’s other works, I consider the role gender played in shaping the reception of women’s art. The organizers’ pointed refusal to include Marietta in the exhibition alongside more conventionally “feminine” works by Koller-Pinell illustrates the contradictions within the Secession’s stated aim to break down the borders between art and craft. -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit Die Vereinigung bildender Künstlerinnen Österreichs Studien zu ihrer Rolle in Kunst- und Frauengeschichte Europas Verfasserin Marie-Sophie Brendinger angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, August 2011 Studienkennzahl lt. Studienblatt: A 315 Studienrichtung lt. Studienblatt: Kunstgeschichte Betreuer: univ.-Doz. Dr. Werner Kitlitschka 0 Inhaltsverzeichnis Einleitung ................................................................................................................................... 3 1. Die emanzipierte Frau in der europäischen Geschichte ......................................................... 5 1.1. Die Frau im Mittelalter .................................................................................................... 5 1.1.1. Die Bürgerin .............................................................................................................. 5 1.1.2. Die Begine ................................................................................................................ 6 1.1.3. Die Adelsfrau ............................................................................................................ 7 1.1.4. Die Frau im Kloster................................................................................................... 7 1.2. Die Frau in der Neuzeit ................................................................................................. 10 1.2.1 Die Frau im 18. Jahrhundert ................................................................................... -
Introducing Narratives in Europeana: a Case Study
Int. J. Appl. Math. Comput. Sci., 2019, Vol. 29, No. 1, 7–16 DOI: 10.2478/amcs-2019-0001 INTRODUCING NARRATIVES IN EUROPEANA: A CASE STUDY a,∗ a a a CARLO MEGHINI ,VALENTINA BARTALESI ,DANIELE METILLI ,FILIPPO BENEDETTI aNetworked Multimedia Information Systems Laboratory Institute of Information Science and Technologies “Alessandro Faedo”—CNR Via Giuseppe Moruzzi 1, 56124 Pisa, Italy e-mail: {carlo.meghini,valentina.bartalesi}@isti.cnr.it, {daniele.metilli,filippo.benedetti}@isti.cnr.it We present a preliminary study to introduce narratives as a first-class functionality in digital libraries. The general idea is to enrich those libraries with semantic networks of events providing a meaningful contextualisation of the digital libraries’ objects. More specific motivations are presented through a set of use cases by different actors who would benefit from using narratives for different purposes. Then, we consider a specific digital library, Europeana, the largest European digital library in the cultural heritage domain. We discuss how the Europeana Data Model could be extended for representing narratives, and we introduce an ontology for narratives. We also present a semi-automatic tool, which, on the basis of the ontology, supports the creation and visualisation of narratives, and we show how the tool has been employed to create a narrative of the life of the painter Gustav Klimt as a case study. In particular, we focus our attention on the functionality of the tool that allows extracting and proposing to the user specific digital objects for each event of the narrative. Keywords: digital libraries, narratives, Europeana, ontologies. 1. Introduction in the Europeana Data Model (EDM)2 the concept of event was introduced. -
A) Evoluția Instituției În Raport Cu Mediul În Care Își Desfășoară Activitatea
A) Evoluția instituției în raport cu mediul în care își desfășoară activitatea 1. Colaborarea cu instituții, organizații, grupuri informale care se adresează aceleiași comunități Muzeul Național Peleș este cea mai importantă și reprezentativă instituție muzeală de rang național, nu numai din Sinaia, ci și de pe Valea Prahovei. Ca monument istoric, complexul arhitectonic Peleș este un reper național, dar și european. Ca instituție muzeală, în orașul Sinaia mai funcționează, ca secție a Muzeului Național ,,George Enescu” din București, Casa memorială ,,Vila Luminiș”, locul vacanțelor marelui compozitor George Enescu. Un alt monument istoric de maximă importanță este Mănăstirea Sinaia, care adăpostește și un mic, dar foarte valoros, muzeu de artă veche românească. Un rol cultural activ în viața orașului îl are și Centrul Cultural ,,Carmen Sylva”, aflat în subordinea Primăriei Sinaia, care găzduiește Biblioteca orășenească Sinaia și unde se desfășoară numeroase conferințe și acțiuni culturale. În luna decembrie 2015, a fost inaugurat Muzeul Orașului Sinaia, instituție muzeală aflată în subordinea Centrului Internațional de Conferințe „Cazino Sinaia” și care are un rol deosebit în recuperarea și valorificarea memoriei istorice și culturale a stațiunii. Pe Valea Prahovei, publicul larg are acces la Casa Memorială ,,Cezar Petrescu” din Bușteni, la Muzeul Cinegetic al Carpaților de la Posada, dar și la Palatul Cantacuzino din Bușteni, aflat în proprietate privată și deschis spre vizitare. Fără a minimaliza importanța celorlalte instituții muzeale din zonă, trebuie remarcată unicitatea, amploarea și valoarea excepțională a patrimoniului cultural gestionat de Muzeul Național Peleș, din punct de vedere artistic, istoric și arhitectonic, aceste atribute conducând la un mare aflux de vizitatori, care îi și conferă, anual, calitatea de cel mai vizitat muzeu din România. -
Klimt and the Ringstrasse
— 1 — Klimt and the Ringstrasse Herausgegeben von Agnes Husslein-Arco und Alexander Klee Edited by Agnes Husslein-Arco and Alexander Klee Inhalt Agnes Husslein-Arco 9 Klimt und die Ringstraße Klimt and the Ringstrasse Cornelia Reiter 13 Die Schule von Carl Rahl. Eduard Bitterlichs Kartonzyklus für das Palais Epstein The Viennese School of Carl Rahl. Eduard Bitterlich’s series of cartoons for Palais Epstein Eric Anderson 23 Jakob von Falke und der Geschmack Jakob von Falke and Ringstrasse-era taste Markus Fellinger 35 Klimt, die Künstler-Compagnie und das Theater Klimt, the Künstler Compagnie, and the Theater Walter Krause 49 Europa und die Skulpturen der Wiener Ringstraße Europe and the Sculptures of the Ringstrasse Karlheinz Rossbacher 61 Salons und Salonièren der Ringstraßenzeit Salons and Salonnières of the Ringstrasse-era Gert Selle 77 Thonet Nr. 14 Thonet No. 14 Wiener Zeitung, 28. April 1867 84 Die Möbelexposition aus massiv gebogenem Längenholze der Herren Gebrüder Thonet The exhibition of solid bentwood furniture by Gebrüder Thonet Alexander Klee 87 Kunst begreifen. Die Funktion des Sammelns am Ende des 19. Jahrhunderts in Wien Feeling Art. The role of collecting in the late nineteenth century in Vienna Alexander Klee 93 Anton Oelzelt. Baumagnat und Sammler Anton Oelzelt. Construction magnate and collector Alexander Klee 103 Friedrich Franz Josef Freiherr von Leitenberger. Das kosmopolitische Großbürgertum Baron Friedrich Franz Josef von Leitenberger. The cosmopolitan grande bourgeoisie Alexander Klee 111 Nicolaus Dumba. Philanthrop, -
Calliope Austria – Women in Society, Culture and the Sciences
CALLIOPE Austria Women in Society, Culture and the Sciences 1 CALLIOPE Austria Women in Society, Culture and the Sciences CALLIOPE Austria Women in Society, Culture and the Sciences Future Fund of the Republic of Austria Sources of inspiration are female – Federal Minister Sebastian Kurz 7 A new support programme for Austrian international cultural work – Teresa Indjein 9 Efforts to create equality worldwide – Ulrike Nguyen 11 An opportunity for effecting change: fundamental research on the issue of women’s rights in Austria 13 biografiA – an encyclopaedia of Austrian women 14 Ariadne – the service centre for information and documentation specific to women’s issues at the Austrian National Library 16 Protagonists for celebration, reflection and forward thinking 1 Creating facts: women and society 23 1.1 Power and powerlessness: women in the Habsburg Monarchy 25 1.2 Women’s rights are human rights: the women’s movement in Austria 31 1.3 Courageous, proactive, conspiratorial: women in the resistance against National Socialism 47 2 Creating free spaces: women and the arts 61 2.1 Women and architecture 63 2.2 Women and the fine arts 71 2.3 Women and design/graphics/applied arts 85 2.4 Women and fashion/Vienna couture 93 2.5 Women and film 99 2.6 Women and photography 111 2.7 Women and literature 121 2.8 Women and music 153 2.9 Women and theatre 163 2.10 Women and dance 173 2.11 Women and networks/salonières 181 Creating spaces for thought and action: 3 women and education 187 3.1 Schooling and higher education by women/for women and girls 189 3.2 Women and the sciences 197 3.2.1 Medicine and psychology 198 3.2.2 Natural sciences 206 3.2.3 Humanities 217 3.2.4 Social, economic and political sciences 223 Notes 234 Directory of the protagonists 254 Overview of commemoration dates and anniversaries 256 Imprint 272 Anja Manfredi Re-enacting Anna Pavlova with Heidrun Neumayer, analogue C-print, 70 x 100 cm, 2009 Sources of inspiration are female Austria is a cultural nation, where women make significant contributions to cultural and socio-political life. -
CAS21 for Birgit-No Marks
Austrian Lives Günter Bischof, Fritz Plasser, Eva Maltschnig (Eds.) CONTEMPORARY AUSTRIAN STUDIES | Volume 21 innsbruck university press Copyright ©2012 by University of New Orleans Press, New Orleans, Louisiana, USA. All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without prior permission in writing from the publisher. All inquiries should be addressed to UNO Press, University of New Orleans, LA 138, 2000 Lakeshore Drive, New Orleans, LA, 70119, USA. www.unopress.org. Printed in the United States of America. Book and cover design: Lauren Capone Cover photo credits given on the following pages: 33, 72, 119, 148, 191, 311, 336, 370, 397 Published in the United States by Published and distributed in Europe University of New Orleans Press: by Innsbruck University Press: ISBN: 9781608010929 ISBN: 9783902811615 Contemporary Austrian Studies Sponsored by the University of New Orleans and Universität Innsbruck Editors Günter Bischof, CenterAustria, University of New Orleans Fritz Plasser, Universität Innsbruck Production Editor Copy Editor Bill Lavender Lauren Capone University of New Orleans University of New Orleans Executive Editors Klaus Frantz, Universität Innsbruck Susan Krantz, University of New Orleans Advisory Board Siegfried Beer Sándor Kurtán Universität Graz Corvinus University Budapest Peter Berger Günther Pallaver