9 Most Anticipated Nollywood Films of 2015
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Lighting up the Arena
The African e-Journals Project has digitized full text of articles of eleven social science and humanities journals. This item is from the digital archive maintained by Michigan State University Library. Find more at: http://digital.lib.msu.edu/projects/africanjournals/ Available through a partnership with Scroll down to read the article. Duro Oni examines the role of lighting in the contemporary Nigerian theater with emphasis on theatrical activities in Arena Lagos. .is Lighting? A good itartin.g DOint will involve reluming to •rancis Reid's2 observation that "Stage ighting is not an exact science: it is science in the service, of performing arts. Rules are very few it indeed there are any." Lighting is a combination of science and art; science being the understgnding of trie technology in the proguction of righting instruments and equipment and art being the creative use of such instruments and equipment. For. lighting is as much a oqrt of the artistic process as any of the other aspects of the theater, helping to create the necessary atmosphere and mood for <GLENDORA REVltVfxAlriain Quarterly on the ArtsxVOI3@No2> <107> 0 dramatiC presentation. In defining stage lighting, Reid3 summarized the main aims of lighting for theatrical productions thus: Stage lighting is a fluid, selective, atmospheric, sculptural illumination appropriate to the style of a particular production. Reid's definition prescribes the primary functions of stage lighting - and accepted by most writers on the subject — as illumination, selectivity, fluidity, atmosphere, mood, dimensionality and creating effects. It was not until recently that the functions of stage lighting were further elaborated upon. -
Films in Competition and Parallel Sections
Marrakech Unveils Its Official Selection: Films in Competition and Parallel Sections • 14 films in Official Competition • 7 Moroccan films screened in the framework of a dedicated section • The 11th Continent, a new section to discover sharp and bold cinema • Gala screenings, Special Screenings, and general public screenings round out the programme Rabat, November 14, 2018, the Marrakech International Film Festival (FIFM) unveils the official selection. From November 30 to December 8, 2018, festival-goers and cinema-lovers alike will discover no fewer than 80 films coming from 29 different countries. The line-up is divided into several sections, the main ones including the Official Competition; Gala Screenings; Special Screenings; The 11th Continent; Moroccan Panorama; Jamaa El-Fna Square Screenings; Audio-described Cinema; and a Tribute section. Fourteen (14) films are thus in the running to win the Marrakech Etoile d’Or (or, the Gold Star), in the framework of the Official Competition of the 17th Edition of FIFM. In selecting these first or second feature-length films, the Festival grants priority to the discovery and consecration of new talents in world cinema. The selection is eclectic, its purpose being to showcase several cinematic universes developed in different regions of the world, with four (4) European films (from Austria, Bulgaria, Germany, and Serbia); three (3) films from Latin America (Argentina and Mexico); one (1) US film; two (2) Asian films (China and Japan); and four (4) films from the MENA region (Egypt, Morocco, Sudan, and Tunisia). Of the 14 films in competition, six are directed by women. Six great auteur films, with first-rate distribution, will be shown on the Festival’s gala evenings. -
International Journal of Arts and Humanities
International Journal of Arts and Humanities ISSN: 2581-3102 Volume: 04, Issue: 02 "February 2020" THE REPRESENTATION OF DICTION AND SOUND IN MUSIC AS THERAPY IN SELECTED GHALLYWOOD AND NOLLYWOOD MOVIES: A CASE STUDY OF PASSION OF THE SOUL (2008) BY FRANK RAJAH ARASE AND A CRY FOR HELP (2002) BY ANDY AMENECHI Shaka Ha_an Odilia and Afutendem Lucas Nkwetta University of Dschang, Research Centre in Space, Arts and Humanities (CEREAH), Research Group in English and Commonwealth Studies ABSTRACT This work investigates and examines how music is represented therapeutically in movies from Africa. Music is the combination of sounds, instruments and words with a view of beauty of form and the expression of thought or feeling. Traditional African music is woven around every event; from birth through to death. Music therapy is the art of using musical sounds in bringing about changes from undesirable unhealthy conditions. The research gap we cover is how diction and sound are represented in movies and incorporated in the wellness process. Apart from medicines produced in laboratories, are there any other sources of therapy? How can music be represented in media to treat patients? The hypotheses are diction and sound in music are therapeutic and apart from getting well through the intake of hospital drugs, we can also go in for soft treatment in the form of music. This is represented through construction, using filmic language, codes and conventions. Structuralist Film Theory and Cultural Film Theory are used as theoretical framework and in analyzing the movies. Data was collected using the simple survey design wherein a qualitative analysis of data was done by reading two movies which were purposely selected to represent music as therapy: Passion of the Soul by Franck Rajah and A Cry for Help by Amenechi. -
The Evolution of Feminism in Nigerian Media: a Look at Igbo Culture Films
THE EVOLUTION OF FEMINISM IN NIGERIAN MEDIA: A LOOK AT IGBO CULTURE FILMS A Thesis Submitted to the Faculty of Graduate Studies and Research In Partial Fulfillment of the Requirements For the Degree of Master of Arts in Media Studies University of Regina By Joy Adanna Emelogu Regina, Saskatchewan January 2019 Copyright 2019: J. A. Emelogu UNIVERSITY OF REGINA FACULTY OF GRADUATE STUDIES AND RESEARCH SUPERVISORY AND EXAMINING COMMITTEE Joy Adanna Emelogu, candidate for the degree of Master of Arts in Media Studies, has presented a thesis titled, The Evolution of Feminism in Nigerian Media: A Look at IGBO Culture Films, in an oral examination held on December 19, 2018. The following committee members have found the thesis acceptable in form and content, and that the candidate demonstrated satisfactory knowledge of the subject material. External Examiner: Dr. Claire Carter, Department of Women’s and Gender Studies Supervisor: Dr. Sheila Petty, Department of Film Committee Member: Dr. Christine Ramsay, Department of Film Committee Member: Dr. Darlene Juschka, Department of Women’s & Gender Studies Chair of Defense: Dr. Philip Charrier, Department of History Abstract This thesis addresses the subject of feminism in the Nigerian media, particularly on how issues related to women’s rights and gender discrimination have been addressed in Igbo culture Nigerian films. For several decades, the Nigerian home video industry, dominated by Igbo culture-themed films, has been one of the most influential media forms across Nigeria and Africa in general. These films are a staple in many homes; the images, narratives, and ideas that they disseminate go a long way in shaping or reinforcing public perceptions about the role of women and their status in society. -
7.30Pm Wednesday 6 October: Nollywood Babylon 7.30Pm
HOME ABOUT FILMS VENUE Welcome to the UK's first ever festival dedicated to Nigerian popular cinema. Our TICKETS week-long series of screenings celebrates the creativity and energy of the world's £3 each or £12 for a festival pass second largest film industry. With five feature films and one documentary, Nollywood Now! showcases the drama, tension and excitement of a truly global film culture. FILM PROGRAMME Wed 6 Nollywood Babylon Thu 7 Osuofia in London 7.30pm Wednesday 6 October: Nollywood Babylon Fri 8 Dangerous Twins Sat 9 White Waters The festival kicks off with a panel discussion Mon 11 Arugba featuring industry experts, followed by a screening Tu e 1 2 Modupe Temi of the documentary feature Nollywood Babylon, FOLLOW US which captures the Nigerian film industry in its Join our Facebook group social and political context. A great ‘beginners guide’ for people new to Nollywood. Follow us on Twitter [email protected] VENUE 7.30pm Thursday 7 October: Osuofia in London Deptford Town Hall New Cross Road London SE14 6AF One of the biggest and best loved Nigerian comedy Map movies ever. When he inherits his brother’s fortune, More info about Deptford Town Hall Osuofia (Nkem Owo) swaps village life for the bright lights of London. The jokes are mostly on THANKS TO OUR FUNDERS him, but he’s smart enough to spot a scam when he sees one. Not to be missed! 7.30pm Friday 8 October: Dangerous Twins Nollywood megastar Ramsey Nouah plays a double role as twin brothers. The quieter twin convinces his brash Lagos-based brother to go to London and pretend to be him and get his British wife pregnant. -
Films in Competition and Parallel Sections
Marrakech Unveils Its Official Selection: Films in Competition and Parallel Sections • 14 films in Official Competition • 7 Moroccan films screened in the framework of a dedicated section • The 11th Continent, a new section to discover sharp and bold cinema • Gala screenings, Special Screenings, and general public screenings round out the programme Rabat, November 14, 2018, the Marrakech International Film Festival (FIFM) unveils the official selection. From November 30 to December 8, 2018, festival-goers and cinema-lovers alike will discover no fewer than 80 films coming from 29 different countries. The line-up is divided into several sections, the main ones including the Official Competition; Gala Screenings; Special Screenings; The 11th Continent; Moroccan Panorama; Jamaa El-Fna Square Screenings; Audio-described Cinema; and a Tribute section. Fourteen (14) films are thus in the running to win the Marrakech Etoile d’Or (or, the Gold Star), in the framework of the Official Competition of the 17th Edition of FIFM. In selecting these first or second feature-length films, the Festival grants priority to the discovery and consecration of new talents in world cinema. The selection is eclectic, its purpose being to showcase several cinematic universes developed in different regions of the world, with four (4) European films (from Austria, Bulgaria, Germany, and Serbia); three (3) films from Latin America (Argentina and Mexico); one (1) US film; two (2) Asian films (China and Japan); and four (4) films from the MENA region (Egypt, Morocco, Sudan, and Tunisia). Of the 14 films in competition, six are directed by women. Six great auteur films, with first-rate distribution, will be shown on the Festival’s gala evenings. -
The Reimagined Paradise: African Immigrants in the United States, Nollywood Film, and the Digital Remediation of 'Home'
THE REIMAGINED PARADISE: AFRICAN IMMIGRANTS IN THE UNITED STATES, NOLLYWOOD FILM, AND THE DIGITAL REMEDIATION OF 'HOME' Tori O. Arthur A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2016 Committee: Radhika Gajjala, Advisor Patricia Sharp Graduate Faculty Representative Vibha Bhalla Lara Lengel © 2016 Tori O. Arthur All Rights Reserved iii ABSTRACT Radhika Gajjala, Advisor This dissertation analyzes how African immigrants from nations south of the Sahara become affective citizens of a universal Africa through the consumption of Nigerian cinema, known as Nollywood, in digital spaces. Employing a phenomenological approach to examine lived experience, this study explores: 1) how American media aids African pre-migrants in constructing the United States as a paradise rooted in the American Dream; 2) immigrants’ responses when the ‘imagined paradise’ does not match their American realities; 3) the ways Nigerian films articulate a distinctly African cultural experience that enables immigrants from various nations to identify with the stories reflected on screen; and, 4) how viewing Nollywood films in social media platforms creates a digital sub-diaspora that enables a reconnection with African culture when life in the United States causes intellectual and emotional dissonance. Using voices of members from the African immigrant communities currently living in the United States and analysis of their online media consumption, this study ultimately argues that the Nigerian film industry, a transnational cinema with consumers across the African diaspora, continuously creates a fantastical affective world that offers immigrants tools to connect with their African cultural values. -
Potato Potahto Mp4 Download [123Movies] Watch! Potato Potahto [2017] Full Movie Online Free Online
potato potahto mp4 download [123Movies] Watch! Potato Potahto [2017] Full Movie Online Free Online. Watch potato potahto online vimeo on demand on vimeo a divorced couple who decide to share equal space in their exmatrimonial home soon realize that the ingenious idea is easier said than done bent on flexing their egos and scoring points the two implore various hilarious tactics that soon inflames emotions and turns an already complicated situation into a roller coaster ride Potato potahto 2017 imdb potato potahto 2017 potato potahto 1h 55min comedy 15 december 2019 netherlands a divorced couple who decide to share equal space in their exmatrimonial home soon realize that the ingenious idea is easier said than done. Is potato potahto 2017 movie streaming on netflix potato potahto a divorced couple decides to continue sharing a home but their alreadydelicate cohabiting scheme unravels when they begin dating other people alternate genre comedies dramas romantic comedies romantic dramas romantic movies streaming in not streaming in your country then watch it using these vpns Watch potato potahto 2017 lapakfilm nonton streaming nonton potato potahto 2017 a divorced couple who decide to share equal space in their exmatrimonial home soon realize that the ingenious idea is easier said than done bent on flexing their egos and scoring points the two implore various hilarious tactics that soon inflames emotions and turns an already complicated situation into a roller coaster ride Download movie potato potahto nollywood movie naijachoice potato potahto nollywood movie a divorced couple who decide to share equal space in their exmatrimonial home soon realize that the ingenious idea is easier said than done bent on flexing their egos and scoring points the two implore various hilarious tactics that soon inflames emotions and turns an already complicated situation into a roller coaster ride. -
Original Paper Nollywood: Indigenous Culture, Interculturality, and The
Communication, Society and Media ISSN 2576-5388 (Print) ISSN 2576-5396 (Online) Vol. 3, No. 1, 2020 www.scholink.org/ojs/index.php/csm Original Paper Nollywood: Indigenous Culture, Interculturality, and the Transplantation of American Popular Culture onto Postcolonial Nigerian Film and Screen Samba DIOP1* 1 Researcher, Center for Multilingualism in Society across the Lifespan, Faculty of Humanities, University of Oslo, Oslo, Norway * Samba DIOP, Researcher, Center for Multilingualism in Society across the Lifespan, Faculty of Humanities, University of Oslo, Oslo, Norway Received: October 30, 2019 Accepted: November 12, 2019 Online Published: December 12, 2019 doi:10.22158/csm.v3n1p12 URL: http://dx.doi.org/10.22158/csm.v3n1p12 Abstract Nigeria, the Giant of Africa, has three big tribes: Yoruba, Igbo, and Hausa. It was a British colony which was amalgamated in 1914. The country became independent in 1962 and was right away bedeviled by military coups d’états and a bloody civil war (1967-1970). In 1999, the country experienced democratic dispensation. In the 1990s, the Nollywood nascent movie industry—following in the footpath of Hollywood and Bollywood—flourished. The movie industry grew thanks to four factors: Rapid urbanization; the hand-held video camera; the advent of satellite TV; and, the overseas migrations of Nigerians. Local languages are used in these films; however, English is the most prominent, along with Nigerian pidgin broken English. Many themes are treated in these films: tradition and customs, religion, witchcraft and sorcery, satire, urban and rural lives, wealth acquisition, consumerism, etc. I discuss the ways in which American popular culture is adopted in Nigeria and recreated on screen. -
Nigerian Film Industry in the Mirror of African Movie Academy Awards (AMAA)
Nigerian Film Industry in the Mirror of African Movie Academy Awards (AMAA) (2016) Journal of Arts and Humanities 5.9: Pp 75-83. http://www.theartsjournal.org (ISSN: 2167-9045). By Stanislaus Iyorza (Ph.D), Department of Theatre and Media Studies University of Calabar, Calabar, Nigeria. [email protected] [email protected] +2347064903578 ABSTRACT Worried by the drastic decline in the quality of content of Nigerian movies as evaluated by critics, this paper analyzes the evaluation of Nigerian movies by the African Movie Academy Awards (AMAA) between 2006 and 2016. The objective is to review the decisions of the AMAA jury and to present the academy’s position on the prospects and deficiencies of the Nigerian Movie industry. The paper employs analytical research approach using both primary and secondary sources to explore assessed contents of the Nollywood movies and how far the industry has fared in the mirror of a renowned African movie assessor like AMAA. This paper assembles data of the awards of AMAA since inception and graphically presents the data. Findings reveal a sharp drop in quality of content of Nigerian movies over the years with a hope of an upsurge as adjudged by AMAA since 2006. The study recommends the private sector’s all round support to Nollywood and the federal government’s training or retraining of filmmakers as well as sustained funding for the steady development of the Nigerian movie industry. Key words: AMAA, Evaluation, Film, Jury, Nollywood. 1 Introduction Nigeria is currently faced with a myriad of issues including a drastic recession in the economy, the political arena and the art industry. -
Agenda Setting Theory and the Influence of Celebrity Endorsement on Brand Attitude of Middle Class Consumers in Lagos, Nigeria
AGENDA SETTING THEORY AND THE INFLUENCE OF CELEBRITY ENDORSEMENT ON BRAND ATTITUDE OF MIDDLE CLASS CONSUMERS IN LAGOS, NIGERIA BY AKASHORO GANIYU OLALEKAN MATRIC. NO: 959009055 B. Sc. (Mass Comm., UNILAG), M. Sc. (Mass Comm., UNILAG) Department of Mass Communication, School of Postgraduate Studies, University of Lagos, Lagos, Nigeria May, 2013 1 AGENDA SETTING THEORY AND THE INFLUENCE OF CELEBRITY ENDORSEMENT ON BRAND ATTITUDE OF MIDDLE CLASS CONSUMERS IN LAGOS, NIGERA BY AKASHORO GANIYU OLALEKAN MATRIC. NO: 959009055 B. Sc. (Mass Comm., UNILAG), M. Sc. (Mass Comm., UNILAG) Department of Mass Communication, University of Lagos, Lagos, Nigeria THESIS SUBMITTED TO THE SCHOOL OF POSTGRADUATE STUDIES, UNIVERSITY OF LAGOS, IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE AWARD OF DOCTOR OF PHILOSOPHY (Ph.D) IN MASS COMMUNICATION MAY, 2013 2 DECLARATION I declare that this Ph.D thesis was written by me. I also declare that this thesis is the result of painstaking efforts. It is original and it is not copied. ………………………………………………………………. Ganiyu Olalekan Akashoro (Mr) Department of Mass Communication Faculty of Social Sciences, University of Lagos, Lagos State, Nigeria. [email protected] [email protected] Date:………………………………… 3 CERTIFICATION This Ph. D thesis has been examined and found acceptable in meeting the requirements of the postgraduate School of the University of Lagos, Akoka, Lagos State, Nigeria. …………………………………… Dr. Abayomi C. Daramola Supervisor ………………………………………….. Dr. Abigail O. Ogwezzy-Ndisika Supervisor …………………………………. Dr Victor Ayedun-Aluma Departmental PG Coordinator …………………………………… …………………… Dr. Abayomi C. Daramola Date. Acting Head of Department 4 DEDICATION This work is dedicated first and foremost to Allah, most gracious, most merciful (God Almighty), the only source of true knowledge, understanding, as well as the bestower of true and authentic wisdom. -
Female Representation in Select Films of Frank Rajah Arase: Evidence of Male Chauvinist Tendencies in the Ghanaian Film Culture Osakue S
Female Representation in Select Films of Frank Rajah Arase: Evidence of Male Chauvinist Tendencies in the Ghanaian Film Culture Osakue S. Omoera, Charles C. Okwuowulu, Federal University Otuoke [email protected] Volume 9.1 (2021) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2021.287 | http://cinej.pitt.edu Abstract There has been constant resonance of feminine image misrepresentation in most narratives since the reinvention of video-films in Nigeria, Ghana, and indeed across the African continent. In spite of the binary struggle between the (presumed) male chauvinist filmmakers and their feminist counterparts, masculinity often re-emerges in new forms or topoi to dominate femininity. Consequently, there seems to be a shift in the representation of women that reinforces Laura Mulvey’s sexual voyeuristic objectification of the feminine gender as reflected in near-nude costumes as well as sexually larded scenes that are common sights in African films, particularly those from Ghana. Employing the historical-analytic and observation methods, this article examines three selected films: The Maid I Hired (2010), Why Did I Get Married? (2007) and To Love a Prince (2014) by Frank Rajah Arase (FRA), , an African filmmaker of Benin (Edo) extraction who largely operates in the Diaspora, to foreground and highlight the voyeuristic imprints in Ghanaian films (Ghallywood), which tend to demean the feminine gender in the context of African culture that hegemonizes the male folk. Keywords: Ghallywood; Feminine voyeurism; FRA; African culture; African film; Gender New articles in this journal are licensed under a Creative Commons Attribution 4.0 United States License. This journal is published by the University Library System of the University of Pittsburgh as part of its D-Scribe Digital Publishing Program and is cosponsored by the University of Pittsburgh Press.