An Ethnographic Study of the Politics of Identity and Belonging Jane Esther

Total Page:16

File Type:pdf, Size:1020Kb

An Ethnographic Study of the Politics of Identity and Belonging Jane Esther Being LGBT in Japan: An ethnographic study of the politics of identity and belonging Jane Esther Wallace Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Languages, Cultures, and Societies and School of Sociology and Social Policy July 2018 ii iii The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. The right of Jane Esther Wallace to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. © The University of Leeds and Jane Esther Wallace iv Acknowledgements Firstly, I would like to thank all of the respondents and gatekeepers who made this research possible. Without your time and patience, this research could not have happened. I would also like to thank those who have continued to guide me and provide feedback on my analysis during the analysis stage. This research was funded by the Economic and Social Research Council of Great Britain, with reference 1368644. I also received funding from the British Association of Japanese Studies through the John Crump Scholarship, with reference JC2017_35. I would also like to thank the Great Britain Sasakawa Foundation (GBSF), who supported me financially with a 6-month scholarship and invited me to various GBSF workshops and events. The networks that these events have fostered have been invaluable. Thank you to my supervisors, Dr Irena Hayter and Professor Sally Hines. Your continued support and feedback throughout my research has helped to form not only the project, but also my character as a researcher. Thank you particularly for the support and solidarity you showed when life happened in the middle of writing-up. Thank you to Professor Itō Kimio who hosted me at the University of Kyoto, and guided me during the fieldwork. Thank you to Matsui Kazuko who looked after me when I arrived at the University of Kyoto. I would also like to thank my Japanese teachers: Yazawa-sensei and Tanaka- sensei at the Japan Foundation in Osaka, and Morimoto-sensei, Oeda-sensei, and Takewa-sensei who patiently taught me during my early days at the University of Leeds. I am grateful for my family, who have supported me through the research. Thank you to my mum for filling my bottle, and for always teaching me to be independent and never give up. Thank you also to George, whose weekly hugs were often a source of great power. Thank you to my best friend and partner Andy for providing emotional support, rum- based drinks, and book shopping trips as and when needed. Thank you to my sister, Emily – if it hadn’t been for that letter you wrote me seven years ago, I would not have had the courage to do this. Thank you to John for always being on my side. To little Ramona – world’s biggest Twilight Sparkle fan – I wish you would never grow up, but you have to, so grow up strong and brave. This is the place where I’m supposed to write a sappy message to dad, but we’re all agreed that if spirits exist they’re certainly not thinking v about PhD theses. I think about him every day. That space will never be filled, but this has distracted me for a while. Thank you to my friends, without whom I am quite sure I would not be finishing this thesis. To Lynley – I can’t think of a better person to have by my side, you can always put into words what I cannot. To Yuka for our daily chats and otaku team activities – I’ll never find a person with a better Raymond Reddington GIF collection, a deeper understanding of my Hannibal Lecter obsession, or with a fiercer love for her friends. Thanks to Karl for leasing the throne and being my go-to idea checker. To Makiko, you have supported and championed me without fail for nearly 15-years, thank you. vi Abstract This thesis presents an ethnographic study of the politics of identity and belonging amongst a community of LGBT (lesbian, gay, bisexual, and transgender) individuals living in Japan. There is considerable existing scholarship which examines the lived experiences of gender and/or sexual minority individuals in Japan. However, many of these studies tend to focus upon individuals living in Tokyo, and upon specific groups of identities along the LGBT spectrum. This study aimed to broaden the view of the politics of identity and belonging across the LGBT spectrum, and in areas of Japan outside of Tokyo. This research focussed upon the ways in which respondents understood and practiced their identities during a period of intense mainstream media focus upon LGBT lives in Japan from 2015 to 2016. This acute upsurge in mainstream media attention, which has now been dubbed the ‘LGBT boom’ meant that LGBT lives became suddenly more publicly visible. However, there remains scant legal protection for LGBT individuals in Japan and issues related to (in)visibility remain a key feature of everyday life. This study was serendipitously timed to investigate these phenomena from the perspective of the individuals whom the LGBT boom claimed to represent. The study produced a body of rich, qualitative data from across the LGBT spectrum, and across intersections of nationality, gender, and physical location. This original empirical data allowed several theoretical contributions to knowledge. The study has shown that the gender and/or sexual minority communities in Japan are heterogeneous, and deeply hierarchical. They are also actively and overtly involved with a politics of identity and belonging. These politics of identity and belonging are performative and affectual, and bring about both inclusions and exclusions. This thesis represents a starting point for further ethnographic investigation into the lived reality of LGBT lives in Japan. vii Table of Contents Acknowledgements iv Abstract vi Table of Contents vii List of Figures xii List of Tables xii Note on translation and language conventions xiii Glossary and Abbreviations xiv Chapter 1 - Introduction 1 2.1 Introduction 1 2.2 The ‘LGBT boom’ 2 2.3 Chapter outline 9 Chapter 2 – Literature viii Review 13 3.1 Introduction 13 3.2 Part 1: Historical background 14 3.2.1 Nanshoku and sexology 14 3.2.2 Sexuality during the Second World War 19 3.2.3 Japan’s ‘gay booms’ 20 3.2.4 The emergence of gay studies 24 3.2.5 The development of scholarship on lesbian and queer women 31 3.3 Part 2: Gender and sexuality research in the contemporary period 35 3.3.1 Studies of transgender: from patholigisation to x-jendā 35 3.3.2 Scholarly responses to the LGBT boom 41 3.4 Conclusion: situating the study 49 Chapter 3 - Research design and methodology 53 4.1 Introduction 53 4.2 The LGBT ‘community’ in Japan 53 4.3 Aims and research questions 54 4.4 Research design 60 4.5 The respondents 64 4.5.1 Gender(s) 65 4.5.2 Nationality, race, and ethnicity 68 4.5.3 Socio-economic backgrounds and other relevant information 70 4.5.4 Approaches to recruitment 71 4.6 Data collection 73 4.6.1 Participant observations 73 4.6.2 Interviews 76 4.7 Data reduction and analysis 78 4.8 Writing ethnographic research 83 4.9 Ethical considerations 85 4.9.1 Informed consent 85 4.9.2 Anonymity and privacy 87 4.9.3 Reflexivity and positionality 88 4.10 Conclusion 92 ix Chapter 4 - Activism and its meanings: field, habitus, and cultural capital 95 5.1 Introduction 95 5.2 LGBT activism in Wakayama and the case of Asataka’s t-shirt 96 5.2.1 IDAHOT in Wakayama City 96 5.2.2 The controversy prompted by Asataka’s t-shirt 100 5.3 Asataka’s t-shirt as a ‘contact moment’ 103 5.4 LGBT related activism as a field 105 5.5 Learning the ‘rules of the game’: habitus and the field 110 5.6 Cultural capital in the field 114 5.7 Cities as the physical location of cultural capital 115 5.8 Queerness as cultural capital 120 5.9 Conclusion 125 Chapter 5 - The politics of (mis)recognition at the Kansai LGBT Coming of Age Ceremony 128 6.1 Introduction 128 6.2 Recognition and queer visibility: a brief overview 129 6.3 Setting the scene 132 6.3.1 The development of the Kansai LGBT Seijinshiki 132 6.4 The 2015/16 Kansai LGBT seijinshiki: a vignette 135 6.5 Recognition politics and the queering of space at the Kansai LGBT seijinshiki 139 6.5.1 Conceptualising the queering of space 139 6.5.2 The LGBT seijinshiki as a queering of space 142 6.6 The LGBT seijinshiki as a site of privilege 148 6.6.1 Exclusions and unequal access 148 6.6.2 Reinforcement: the burden of responsibility 151 6.7 The other side of the tape: the politics of queer visibility in everyday life 153 6.7.1 Compulsory invisibility 154 6.7.2 Ambivalence 158 6.7.3 Compulsory visibility 161 x 6.8 Conclusion 164 Chapter 6 - Belonging, fear, and nostalgia: the role of the internet 167 7.1 Introduction 167 7.2 Defining ‘belonging’ 168 7.3 Belonging in the internet age 172 7.3.1 Place-belongingness and online space 173 7.3.2 Belonging as a performative practice 179 7.4 Local contexts: fears and nostalgia 182 7.4.1 Fear: the primacy of tōjisha voices and the reliability of information 182 7.4.2 Nostalgia: face-to-face contact and ‘slow’ information 189 7.5 Conclusion 201 Chapter 7 - Imaginative geographies and affective practices of belonging 204 8.1 Introduction 204 8.2 The (almost) impossible task of theorising ‘Japanese’ and ‘Western’ experiences 206 8.3 Framing identities and experience through notions of Japan and the West 212 8.4 Imaginative geographies
Recommended publications
  • Men and Masculinities in the Changing Japanese Family
    Thesis for Doctor of Philosophy in Asian & Middle Eastern Studies Men and Masculinities in the Changing Japanese Family by Hiroko Umegaki Lucy Cavendish College Submitted November 2017 This dissertation is submitted for the degree of Doctor of Philosophy in Asian & Middle Eastern Studies provided by Apollo View metadata, citation and similar papers at core.ac.uk CORE brought to you by 1 Preface This dissertation is the result of my own work and includes nothing which is the outcome of work done in collaboration except as declared in the Preface and specified in the text. It is not substantially the same as any that I have submitted, or, is being concurrently submitted for a degree or diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. I further state that no substantial part of my dissertation has already been submitted, or, is being concurrently submitted for any such degree, diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. It does not exceed the prescribed word limit of the relevant Degree Committee. 2 Acknowledgments Without her ever knowing, my grandmother provided the initial inspiration for my research: this thesis is dedicated to her. Little did I appreciate at the time where this line of enquiry would lead me, and I would not have stayed on this path were it not for my family, my husband, children, parents and extended family: thank you.
    [Show full text]
  • A Study of •Œgaymersâ•Š and Digital
    University of Rhode Island DigitalCommons@URI Open Access Dissertations 2013 SAVING PRINCE PEACH: A STUDY OF “GAYMERS” AND DIGITAL LGBT/GAMING RHETORICS M. William MacKnight University of Rhode Island, [email protected] Follow this and additional works at: https://digitalcommons.uri.edu/oa_diss Recommended Citation MacKnight, M. William, "SAVING PRINCE PEACH: A STUDY OF “GAYMERS” AND DIGITAL LGBT/GAMING RHETORICS" (2013). Open Access Dissertations. Paper 135. https://digitalcommons.uri.edu/oa_diss/135 This Dissertation is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. SAVING PRINCE PEACH: A STUDY OF “GAYMERS” AND DIGITAL LGBT/GAMING RHETORICS BY M. WILLIAM MACKNIGHT A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH (RHETORIC AND COMPOSITION) UNIVERSITY OF RHODE ISLAND 2013 DOCTOR OF PHILOSOPHY DISSERTATION OF M. WILLIAM MACKNIGHT APPROVED: Dissertation Committee: Major Professor: Libby Miles Mike Pennell Ian Reyes Nasir Zawia DEAN OF THE GRADUATE SCHOOL UNIVERSITY OF RHODE ISLAND 2013 ABSTRACT This study looks at the tensions surrounding the inclusion and increasing presence of LGBT performances within video games, their surrounding industry and culture, and their related internetworked cyberspaces – an assemblage referred to in this research as the “game-sphere.” By analyzing the rhetorical activity performed within a specific LGBT game cyberspace (the Reddit subforum r/gaymers), this study offers insight into gaming and LGBT culture by answering the following research question: What rhetorical action is performed by LGBT video game players within r/gaymers? Data were collected over a period of two weeks, wherein screen-captures were taken and saved twice a day at 10:00 am and pm.
    [Show full text]
  • Journal of East Asian Libraries, No. 165, October 2017
    Journal of East Asian Libraries Volume 2017 | Number 165 Article 1 10-2017 Journal of East Asian Libraries, No. 165, October 2017 Follow this and additional works at: https://scholarsarchive.byu.edu/jeal BYU ScholarsArchive Citation (2017) "Journal of East Asian Libraries, No. 165, October 2017," Journal of East Asian Libraries: Vol. 2017 : No. 165 , Article 1. Available at: https://scholarsarchive.byu.edu/jeal/vol2017/iss165/1 This Full Issue is brought to you for free and open access by the All Journals at BYU ScholarsArchive. It has been accepted for inclusion in Journal of East Asian Libraries by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Journal of East Asian Libraries Journal of the Council on East Asian Libraries No. 165, October 2017 CONTENTS From the President 3 Essay A Tribute to John Yung-Hsiang Lai 4 Eugene W. Wu Peer-Review Articles An Overview of Predatory Journal Publishing in Asia 8 Jingfeng Xia, Yue Li, and Ping Situ Current Situation and Challenges of Building a Japanese LGBTQ Ephemera Collection at Yale Haruko Nakamura, Yoshie Yanagihara, and Tetsuyuki Shida 19 Using Data Visualization to Examine Translated Korean Literature 36 Hyokyoung Yi and Kyung Eun (Alex) Hur Managing Changes in Collection Development 45 Xiaohong Chen Korean R me for the Library of Congress to Stop Promoting Mccune-Reischauer and Adopt the Revised Romanization Scheme? 57 Chris Dollŏmaniz’atiŏn: Is It Finally Ti Reports Building a “One- 85 Paul W. T. Poon hour Library Circle” in China’s Pearl River Delta Region with the Curator of the Po Leung Kuk Museum 87 Patrick Lo and Dickson Chiu Interview 1 Web- 93 ProjectCollecting Report: Social Media Data from the Sina Weibo Api 113 Archiving Chinese Social Media: Final Project Report New Appointments 136 Book Review 137 Yongyi Song, Editor-in-Chief:China and the Maoist Legacy: The 50th Anniversary of the Cultural Revolution文革五十年:毛泽东遗产和当代中国.
    [Show full text]
  • Japanese Women's Science Fiction: Posthuman Bodies and the Representation of Gender Kazue Harada Washington University in St
    Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-15-2015 Japanese Women's Science Fiction: Posthuman Bodies and the Representation of Gender Kazue Harada Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the East Asian Languages and Societies Commons Recommended Citation Harada, Kazue, "Japanese Women's Science Fiction: Posthuman Bodies and the Representation of Gender" (2015). Arts & Sciences Electronic Theses and Dissertations. 442. https://openscholarship.wustl.edu/art_sci_etds/442 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of East Asian Languages & Cultures Dissertation Examination Committee: Rebecca Copeland, Chair Nancy Berg Ji-Eun Lee Diane Wei Lewis Marvin Marcus Laura Miller Jamie Newhard Japanese Women’s Science Fiction: Posthuman Bodies and the Representation of Gender by Kazue Harada A dissertation presented to the Graduate School of Arts & Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2015 St. Louis, Missouri © 2015, Kazue Harada
    [Show full text]
  • Choir and Choral Music
    Choral Research : A Global Bibliography Geisler, Ursula 2010 Link to publication Citation for published version (APA): Geisler, U. (2010). Choral Research : A Global Bibliography. Körcentrum Syd. http://www.korcentrumsyd.se/wp- content/uploads/Geisler-2010_Choral-Research_A-Global-Bibliography.pdf Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 Körforskning. En bibliografi Choral Research. A Global Bibliography Lund/Malmö, Körcentrum Syd, 2010 Dr. Ursula Geisler © Ursula Geisler 2 Choral Research. A Global Bibliography KOMMENTAR INLEDNING Detta är en körforskningsbibliografi. Den har sammanställts på uppdrag av Körcentrum Syd i syfte att kartlägga körforskningen i Sverige och globalt. Eftersom ett mål med Körcentrum Syds verksamhet är att stärka körlivet och körforskningen regionalt och utveckla den nationellt, har ett behov av att kartlägga körforskningen och dess status quo formulerats.
    [Show full text]
  • Zeitgenössische Musik in Berlin Field Notes
    Zeitgenössische Musik in Berlin fieLD NOtes Mai– A ug1 7 Getragen von der inm—initiative neue musik berlin e.V. Opposite Editorial Manuela Benetton 1 Leitartikel: Gleichberech­ tigung ausland­Kollektiv 2 Kurznachrichten 4 Öffentliche Probe 5 Feldfund 6 Festival­Portrait: Heroines of Sound 14 Zu Gast in Berlin 17 Offenes Format 18 Ensemble­Portrait: ensemble mosaik 20 Perspektivwechsel 24 Veranstaltungskalender 26 Im Radio 45 Post 46 Veranstaltungsorte 48 OPPOSITE Editorial Manuela Benetton leitet Sie mit persönlichen Empfehlungen durch die kommenden zwei Monate der zeitgenössischen Musik in Berlin. Konzerte, die mich interessieren, verbinden verschiedene As pekte der experimentellen elektronischen und populären Musik und ziehen ein gemischtes Publikum an. Besonders spannend finde ich Veranstaltungen, die von Musikern und Künstlern mit einem unverbrauchten, innovativen Ansatz kuratiert sind, der neue kreative Perspektiven in der zeitgenössischen Musik öffnet. Die kommenden Monate bringen gleich mehrere dieser Konzerte: Vom 5. bis 7. Mai werden beim Festival Syn / Cussion im Radial­ system V neun Duos aus Percussion und Elektronik in einen intensiven musikalischen Dialog treten. Am 21. Mai spielt der klas­ sisch ausgebildete Musiker und Komponist William Basinski im Hangar 49, der seit über 30 Jahren mit experimentellen Medien in NYC und Kalifornien arbeitet. Das Festival Heroines of Sound präsentiert frühe und aktuelle Heldinnen der elektronischen Musik. In Konzerten, Performances, Videos und Diskussionen werden Frauen der frühen elektronischen Musik zusammen mit Künstlerinnen präsentiert, die heute elektronische Klänge transformieren und performativ interpretieren. Schließlich noch ein Hinweis in eigener Sache: Das erste und einzige Konzert von Merzbow, Keiji Haino und Pándi in der St. Elisabeth Kirche am 31. Mai ist Teil meiner neuen Konzertreihe in verschiedenen Kirchen der Stadt.
    [Show full text]
  • A World Like Ours: Gay Men in Japanese Novels and Films
    A WORLD LIKE OURS: GAY MEN IN JAPANESE NOVELS AND FILMS, 1989-2007 by Nicholas James Hall A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) December 2013 © Nicholas James Hall, 2013 Abstract This dissertation examines representations of gay men in contemporary Japanese novels and films produced from around the beginning of the 1990s so-called gay boom era to the present day. Although these were produced in Japanese and for the Japanese market, and reflect contemporary Japan’s social, cultural and political milieu, I argue that they not only articulate the concerns and desires of gay men and (other queer people) in Japan, but also that they reflect a transnational global gay culture and identity. The study focuses on the work of current Japanese writers and directors while taking into account a broad, historical view of male-male eroticism in Japan from the Edo era to the present. It addresses such issues as whether there can be said to be a Japanese gay identity; the circulation of gay culture across international borders in the modern period; and issues of representation of gay men in mainstream popular culture products. As has been pointed out by various scholars, many mainstream Japanese representations of LGBT people are troubling, whether because they represent “tourism”—they are made for straight audiences whose pleasure comes from being titillated by watching the exotic Others portrayed in them—or because they are made by and for a female audience and have little connection with the lives and experiences of real gay men, or because they circulate outside Japan and are taken as realistic representations by non-Japanese audiences.
    [Show full text]
  • Referencia Bibliográfica: Saito, K. (2011). Desire in Subtext: Gender
    Referencia bibliográfica: Saito, K. (2011). Desire in Subtext: Gender, Fandom, and Women’s Male-Male Homoerotic Parodies in Contemporary Japan. Mechademia, 6, 171–191. Disponible en https://muse.jhu.edu/article/454422 ISSN: - 'HVLUHLQ6XEWH[W*HQGHU)DQGRPDQG:RPHQ V0DOH0DOH +RPRHURWLF3DURGLHVLQ&RQWHPSRUDU\-DSDQ .XPLNR6DLWR Mechademia, Volume 6, 2011, pp. 171-191 (Article) 3XEOLVKHGE\8QLYHUVLW\RI0LQQHVRWD3UHVV DOI: 10.1353/mec.2011.0000 For additional information about this article http://muse.jhu.edu/journals/mec/summary/v006/6.saito.html Access provided by University of Sydney Library (13 Nov 2015 18:03 GMT) KumiKo saito Desire in Subtext: Gender, Fandom, and Women’s Male–Male Homoerotic Parodies in Contemporary Japan Manga and anime fan cultures in postwar Japan have expanded rapidly in a manner similar to British and American science fiction fandoms that devel- oped through conventions. From the 1970s to the present, the Comic Market (hereafter Comiket) has been a leading venue for manga and anime fan activi- ties in Japan. Over the three days of the convention, more than thirty-seven thousand groups participate, and their dōjinshi (self-published fan fiction) and character goods generate ¥10 billion in sales.1 Contrary to the common stereo- type of anime/manga cult fans—the so-called otaku—who are males in their twenties and thirties, more than 70 percent of the participants in this fan fic- tion market are reported to be women in their twenties and thirties.2 Dōjinshi have created a locus where female fans vigorously explore identities and desires that are usually not expressed openly in public. The overwhelming majority of women’s fan fiction consists of stories that adapt characters from official me- dia to portray male–male homosexual romance and/or erotica.
    [Show full text]
  • UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations
    UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations Title Lovers and (Boy) Friends: Shifting Identities in Japanese BL Manga Permalink https://escholarship.org/uc/item/13c4t9vm Author Brown, Victoria Elizabeth Publication Date 2019 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Santa Barbara Lovers and (Boy) Friends: Shifting Identities in Japanese BL Manga A Thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Asian Studies by Victoria Elizabeth Brown Committee in charge: Professor Sabine Frühstück, Chair Professor William Fleming Professor Katherine Saltzman-Li December 2019 The thesis of Victoria Elizabeth Brown is approved. ____________________________________________ Katherine Saltzman-Li ____________________________________________ William Fleming ____________________________________________ Sabine Frühstück, Committee Chair September 2019 ABSTRACT Lovers and (Boy) Friends: Shifting Identities in Japanese BL Manga by Victoria Elizabeth Brown As academic scholarship on the Japanese popular media genre known as Boys’ Love has been focused upon the genre’s fan culture and female readers, this thesis project aims to move away from the fans and to the texts in order to explore how the genre is in conversation with changes in societal understandings of same-sex sexuality in Japan. Following brief introductions of four portrayals of men that are commonly found in Japanese popular media, three contemporary manga titles are analyzed to explore how the authors negotiate the narrative conventions of the Boys’ Love genre with the shifting understandings of same-sex sexuality vis-à-vis the visual appearance of the characters, the role of these characters in their fictionalized societies, and the settings wherein the narratives take place.
    [Show full text]
  • 2013/02 FACTBOOK 2012 (English)
    FACTBOOK 2012 Global COE Office, School of Law, Tohoku University 27-1 Kawauchi, Aoba, Sendai, Miyagi 980-8576 Japan TEL +81-(0)22-795-3740, +81-(0)22-795-3163 FAX +81-(0)22-795-5926 E-mail [email protected] URL http://www.law.tohoku.ac.jp/gcoe/en/ Gender Equality and Multicultural Conviviality in the Age of Globalization F A C T B O O K 2 0 1 2 Tohoku University Global COE Program Gender Equality and Multicultural Conviviality in the Age of Globalization Please visit our website http://www.law.tohoku.ac.jp/gcoe/en/ FACTBOOK英表紙-六[1-2].indd 1 2013/01/31 15:38:46 Gender Equality and Multicultural Conviviality in the Age of Globalization CONTENTS 1 Foreword 2 Mission Statement 3 Ⅰ Program Outline 4 ACCESS Program Outline 5 Program Members / Global COE Organizational Chart 7 Ⅱ Research Projects 8 15 Research Projects 9 Global COE Office, Tohoku University (Sendai City) Ⅲ Human Resources Development 26 School of Law, Sendai City Hall Miyagi Prefectural government Atagokamisugidori Avenue Tohoku University Sendainiko Mae Cross-National Doctoral Course(CNDC) 27 Bansuidori Avenue Kotodai Station CNDC Student Profiles 29 Jozenjidori Avenue Shopping Mall Achievements 32 27-1 Kawauchi, Aoba-ku, Sendai 980-8576 Miyagi Museum of Art Sendai-Daini High School GCOE Fellows and Research Assistants 33 TEL: +81-22-795-3740, +81-22-795-3163 FAX: +81-22-795-5926 Kawauchi Campus E-mail: [email protected] Hirosedori Avenue Hirosedori Station Main Activities in Academic Year 2012 Bus Stop Ⅳ http://www.law.tohoku.ac.jp/gcoe/en/ (Kawauchi Campus)
    [Show full text]
  • No Time and No Place in Japan's Queer Popular Culture
    NO TIME AND NO PLACE IN JAPAN’S QUEER POPULAR CULTURE BY JULIAN GABRIEL PAHRE THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Arts in East Asian Studies in the Graduate College of the University of Illinois at Urbana-Champaign, 2017 Urbana, Illinois Adviser: Professor Robert Tierney ABSTRACT With interest in genres like BL (Boys’ Love) and the presence of LGBT characters in popular series continuing to soar to new heights in Japan and abroad, the question of the presence, or lack thereof, of queer narratives in these texts and their responses has remained potent in studies on contemporary Japanese visual culture. In hopes of addressing this issue, my thesis queries these queer narratives in popular Japanese culture through examining works which, although lying distinctly outside of the genre of BL, nonetheless exhibit queer themes. Through examining a pair of popular series which have received numerous adaptations, One Punch Man and No. 6, I examine the works both in terms of their content, place and response in order to provide a larger portrait or mapping of their queer potentiality. I argue that the out of time and out of place-ness present in these texts, both of which have post-apocalyptic settings, acts as a vehicle for queer narratives in Japanese popular culture. Additionally, I argue that queerness present in fanworks similarly benefits from this out of place and time-ness, both within the work as post-apocalyptic and outside of it as having multiple adaptations or canons. I conclude by offering a cautious tethering towards the future potentiality for queer works in Japanese popular culture by examining recent trends among queer anime and manga towards moving towards an international stage.
    [Show full text]
  • Homosexuality and Manliness in Postwar Japan
    Homosexuality and Manliness in Postwar Japan Japan’s first professionally produced, commercially marketed and nationally distributed gay lifestyle magazine, Barazoku (‘The Rose Tribes’), was launched in 1971. Publicly declaring the beauty and normality of homosexual desire, Barazoku electrified the male homosexual world whilst scandalizing mainstream society, and sparked a vibrant period of activity that saw the establishment of an enduring Japanese media form, the homo magazine. Using a detailed account of the formative years of the homo magazine genre in the 1970s as the basis for a wider history of men, this book examines the rela- tionship between male homosexuality and conceptions of manliness in postwar Japan. The book charts the development of notions of masculinity and homo- sexual identity across the postwar period, analysing key issues including public/ private homosexualities, inter-racial desire, male–male sex, love and friendship; the masculine body; and manly identity. The book investigates the phenomenon of ‘manly homosexuality’, little treated in both masculinity and gay studies on Japan, arguing that desires and individual narratives were constructed within (and not necessarily outside of) the dominant narratives of the nation, manliness and Japanese culture. Overall, this book offers a wide-ranging appraisal of homosexuality and manliness in postwar Japan, that provokes insights into conceptions of Japanese masculinity in general. Jonathan D. Mackintosh is Lecturer in Japanese Studies at Birkbeck, University of London,
    [Show full text]