Homosexuality and Manliness in Postwar Japan

Total Page:16

File Type:pdf, Size:1020Kb

Homosexuality and Manliness in Postwar Japan Homosexuality and Manliness in Postwar Japan Japan’s first professionally produced, commercially marketed and nationally distributed gay lifestyle magazine, Barazoku (‘The Rose Tribes’), was launched in 1971. Publicly declaring the beauty and normality of homosexual desire, Barazoku electrified the male homosexual world whilst scandalizing mainstream society, and sparked a vibrant period of activity that saw the establishment of an enduring Japanese media form, the homo magazine. Using a detailed account of the formative years of the homo magazine genre in the 1970s as the basis for a wider history of men, this book examines the rela- tionship between male homosexuality and conceptions of manliness in postwar Japan. The book charts the development of notions of masculinity and homo- sexual identity across the postwar period, analysing key issues including public/ private homosexualities, inter-racial desire, male–male sex, love and friendship; the masculine body; and manly identity. The book investigates the phenomenon of ‘manly homosexuality’, little treated in both masculinity and gay studies on Japan, arguing that desires and individual narratives were constructed within (and not necessarily outside of) the dominant narratives of the nation, manliness and Japanese culture. Overall, this book offers a wide-ranging appraisal of homosexuality and manliness in postwar Japan, that provokes insights into conceptions of Japanese masculinity in general. Jonathan D. Mackintosh is Lecturer in Japanese Studies at Birkbeck, University of London, UK. His research interests include gender/sexuality in postwar Japan, masculinities and the body, and historical East Asian diasporic identities. Routledge Contemporary Japan Series A Japanese Company in Crisis Adoption in Japan Ideology, strategy, and narrative Comparing policies for children Fiona Graham in need Peter Hayes and Toshie Habu Japan’s Foreign Aid Old continuities and new directions The Ethics of Aesthetics in Japanese Edited by David Arase Cinema and Literature Polygraphic desire Japanese Apologies for Nina Cornyetz World War II A rhetorical study Institutional and Technological Jane W. Yamazaki Change in Japan’s Economy Past and present Linguistic Stereotyping and Edited by Janet Hunter and Minority Groups in Japan Cornelia Storz Nanette Gottlieb Political Reform in Japan Shinkansen Leadership looming large From bullet train to symbol of Alisa Gaunder modern Japan Christopher P. Hood Civil Society and the Internet in Japan Small Firms and Innovation Isa Ducke Policy in Japan Edited by Cornelia Storz Japan’s Contested War Memories The ‘memory rifts’ in historical Cities, Autonomy and consciousness of World War II Decentralization in Japan Philip A. Seaton Edited by Carola Hein and Philippe Pelletier Japanese Love Hotels A cultural history The Changing Japanese Family Sarah Chaplin Edited by Marcus Rebick and Ayumi Takenaka Population Decline and Ageing A New Japan for the Twenty-First in Japan – The Social Consequences Century Florian Coulmas An inside overview of current fundamental changes and problems Zainichi Korean Identity and Edited by Rien T. Segers Ethnicity David Chapman A Life Adrift Soeda Azembo, popular song and A Japanese Joint Venture modern mass culture in Japan in the Pacific Translated by Michael Lewis Foreign bodies in tinned tuna Kate Barclay The Novels of Oe Kenzaburo Yasuko Claremont Japanese-Russian Relations, 1907–2007 Perversion and Modern Japan Joseph P. Ferguson Psychoanalysis, literature, culture Edited by Nina Cornyetz and War Memory, Nationalism and J. Keith Vincent Education in Post-War Japan, 1945–2007 Homosexuality and Manliness The Japanese history textbook in Postwar Japan controversy and Ienaga Saburo’s Jonathan D. Mackintosh court challenges Yoshiko Nozaki Marriage in Contemporary Japan Yoko Tokuhiro Homosexuality and Manliness in Postwar Japan Jonathan D. Mackintosh First published 2010 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Avenue, New York, NY 10016 Routledge is an imprint of the Taylor & Francis Group, an informa business This edition published in the Taylor & Francis e-Library, 2009. To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk. © 2010 Jonathan D. Mackintosh All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging in Publication Data Mackintosh, Jonathan D. Homosexuality and manliness in postwar Japan / Jonathan D. Mackintosh p.cm.—(Routledge contemporary Japan series) Includes bibliographical references and index. 1. Gay men—Japan. 2. Homosexuality—Japan. 3. Masculinity—Japan. I. Title HQ76.2J3M33 2009 306.76'62095209047—DC22 2009008438 ISBN 0-203-87166-9 Master e-book ISBN ISBN10: 0-415-42186-1 (hbk) ISBN10: 0-203-87166-9 (ebk) ISBN13: 978-0-415-42186-7 (hbk) ISBN13: 978-0-203-87166-9 (ebk) Contents List of illustrations viii Acknowledgements ix Note on Japanese names and translation x Introduction 1 Part I Producing homo 25 1 Homo ‘movings’: Rentaikan and Shiminken 43 2 White dreams: the coming and going of porn Americana 94 Part II Confessions: the buntsūran and the body 135 3 Eroto-morphemic revolutions of the everyday 149 4 Age differentiation and the redemption of men 184 Conclusion: modernity and the contradictions of certainty 213 Notes 219 Bibliography 240 Index 255 Illustrations Figures 1 Growth of Barazoku – number of pages and photo inserts (1971–5) 4 2 Growth of buntsūran (number of ads) in the first seven numbers of each magazine 136 3 Personal ad layout 140 Tables 1 Number and percentage of men in each age bracket according to magazine 142 Acknowledgements I am indebted to a great many people whose encouragement and assistance have made this book possible. It is with deep gratitude that I thank my doctoral super- visor Mark Morris. The things I have learned and skills I have acquired owe much to his counsel. His knowledge of ideas and enthusiasm for them is inspiring; I have found myself taking many unexpected and wonderful adventures of discovery. I have been extremely fortunate to meet many who have taken time to guide and assist me. With thanks to the tutors and staff of the Japan Centre, Cambridge, and Peterhouse. Special thanks must go to Timon Screech. Were it not for his encouragement, the journey that has culminated in this book would have never commenced. Special mention must be made of a number of individuals who generously shared their knowledge, insights and time with me. Thanks must go to the people who provided me with materials and much to think about: Itō Bungaku, Ōtsuka Takashi, Nakagawa Shigemi, Kago Keitarō, Brian Turner and Alain Delfosse. I am grateful for the invaluable advice, assistance and encouragement of many new and old friends: Tracey Gannon, Elizabeth Chapman, Song Hwee Lim, Nicola Liscutin, Naoko Shimazu, Chris Berry, Mara Patessio, David Bonnitcha, Hirohama Tetsuo, Brid Murphy, Ōnishi Hitoshi, Akiko Sakai, Alwyn Spies and Rina Ueda. I am grateful for the support and assistance of a number of organizations: The Japan Centre, Cambridge; the Faculty of Oriental Studies, Cambridge; the Overseas Research Student Scheme; the Cambridge Commonwealth Trust; the Japan Foundation Endowment Committee; Peterhouse; and the European Association for Japanese Studies. An earlier version of the section Rentaikan: Itō Bungaku and Barazoku in Chapter 1 appeared as ‘Itō Bungaku and the solidarity of the rose tribes [Barazoku]: Stirrings of homo solidarity in early 1970s Japan’ in Intersections: Gender, History and Culture in the Asian Context, 12 (January 2006). An earlier version of the section ‘Seriousness – work and the ethical field of meaning’ in Chapter 3 formed the basis of the chapter entitled: ‘Embodied masculinities of male–male desire: The homo magazines and white-collar manliness in early 1970s Japan’, in AsiaPacifiQueer: Rethinking Genders and Sexualities (2009), edited by Fran Martin, Peter A. Jackson, Mark McLelland and Audrey Yue (Chicago: University x Acknowledgements of Chicago Press). Thanks must to go the various readers who provided me with valuable suggestions and advice. Finally, there is that boundless and bountiful source of well-being, support, encouragement and love. Thank you to my family – Mom, Dad and Grandma, Pat and Myriam – and, most of all, S. Note on Japanese names and translation Japanese names that appear in this book follow the standard order of family name first, followed by the given name. Translations of texts are mine unless otherwise indicated. Introduction I run a small publishing house by myself called Dai ni shobō under the ‘catch- phrase’ of a heretical publishing company. I make homosexual books for the world’s ‘homo tribes’. Itō Bungaku (Itō 1971b: 4) Acutely attuned to everyday modernity in Lisbon in the 1920s, the modernist poet Pessoa marked the distance between the dull, routine monotony of everyday life, filled with minutiae, and the lofty reflections that everydayness inspired, between the past and the now of the present. Aware, moreover, that in modern life no real difference separated the individual life from the streets … he was nevertheless convinced that this world of ‘tedium’ defined the terrain of experience and deter- mined the conditions for all reflection. Harry Harootunian (2000: 1) Really, nothing of great significance happened in 1587, the Year of the Pig … Can we therefore omit that year from history books: Not quite. Ray Huang (1982: 1) Setting – everyday Japan Shōwa 46, 1971. For the Japanese, it was a year of no great significance when many significant things happened. As they viewed their colour TVs over break- fast and in the newspapers they read on the commuter trains, they did see that for some it was truly a momentous year.
Recommended publications
  • Men and Masculinities in the Changing Japanese Family
    Thesis for Doctor of Philosophy in Asian & Middle Eastern Studies Men and Masculinities in the Changing Japanese Family by Hiroko Umegaki Lucy Cavendish College Submitted November 2017 This dissertation is submitted for the degree of Doctor of Philosophy in Asian & Middle Eastern Studies provided by Apollo View metadata, citation and similar papers at core.ac.uk CORE brought to you by 1 Preface This dissertation is the result of my own work and includes nothing which is the outcome of work done in collaboration except as declared in the Preface and specified in the text. It is not substantially the same as any that I have submitted, or, is being concurrently submitted for a degree or diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. I further state that no substantial part of my dissertation has already been submitted, or, is being concurrently submitted for any such degree, diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. It does not exceed the prescribed word limit of the relevant Degree Committee. 2 Acknowledgments Without her ever knowing, my grandmother provided the initial inspiration for my research: this thesis is dedicated to her. Little did I appreciate at the time where this line of enquiry would lead me, and I would not have stayed on this path were it not for my family, my husband, children, parents and extended family: thank you.
    [Show full text]
  • A Study of •Œgaymersâ•Š and Digital
    University of Rhode Island DigitalCommons@URI Open Access Dissertations 2013 SAVING PRINCE PEACH: A STUDY OF “GAYMERS” AND DIGITAL LGBT/GAMING RHETORICS M. William MacKnight University of Rhode Island, [email protected] Follow this and additional works at: https://digitalcommons.uri.edu/oa_diss Recommended Citation MacKnight, M. William, "SAVING PRINCE PEACH: A STUDY OF “GAYMERS” AND DIGITAL LGBT/GAMING RHETORICS" (2013). Open Access Dissertations. Paper 135. https://digitalcommons.uri.edu/oa_diss/135 This Dissertation is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. SAVING PRINCE PEACH: A STUDY OF “GAYMERS” AND DIGITAL LGBT/GAMING RHETORICS BY M. WILLIAM MACKNIGHT A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH (RHETORIC AND COMPOSITION) UNIVERSITY OF RHODE ISLAND 2013 DOCTOR OF PHILOSOPHY DISSERTATION OF M. WILLIAM MACKNIGHT APPROVED: Dissertation Committee: Major Professor: Libby Miles Mike Pennell Ian Reyes Nasir Zawia DEAN OF THE GRADUATE SCHOOL UNIVERSITY OF RHODE ISLAND 2013 ABSTRACT This study looks at the tensions surrounding the inclusion and increasing presence of LGBT performances within video games, their surrounding industry and culture, and their related internetworked cyberspaces – an assemblage referred to in this research as the “game-sphere.” By analyzing the rhetorical activity performed within a specific LGBT game cyberspace (the Reddit subforum r/gaymers), this study offers insight into gaming and LGBT culture by answering the following research question: What rhetorical action is performed by LGBT video game players within r/gaymers? Data were collected over a period of two weeks, wherein screen-captures were taken and saved twice a day at 10:00 am and pm.
    [Show full text]
  • Journal of East Asian Libraries, No. 165, October 2017
    Journal of East Asian Libraries Volume 2017 | Number 165 Article 1 10-2017 Journal of East Asian Libraries, No. 165, October 2017 Follow this and additional works at: https://scholarsarchive.byu.edu/jeal BYU ScholarsArchive Citation (2017) "Journal of East Asian Libraries, No. 165, October 2017," Journal of East Asian Libraries: Vol. 2017 : No. 165 , Article 1. Available at: https://scholarsarchive.byu.edu/jeal/vol2017/iss165/1 This Full Issue is brought to you for free and open access by the All Journals at BYU ScholarsArchive. It has been accepted for inclusion in Journal of East Asian Libraries by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Journal of East Asian Libraries Journal of the Council on East Asian Libraries No. 165, October 2017 CONTENTS From the President 3 Essay A Tribute to John Yung-Hsiang Lai 4 Eugene W. Wu Peer-Review Articles An Overview of Predatory Journal Publishing in Asia 8 Jingfeng Xia, Yue Li, and Ping Situ Current Situation and Challenges of Building a Japanese LGBTQ Ephemera Collection at Yale Haruko Nakamura, Yoshie Yanagihara, and Tetsuyuki Shida 19 Using Data Visualization to Examine Translated Korean Literature 36 Hyokyoung Yi and Kyung Eun (Alex) Hur Managing Changes in Collection Development 45 Xiaohong Chen Korean R me for the Library of Congress to Stop Promoting Mccune-Reischauer and Adopt the Revised Romanization Scheme? 57 Chris Dollŏmaniz’atiŏn: Is It Finally Ti Reports Building a “One- 85 Paul W. T. Poon hour Library Circle” in China’s Pearl River Delta Region with the Curator of the Po Leung Kuk Museum 87 Patrick Lo and Dickson Chiu Interview 1 Web- 93 ProjectCollecting Report: Social Media Data from the Sina Weibo Api 113 Archiving Chinese Social Media: Final Project Report New Appointments 136 Book Review 137 Yongyi Song, Editor-in-Chief:China and the Maoist Legacy: The 50th Anniversary of the Cultural Revolution文革五十年:毛泽东遗产和当代中国.
    [Show full text]
  • Japanese Women's Science Fiction: Posthuman Bodies and the Representation of Gender Kazue Harada Washington University in St
    Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-15-2015 Japanese Women's Science Fiction: Posthuman Bodies and the Representation of Gender Kazue Harada Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the East Asian Languages and Societies Commons Recommended Citation Harada, Kazue, "Japanese Women's Science Fiction: Posthuman Bodies and the Representation of Gender" (2015). Arts & Sciences Electronic Theses and Dissertations. 442. https://openscholarship.wustl.edu/art_sci_etds/442 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of East Asian Languages & Cultures Dissertation Examination Committee: Rebecca Copeland, Chair Nancy Berg Ji-Eun Lee Diane Wei Lewis Marvin Marcus Laura Miller Jamie Newhard Japanese Women’s Science Fiction: Posthuman Bodies and the Representation of Gender by Kazue Harada A dissertation presented to the Graduate School of Arts & Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2015 St. Louis, Missouri © 2015, Kazue Harada
    [Show full text]
  • A World Like Ours: Gay Men in Japanese Novels and Films
    A WORLD LIKE OURS: GAY MEN IN JAPANESE NOVELS AND FILMS, 1989-2007 by Nicholas James Hall A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) December 2013 © Nicholas James Hall, 2013 Abstract This dissertation examines representations of gay men in contemporary Japanese novels and films produced from around the beginning of the 1990s so-called gay boom era to the present day. Although these were produced in Japanese and for the Japanese market, and reflect contemporary Japan’s social, cultural and political milieu, I argue that they not only articulate the concerns and desires of gay men and (other queer people) in Japan, but also that they reflect a transnational global gay culture and identity. The study focuses on the work of current Japanese writers and directors while taking into account a broad, historical view of male-male eroticism in Japan from the Edo era to the present. It addresses such issues as whether there can be said to be a Japanese gay identity; the circulation of gay culture across international borders in the modern period; and issues of representation of gay men in mainstream popular culture products. As has been pointed out by various scholars, many mainstream Japanese representations of LGBT people are troubling, whether because they represent “tourism”—they are made for straight audiences whose pleasure comes from being titillated by watching the exotic Others portrayed in them—or because they are made by and for a female audience and have little connection with the lives and experiences of real gay men, or because they circulate outside Japan and are taken as realistic representations by non-Japanese audiences.
    [Show full text]
  • Referencia Bibliográfica: Saito, K. (2011). Desire in Subtext: Gender
    Referencia bibliográfica: Saito, K. (2011). Desire in Subtext: Gender, Fandom, and Women’s Male-Male Homoerotic Parodies in Contemporary Japan. Mechademia, 6, 171–191. Disponible en https://muse.jhu.edu/article/454422 ISSN: - 'HVLUHLQ6XEWH[W*HQGHU)DQGRPDQG:RPHQ V0DOH0DOH +RPRHURWLF3DURGLHVLQ&RQWHPSRUDU\-DSDQ .XPLNR6DLWR Mechademia, Volume 6, 2011, pp. 171-191 (Article) 3XEOLVKHGE\8QLYHUVLW\RI0LQQHVRWD3UHVV DOI: 10.1353/mec.2011.0000 For additional information about this article http://muse.jhu.edu/journals/mec/summary/v006/6.saito.html Access provided by University of Sydney Library (13 Nov 2015 18:03 GMT) KumiKo saito Desire in Subtext: Gender, Fandom, and Women’s Male–Male Homoerotic Parodies in Contemporary Japan Manga and anime fan cultures in postwar Japan have expanded rapidly in a manner similar to British and American science fiction fandoms that devel- oped through conventions. From the 1970s to the present, the Comic Market (hereafter Comiket) has been a leading venue for manga and anime fan activi- ties in Japan. Over the three days of the convention, more than thirty-seven thousand groups participate, and their dōjinshi (self-published fan fiction) and character goods generate ¥10 billion in sales.1 Contrary to the common stereo- type of anime/manga cult fans—the so-called otaku—who are males in their twenties and thirties, more than 70 percent of the participants in this fan fic- tion market are reported to be women in their twenties and thirties.2 Dōjinshi have created a locus where female fans vigorously explore identities and desires that are usually not expressed openly in public. The overwhelming majority of women’s fan fiction consists of stories that adapt characters from official me- dia to portray male–male homosexual romance and/or erotica.
    [Show full text]
  • UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations
    UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations Title Lovers and (Boy) Friends: Shifting Identities in Japanese BL Manga Permalink https://escholarship.org/uc/item/13c4t9vm Author Brown, Victoria Elizabeth Publication Date 2019 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Santa Barbara Lovers and (Boy) Friends: Shifting Identities in Japanese BL Manga A Thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Asian Studies by Victoria Elizabeth Brown Committee in charge: Professor Sabine Frühstück, Chair Professor William Fleming Professor Katherine Saltzman-Li December 2019 The thesis of Victoria Elizabeth Brown is approved. ____________________________________________ Katherine Saltzman-Li ____________________________________________ William Fleming ____________________________________________ Sabine Frühstück, Committee Chair September 2019 ABSTRACT Lovers and (Boy) Friends: Shifting Identities in Japanese BL Manga by Victoria Elizabeth Brown As academic scholarship on the Japanese popular media genre known as Boys’ Love has been focused upon the genre’s fan culture and female readers, this thesis project aims to move away from the fans and to the texts in order to explore how the genre is in conversation with changes in societal understandings of same-sex sexuality in Japan. Following brief introductions of four portrayals of men that are commonly found in Japanese popular media, three contemporary manga titles are analyzed to explore how the authors negotiate the narrative conventions of the Boys’ Love genre with the shifting understandings of same-sex sexuality vis-à-vis the visual appearance of the characters, the role of these characters in their fictionalized societies, and the settings wherein the narratives take place.
    [Show full text]
  • “Pornografía Animada Japonesa. El Éxito Del Hentai”
    UNIVERSITAT POLITÈCNICA DE VALÈNCIA ESCOLA POLITE CNICA SUPERIOR DE GANDIA Grado en Comunicación Audiovisual “Pornografía animada japonesa. El éxito del hentai” TRABAJO FINAL DE GRADO Autor/a: Sara Martínez Galán Tutor/a: Raúl González Monaj GANDIA, 2017 En el presente Trabajo de Fin de Grado hablaremos del hentai, la animación pornográfica de origen japonés que goza de éxito en todo el mundo. A partir del estudio de sus orígenes y de su relación con la sociedad japonesa, conoceremos su evolución hasta la actualidad, incluyendo sus categorías, para intentar dar respuesta a su éxito sin rival en ninguna otra escuela de animación del mundo. Para ello, nos apoyaremos en los principales estudios y autores que trabajan el hentai y en las características formales y conceptuales que lo definen. Palabras clave: hentai, animación, sexualidad, Japón. In the following Final Degree Project we will talk about hentai, the pornographic animation originated in Japan that is successful worldwide. From the study of its origins and its relation with the Japanese society, we will comprehend its evolution until our days, including its categories, in order to be able to give an answer to its success without rival in any other school of animation of the world. To do so, we will rely on the main studios and authors working with hentai and the formal and conceptual characteristics that define it. Key words: hentai, animation, sexuality, Japan. - 2 - Índice 1. Introducción…………………………………………………………………………… 4 1.1 Objetivos…………………………………………………………………………. 5 1.2 Metodología……………………………………………………………………… 5 2. Definición del término hentai……………………………………………………….. 6 2.1 Origen etimológico e histórico…………………………………………………. 7 3. Sexualidad en la sociedad japonesa……………………………………………… 11 3.1 Sintoísmo y sexualidad………………………………………………………… 12 2 3.2 La sexualidad en el Japón actual……………………………………………..
    [Show full text]
  • No Time and No Place in Japan's Queer Popular Culture
    NO TIME AND NO PLACE IN JAPAN’S QUEER POPULAR CULTURE BY JULIAN GABRIEL PAHRE THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Arts in East Asian Studies in the Graduate College of the University of Illinois at Urbana-Champaign, 2017 Urbana, Illinois Adviser: Professor Robert Tierney ABSTRACT With interest in genres like BL (Boys’ Love) and the presence of LGBT characters in popular series continuing to soar to new heights in Japan and abroad, the question of the presence, or lack thereof, of queer narratives in these texts and their responses has remained potent in studies on contemporary Japanese visual culture. In hopes of addressing this issue, my thesis queries these queer narratives in popular Japanese culture through examining works which, although lying distinctly outside of the genre of BL, nonetheless exhibit queer themes. Through examining a pair of popular series which have received numerous adaptations, One Punch Man and No. 6, I examine the works both in terms of their content, place and response in order to provide a larger portrait or mapping of their queer potentiality. I argue that the out of time and out of place-ness present in these texts, both of which have post-apocalyptic settings, acts as a vehicle for queer narratives in Japanese popular culture. Additionally, I argue that queerness present in fanworks similarly benefits from this out of place and time-ness, both within the work as post-apocalyptic and outside of it as having multiple adaptations or canons. I conclude by offering a cautious tethering towards the future potentiality for queer works in Japanese popular culture by examining recent trends among queer anime and manga towards moving towards an international stage.
    [Show full text]
  • Yaoi Vs. Bara Notes • Sections O Disclaimers (Set the Mood) Not
    Yaoi vs. Bara Notes Sections o Disclaimers . (Set the mood) . Not going to really focus on yaoi so much as bara since so many already know what that genre is o What is yaoi? . Very Basic Overview ‘Made for women by women’ o Of course, other grps. of ppl. can enjoy it, but let’s keep it simple ^.^; Features male/male relationships o Usually in a romantic light Oh, the doujin Shonen ai/yaoi o Shonen ai originally used to associated with pederasty in Japan but early 1970s to the late 1980s was used to describe the rising subgenre of shojou, primarily by the Year 24 Group, about ‘beautiful boys in love’ Began as doujin in doujinshi markets in Japan in the late 1970s/early 1980s In the beginning, whereas Shonen ai were original works, yaoi was doujin of shonen anime/manga . Very basic overview of yaoi genre tendencies Effeminate guys o Usually, not always Usually more on the fanservicey side with the portrayal of couples o i.e., since hot guys are awesome, hot guys with other hot guys is even more awesome . 1 guy, okay; 2 guyz, hellz yeah! (More often than not) unrealistic portrayals of homosexual couples o Don’t even get me started on the “rape as love” aspect so many yaoi have as proof of this Typically, porn with plot Stories often melodramatic Uke/seme dynamic o With the shy, reluctant uke & the domineering, aggressive seme Also: shipping Escapist nature o Most settings tend to be in places/’idealized world’ where homosexuality isn’t necessarily frowned upon Similarly, yaoi manga shows portrays a more idealized version of gay male couples from a women’s perspective .
    [Show full text]
  • The 21 Biennale of Sydney (2018) Announces First 21 Artists for Its 45
    MEDIA RELEASE Embargoed until 5pm Thursday, 6 April 2017 The 21st Biennale of Sydney (2018) announces first 21 artists for its 45th anniversary exhibition Mit Jai Inn, Junta Monochrome #1, 2016, oil on canvas. 800 x 800 x 50 cm. Courtesy the artist; Gallery Ver, Bangkok; and Cartel Artspace, Bangkok Photograph: Jirat Ratthawongjirakul Sydney, Australia: Mami Kataoka, Artistic Director of the 21st Biennale of Sydney, today revealed the first group of 21 artists selected for the 21st edition of the Asia Pacific’s leading contemporary art event. With around 70 artists expected to be included in the 21st Biennale, this initial selection includes internationally renowned artists Ai Weiwei, Laurent Grasso, Haegue Yang and Eija-Liisa Ahtila, and provides insight into the themes of the 2018 edition. Celebrating its 45th anniversary next year, the Biennale of Sydney will be presented over twelve weeks from Friday, 16 March until Monday, 11 June 2018 (Preview 13-15 March), at multiple locations throughout Sydney. It will feature major new commissions and recent work by contemporary artists from Australia and around the world. The 21 artists announced today as part of the first reveal include one artist duo, ten artists from throughout Asia, five European artists, four Australian artists and one artist from North America. The initial list of artists is as follows: • Eija-Liisa Ahtila (Born 1959 in Finland, lives and works in Helsinki) • Ai Weiwei (Born 1957 in China, lives and works in Beijing) • Brook Andrew (Born 1970 in Australia, lives and works in Melbourne) • Oliver Beer (Born 1985 in England, lives and works in Paris and London) • Anya Gallaccio (Born 1963 in Scotland, lives and works in San Diego) • Laurent Grasso (Born 1972 in France, lives and works in Paris and New York) • N.S.
    [Show full text]
  • The Politics of Difference and Authenticity in the Practice of Okinawan Dance and Music in Osaka, Japan
    The Politics of Difference and Authenticity in the Practice of Okinawan Dance and Music in Osaka, Japan by Sumi Cho A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology) in the University of Michigan 2014 Doctoral Committee: Professor Jennifer E. Robertson, Chair Professor Kelly Askew Professor Gillian Feeley-Harnik Professor Markus Nornes © Sumi Cho All rights reserved 2014 For My Family ii Acknowledgments First of all, I would like to thank my advisor and dissertation chair, Professor Jennifer Robertson for her guidance, patience, and feedback throughout my long years as a PhD student. Her firm but caring guidance led me through hard times, and made this project see its completion. Her knowledge, professionalism, devotion, and insights have always been inspirations for me, which I hope I can emulate in my own work and teaching in the future. I also would like to thank Professors Gillian Feeley-Harnik and Kelly Askew for their academic and personal support for many years; they understood my challenges in creating a balance between family and work, and shared many insights from their firsthand experiences. I also thank Gillian for her constant and detailed writing advice through several semesters in her ethnolab workshop. I also am grateful to Professor Abé Markus Nornes for insightful comments and warm encouragement during my writing process. I appreciate teaching from professors Bruce Mannheim, the late Fernando Coronil, Damani Partridge, Gayle Rubin, Miriam Ticktin, Tom Trautmann, and Russell Bernard during my coursework period, which helped my research project to take shape in various ways.
    [Show full text]