Barre Phillips (Bass) Album Title (Format): Arcus (Cd) Label (Country) (Catalog Number): Maya Recordings (UK) (MCD9101) Release Date: 1991 Duration: 6:56

Total Page:16

File Type:pdf, Size:1020Kb

Barre Phillips (Bass) Album Title (Format): Arcus (Cd) Label (Country) (Catalog Number): Maya Recordings (UK) (MCD9101) Release Date: 1991 Duration: 6:56 Barre Phillips American bassist (October 27, 1934—) Track listing 1. title: Sundance personnel: Barre Phillips (bass) album title (format): Arcus (cd) label (country) (catalog number): Maya Recordings (UK) (MCD9101) release date: 1991 duration: 6:56 1 2. title: p.s.-Te Queremos personnel: Barre Phillips (bass), Joëlle Léander (bass), William Parker (bass), Tetsu Saitoh (bass) album title (format): After You Gone – A Memorial Concert for Peter Kowald (cd) label (country) (catalog number): Les Disques Victo (Canada) (VICTO cd 091) release date: 2004 duration: 6:40 3. title: Don’t Save personnel: Barre Phillips (bass), Derek Bailey (guitar) album title (format): Figuring (cd) label (country) (catalog number): Incus Records (UK) (CD 05) release date: 1990 duration: 10:10 4. title: Key Finder personnel: Barre Phillips (bass, voice), Keiji Haino (guitar, voice) album title (format): Etching in the Air (cd) label (country) (catalog number): PSF Records (Japan) (PSFD 74) release date: 1996 duration: 3:11 5. title: Death of Rationalism personnel: Barre Phillips (bass), Keiji Haino (guitar), Sabu Toyozumi (percussion) album title (format): Two Strings Will Do It (cd) label (country) (catalog number): PSF Records (Japan) (PSFD 45) release date: 1994 duration: 8:21 6. title: Mountainscapes 1 personnel: Barre Phillips (bass), John Sherman (sax, clarinet, synthesizer), Dieter Feichtner (synthesizer), Stu Martin (drums, synthesizer) album title (format): Mountainscapes (cd) label (country) (catalog number): ECM Records (Germany) (ECM 1076) release date: 1976 duration: 5:53 7. title: The Rugged Cross personnel: Barre Phillips (bass), Jacques Demierre (piano), Urs Leimgruber (sax) album title (format): ldp cologne (cd) label (country) (catalog number): psi Records (UK) (psi 05.03) release date: 2005 duration: 12:50 2 8. title: Part IV personnel: Barre Phillips (bass), Aina Kemanis (voice), John Surman (sax, clarinet, synthesizer) album title (format): Journal Violone II (cd) label (country) (catalog number): no label (country unknown) (no label number) release date: 1979 duration: 6:46 Links: Wikipedia: http://en.wikipedia.org/wiki/Barre_Phillips Discogs.com website: http://www.discogs.com/artist/Barre+Phillips fan site discography: http://mysite.verizon.net/vze8f4kf/phillips.htm 3 .
Recommended publications
  • Volume 44 Number 4 Oct Nov Dec 2018
    THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC ODEAN POPE PHIL MINTON SKETY SCOTT ROBINSON STEVE COHN KEIKO JONES MONTREAL JAZZ FESTIVAL 2018 INTERNATIONAL JAZZ NEWS CD REVIEWS BOOK REVIEWS DVD REVIEWS OBITUARIES Volume 44 Number 4 Oct Nov Dec 2018 New Releases on CNM Records POCKET ACES, CULL THE HEARD (CNM032) - OUT NOW. - Pocket Aces emerged from the jazz trio tradition; where each voice balances the others through contrast, and surprise. Although freely improvised, the music of Pocket Aces is consciously compositional, given to bouts of form, groove, and crafty melodies. Distillation of ideas with a premium on space and tone provides a strong coherence as the trio navigates the familiar and unfamiliar. HOFBAUER/ROSENTHANL QUARTET, HUMAN RESOURCES (CNM033) - RELEASE DATE NOV. 9 THE HOFBAUER/ROSENTHAL QUARTET, unites four imaginative improvisors from Boston’s eclectic jazz scene. There’s a non-hierarchal notion of the ensemble in this project, an ideal of equality and a selfless determination built into every musical inclination, as they unabashedly swing at the intersection between the clarity and control of bop and the brash freedom of the avant-garde. ERIC HOFBAUER QUARTET, PREHISTORIC JAZZ VOL. 4: REMINISCING IN TEMPO - OUT NOW. Reimagining of the rarely heard 1935 long form Duke Ellington composition. "It's a musical jungle gym for the guitar fan, a close listening to Hofbauer's note choices and abstract connections to the song's structure is absolutely required listening." - Paul Acquaro, Free Jazz Blog. All Albums on Bandcamp.com, Amazon.com or Erichofbauer.com - Visit erichofbauer.com for album details, audio samples, press and more.
    [Show full text]
  • Peter Johnston 2011
    The London School Of Improvised Economics - Peter Johnston 2011 This excerpt from my dissertation was included in the reader for the course MUS 211: Music Cultures of the City at Ryerson University. Introduction The following reading is a reduction of a chapter from my dissertation, which is titled Fields of Production and Streams of Conscious: Negotiating the Musical and Social Practices of Improvised Music in London, England. The object of my research for this work was a group of musicians living in London who self-identified as improvisers, and who are part of a distinct music scene that emerged in the mid-1960s based on the idea of free improvisation. Most of this research was conducted between Sept 2006 and June 2007, during which time I lived in London and conducted interviews with both older individuals who were involved in the creation of this scene, and with younger improvisers who are building on the formative work of the previous generation. This chapter addresses the practical aspects of how improvised music is produced in London, and follows a more theoretical analysis in the previous chapters of why the music sounds like it does. Before moving on to the main content, it will be helpful to give a brief explanation of two of the key terms that occur throughout this chapter: “free improvisation” and the “improvised music field.” “Free improvisation” refers to the creation of musical performances without any pre- determined materials, such as form, tonality, melody, or rhythmic feel. This practice emerged out of developments in jazz in the late 1950s and early 1960s, particularly in the work of Ornette Coleman and Cecil Taylor, who began performing music without using the song-forms, harmonic progressions, and steady rhythms that characterized jazz until that time.
    [Show full text]
  • Printcatalog Realdeal 3 DO
    DISCAHOLIC auction #3 2021 OLD SCHOOL: NO JOKE! This is the 3rd list of Discaholic Auctions. Free Jazz, improvised music, jazz, experimental music, sound poetry and much more. CREATIVE MUSIC the way we need it. The way we want it! Thank you all for making the previous auctions great! The network of discaholics, collectors and related is getting extended and we are happy about that and hoping for it to be spreading even more. Let´s share, let´s make the connections, let´s collect, let´s trim our (vinyl)gardens! This specific auction is named: OLD SCHOOL: NO JOKE! Rare vinyls and more. Carefully chosen vinyls, put together by Discaholic and Ayler- completist Mats Gustafsson in collaboration with fellow Discaholic and Sun Ra- completist Björn Thorstensson. After over 33 years of trading rare records with each other, we will be offering some of the rarest and most unusual records available. For this auction we have invited electronic and conceptual-music-wizard – and Ornette Coleman-completist – Christof Kurzmann to contribute with some great objects! Our auction-lists are inspired by the great auctioneer and jazz enthusiast Roberto Castelli and his amazing auction catalogues “Jazz and Improvised Music Auction List” from waaaaay back! And most definitely inspired by our discaholic friends Johan at Tiliqua-records and Brad at Vinylvault. The Discaholic network is expanding – outer space is no limit. http://www.tiliqua-records.com/ https://vinylvault.online/ We have also invited some musicians, presenters and collectors to contribute with some records and printed materials. Among others we have Joe Mcphee who has contributed with unique posters and records directly from his archive.
    [Show full text]
  • The New York City Jazz Record
    BEST OF 2020 BEST OF 2020 BEST OF 2020 BEST OF 2020 BEST OF 2020 BEST OF 2020 THE NEW YORK CITY JAZZ RECORD BEST OF 2020 BEST OF 2020 BEST OF 2020 BEST OF 2020 BEST OF 2020 BEST OF 2020 MUSICIANS OF THE YEAR ALBUMS OF THE YEAR MISCELLANEOUS CATEGORIES OF THE YEAR LAKECIA BENJAMIN (saxophone) JUHANI AALTONEN, JONAS KULLHAMMAR, JUHANI AALTONEN, JONAS KULLHAMMAR, TIM BERNE (saxophone) CHRISTIAN MEAAS SVENDSEN, CHRISTIAN MEAAS SVENDSEN, SOLO RECORDINGS BOXED SETS UNEARTHED GEMS ILMARI HEIKINHEIMO— ILMARI HEIKINHEIMO— MATS GUSTAFSSON (saxophone) CHRIS CORSANO—Mezzaluna (Catalytic Sound) PAUL DESMOND—The Complete 1975 Toronto Recordings ART BLAKEY & THE JAZZ MESSENGERS— The Father, the Sons & The Junnu (Moserobie) The Father, the Sons & The Junnu (Moserobie) (Mosaic) Just Coolin’ (Blue Note) JAMES BRANDON LEWIS (saxophone) SIGURD HOLE—Lys / Mørke ( Light / Darkness ) (s/r) DANIEL BINGERT—Berit in Space (Moserobie) PETER EVANS—Into the Silence (More is More-Old Heaven) HERMIONE JOHNSON—Tremble (Relative Pitch) CHARLES LLOYD—8: Kindred Spirits (Live From the Lobero) ELLA FITZGERALD—The Lost Berlin Tapes (Verve) CHARLES LLOYD (saxophone) (Blue Note) LUCA T. MAI—Heavenly Guide (Trost) LONDON JAZZ COMPOSERS ORCHESTRA— COLLOCUTOR—Continuation (On The Corner) FIRE! ORCHESTRA—Actions (Rune Grammofon) MODERN JAZZ QUINTET KARLSRUHE/ That Time (Not Two) MATTHEW SHIPP—The Piano Equation (Tao Forms) FOUR MEN ONLY—Complete Recordings (NoBusiness) CHARLES MINGUS—@ Bremen 1964 & 1975 (Sunnyside) ANDREA KELLER—Journey Home (s/r) DAVID KRAKAUER/KATHLEEN TAGG— UP-AND-COMERS OF THE YEAR CHARLIE PARKER—The Mercury & Clef 10-Inch LP ALAN WAKEMAN—The Octet Broadcasts (1969 and 1979) Breath & Hammer (Table Pounding) Collection (Verve) EMMET COHEN (piano) JON-ERIK KELLSO—Sweet Fruits Salty Roots (Jazzology) LATIN RELEASES (Gearbox) CHARLES LLOYD VARIOUS ARTISTS—Not Two..
    [Show full text]
  • Reggie Workman Working Man
    APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne
    [Show full text]
  • Diplomarbeit
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit Das scape jazzistique. Improvisationen in einem globalen Feld. Verfasserin ODER Verfasser Philipp Schmickl angestrebter akademischer Grad Magister Wien, 2010 Studienkennzahl lt. Studienblatt: A 307 Studienrichtung lt. Studienblatt: Betreuerin / Betreuer: Dr. Wolfang Kraus 1 2 Meinen Eltern, ohne deren Unterstützung ich diese Arbeit nicht hätte schreiben können sowie Nadine, meiner freundschaftlichen Freundin 3 4 Zwei Musiker treffen sich in New York am Flughafen. Fragt der eine den anderen: - Wo fliegst du hin? Sagt der andere: - Nach Wien. - Wo ist das? - In der Nähe von Nickelsdorf. Wahre oder erfundene Geschichte They say that history repeats itself, ..., they say that history repeats itself, repeats itself. But history is his story, is not my story, what’s your story? Sun Ra, A Joyful Noise “Quick, hide the computers and the VCR, the anthropologists are coming!” u. a. in George Lewis, Changing with the Times, CD 5 6 Inhalt Einleitung 11 Teil 1 - Einführung ins champ jazzistique 14 Einführung in le champ jazzistique 15 [Punkt] 1 17 [Punkt] 2 18 [Punkt] 3 19 [Punkt] 4 20 [Punkt] 5 21 [Punkt] 6 22 [Punkt] 7 23 [Punkt] 8 24 [Punkt] 9 25 [Punkt] 10 25 [Punkt] 11 26 [Punkt] 12 26 Globalisierung 28 Emanzipation 29 Individualismus/eigener Klang/Körper 31 Platten/Plattensammlung 32 Geschichten über Geschichte 33 Improvisation 35 Teil 2 - Methode und Feld 37 Eigene Position im Feld 38 Meine Position ... 38 ... im Feld 39 7 Methode 40 Grounded Theory 40 Interviews 44 Datenhierarchie 45 Durchführung 47 Interviews 47 Zum Ablauf der Interviews 48 Daten hören und Transkribieren 49 Teil 3 - Das scape jazzistique 51 Globalisierung 52 the scape and its anchors 52 Wege der Verbreitung - Gittin’ to know y’all 53 ..
    [Show full text]
  • Paul Bley Sankt Gerold Variations Mp3, Flac, Wma
    Paul Bley Sankt Gerold Variations mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Sankt Gerold Variations Country: Germany Released: 2000 Style: Free Jazz, Contemporary Jazz MP3 version RAR size: 1310 mb FLAC version RAR size: 1251 mb WMA version RAR size: 1106 mb Rating: 4.1 Votes: 989 Other Formats: AC3 FLAC AHX AUD VOC XM ASF Tracklist Hide Credits Variation 1 1 10:18 Written-By – Phillips*, Parker*, Bley* Variation 2 2 7:12 Written-By – Phillips*, Parker*, Bley* Variation 3 3 2:56 Written-By – Phillips* Variation 4 4 1:59 Written-By – Parker* Variation 5 5 6:20 Written-By – Phillips*, Parker*, Bley* Variation 6 6 3:56 Written-By – Bley* Variation 7 7 7:13 Written-By – Phillips* Variation 8 8 8:14 Written-By – Phillips*, Parker*, Bley* Variation 9 9 7:03 Written-By – Bley* Variation 10 10 5:22 Written-By – Parker* Variation 11 11 4:49 Written-By – Phillips*, Parker*, Bley* Variation 12 12 1:29 Written-By – Parker* Companies, etc. Phonographic Copyright (p) – ECM Records GmbH Copyright (c) – ECM Records GmbH Made By – Universal M & L, Germany – 51044887 Recorded At – Propstei St. Gerold Credits Design – Max Franosch Double Bass – Barre Phillips Engineer – Jan Erik Kongshaug Photography By – Dieter Rehm Piano – Paul Bley Producer – Manfred Eicher, Steve Lake Soprano Saxophone, Tenor Saxophone – Evan Parker Notes Recorded live, April 1996 at the Monastery of Sankt Gerold. An ECM Production ℗ 2000 ECM Records GmbH © 2000 ECM Records GmbH Printed in Germany Barcode and Other Identifiers Barcode: 6 01215 78992 8 Matrix / Runout
    [Show full text]
  • Paul Bley Footloose Mp3, Flac, Wma
    Paul Bley Footloose mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Footloose Country: France Released: 1969 Style: Free Jazz MP3 version RAR size: 1851 mb FLAC version RAR size: 1832 mb WMA version RAR size: 1749 mb Rating: 4.5 Votes: 434 Other Formats: MP4 AHX MOD FLAC MMF MP1 WAV Tracklist Hide Credits When Will The Blues Leave A1 Written-By – Ornette Coleman A2 Floater A3 Turns A4 Around Again B1 Syndrome B2 Cousins B3 King Korn B4 Vashkar Companies, etc. Licensed From – Savoy Records Printed By – I.D.N. Recorded At – Medallion Studio Credits Bass – Steve Swallow Design – Pierre Bompar Drums – Pete LaRoca* Liner Notes – Philippe Carles Photography By – Giuseppe Pino Piano – Paul Bley Producer [Serie Dirigee Par] – Jean-Louis Ginibre Written-By – Carla Bley (tracks: A2, A4, B1, B3, B4), Paul Bley (tracks: A3, B2) Notes Tracks A1, A2 and A4 recorded at Medallion Studios, Newark, NJ, August 17, 1962. Tracks A3, B1 to B4 recorded at Medallion Studios, Newark, NJ, September 12, 1963. Made in France Barcode and Other Identifiers Matrix / Runout (Side A runout, hand-etched): BYG 529 114 A. Matrix / Runout (Side B runout, hand-etched): BYG 529 114 B Rights Society: BIEM Other versions Category Artist Title (Format) Label Category Country Year MG-12182 Paul Bley Footloose (LP, Album) Savoy Records MG-12182 US 1963 Footloose (CD, Album, CY-78987 Paul Bley Savoy Jazz CY-78987 Japan 1995 RE, RM, Pap) Footloose (CD, Album, COCB-50603 Paul Bley Savoy Jazz COCB-50603 Japan 2001 RE, RM, Pap) Footloose (LP, Album, COJY-9050 Paul Bley Savoy
    [Show full text]
  • Review of Barre Phillips and Motoharu Yoshizawa, Oh My, Those Boys
    which issued a string of quality recordings in the ‘90s dialogue between saxophone and trumpet, in stop- and returned in more recent years, notably for a series time, provides the envoi to this album. Backing the of co-productions with Universal Japan in 2015 titled co-leaders is a muscular, hard-driving rhythm section “Free Jazz Japan in Zepp”. Lately, Chap Chap has been anchored by drummer Billy Drummond, who worked collaborating with NoBusiness, helping to cement the with Nat Adderley, bassist Nat Reeves and pianist Lithuanian label as a premier destination for archival David Hazeltine. avant garde material. Along with “Work Song”, this quintet also essays Oh My, Those Boys! adds to an early Chap Chap Cannonball’s “Sack O’Woe”, another soul jazz down- CD, Motaharu Yoshizawa’s Live “Okidoki”, which home classic with a fat backbeat, notable here for Pelt’s Laid Black contained 40 minutes of the bass duet with Barre driving solo and Hazeltine’s interaction with Marcus Miller (Blue Note) Phillips featured here, recorded in 1994 at Café Amores Drummond during the pianist’s solo turn. Soul jazz by Anna Steegmann in the Southwest Japan city of Hōfu. The release birthed various rhythms, among them the boogaloo contains two long free improvisations, the first one shuffle. Rather than reprise one of Cannonball’s Laid Black, bassist Marcus Miller’s 23rd album, is as abridged to 30 minutes on the LP version, which would boogaloos, Pelt has written his own, “Party Time”, an laid-back as it gets—the perfect soundtrack for an therefore be recommended only to hardened vinyl original that opens this CD and introduces us to easygoing summer.
    [Show full text]
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]
  • Deutsche Nationalbibliografie 2019 T 04
    Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2019 T 04 Stand: 03. April 2019 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2019 ISSN 1613-8945 urn:nbn:de:101-201811221845 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde.
    [Show full text]
  • PHILLIPS End to BEGINNING
    MAY 2019—ISSUE 205 YOUR FREE guide TO tHe NYC JAZZ sCENE NYCJAZZRECORD.COM BARRE PHILLIPS END TO BEGINNING janis simon mulatu danny siegel nabatov astatke barker Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2019—ISSUE 205 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 new york@nigHt 4 Laurence Donohue-Greene: interview : janis siegel 6 by jim motavalli [email protected] Andrey Henkin: artist Feature : simon nabatov 7 by john sharpe [email protected] General Inquiries: on The Cover : barre pHillips 8 by andrey henkin [email protected] Advertising: enCore : mulatu astatke 10 by mike cobb [email protected] Calendar: lest we Forget : danny barker 10 by john pietaro [email protected] VOXNews: LAbel spotligHt : pfMENTUM 11 by robert bush [email protected] VOXNEWS by suzanne lorge US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or obituaries 12 by andrey henkin money order to the address above or email [email protected] Cd reviews 14 Staff Writers Duck Baker, Stuart Broomer, Robert Bush, Kevin Canfield, misCellany 33 Marco Cangiano, Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, event Calendar Tom Greenland, George Grella, 34 Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Mike Cobb, Pierre Crépon, George Kanzler, Steven Loewy, Franz Matzner, If jazz is inherently, wonderfully, about uncertainty, about where that next note is going to Annie Murnighan, Eric Wendell come from and how it will interact with all that happening around it, the same can be said for a career in jazz.
    [Show full text]