[email protected]

Total Page:16

File Type:pdf, Size:1020Kb

Fokus.Westbalkan@Forumzfd.De FFookkuuss..WWeessttbbaallkkaann 02-2014 SEPTEMBER News from the Forum Civil Peace Service in the Western Balkans Content FOKUS The commemoration on the First World War in Bosnia and Herzegovina: Between mega-spectacle and folklore ........................................... 1 Bosnia and Herzegovina MOnuMENTI motion premiere at the 2014 Peace Event in Sarajevo ............... 3 Kosovo Memory Mapping Kosovo - contested memories: Between materiality, textuality and performativity of the past .................................................................. 4 Serbia forum ZFD - finally active again in Serbia .................................................................. 5 Western Balkans - Regional “Balkan Perspectives” – a regional magazine on dealing with the past ........ 6 Outside the box CIVIL - A different organisation ..................................................................................... 7 News & Events News in brief ........................................................................................................................ 8 Upcoming Public Events ................................................................................................. 9 Staff News .......................................................................................................................... 10 Imprint WRITE US Did our newsletter make you think? Or do you have a different opinion regarding some of the top- ics? We would be delighted to hear from you and would like to invite you to send us your com- ments, opinions and questions. We will publish a selection of the entries in the next issue. Write us at [email protected] üüü TOP Forum Ziviler Friedensdienst Forum Civil Peace Service www.forumZFD.de 1 FOKUS The commemoration on the First World War in Bosnia and Herze- govina: Between mega-spectacle and folklore The public commemorations on the First World War way of other protagonists preparing the commemora- in Bosnia and Herzegovina in 2014 were mostly fo- tion, particularly those from France and Serbia that cused on the assassination in Sarajevo of 28 June made accusations that the conference in Sarajevo 1914. In a society in which there are conflicting nar- would be an exercise in revising the existing culprits for ratives of the assassination, this limited view on the the outbreak of WWI. Although the Institute rejected beginning of the Great War brought about addition- these accusations, the preparations for this conference al tensions and deepened the divide in the society. were interpreted in some political circles in Serbia and In the course of 2013 and in the first half of 2014, con- Republika Srpska as a threat that could lead to the re- flicts over the manner of commemorating this event moval of guilt for the Great War from Germany and the were getting Monarchy and stronger and transfer of blame stronger, with dif- to Serbia and ferent groups driv- France, and, indi- en by political and rectly, to Russia. In financial reasons the course of that tried to im- preparations, the pose their concepts conference was of commemora- particularly at- tion. In this con- tacked by the for- text, a foundation mer diplomat Slo- called Sarajevo, bodan Šoja, the scientific coordi- Heart of Europe „The Great War: Regiona Approaches and Global Contexts“, nator for the Em- was established, international historians‘ conference in Sarajevo, 18th-21th June which received sig- bassy of France in nificant funds from the European Union for the organi- Sarajevo, who described it as “a conference that had sation of numerous events. The European Commis- invited only those countries that had lost the war”. sion’s Delegation in Sarajevo, governments of Republic Milorad Dodik, the President of Republika Srpska insist- of Serbia and of the Republika Srpska (one of two state ed on this definition, emphasising that the Academy of entities in Bosnia-Herzegowina, mainly inhabited by the Sciences and Arts of Republika Srpska diagnosed that ethnic Serb population) supported some initiatives as the conference had a pro-Habsburg and anti-Serb char- well, while others were organised by institutes without acter. That is why the Sarajevo, Heart of Europe Founda- any financial support of the Foundation or of the Euro- tion denied financial support for organizing this confer- pean Union. ence of historians in Sarajevo, and only thanks to its broad cooperation with institutes from seven European In 2014, the commemoration on World War I in Bosnia countries, the Institute of History of the University of and Herzegovina had two aspects – scientific and Sarajevo succeeded in securing sufficient funds to or- manifestational. The scientific aspect was led mainly by ganise the conference titled “The Great War: Regional the Institute for History of the University of Sarajevo. As Approaches and Global Contexts”. The keynote speaker of 2011, in cooperation with scientific institutions from at the conference held from 18 to 21 June was Professor eight European countries, the Institute began preparing Mark Mazower from Columbia University, while the a conference envisaged not as a commemoration on closing paper was presented by Marie Janine Calic from the assassination in Sarajevo, but as an opportunity to Ludwig-Maximilians-University, Munich. start a dialogue on all aspects of the outbreak of WWI. It was because of this that the Institute’s idea got in the üüü TOP Forum Ziviler Friedensdienst Forum Civil Peace Service www.forumZFD.de 2 Remembrance as a mega-spectacle broadcast the concert directly. Numerous exhibitions in the museums and galleries of Sarajevo made a special Another aspect of the commemoration were events mark on the entire commemoration. The Historical M u- much more promoted in public w hich can in fact be seum organised an exhibition related to Sarajevo , Bos- called ‘mega-spectacles’. One was held in Sarajevo u n- nia and Herzegovina and Europe in the period from der the title “The 1914 to 1918, titled “And then in Sarajevo the Shot Was Century of Peace FURTHER INFORMATION Fired….”; an exhibition of documents, focused on the After the Century of Husnija Kamberović assas sination in Sarajevo was organised by the Archive Wars ”, directed by Director of the Institute for History of the of the Federation of Bosnia and Herzegovina. In the N a- Haris Pašović. This University of Sarajevo tional Gallery of Bosnia and Herzegovina there was the music and drama ([email protected] ) exhibition “The Dignity of Man“ - a joint project of three spectacle that European cities: Vienna, Sarajevo and B rno. brought together about 300 participants from different European countries did not contain too much ideology, No vision for joined commemoration but its aesthetic achievements were very questionable: However, the main feature of all these events was that on the Latin Bridge, near the site of the 1914 Assassin a- they were organised on a local level, that there was not tion, one could hear, inter alia, songs performed by Se r- major involvement of the national institutions of Bosnia bian folk singer Šaban Šaulić and B osnian- and Herzegovina and that there was not a sing le pan- Herzegovinian pop/rock singer Dino Merlin. Bosnian event. Divided memory was further strengt h- The other mega-spectacle was held in Višegrad, d i- ened, political dimensions could not be avoided, while rected by film director Emir Kusturica. It was titled “The nationalistic rhetoric that was strongly expressed in Rebel Angels” and arranged in three acts as a reco n- Republika Srpska only deepened the differences and struction of the assassination in Sarajevo. Thi s event was divisions in Bosnia and Herzegovina. Al though it did not charged with Serb nationalism, having brought togeth- directly help the building of the surreally grandiose er controversial individuals like Matija Bećković, who monument to Gavrilo Princip in Eastern Sarajevo, the was accused before for his nationalistic statements; it European symbolised all the existing divisions in Bosnia and He r- Union was zegovina and, from my po int of view, did not have any evidently significant artistic value. The event was used to officially unpre- inaugurate Andrićgrad, an urban development project pared to dedicated to the Nobel prize winner Ivo Andrić, which is respond to constructed by Emir Kusturica´s own construction co m- the na- pany .The project is strongly supported by Se rbia and tionalistic Republika Srpska. The President of Republika Srpska rhetoric Milorad Dodik, and the Serbian Prime Minister expressed Aleksandar Vučić, by their very presence conveyed a Inauguration of the Gavrilo Princip at the in- clear political message from this event. monument in East -Sarajevo auguration In addition to these two mega-spectacles, the realis a- of that monument and thus made it clear that it was not tion of which involved huge funds (the European Co m- sure of its own perception and vision of Bosnia and He r- mission invested 250,000 Euros in “The Century of Peace zegovina. It is a paradox that, at the same time - com- After the Century of Wars”, while the amount spent on memorating the 100th anniversary of the Great War - the mega-spectacle directed by Kusturica will certainly the Vienna Philharmonic performed in Sarajevo, Eas tern remain unknown), a concert of the Vienna Philharmonic, Sara jevo organised the event called “The 21st Assembly held on 28 June 2014 in the recently rebuilt Sarajevo of Gusle Players of Republika Srpska ”. This indicates that Vijećnica (National library), was particularly
Recommended publications
  • (1389) and the Munich Agreement (1938) As Political Myths
    Department of Political and Economic Studies Faculty of Social Sciences University of Helsinki The Battle Backwards A Comparative Study of the Battle of Kosovo Polje (1389) and the Munich Agreement (1938) as Political Myths Brendan Humphreys ACADEMIC DISSERTATION To be presented, with the permission of the Faculty of Social Sciences of the University of Helsinki, for public examination in hall XII, University main building, Fabianinkatu 33, on 13 December 2013, at noon. Helsinki 2013 Publications of the Department of Political and Economic Studies 12 (2013) Political History © Brendan Humphreys Cover: Riikka Hyypiä Distribution and Sales: Unigrafia Bookstore http://kirjakauppa.unigrafia.fi/ [email protected] PL 4 (Vuorikatu 3 A) 00014 Helsingin yliopisto ISSN-L 2243-3635 ISSN 2243-3635 (Print) ISSN 2243-3643 (Online) ISBN 978-952-10-9084-4 (paperback) ISBN 978-952-10-9085-1 (PDF) Unigrafia, Helsinki 2013 We continue the battle We continue it backwards Vasko Popa, Worriors of the Field of the Blackbird A whole volume could well be written on the myths of modern man, on the mythologies camouflaged in the plays that he enjoys, in the books that he reads. The cinema, that “dream factory” takes over and employs countless mythical motifs – the fight between hero and monster, initiatory combats and ordeals, paradigmatic figures and images (the maiden, the hero, the paradisiacal landscape, hell and do on). Even reading includes a mythological function, only because it replaces the recitation of myths in archaic societies and the oral literature that still lives in the rural communities of Europe, but particularly because, through reading, the modern man succeeds in obtaining an ‘escape from time’ comparable to the ‘emergence from time’ effected by myths.
    [Show full text]
  • Art Song in the South Slav Territories (1900-1930S): Femininity, Nation and Performance
    Creating Art Song in the South Slav Territories (1900-1930s): Femininity, Nation and Performance Verica Grmuša Department of Music Goldsmiths, University of London PhD Thesis The thesis includes a video recording of a full evening lecture-recital entitled ‘Performing the “National” Art Song Today – Songs by Miloje Milojević and Petar Konjović’ (November 22nd, 2017, Deptford Town Hall, Verica Grmuša, soprano, Mina Miletić, piano) 1 Declaration This unpublished thesis is copyright of the author. The thesis is written as a result of my own research work and includes nothing that is written in collaboration with other third party. Where contributions of others are involved, every effort is made to indicate this clearly with reference to the literature, interviews or other sources. The thesis is submitted for the degree of Doctor of Philosophy and I further state that no substantial part of my dissertation has been already submitted to another qualification or previously published. Signed: ____________________________ Date: __________________ Verica Grmuša 2 Acknowledgments I express my gratitude to Goldsmiths’ Music Department, the Postgraduate Research Committee and the Graduate School for their awards and support for my research. I express my gratitude to my supervisors, Dr Berta Joncus and Dr Dejan Djokić, for their specialist help which greatly shaped this thesis. I am indebted to Nan Christie for her indispensable vocal tuition and support during my studies. I am indebted to the late Professor Vlastimir Trajković for access to the Miloje Milojević Family Collection, and for his support and guidance. I would also like to thank a number of friends and colleagues for their support and advice at different stages during my studies: Richard Shaw, Aleksandar Vasić, Tijana Miletić, Melita Milin, Anthony Pryer, Stephen Smart, Nada Bezić, Davor Merkaš, Slobodan Varsaković, Sarah Collins.
    [Show full text]
  • Minnesota Guslar
    RiSTO Grk and his Qusle Minnesota GUSLAR THOMAS F. MAGNER THE THIN WAIL of the gusle drops in You leveled our mosques and minarets volume and the stiff figure of the tall guslar And built churches and altars. opposite you sways and gives voice to the This I shall never forgive. tale of "Karageorge and the Black Arab." Minnesota may justly be proud of having Black Arab inscribes a letter. in Mr. Grk a representative of the ancient Sends it to the Serbian land calling of poet-singer. The epic tales he To the hands of Petiovich George. chants from memory represent the magnifi­ You are listening to an epic poem of the cent contribution of the Serbian people to South Slavs, sung in the Serbian tongue by world literature. a Herzegovinian guslar, though you are in These narrative poems, banded down South St. Paul! Your guslar, drawing the from guslar to guslar by word of mouth, horsehair bow over the one-stringed gusle, have been the object of study and admira­ his voice sobbing in grief or ringing with tion since they first were brought before a triumph, is Risto Grk. wide public by the great Serbian scholar, Hear me, Petrovich George! Vuk Karajich, in the early part of the last Note well what I say to you! century. The late Milman Parry, a Homeric You have wronged me sore scholar at Harvard University, recorded In taking my Serbian land. three hundred and fifty of these heroic Mr. Grk, a sturdy six-footer, who was poems in Yugoslavia in an endeavor to un­ sixty on March 25, sits tensely in bis straight derstand the development of the Homeric chair, his face a mirror of the emotions epic by studying this living epic tradition expressed in this heroic tale.
    [Show full text]
  • Writers of Tales: a Study on National Literary Epic Poetry with a Comparative Analysis of the Albanian and South Slavic Cases
    DOI: 10.14754/CEU.2017.02 WRITERS OF TALES: A STUDY ON NATIONAL LITERARY EPIC POETRY WITH A COMPARATIVE ANALYSIS OF THE ALBANIAN AND SOUTH SLAVIC CASES FRANCESCO LA ROCCA A DISSERTATION IN HISTORY Presented to the Faculties of the Central European University in Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy Budapest, Hungary 2016 Supervisor of Dissertation CEU eTD Collection György Endre Szőnyi DOI: 10.14754/CEU.2017.02 COPYRIGHT NOTICE AND STATEMENT OF RESPONSIBILITY Copyright in the text of this dissertation rests with the Author. Copies by any process, either in full or part, may be made only in accordance with the instructions given by the Author and lodged in the Central European University Library. Details may be obtained from the librarian. This page must form a part of any such copies made. Further copies made in accordance with such instructions may not be made without the written permission of the Author. I hereby declare that this dissertation contains no materials accepted for any other degrees in any other institutions and no materials previously written and/or published by another person unless otherwise noted. CEU eTD Collection DOI: 10.14754/CEU.2017.02 iii ABSTRACT In this dissertation I intend to investigate the history and theory of national literary epic poetry in Europe, paying particular attention to its development among Albanians, Croats, Montenegrins, and Serbs. The first chapters will be devoted to the elaboration of a proper theoretical background and historical framing to the concept of national epic poetry and its role in the cultivation of national thought in Europe.
    [Show full text]
  • Complete Issue
    _____________________________________________________________ Volume 6 May-October 1991 Number 2-3 _____________________________________________________________ Editor Editorial Assistants John Miles Foley David Henderson J. Chris Womack Whitney A. Womack Slavica Publishers, Inc. For a complete catalog of books from Slavica, with prices and ordering information, write to: Slavica Publishers, Inc. P.O. Box 14388 Columbus, Ohio 43214 ISSN: 0883-5365 Each contribution copyright (c) 1991 by its author. All rights reserved. The editor and the publisher assume no responsibility for statements of fact or opinion by the authors. Oral Tradition seeks to provide a comparative and interdisciplinary focus for studies in oral literature and related fields by publishing research and scholarship on the creation, transmission, and interpretation of all forms of oral traditional expression. As well as essays treating certifiably oral traditions, OT presents investigations of the relationships between oral and written traditions, as well as brief accounts of important fieldwork, a Symposium section (in which scholars may reply at some length to prior essays), review articles, occasional transcriptions and translations of oral texts, a digest of work in progress, and a regular column for notices of conferences and other matters of interest. In addition, occasional issues will include an ongoing annotated bibliography of relevant research and the annual Albert Lord and Milman Parry Lectures on Oral Tradition. OT welcomes contributions on all oral literatures, on all literatures directly influenced by oral traditions, and on non-literary oral traditions. Submissions must follow the list-of reference format (style sheet available on request) and must be accompanied by a stamped, self-addressed envelope for return or for mailing of proofs; all quotations of primary materials must be made in the original language(s) with following English translations.
    [Show full text]
  • The Battle of Kosovo
    Narrative and Nationhood: The Battle of Kosovo Author: Anna Ringheiser Persistent link: http://hdl.handle.net/2345/bc-ir:107970 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2018 Copyright is held by the author, with all rights reserved, unless otherwise noted. SUBMITTED TO THE BOSTON COLLEGE DEPARTMENT OF HISTORY NARRATIVE AND NATIONHOOD: THE BATTLE OF KOSOVO By: Anna Ringheiser HONORS THESIS MAY 2018 ADVISOR: PROFESSOR ALI BANUAZIZI 2 ABSTRACT: This thesis explores the centrality of myth in the master narrative of Serbian ethno-nationalism that erupted in the late 1980s through the 1990s. By looking at Serbian folk epics depicting the battle of Kosovo, this thesis examines the role of myth as a part of Serbian identity and culture. The way the myth of the battle of Kosovo is remembered is a way of reconstructing the past through using themes in the myth to manipulate public memory and political consciousness. This thesis shows that while myth represents a key construction of a master national narrative, the narrative does not represent the stories of all members of the nation. The theoretical and official “history” of a nation is separate from the lived history of individuals. The last chapter uses gender as a lens to examine the master national stemming from the Kosovo myth, showing how the national master narrative connects to the “myth of the all pervasive patriarchy” in how history is understood. The last chapter also shows how the themes of nationalism in the myth of Kosovo did not only exist on a theoretical gendered level, but in how state actors controlled or attempted to control women’s bodies as part of the nationalist project.
    [Show full text]
  • The Highland Lute
    The Carl Beck Papers in Russian & Matthew C. Curtis East European Studies Number 1808 Petar II Petrović Njegoš and Gjergj Fishta: Composers of National Epics The Carl Beck Papers in Russian & East European Studies Number 1808 Matthew C. Curtis Petar II Petrović Njegoš and Gjergj Fishta: Composers of National Epics Matthew C. Curtis holds an M.A. in Russian and East European Studies, special- izing in Balkan Literatures from Indiana University’s Russian and East European Institute, and a B.A. in linguistics from Brigham Young University. He is currently a linguistics Ph.D. student in the department of Slavic and East European Languages and Literatures at The Ohio State University. His interests include Balkan, compara- tive, and historical linguistics, social linguistics, language standardization, religion, and issues of national identity in language and literature. His fi rst experiences with Balkan languages and cultures came as a missionary for the Church of Jesus Christ of Latter-day Saints, when he stayed in Albania from 1999-2001. Matthew Curtis continues a lifetime engagement with people from all over the Balkans and their languages and cultures. He lives in Columbus, Ohio with his wife Barbie and their children. He may be contacted at [email protected]. No. 1808, October 2007 © 2007 by The Center for Russian and East European Studies, a program of the University Center for International Studies, University of Pittsburgh ISSN 0889-275X Image from cover: “Ringjallje”-Acrylic on canvas, 80x98 cm. Xhevahir Kolgjini, 1991. The Carl Beck Papers Editors: William Chase, Bob Donnorummo, Ronald H. Linden Managing Editor: Eileen O’Malley Editorial Assistant: Vera Dorosh Sebulsky Submissions to The Carl Beck Papers are welcome.
    [Show full text]
  • 2 Lam Z 2 (46) 2018 An03 Po1obrobce.Indd 27 14.05.2019 14:06:00 28 Miroslava Lukić-Krstanović
    Zeszyty Naukowe Uniwersytetu Jagiellońskiego Prace Etnograficzne 2018, tom 46, z. 2, s. 27–48 doi:10.4467/22999558.PE.18.015.10088 www.ejournals.eu/Prace-Etnograficzne/ Miroslava Lukić-Krstanović Serbian Academy of Sciences and Arts e-mail: [email protected] Belgrade Street Drama of the 1990s: (Re)constructing History and Memory Abstract Th e analytical approach employed in this paper1 focuses on the chronological and symbolic fi eld of (re)constructing the past – mass gatherings between 1988 and 2000 in Belgrade. I problematize mass and public events in Belgrade through chronologies of these events, their contents, the types of meetings and the politics of symbols. Th e trauma and confl icts created a “linear time framework” through events and the cyclical time of narratives and fragmented memories. Th e linear time relates to the representative history of events through the publicity and production of situations (media, political and social interests, experiences), and the cyclical time relates to interests and the desire to return to the scene of the event in the form of exclusive and interactive memories. Th e goal of the analysis is to confront linear and cyclical time in the (re)construction, interpretation and re- actualization of mass events. Keywords: public spaces, Belgrade, history, memory, narratives, symbolic. Analytical mobility Th e political and geostrategic divide between the countries of former Yugoslavia, nationalistic euphoria and economic crisis led to war, antagonisms, confl icts, ex- istential poverty, refugee drama, and personal tragedies with the inevitable bag- gage of crime, destruction, and the rise of a pseudo-elite.
    [Show full text]
  • S V a Š T a R a – 7
    S V A Š T A R A – 7. Po izboru Svetozara M. Jovanovi ća 2011. / 2012. Ko pobijedi bez prepreka i muke, trijumfuje bez slave. * Ugradila sam filter protiv mentalnog zaga ñenja : ne čitam novine i ne gledam televiziju. Tako mi promakne barem jedan smak sveta nedeljno i nekoliko pandemija godišnje. Ono što je zaista važno, makar bila i loša vest, već će do mene nekako sti ći. (Mirjana ður ñevi ć, pisac) * Danas mladi idu u diskoteke, DJ tulume, gdje se ne mogu ni čuti, ni vidjeti. Nema komunikacije, nema kontakta. Kad ih čovjek vidi kako se tresu, odmah povjeruje u Darvinovu teoriju. (Ibrica Jusi ć, muzi čar) * U zemljama EU oko 165 miliona ljudi pati od psihi čkih poreme ćaja, što zna či da je čak svaki tre ći stanovnik EU psihi čki poremećen. Naj češ će bolesti su fobije, depresija i nesanica. Sa lije čenjem se obi čno po činje prekasno, a terapija često ne zadovoljava ni minimalne medicinske standarde. (Prof.Dr Hans Urlih Vithen, Drezden) * Da bi ispunila evropske uslove Srbija se mora razleteti na sve strane. (Bojan Bogdanovi ć) * U Haškom tribunalu je uobi čajeno da se koristi „pravilo prazne stolice“ tj. kad nekoga nema, onda se sve svaljuje na njega. (Branko Luki ć, advokat) * OBRANO mlijeko i hrana bogata prostim ugljenim hidratima zna čajno pove ćavaju rizik za nastanak akni kod adolescenata. Naime, mlijeko sadrži ili hormone ili bioaktivne molekule koji uti ču na proizvodnju androgenih hormona i pojavu akni. * 2 Korisne namirnice za jesenje dane su : bundeva (karotenoidi), jabuka, orah, brusnica (antioksidansi) i smokva (vlakna za eliminaciju toksina) * Prema jednoj internet anketi napravljena je LISTA NAJSEKSEPILNIJIH SVJETSKIH JEZIKA : 1.
    [Show full text]
  • Miroslav Stojisavljevic Archival
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by RMIT Research Repository i THE GUSLE - THE SOUND OF SERBIAN EPIC POETRY: AN EXAMINATION OF CONTEMPORARY GUSLE PERFORMANCE PRACTICES AND GUSLE INSTRUMENT-MAKING IN SERBIA AND THE SERBIAN-AUSTRALIAN DIASPORA COMMUNITY Miroslav Stojisavljevi ć M.A. (RMIT University), B.A. (Music Industry) (RMIT University) School of Education College of Design and Social Context RMIT University ii Statement of Declaration This project contains no material which has been accepted for the award of any other degree or diploma in any university or other institution. I affirm that to the best of my knowledge, the project contains no material previously published or written by another person, except where due reference is made in the text of the project. Candidate’s signature…………………………………………………………………. Date………………………………………………………………………… iii Table of Contents Title page………………………………………………..…………………………i Statement of Declaration........................................................................................ii Table of Contents...................................................................................................iii List of tables, diagrams and figures………………………………………...…...v Acknowledgements................................................................................................vi Abstract..................................................................................................................vii Chapter one: Introduction................................................................................
    [Show full text]
  • EMC Music and Heritage 2. Druckversion.Indd
    Danka Lajic´ Mihajlovic´ SINGING TO THE ACCOMPANIMENT OF THE GUSLE IN SERBIA: A LIVING ANCIENT PERFORMING ART A story about singing to the accompani- ment of the gusle, an element of the In- tangible Cultural Heritage (ICH) of Serbia inscribed in the Representative List of the ICH of Humanity in 2018, particularly re- garding its safeguarding, is an illustration of the close connection between traditional folk art, education and science. In Serbia, the gusle – a simple, folk, single- stringed instrument – primarily accompa- ć nies songs about events from the legendary past, both from the distant and near histo- ry, of mythical and historical heroes. The Pejovi © Jovo key actor is the guslar – an epic singer who Types of the gusle with different accompanies himself on the gusle; the per- ornaments suasiveness of the performance depends on his creativity and charisma (cf. Djordjević Belić, 2017). However, the presence of an auditorium – a social context – is an essential condition for this commu- nication with ritual elements (cf. Lajić Mihajlović, 2014). The song-message performed by the guslar contains the historical memories and life experience of ancestors. Thus, the guslar becomes an intergenerational mediator and edu- cator of the audience. Consequently, such art practice contributes to cohesive relationships in the community and becomes a constructive part of its identity. The musical component is determined by the relationship between the voice and the gusle; the instrument functions as a ‘sound mask’, which is the reason it is tuned to match the vocal range of the guslar, while the contemporary performance aims towards the unison of the sound, which might give the impression of the instrument being subordinated.
    [Show full text]
  • Background For… the BATTLE of KOSOVO Serbian Epic Poems
    Background for… THE BATTLE OF KOSOVO Serbian Epic Poems "Everyone in the West who has known these poems has proclaimed them to be literature of the highest order which ought to be known better." (Charles Simic) Translated from the Serbian by John Matthias and Vladeta Vuckovic Preface by Charles Simic Swallow Press/Ohio University Press Athens 1987 The Battle of Kosovo cycle of heroic ballads is generally considered the finest work of Serbian folk poetry. Commemorating the Serbian Empire's defeat at the hands of the Turks in the late fourteenth century, these poems and fragments of poems have been known for centuries in Eastern Europe. With the appearance of the collections of Serbian folk poems by Vuk Stefanovic Karadzic, the brilliance of the poetry in the Kosovo and related cycles of ballads was affirmed by poets and critics as deeply influential as Goethe, Jacob Grimm, Adam Mickiewicz and Alexander Pushkin. Although translations into English have been attempted before, few of them, as Charles Simic notes in his preface, have been persuasive. Ivan V. Lalic, the contemporary Yugoslav poet, has declared that Matthias and Vuckovic have "found the right approach, the right answer to the challenge" of translating the entire cycle of Kosovo poems. He has called the results of the collaboration "a series of fine, inspired, sometimes brilliant, truly poetical solutions" which will be "a great thing as far as the modern reception of Serbian traditional culture is concerned." Charles Simic compares the movement of the verse in these translations to the "variable foot" effect of William Carios Williams' later poetry, and argues that Matthias "grasps the poetic strategies of the anonymous Serbian poet as well as Pound did those of Chinese poetry." John Matthias is Professor of English at the University of Notre Dame.
    [Show full text]