DOCSLIB.ORG

Premier Lifestyle Magazine Version 19.Cdr

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Dec 2020 BREAK-OUT EDITION Richard Mofe Damijo T H E N A M E | T H E M A N | T H E L I F E S T Y L E 2020: The Year that 20 African Models Who Nigerian Achievers Award 20 Most Creative Reshaped Our Lifestyle Took Over the World 2020: All You Missed African Designer Labels W W W . P L M A G . N G Inside This Editor’s Note Edition: hat a year 2020 has turned out to be; what a year! We will remember it as Wthe year of the COVID-19 pandemic – a year which redefined our lifestyle and choices. The year also turned out to be a significant one for Africans across the globe – who have battled the stigma of racial discrimination and poor governance for so long. 2020: The Year that 20 African Models Who Reshaped Our Lifestyle Took Over the World With a mandate to become one of Africa’s leading lifestyle magazines within its first two years, Premier Lifestyle Magazine debuts with a compelling edition which will undoubtedly leave readers spellbound with stories that enlighten, educate and entertain a broad section of society. In our special December 2020 Break-Out Edition, we have looked inward as a means of Nigerian Achievers Award 20 Most Creative capturing the world. The choice of using 2020: All you Missed African Designer Labels Nollywood actor, Richard Mofe Damijo as our cover personality was in recognition of his work in the entertainment industry and his reputable lifestyle off the scenes. Team: Premier Lifestyle Magazine is on a mission to Michael Mgbeahurike disrupt the lifestyle space by promoting Publisher personalities who are role models in society and Chidiebere Mgbeahurike showcase exemplary values. As a wholesome family lifestyle magazine which aims to capture a Editor-in-Chief broad audience across different divides, we will Sebastiane Ebatamehi continue to publish editions which our readers Managing Editor will be proud of. Amenna Daayo Contributor (Paris, France) Lastly, do not forget to satisfy your fantasy and visit our online magazine on www.plmag.ng for Sasha Bokamoso daily trending lifestyle, entertainment, fashion Contributor (Cape Town, South Africa) and breaking stories. Glory Uyi Contributor (Nigeria) All I can say is, #ANTICIPATE. Merry Christmas King Hogan and Happy New Year in advance. Photography Executive Precious Nbanugo Yours truly, Interview Assistant Sebastiane Ebatamehi Writers Empire Editing Consultants Pg 01 Richard Mofe-Damijo The Name. The Man. The Lifestyle Richard Mofe-Damijo popularly known as RMD is a Nigerian actor, writer, producer, and lawyer. In 2008, he was appointed a special adviser, and in 2009, he became an honorable commissioner of culture and tourism in Delta State. He is a legend in the movie industry. Early Life Richard was born on July 6, 1961 in Aldja, Udu LGA, Delta State. He attended Midwest College, Warri, and Anglican Grammar School. He further moved to University of Benin, where he studied Theatre Arts and graduated in 1983. Later on, he attended the University of Lagos where he studied Law, graduated in 2004, and was called to the Nigerian bar in 2005. and RMD the actor. It is an entertainment platform that produces creative content, television and radio Early Career productions, broadcasting e.t.c. It is the producer of Richard started his acting career by performing in the the popular sitcom – Trying and Mr. X family. It also drama club in his high school. Later, he started produced a kiddies show Bed time with Granpa, and reporting for Concord Newspapers, Metro Magazine talk/live shows Bridging the gap and Made in Warri. and The Guardian. In his 30s, he published and sold White Water Limited is a Nigerian PR outfit that deals Nigeria's first all-gloss magazine for men titled Mister. with public relations consultancy. Mofe also featured in a television soap opera called Also, for his love for charitable causes, he Ripples after he graduated from school. Also, he established the RMD foundation, a platform that wrote and produced his first film, Out of Bounds. mentors for greatness. Personal Life The Name. The Man. The Lifestyle Richard married Jumobi Adegbesan, a television personality in 2000. He was once married to May These are six things you didn't know about him. Ellen-Ezekiel (MEE), a Nigerian journalist/publisher who died in 1996. RMD is blessed with 4 children. 1. Sunday school teacher According to currentschoolnews.com, his net worth Richard Mofe-Damijo says he would have become a is estimated at $7 million. He is one of the richest and lecturer in a university if he hadn't become an actor. most influential actors in Nigeria. In November, 2018, One would think RMD's interest would solely be he signed an endorsement deal with a real estate connected to his acting career or maybe a few company, Land Lagos. branches of the media industry. Well, it will surprise you to know that the actor would have Businesses become a lecturer in a university if he wasn't a The veteran actor is the founder of RMD production, movie star. Surprisingly, RMD taught as a Sunday White Water Limited and RMD Foundation. school teacher for over a decade. The RMD Productions is an umbrella for the RMDtvng Pg 02 "I'm a teacher. That's what I do. I taught Sunday school for over 13 or 15 years and I still teach whenever I get the chance to. I just love to pass on the knowledge that I have," he said during a chat with Pulse. 2. Favourite food Unkown to many of his fans, RMD's favourite food is beans. He used to love beans and dodo (fried plantain) but changed the diet plan for health reasons. So if you are trying to set a lunch date at your home with the movie star, here is a scoop of what should go down in your kitchen. 3. Once a journalist Aside from acting, RMD has tried his hands at a couple of things. One of those ventures include his stint as a journalist. Before joining the entertainment industry, the 59-year-old worked with the defunct Concord Newspaper and Metro Magazine as a reporter. 4. Honeymoon in Paris Mofe Damijo remarried in 2000 to his wife, Jumobi Adegbesan, a former journalist after the death of his first wife, May Ellen-Ezekiel. After their beautiful wedding ceremony in Nigeria, the couple flew to Paris in France where they had spent their honeymoon. "We did not realize there was no Television in my room for the next four days," he told Harmony Family magazine in 2019. 5. A young grand-daddy Mofe-Damijo has one of the most beautiful families in the celebrity world. He is also a grandfather to two adorable grandchildren. From time to time, the Nollywood veteran blesses our timeline with cute photos of his grandkids. 6. Dream role RMD can be described as one of those actors who have played literally every role you can think of in Nollywood movies. Well, he doesn't see it that way. The Delta state born actor believes there is still one role he hasn't played. "I want to play god. It's one of my bucketlist. I played the devil in one of my soon to be released movies. I missed the chance to play god recently. But I want to play god," he revealed during an interview. Pg 03 20 Most Creative African Designer Labels But, it’s harder than it should be to find t’s pretty much impossible to walk amazing black designers to support — into a mall and find black-owned and there aren’t many lists directing Ifashion brands to shop. people where to make a purchase. Even the fact that we live in the glorious So, to make things a little easier, I’ve digital age of shopping doesn’t seem to rounded up 23 of my absolute favorite help; discovering black fashion designers black fashion designers. It’s essential to is still a significant challenge. use my platform as an editor at InStyle to give these talented people some shine. Sure, I’ve personally come across one or two brands while scrolling through Keep clicking through discover some of Instagram, conducting Google searches, the best up-and-coming labels ahead, and have learned about a handful through and even get a refresher on the black organizations like Brandice Daniel’s. runway stars while you’re at it. Designer: Anifa Mvuemba What makes the brand stand out? Anifa Mvuemba, the founder of the Looking for statement pieces that are direct-to-consumer fashion label high-quality but aren’t ridiculously Hanifa recently unveiled her recent expensive? Add Hanifa to your collection despite the pandemic. The bookmarks right now. The brand collection was inspired by her initially started making custom pieces homeland, the and specializing in alterations, but Democratic Republic of Congo. now its collections are blowing up on Hanifa Instagram. Designer: Ade Hassan What makes the brand stand out? speaks Yoruba. Both of her parents Here’s one of the first brands to are in business. She received her recognize that nude means more than advanced education at Duke just beige. Brown skin girls will fall in University in the United States, where love with these multi-tone tights, she studied English and economics. lingerie, and bodysuits. She completed a master’s degree at the School of Oriental and African Hassan was born in April 1984. She Studies in London. was raised partly in Nigeria and Nubian Skin Pg 04 Designer: Dumebi Iyamah What makes the brand stand out? model.
Recommended publications
  • Getting Creative About Development

    Getting Creative About Development

    Atlantic Council AFRICA CENTER ISSUE BRIEF Getting Creative About Development SEPTEMBER 2018 AUBREY HRUBY y 2035, sub-Saharan Africa will have more working-age people than the rest of the world combined. African governments col- lectively need to create eighteen million new jobs each year to absorb the large, young, and ambitious population coming to Bworking age.1 But technological advances, combined with the underde- veloped infrastructure of most African nations, mean that the tried and true model of export-oriented industrialization, which allowed the East and Southeast Asian economies to develop very rapidly, is unlikely to produce adequate job creation in the vast majority of African markets. In fact, manufacturing as a share of total economic activity in Africa has stagnated at about 10 percent,2 and—though there are notable excep- tions, such as Ethiopia—the continent as a whole is deindustrializing.3 Agriculture still continues to serve as the backbone of most African economies, with over 70 percent of Africans earning a living in that sector.4 But as Africa urbanizes, the composition of economic activity is rap- idly changing, shifting away from agriculture and towards the services sector. In 2015, services accounted for 58 percent of sub-Saharan GDP (up from 47 percent in 2005).5 More significantly, 33 percent of African 1 Céline Allard et al., Regional Economic Outlook: sub-Saharan Africa 2015, Internation- al Monetary Fund, April 2015, https://www.imf.org/~/media/Websites/IMF/import- ed-flagship-issues/external/pubs/ft/reo/2015/afr/eng/pdf/_sreo0415pdf.ashx. 2 Brahima Sangafowa Coulibaly, “Africa’s Alternative Path to Development,” The Brook- ings Institution, May 3, 2018, https://www.brookings.edu/opinions/africas-alterna- tive-path-to-development/.
  • Thinking Through the Growth of the Fashion Design Industry in Kenya

    Thinking Through the Growth of the Fashion Design Industry in Kenya

    AFRICA ISSN: 2524-1354 (Online), ISSN: 2519-7851 (Print) Africa Habitat Review Journal Volume 14 Issue 2 (July 2020) HABITAT http://uonjournals.uonbi.ac.ke/ojs/index.php/ahr REVIEW 14(2) (2020) Thinking Through the Growth of The Fashion Design Industry in Kenya * Lilac Osanjo Received on 1st May, 2020; Received in revised form 19th June, 2020; Accepted on 29th June, 2020. Abstract This research aimed at investigating the foundation and environment that surrounded the government directive to the public to wear African clothes every Friday. It sought to unearth information on the status of the fashion industry in Kenya. Data was collected from media reports, internet sources and available literature coupled with information from the Kenya Fashion Council, in which the author serves as a council member. The findings indicate that Kenya, does not have a strong indigenous textile production history and depends on fabric mainly from West Africa; designers used cultural, style, handcrafted finishes and natural fabrics in their fashion products; and, government, models, institutions and red carpet events are important to the industry growth. The failure of the Kenya national dress was due to several factors, including omission of the Maasai shuka. The Kenya Fashion Council is expected to mobilize resources necessary to develop a vibrant fashion industry. Keywords: Fashion designers, African fabric, Kenya national dress, Maasai shuka, Kenya Fashion Council. INTRODUCTION and European markets coupled with influx of In October 2019, the Kenya Government issued cheaper second hand clothes imports. It was seen a directive that all public officers wear African that an organized fashion industry would see garments every Friday.
  • 7.30Pm Wednesday 6 October: Nollywood Babylon 7.30Pm

    7.30Pm Wednesday 6 October: Nollywood Babylon 7.30Pm

    HOME ABOUT FILMS VENUE Welcome to the UK's first ever festival dedicated to Nigerian popular cinema. Our TICKETS week-long series of screenings celebrates the creativity and energy of the world's £3 each or £12 for a festival pass second largest film industry. With five feature films and one documentary, Nollywood Now! showcases the drama, tension and excitement of a truly global film culture. FILM PROGRAMME Wed 6 Nollywood Babylon Thu 7 Osuofia in London 7.30pm Wednesday 6 October: Nollywood Babylon Fri 8 Dangerous Twins Sat 9 White Waters The festival kicks off with a panel discussion Mon 11 Arugba featuring industry experts, followed by a screening Tu e 1 2 Modupe Temi of the documentary feature Nollywood Babylon, FOLLOW US which captures the Nigerian film industry in its Join our Facebook group social and political context. A great ‘beginners guide’ for people new to Nollywood. Follow us on Twitter [email protected] VENUE 7.30pm Thursday 7 October: Osuofia in London Deptford Town Hall New Cross Road London SE14 6AF One of the biggest and best loved Nigerian comedy Map movies ever. When he inherits his brother’s fortune, More info about Deptford Town Hall Osuofia (Nkem Owo) swaps village life for the bright lights of London. The jokes are mostly on THANKS TO OUR FUNDERS him, but he’s smart enough to spot a scam when he sees one. Not to be missed! 7.30pm Friday 8 October: Dangerous Twins Nollywood megastar Ramsey Nouah plays a double role as twin brothers. The quieter twin convinces his brash Lagos-based brother to go to London and pretend to be him and get his British wife pregnant.
  • Original Paper Nollywood: Indigenous Culture, Interculturality, and The

    Original Paper Nollywood: Indigenous Culture, Interculturality, and The

    Communication, Society and Media ISSN 2576-5388 (Print) ISSN 2576-5396 (Online) Vol. 3, No. 1, 2020 www.scholink.org/ojs/index.php/csm Original Paper Nollywood: Indigenous Culture, Interculturality, and the Transplantation of American Popular Culture onto Postcolonial Nigerian Film and Screen Samba DIOP1* 1 Researcher, Center for Multilingualism in Society across the Lifespan, Faculty of Humanities, University of Oslo, Oslo, Norway * Samba DIOP, Researcher, Center for Multilingualism in Society across the Lifespan, Faculty of Humanities, University of Oslo, Oslo, Norway Received: October 30, 2019 Accepted: November 12, 2019 Online Published: December 12, 2019 doi:10.22158/csm.v3n1p12 URL: http://dx.doi.org/10.22158/csm.v3n1p12 Abstract Nigeria, the Giant of Africa, has three big tribes: Yoruba, Igbo, and Hausa. It was a British colony which was amalgamated in 1914. The country became independent in 1962 and was right away bedeviled by military coups d’états and a bloody civil war (1967-1970). In 1999, the country experienced democratic dispensation. In the 1990s, the Nollywood nascent movie industry—following in the footpath of Hollywood and Bollywood—flourished. The movie industry grew thanks to four factors: Rapid urbanization; the hand-held video camera; the advent of satellite TV; and, the overseas migrations of Nigerians. Local languages are used in these films; however, English is the most prominent, along with Nigerian pidgin broken English. Many themes are treated in these films: tradition and customs, religion, witchcraft and sorcery, satire, urban and rural lives, wealth acquisition, consumerism, etc. I discuss the ways in which American popular culture is adopted in Nigeria and recreated on screen.
  • Nollywood in the Diaspora: an Exploratory Study on Transnational Aesthetics

    Nollywood in the Diaspora: an Exploratory Study on Transnational Aesthetics

    Universiteit Gent Academiejaar 2009-2010 Nollywood in the Diaspora: An exploratory study on transnational aesthetics Sophie Samyn Master Kunstwetenschappen Masterproef Vakgroep Kunst-, Muziek- en Theaterwetenschap, optie Theaterwetenschap (Podium- en Mediale Kunsten) Promotor: Prof. Dr. Christel Stalpaert Co-promotor: Dr. Karel Arnaut i CONTENT Preface 1 Acknowledgments 2 1. INTRODUCTION 3 1.1 Introduction 3 1.2 Methodology 4 1.2.1 Research purpose and method 4 1.2.1.1 Research purpose, relevance and structure 4 1.2.1.2 Research subjects 5 1.2.1.3 Research method 8 1.2.1.4 Source-criticism 8 1.2.2 Theoretical frame 9 1.3 Empirical context 14 1.3.1 Nollywood 14 1.3.1.1 Cinematographic production 14 1.3.1.2 Film consumption: Cinema, TV and the home video 15 1.3.1.3 Nigerian home video 16 a. Development of the industry 16 b. Production: making film with minimal budgets 17 c. Distribution: a never seen spread on the continent 19 d. Content and form: African film made by Africans 22 e. Transnational dimension of Nollywood 25 1.3.2 Nigerian Diaspora 27 1.3.2.1 Pre-colonial migration 27 a. Hausa migration 27 b. Religious migration 28 c. Slave trade 28 1.3.2.2 Nigerian migration in 20th – 21st century 28 a. Context 28 b. Prostitution 30 c. Bad reputation 31 d. Causes of migration 32 e. Diasporic communities 34 ii f. Nollywood in the diaspora 36 2. CASE STUDIES: Nollywood made in Europe 39 2.1 Transnational subjects 40 2.1.1 Pioneers: Tony Akinyemi and Leonard Ajayi-Odhekiran 40 2.1.2 The show must go on: Isaac izoya 43 2.1.3 Spiritual and social outreach: John Osas Omoregie 46 2.1.4 Satire: Azubuike Erinugha 48 2.2 Nature of the transnational practice 52 2.2.1 Aim 52 2.2.1.1 Celebrate Nigerian contemporary culture 52 2.2.1.2 Inform and educate the people 53 2.2.1.3 Promote integration 55 2.2.2 Film 56 2.2.2.1 Nollywood 57 2.2.2.2 Realism vs.
  • English Aim for Excellence with Cambridge! Cambridge Excellence in English Junior Secondary Offers You a First-Class Print Excellence in and Digital Course in English

    English Aim for Excellence with Cambridge! Cambridge Excellence in English Junior Secondary Offers You a First-Class Print Excellence in and Digital Course in English

    Excellence in Aim for Excellence with Cambridge! Cambridge Excellence in English Junior Secondary offers you a first-class print English Excellence in and digital course in English. The course has been developed in accordance with the 2013 NERDC Curriculum and Scheme of Work. It offers students accessible, high quality content to ensure the best foundation for future learning. English Cambridge Excellence in English Junior Secondary 3 has two components. Junior Secondary CON SE DA A Students’ Book which offers: R R O Y • accessible language to enable understanding and learning I N Excellence in Excellence English U • local and international content supported by full colour Excellence in J E illustrations and photographs Secondary Junior English T D E 3 I • a variety of activities and exercises to consolidate the skills of 3 ECO U S N Teacher’s Guide Guide Teacher’s R D A O A I R N Y U J T G E 3 E C A C I D listening, speaking, reading, comprehension, grammar and writing H E R ’ S G U H E R ’ S 3 • revision sections throughout the book, which facilitate evaluation Teacher’s Guide CURRENT NERDC Curriculum of students’ progress. • Practice Examination Paper to prepare students for the Available digitally! Basic Education Certificate Examination they will write at the end of Junior Secondary 3. Student’s Book Excellence in English Excellence in FREE English Junior Secondary Junior A Teacher’s Guide which offers: ECOND S A R R O Y I N • Schemes of Work to help plan weekly lessons U J E T D E 3 I A U G 3 C H E R ’ S Teacher’s Guide Teacher’s • clear teaching guidelines • answers to exercises and activities in the Student’s Book • Evaluation Tools to help assess students’ development CURRENT NERDC Curriculum of specific skills.
  • Creativity in Acting: Strategies for the Separation of the Performer’S Real Identity from the Construct in Nigeria

    Creativity in Acting: Strategies for the Separation of the Performer’S Real Identity from the Construct in Nigeria

    c e n a n. 23 Creativity in Acting: strategies for the separation of the performer’s real identity from the construct in Nigeria Osakue S. Omoera Ambrose Alli University – Ekpoma, Nigeria Email: [email protected], [email protected] Emmanuel Ozoemenam University of Ibadan – Ibadan, Nigeria Email: [email protected] Abstract Resumo This article centres on the art of acting in Ni- Este artigo centra-se na arte da atuação na geria. Its problematic is informed by the beha- Nigéria. Sua problemática é informada pelo viour of some actors/actresses/performers who comportamento de alguns intérpretes que tend to live their ‘stage life’ or ‘screen life’ in tendem a viver sua “vida nos palcos/ nas te- their normal everyday living. The study adopts las” em suas vidas cotidianas, o que muitas the historical-analytic, interview and observa- vezes resulta em conflito entre sua personali- tion methods to examine this misconception dade real e suas construções. O estudo ado- and how they colour the society’s appreciation ta métodos histórico-analíticos de entrevista of theatre arts as a discipline. It further argues e observação para examinar esse equívoco, e that although actors/actresses have been seen como esses conceitos falsos geram uma falta as entertainers, they should train on how to ne- de apreciação, por parte da sociedade, das ar- atly separate what they construct on stage from tes do teatro como uma disciplina. Além disso, their daily living. The paper suggests, among argumenta-se que, embora eles tenham sido other things, self-discovery and psychologi- vistos ao longo do tempo como artistas, eles cal distancing as panaceas to the challenge.
  • Celebrity Endorsement of Political Aspirants and Its Effects on College Students in Lagos

    Celebrity Endorsement of Political Aspirants and Its Effects on College Students in Lagos

    This is the version of the article accepted for publication in Journal of African Media Studies published by Intellect doi: 10.1386/jams.9.3.487_1 Accepted version downloaded from SOAS Research Online: http://eprints.soas.ac.uk/32045 Celebrity endorsement of political aspirants and its effects on college students in Lagos Añulika Agina and Akpevwe Ekwevugbe Pan-Atlantic University, Lagos Abstract This article examines two main research questions: what factors justify celebrity endorsement as an election campaign strategy given the increasing doubts associated with celebrity involvement in politics? Did celebrity endorsement of political aspirants influence young adults‟ voting behaviour during the 2015 elections in Lagos? Using mixed method approaches, and supported by source credibility and celebrity endorsement debates, a survey was conducted with a sample of 375 students of the Yaba College of Technology. Three semi-structured interviews with members of successful campaign teams were also conducted. Our findings revealed that campaign managers have huge confidence in the celebrity endorsement strategy for several reasons and would employ the approach in future. Further, the young people interrogated revealed that two-thirds of them are fans of Nollywood stars and music icons. But they were not influenced to vote on the basis of the celebrities‟ say-so. These findings are somewhat consistent with extant literature, but suggest the need for further studies regarding how celebrities translate fandom to votes. Keywords: celebrity endorsement, celebrity, politics, voting behaviour, election campaigns, Nigeria Introduction Media celebrities are highly regarded in their societies; and this enables them function as effective promoters of persons, issues, products, and causes since they are perceived as believable, trustworthy, likeable and persuasive (Austin et al, 2008) agents.
  • Agina Anulika Thesis2015.Pdf

    Agina Anulika Thesis2015.Pdf

    WestminsterResearch http://www.westminster.ac.uk/research/westminsterresearch Nigerian filmmakers and their construction of a political past (1967-1998) Anulika Agina Faculty of Media, Arts and Design This is an electronic version of a PhD thesis awarded by the University of Westminster. © The Author, 2015. This is an exact reproduction of the paper copy held by the University of Westminster library. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Users are permitted to download and/or print one copy for non-commercial private study or research. Further distribution and any use of material from within this archive for profit-making enterprises or for commercial gain is strictly forbidden. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: (http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] Nigerian Filmmakers and their Construction of a Political Past (1967-1998) AÑULIKA AGINA A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Doctor of Philosophy May 2015 ACKNOWLEDGEMENTS Conducting this research has put me in the debt of many, which I fear I may not adequately make good. As the Igbos of Nigeria say, she who is without wealth must have words of praise. Here, I turn my indebtedness to words of praise. I thank my funders, the School of Media and Communication SMC, Pan- Atlantic University (formerly Pan-African), under the leadership of Emevwo Biakolo, who granted the financial resources to begin and complete my doctoral studies at the University of Westminster.
  • University of Ghana

    University of Ghana

    University of Ghana http://ugspace.ug.edu.gh Legon Centre for International Affairs and Diplomacy (LECIAD) CULTURAL DIPLOMACY AS SOFT POWER IN ADVANCING NATIONAL DEVELOPMENT: A COMPARATIVE STUDY OF NIGERIA AND THE UNITED STATES OF AMERICA BY NANA AKUA TENKORANG (10307168) THIS DISSERTATION IS SUBMITTED TO THE UNIVERSITY OF GHANA, LEGON, IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE AWARD OF THE MASTER OF ARTS DEGREE IN INTERNATIONAL AFFAIRS LEGON JULY 2019 University of Ghana http://ugspace.ug.edu.gh DECLARATION I, Nana Akua Tenkorang, do hereby declare that this work is entirely by my personal effort, supervised by Dr. Boni Yao Gebe. I further declare that all the works that have been consulted or quoted have been duly acknowledged. I also declare that this dissertation has not been presented either in part or in whole for any other degree elsewhere. ………………………………… ………………………………………… NANA AKUA TENKORANG DR. BONI YAO GEBE (STUDENT) (SUPERVISOR) DATE………………………… DATE……………………………. i University of Ghana http://ugspace.ug.edu.gh DEDICATION I dedicate this work to God Almighty for his unfathomable faithfulness and kindness ii University of Ghana http://ugspace.ug.edu.gh ACKNOWLEDGEMENTS I wish to express my most profound appreciation to my parents Ambassador Kwame Asamoah Tenkorang and Mrs. Gloria Tenkorang for their unwavering support and commitment throughout my master‘s program. I will always remain indebted to you for your immense love, guidance and prayers. My warmest gratitude also goes to my supervisor Dr. Boni Yao Gebe for enriching me with such a world of knowledge. Your selflessness as well as your able supervision and guidance has led to the successful completion of this work, and for that I am infinitely grateful.
  • BEST Ifooafrica Launches in Nigeria

    BEST Ifooafrica Launches in Nigeria

    Nolly Silver Screen ISSUE 09 10 OCTOBER 2014 54TH NIGERIA BEST INDEPENDENCE Nollywood ISSUE films ever made Africa Movie Academy Awards 2015: +Interviews - Charles Novia Organisers call - Kunle Afolayan for entries - Daniel Etim Effiong - Demola Adedoyin IfooAfrica - Judith Audu - Walter Taylaur Launches - Sadiq Daba - Ugoma Adegoke in Nigeria KEHINDE BANKOLE Afolayan’s October 1 as her first ‘big’ fruit 3 Nolly Silver Screen CONTENTS ISSUE 09 OCTOBER 2014 FEATURES 8 The Classics: 10 best Nollywood films ever made INTERVIEWS 14 Cover: Kehinde Bankole 18 Filmmaker Interview: Charles Novia 20 October 1: Interviews with the cast 22 Q & A with Daniel Etim Effiong 23 Up close and personal with Walter Taylaur 26 Talent on the rise: Judith Audu 27 A Day in the life of... 14 Amarachi Onoh 27 Ugoma Adegoke talks Lights, Camera, Africa film festival REGULARS 4 Editor’s Note 5 Readers’ Corner 6 Contributors’ Bios 10 Vox Pop 11 Celebrations 18 13 11 Story-Bored 12 On Set 17 News 21 Photo News 23 Nolly Pop Quiz 24 Reviews 28 Red Carpet 31 Festival News 34 Listings 35 Events 37 Award News 35 4 Editor’sNote October 1 means different “things to different people. It is Nigeria’s Independence Day. It is Kunle Afolayan’s latest blockbuster. For us here at Nolly Silver Screen, it is the first anniverssary of our parent website www.nollysilverscreen.com Well done with your website and magazine as well. I read copy with Amaka Igwe on it sometime back. It’s nice to know that someone is document- ing the Nollywood industry.

  • Omenka-Film-Issue.Pdf

    VOLUME 2 ISSUE 3 ARTS ARCHITECTURE & DESIGN BUSINESS LUXURY AFRICA N5000 R362 $25 £17 €22 NIGERIAN THEATRE, TV & FILM: PAST, PRESENT & FUTURE NIGERIAN FILM AS AN ART DISTRIBUTION IN NOLLYWOOD THE ETISALAT PRIZE FOR LITERATURE: REPRESENTING THE DIVERSITY OF AFRICAN VOICES TAIWO AJAI-LYCETT, SADIQ DABA, WALE OJO, TUNDE KELANI, KUNLE AFOLAYAN KUNLE IDOWU, MICHAEL ‘TRUTH’ OGUNLADE, LALA AKINDOJU, O.C. UKEJE OBIJIE ORU, STANLEE OHIKHUARE, MIKE-STEVE ADELEYE THE FILM ISSUE OMENKA MAGAZINE VOLUME 2 ISSUE 3 2 OMENKA MAGAZINE OMENKA MAGAZINE VOLUME 2 ISSUE 3 VOLUME 2 ISSUE 3 CONTENTS ARTS ARCHITECTURE & DESIGN BUSINESS LUXURY AFRICA N5000 R362 $25 £17 €22 VOLUME 2 ISSUE 3 DEPARTMENTS ANTENNAE NEWS, EVENTS 10 Sink Hits at the Local Box Office 10 Annecy International Animated Film Festival to Show Three South African Films 11 Perivi John Katjavivi: Confronting The Mostly ‘Unseen’ in Post- Colonial Namibia 11 The Book of Negroes Sweeps Canadian Screen Awards 12 Free State Wins at Luxor African Film Festival Award 12 The 12th New African Film Festival FEATURES 14 A Concise History of Nigerian Theatre, TV & Film, and the Future of Drama 16 Nigerian Film as an Art 18 The Academia and the Media, Partners in Promoting Nollywood 20 Africa Rising on the International Scene 28 Charting New Territory with Animation 30 Ebele Okoye Weber on Animation in Nigeria 32 In Conversation with Richard Oboh 44 5 OMENKA MAGAZINE VOLUME 2 ISSUE 3 CONTENTS FOCUS PLAYING THE BOSS PROFILES, INTERVIEWS THE PRODUCERS AND DIRECTORS Icons of the Screen 128 Using Documentary to Impact 44 A Legend of the Reel Africa Positively 52 Sadiq Daba is Like Fine Wine 132 Thriving in a Male-Dominated Industry 58 Quintessential Wale Ojo 134 The Real Deal! The Unfolding Generation 138 Raising the Bar 64 A Fine Gentleman..