FACING the UNIMAGINABLE: HOPI and SOUTHERN PAIUTE No
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Chapter 7 the Enduring Hopi
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln HOPI NATION: Essays on Indigenous Art, Culture, History, and Law History, Department of September 2008 Chapter 7 The Enduring Hopi Peter Iverson Arizona State University, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/hopination Part of the Indigenous Studies Commons Iverson, Peter, "Chapter 7 The Enduring Hopi" (2008). HOPI NATION: Essays on Indigenous Art, Culture, History, and Law. 16. https://digitalcommons.unl.edu/hopination/16 This Article is brought to you for free and open access by the History, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in HOPI NATION: Essays on Indigenous Art, Culture, History, and Law by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. CHAPTER 7 The Enduring Hopi Peter Iverson “What then is the meaning of the tricentennial observance? It is a reaffirmation of continuity and hope for the collective Hopi future.” The Hopi world is centered on and around three mesas in northeastern Arizona named First, Sec- ond, and Third. It is at first glance a harsh and rugged land, not always pleasing to the untrained eye. Prosperity here can only be realized with patience, determination, and a belief in tomorrow.1 For over 400 years, the Hopis have confronted the incursion of outside non-Indian societies. The Spanish entered Hopi country as early as 1540. Then part of Francisco Vásquez de Coronado’s explor- ing party invaded the area with characteristic boldness and superciliousness. About twenty Spaniards, including a Franciscan missionary, confronted some of the people who resided in the seven villages that now comprise the Hopi domain, and under the leadership of Pedro de Tovar, the Spanish over- came Hopi resistance, severely damaging the village of Kawaiokuh, and winning unwilling surrender. -
Tribal Perspectives on the Hohokam
Bulletin of Old Pueblo Archaeology Center Tucson, Arizona December 2009 Number 60 Michael Hampshire’s artist rendition of Pueblo Grande platform mound (right); post-excavation view of compound area northwest of Pueblo Grande platform mound (above) TRIBAL PERSPECTIVES ON THE HOHOKAM Donald Bahr, Ph.D. Professor Emeritus, Arizona State University The archaeologists’ name for the principal pre-European culture of southern Arizona is Hohokam, a word they adopted from the O’odham (formerly Pima-Papago). I am not sure which archaeologist first used that word. It seems that the first documented but unpublished use is from 1874 or 1875 (Haury 1976:5). In any case, since around then archaeologists have used their methods to define and explain the origin, development, geographic extent, and end of the Hohokam culture. This article is not about the archaeologists’ Hohokam, but about the stories and explanations of past peoples as told by the three Native American tribes who either grew from or replaced the archaeologists’ Hohokam on former Hohokam land. These are the O’odham, of course, but also the Maricopa and Yavapai. The Maricopa during European times (since about 1550) lived on lands previously occupied by the Hohokam and Patayan archaeological cultures, and the Yavapai lived on lands of the older Hohokam, Patayan, Hakataya, Salado, and Western Anasazi cultures – to use all of the names that have been used, sometimes overlappingly, for previous cultures of the region. The Stories The O’odham word huhugkam means “something that is used up or finished.” The word consists of the verb huhug, which means “to be used up or finished,” and the suffix “-kam,” which means “something that is this way.” Huhug is generally, and perhaps only, used as an intransitive, not a transitive, verb. -
People of Snowy Mountain, People of the River: a Multi-Agency Ethnographic Overview and Compendium Relating to Tribes Associated with Clark County, Nevada
Portland State University PDXScholar Anthropology Faculty Publications and Presentations Anthropology 2012 People of Snowy Mountain, People of the River: A Multi-Agency Ethnographic Overview and Compendium Relating to Tribes Associated with Clark County, Nevada Douglas Deur Portland State University, [email protected] Deborah Confer University of Washington Follow this and additional works at: https://pdxscholar.library.pdx.edu/anth_fac Part of the Social and Cultural Anthropology Commons, and the Sustainability Commons Let us know how access to this document benefits ou.y Citation Details Deur, Douglas and Confer, Deborah, "People of Snowy Mountain, People of the River: A Multi-Agency Ethnographic Overview and Compendium Relating to Tribes Associated with Clark County, Nevada" (2012). Anthropology Faculty Publications and Presentations. 98. https://pdxscholar.library.pdx.edu/anth_fac/98 This Report is brought to you for free and open access. It has been accepted for inclusion in Anthropology Faculty Publications and Presentations by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Pacific West Region: Social Science Series National Park Service Publication Number 2012-01 U.S. Department of the Interior PEOPLE OF SNOWY MOUNTAIN, PEOPLE OF THE RIVER: A MULTI-AGENCY ETHNOGRAPHIC OVERVIEW AND COMPENDIUM RELATING TO TRIBES ASSOCIATED WITH CLARK COUNTY, NEVADA 2012 Douglas Deur, Ph.D. and Deborah Confer LAKE MEAD AND BLACK CANYON Doc Searls Photo, Courtesy Wikimedia Commons -
History of Nuwuvi People
History of Nuwuvi People The Nuwuvi, or Southern Paiute peoples (the people), are also known as Nuwu. The Southern Paiute language originates from the uto-aztecan family of languages. Many different dialects are spoken, but there are many similarities between each language. UNLV, and the wider Las Vegas area, stands on Southern Paiute land. Historically, Southern Paiutes were hunter-gatherers and lived in small family units. Prior to colonial influence, their territory spanned across what is today Southeastern California, Southern Nevada, Northern Arizona, and Southern Utah. Within this territory, many of the Paiutes would roam the land moving from place to place. Often there was never really a significant homebase. The Las Vegas Paiute Tribe (LVPT) mentions that, “Outsiders who came to the Paiutes' territory often described the land as harsh, arid and barren; however, the Paiutes developed a culture suited to the diverse land and its resources.” Throughout the history of the Southern Paiute people, there was often peace and calm times. Other than occasional conflicts with nearby tribes, the Southern Paiutes now had to endure conflict from White settlers in the 1800s. Their way of life was now changed with the onset of construction for the Transcontinental railroad and its completion. Among other changes to the land, the LVPT also said, “In 1826, trappers and traders began crossing Paiute land, and these crossings became known in 1829 as the Old Spanish Trail (a trade route from New Mexico to California). In 1848, the United States government assumed control over the area.” The local tribe within the area is the Las Vegas Paiute Tribe (LVPT), their ancestors were known as the Tudinu (Desert People). -
Visitor Guide &
Visitor Guide & Map WELCOME TO THE HEARD MUSEUM Your visit to the Heard Museum includes 12 exhibition galleries, free self-guided audio tours, outdoor sculpture gardens, a renowned café, a contemporary art gallery and trading-post style shopping, plus much more. MUSEUM & SHOP HOURS The Heard Museum is fully wheelchair accessible and 3RD PARTY ADVERTISING Tuesday to Sunday, 10 a.m. to 4 p.m. wheelchairs are available Closed Monday upon request. Doors open to members at 9:00 a.m. on Saturday and Sunday Assisted Listening System, video & audio transcripts Closed Easter Sunday, Independence Day, are all available to be Thanksgiving and Christmas. checked out at Admissions. Food & drink are not MUSEUM APP permitted in the galleries. Download the new Heard Museum mobile app. Features include museum maps, Photography is permitted without flash unless audio guides, exhibition information and otherwise posted. more! Available in the App Store & Google All backpacks and any bag Play, or scan this code with your phone's over 13” x 17” are not camera: permitted in the museum. Free lockers are available to store any items during your visit. No firearms or weapons are allowed on this property. cover: Leon Polk Smith, 1906-1996, Pursuant to A.R.S. § 4-229 Reflections-Red-Black, detail,1971. Acrylic on canvas, Overall: 35 1/2 x 35 1/2 in., Leon Polk Smith Foundation. Copyright for many works of art in the museum rests with the artists. The Heard Museum does not assume liability for violation of copyright law by a photographer (Title 17, United States Code). -
Rio Grande National Forest – Assessment 12 Areas of Tribal Importance
Rio Grande National Forest – Assessment 12 Areas of Tribal Importance Rio Grande National Forest – Assessment 12 Areas of Tribal Importance Contents Introduction .............................................................................................................................................. 2 Information Sources and Gaps.................................................................................................................. 2 Existing Forest Plan Direction for Tribal Resources ................................................................................ 3 Scale of Analysis ................................................................................................................................... 3 Intertribal and Interagency Native American Graves Protection and Repatriation Act Memorandum of Understanding ................................................................................................................................... 4 Existing Tribal Rights ............................................................................................................................... 4 Previous Treaties with Ute Bands ......................................................................................................... 4 Hunting Rights: The Brunot Treaty ...................................................................................................... 5 Spiritual Rights .................................................................................................................................... -
Hopi and the Grand Canyon
The Hopi Landscape and People The current Hopi reservation occupies but a small portion of the Hopi’s ancestral territory. Completely surrounded by the Navajo, the Hopi Reservation sits near the center of an area commonly called Hopitutskwa [Hopi toots-kwa]. The term means “Hopi lands” and refers to the entire landscape over which Hopi’s ancestors migrated. In recent times, in part do to land claim cases, Hopitutskwa has come to be applied to a much more restricted geographic area. Beyond this area is a much broader region over which the Hopi and their ancestors lived, traveled, and interacted with the other groups in the southwest. Because Hopi ancestors (histatsinom [hee- sat-see-nom]) came to the Hopi mesas from many different directions, they each brought unique knowledge, customs, and understandings of their past. Hopi is made up of many different clans that still retain this individuality; clan knowledge and history is not shared between clans. Hopi and Öngtupqa (the Grand Canyon) Öngtupqa [oung-toop-ka] plays an ongoing central role in many aspects of Hopi culture and history: Origin – many Hopi clans identify Öngtupqa, specifically the Sipapuni I [sea-pa-poony], as the origin point for people. It is here that the peoples of the earth emerged from the Third World into this, the Fourth World. Migrations – Upon emergence into the Fourth World, the Hopi ancestors entered into a spiritual pact with Ma’saw, the guardian of the Fourth World, to become stewards of the earth. In fulfilling this pact, the Hopi ancestors were instructed to travel to the corners of the land, leaving their “footprints” as evidence of their passing, as they searched for the center of the universe, the Hopi Mesas. -
Arizona Tewa Kwa Speech As a Mantfestation of Linguistic Ideologyi
Pragmatics2:3.297 -309 InternationalPragmatics Association ARIZONA TEWA KWA SPEECH AS A MANTFESTATIONOF LINGUISTIC IDEOLOGYI Paul V. Kroskriw 1.Introduction "Whathave you learned about the ceremonies?" Back in the Summer of.7973,when I firstbegan research on Arizona Tewa, I was often asked such questionsby a variety of villagers.I found this strange,even disconcerting,since the questionspersisted after I explainedmy researchinterest as residing in the language "itself', or in "just the language,not the culture".My academicadvisors and a scholarlytradition encouraged meto attributethis responseto a combination of secrecyand suspicionregarding such culturallysensitive topics as ceremonial language.Yet despite my careful attempts to disclaimany researchinterest in kiva speech (te'e hi:li) and to carefully distinguish betweenit and the more mundane speech of everyday Arizona Tewa life, I still experiencedthese periodic questionings.Did thesequestions betray a native confusion of thelanguage of the kiva with that of the home and plaza? Was there a connection betweenthese forms of discoursethat was apparent to most Tewa villagersyet hidden fromme? In the past few years, after almost two decadesof undertaking various studiesof fuizonaTewa grammar, sociolinguistic variation, languagecontact, traditional nanatives,code-switching, and chanted announcements,an underlying pattern of languageuse has gradually emerged which, via the documentary method of interpretationhas allowed me to attribute a new meaning to these early intenogations.2The disparatelinguistic and discoursepractices, I contend, display a commonpattern of influencefrom te'e hi:li "kiva speech".The more explicit rules for languageuse in ritual performance provide local models for the generation and anluationof more mundanespeech forms and verbal practices. I Acknowledgements.I would like to thank Kathryn Woolard for her commentson an earlier rcnionof thisarticle which was presentedas part of the 1991American Anthropological Association rymposium,"language ldeologies: Practice and Theory'. -
Language Communities in the Village of Tewa
Language & Communication 38 (2014) 8–17 Contents lists available at ScienceDirect Language & Communication journal homepage: www.elsevier.com/locate/langcom Borders traversed, boundaries erected: Creating discursive identities and language communities in the Village of Tewa Paul V. Kroskrity* University of California, Los Angeles, Department of Anthropology, 341 Haines Hall-Box 951553, Los Angeles, CA 90095-1553, United States abstract Keywords: Today the Village of Tewa, First Mesa of the Hopi Reservation in Northern Arizona expe- Language Endangerment riences unprecedented linguistic diversity and change due to language shift to English. Linguistic Revitalization Despite a wide range of speaker fluency, the now emblematic Tewa language that their Languages as Emblems of Identity ancestors transported from the Rio Grande Valley almost 325 years ago, is widely valorized Language Ideologies within the community. However Language factions have emerged andtheir debates and Speech/Language Community Tewa contestations focus on legitimate language learning and the proper maintenance of their emblematic language. Boundary creation and crossing are featuresof discourses that rationalize possible forms of language revitalization and construct communities across temporal barriers. The theoretical implications of these discourseson both local and theoretical notions of language/speech community are explored. Ó 2014 Elsevier Ltd. All rights reserved. 1. Introduction As in many communities faced with language endangerment, discourses of language and identity have been multiplied and magnified by contemporary transformations in the Village of Tewa. But this is a community wherein language and group identity have an especially long and rich history of linkage in actual practice and in indigenous metalinguistic commentary. Today the Arizona Tewas number around seven hundred individuals who reside on and near the Village of Tewa on First Mesa of the Hopi Reservation in NE Arizona. -
Hopi Comprehensive Economic Development Strategy 0
Fall 08 Hopi Comprehensive Economic Development Strategy 1 1 Second Mesa Culture Center Website 2016 0 Hopi Comprehensive Economic Development Strategy 1 Hopi Comprehensive Economic Development Strategy Hopi Tribe Comprehensive Economic Development Strategy 2018 U.S. Economic Development Administration Prepared by: Hopi Tribe Office of Community Planning and Economic Development and Land Information Systems OCPEDLIS 2 Hopi Comprehensive Economic Development Strategy 3 Hopi Comprehensive Economic Development Strategy Hopi Tribal Council Executive Branch Timothy L. Nuvangyaoma, Hopi Tribal Chairman Clark W. Tenakhongva, Hopi Tribe Vice Chairman Wilfred L. Gaseoma, Tribal Treasurer Theresa Lomakema, Tribal Secretary Alfonso Sakeva Jr., Sergeant at Arms Village of Bakabi Village of Kykotsmovi Clifford Qotsaquahu David Talyumptewa Lamar Keevama Jack Harding Jr. Davis Pecusa Phillip Quochytewa Sr. Herman G. Honanie Upper Village of Moencopi Village of Mishongnovi Robert Charley Pansy K. Edmo Leroy Shingoitewa Craig Andrews Bruce Fredericks Annette F. Talayumptewa Philton Talahytewa, Sr. First Mesa Consolidated Villages Albert T. Sinquah Village of Sipalouvi Wallace Youvella, Sr. Norene Kootswatewa Alverna Poneoma Rosa Honani THE FOLLOWING VILLAGES CHOOSE TRADITIONAL GOVERNMENT AND DO NOT HAVE VILLAGE REPRESENTATION ON THE TRIBAL COUNCIL. Village of Shungopavi Village of Oraibi Village of Hotevilla Village of Lower Moencopi 0 Hopi Comprehensive Economic Development Strategy 1 Hopi Comprehensive Economic Development Strategy Table of Contents -
Traditional Resource Use of the Flagstaff Area Monuments
TRADITIONAL RESOURCE USE OF THE FLAGSTAFF AREA MONUMENTS FINAL REPORT Prepared by Rebecca S. Toupal Richard W. Stoffle Bureau of Applied Research in Anthropology University of Arizona Tucson, AZ 86721 July 19, 2004 TRADITIONAL RESOURCE USE OF THE FLAGSTAFF AREA MONUMENTS FINAL REPORT Prepared by Rebecca S. Toupal Richard W. Stoffle Shawn Kelly Jill Dumbauld with contributions by Nathan O’Meara Kathleen Van Vlack Fletcher Chmara-Huff Christopher Basaldu Prepared for The National Park Service Cooperative Agreement Number 1443CA1250-96-006 R.W. Stoffle and R.S. Toupal, Principal Investigators Bureau of Applied Research in Anthropology University of Arizona Tucson, AZ 86721 July 19, 2004 TABLE OF CONTENTS LIST OF TABLES................................................................................................................... iv LIST OF FIGURES .................................................................................................................iv CHAPTER ONE: STUDY OVERVIEW ..................................................................................1 Project History and Purpose...........................................................................................1 Research Tasks...............................................................................................................1 Research Methods..........................................................................................................2 Organization of the Report.............................................................................................7 -
Contemporary Hopi Arts and Crafts Hopi Pottery
Contemporary Hopi Arts and Crafts Hopi Pottery Hopi potters draw on a tradition going back centuries. The ancestors of the Hopi made gray utility ware as long ago as A.D. 700. The ancient potters developed black on white styles, black on red, and finally polychromes. In the late 1800s, outsiders began to appreciate the artistry of Hopi potters. This new demand sparked what has been called the revival period for Hopi pottery. The ancient potters passed their skills on to succeeding generations, many of whom are Hopi potters today. Although First Mesa is the most well-known for its pottery, Hopi potters can be found throughout the Hopi mesas. All authentic Hopi pottery is handmade by the coil and scrape technique. Hopi potters do not use a pottery wheel or make mold-poured pottery. They use the same techniques as their ancestors, hand-painting the designs with yucca leaf brushes and using natural materials provided by their environment. The pots are then fired in open firing areas. To learn about Hopi pottery, we suggest you read some of the fine books available about this ancient art. They are listed in our Recommended Reading List. History The Hopi call their ancestors, Hisatsinom, "People of Long Ago." The public and most anthropologists refer to these people as the "Anasazi," a word that has become popular in the general literature. Early Hisatsinom are called the Basketmaker people. The Basketmakers were a hunting and gathering people who became increasingly sedentary as their reliance on agriculture increased. As early as A.D. 700, the Basketmaker people began making plain pottery.