DOCSLIB.ORG

Omenka-Film-Issue.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Omenka-Film-Issue.Pdf VOLUME 2 ISSUE 3 ARTS ARCHITECTURE & DESIGN BUSINESS LUXURY AFRICA N5000 R362 $25 £17 €22 NIGERIAN THEATRE, TV & FILM: PAST, PRESENT & FUTURE NIGERIAN FILM AS AN ART DISTRIBUTION IN NOLLYWOOD THE ETISALAT PRIZE FOR LITERATURE: REPRESENTING THE DIVERSITY OF AFRICAN VOICES TAIWO AJAI-LYCETT, SADIQ DABA, WALE OJO, TUNDE KELANI, KUNLE AFOLAYAN KUNLE IDOWU, MICHAEL ‘TRUTH’ OGUNLADE, LALA AKINDOJU, O.C. UKEJE OBIJIE ORU, STANLEE OHIKHUARE, MIKE-STEVE ADELEYE THE FILM ISSUE OMENKA MAGAZINE VOLUME 2 ISSUE 3 2 OMENKA MAGAZINE OMENKA MAGAZINE VOLUME 2 ISSUE 3 VOLUME 2 ISSUE 3 CONTENTS ARTS ARCHITECTURE & DESIGN BUSINESS LUXURY AFRICA N5000 R362 $25 £17 €22 VOLUME 2 ISSUE 3 DEPARTMENTS ANTENNAE NEWS, EVENTS 10 Sink Hits at the Local Box Office 10 Annecy International Animated Film Festival to Show Three South African Films 11 Perivi John Katjavivi: Confronting The Mostly ‘Unseen’ in Post- Colonial Namibia 11 The Book of Negroes Sweeps Canadian Screen Awards 12 Free State Wins at Luxor African Film Festival Award 12 The 12th New African Film Festival FEATURES 14 A Concise History of Nigerian Theatre, TV & Film, and the Future of Drama 16 Nigerian Film as an Art 18 The Academia and the Media, Partners in Promoting Nollywood 20 Africa Rising on the International Scene 28 Charting New Territory with Animation 30 Ebele Okoye Weber on Animation in Nigeria 32 In Conversation with Richard Oboh 44 5 OMENKA MAGAZINE VOLUME 2 ISSUE 3 CONTENTS FOCUS PLAYING THE BOSS PROFILES, INTERVIEWS THE PRODUCERS AND DIRECTORS Icons of the Screen 128 Using Documentary to Impact 44 A Legend of the Reel Africa Positively 52 Sadiq Daba is Like Fine Wine 132 Thriving in a Male-Dominated Industry 58 Quintessential Wale Ojo 134 The Real Deal! The Unfolding Generation 138 Raising the Bar 64 A Fine Gentleman... 142 The Actor’s Director 68 Leading Lady 146 A Director’s Life Reflected in Film 72 Seriously Funny 150 Depth of Field 76 Renaissance Man 80 FILM AS AN ART MARKET FILE EVENTS GUIDE, FESTIVAL, DOSSIER Made to Measure 82 154 Rewarding Excellence in Film & TV Dressing the Stars 86 156 Lights Camera Africa!!! Setting the Tone 92 160 On Funding and Support for 96 Making Faces Nollywood 100 The Truth About Sound 162 NollywoodWeek Paris Film Festival 104 Sound Bite 164 Distribution in Nollywood: 108 Riding the Sound Waves The Existing Platforms, Piracy and 112 Making Sense of it All... Alternative Structures 116 Lighting Up the Stage! 128 166 Kene Mkparu on Piracy and 118 Weaving the Story Distribution in Nollywood 120 Behind the Lens: Photography in Nollywood 122 A Photographer’s Take on Nollywood 126 Debbin Robin in Focus REPORTS REGULARS REVIEWS 34 The Etisalat Prize for Literature 8 Contributors 40 Book Review 9 Masthead 170 International Film Events 162 9 Editorial 6 OMENKA MAGAZINE 7 OMENKA MAGAZINE VOLUME 2 ISSUE 3 VOLUME 2 ISSUE 3 CONTRIBUTORS EDITORIAL I welcome you to this very special edition of Omenka, Africa’s premium magazine on art, ARTS ARCHITECTURE & DESIGN BUSINESS LUXURY AFRICA business, and culture from the continent. IN THIS ISSUE... N5000 R362 $25 £17 €22 Themed the Film Issue, this edition is a result of ‘Omenka is an Onitsha Ibo term, ome - is maker, traditional maker of; the maker of nka, who carves, a decision to produce well-curated overviews who creates, who communicates through the making, of different aspects of our rich cultural heritage. Oliver Enwonwu is the Editor-in-Chief of Omenka magazine. or the making, or nka, being the attribute of his Buoyed by the success of our previous issue He is also Chief Executive, Revilo. Enwonwu holds a first degree making through creative action...Omenka is usually a genius type...Omenka means greatness, a man of focusing on architecture and design from in Biochemistry, Advanced Diploma in Exploration Geophysics valour...’ -Ben Enwonwu, January 1967 the African continent, this is the first of two (distinction), Post Graduate Diplomas in Applied Geophysics is the Deputy Editor of devoted to Nollywood! Ladun Ogidan Omenka PUBLISHER/ EDITOR-IN-CHIEF and Visual Art (distinction) and a Masters in Art History, magazine. She holds a first degree in Mass OLIVER ENWONWU all from the University of Lagos. Enwonwu is the Executive This Film Issue traces the trajectory of the Communication from Covenant University, Nigeria. [email protected] Director of The Ben Enwonwu Foundation and a board Nollywood phenomenon, including its Ogidan is the Chief Operating Officer, Revilo, a trans- member of both the National Gallery of Art, Nigeria and the DEPUTY EDITOR beginnings, challenges of funding and the scourge disciplinary platform for publishing, interactive, design, OMOLADUN OGIDAN Reproduction Rights Society of Nigeria. He is also Director, of piracy, with insightful articles by Amarachukwu music and film, with a focus on Africa . She is also [email protected] Omenka Gallery and President, Society of Nigerian Artists. Iwuala. Kene Mkparu, Group MD/CEO of Assistant Curator at the Omenka Gallery, and has co- JOHANNESBURG EDITOR Filmhouse Cinemas and FilmOne Distribution ordinated several exhibitions, both home and abroad. IJEOMA UCHE-OKEKE also lends his voice in raising awareness against [email protected] piracy. He tells us why cinemas are key in dealing HEAD, GRAPHICS with this menace. Also featured are iconic actors like Sadiq Daba, who like fine wine, gets better ABDULRAZAK BOMBATA Adebimpe Adebambo is the Business Development Officer with age, as well as Taiwo Ajai-Lycett, known affectionately as TAL by her friends and admirers, at Revilo, a trans-disciplinary cultural platform working across PHOTOGRAPHER and who despite her many successes on the screen, shares with us why she prefers to be seen publishing, interactive, design, music and film. A graduate of MICHAEL SOSSOU as an outsider. Quintessential Wale Ojo bridges the gap between the old guard and the unfolding generation of Nigerian actors like Kemi ‘Lala!’ Akindoju, O.C. Ukeje, Kunle Idowu aka. Frank Donga Painting from the Yaba College of Technology, she is also a and Sambasa Nzeribe, who have all helped define the industry. Akintunde Akinleye is the first Nigerian photographer fashion and accessories designer. She debuted as a costume to be awarded a prize at the prestigious World Press designer on the set of the award-winning Tunde Kelani movie MARKETING AND PROMOTION In the article Nigerian Film as an Art, similarities are drawn between the African masquerade, Photo, Netherlands (2007) with his winning image Dazzling Mirage. For her efforts, she received two African ADEBIMPE ADEBAMBO considered by many scholars as an art form embracing painting, costume, sculpture, installation, chosen as the official signage of the 19th edition of the film nominations in 2015 at the Africa Magic Viewers’ Choice [email protected] theatre and music, and Nigerian cinema, well known for the fantastic and the seeming synthesis of International Photojournalism Festival in Peripignan, France Awards and African Movie Academy Awards for Best Costume CHARLES ENWONWU urban and traditional life. Ultimately, this issue offers an unprecedented 360-degree view and deeper Designer and Achievement in Costume Design, respectively. (2007). He holds two Masters degrees in Educational [email protected] insight into the inner workings of the industry with behind the scenes scoops, exclusive imagery and Technology and Mass Communication from the in-depth interviews with prominent patrons, leading technicians and professionals across different University of Lagos and a Post Graduate Diploma in CIRCULATION REVILO genres including the largely unexplored animation. The roll call features directors Tunde Kelani, Journalism from the Nigerian Institute of Journalism. In Mildred Okwo, Remi Vaughan-Richards, Kunle Afolayan, Femi Odugbemi, Andrew Dosunmu and 2008, while attending a fellowship programme at the Yetunde Ayeni-Babaeko was born in Enugu in eastern Greg Odutayo; costumiers Objie Oru and Adebimpe Adebambo; sound designers Michael TRUTH University of Texas, he produced a body of work that Ogunlade, Kaline Akinkugbe and Kulanen Ikyo; makeup artist Lola Maja-Okojevoh; film editor Nigeria. After her Abitur (A Levels) in Germany, she documents oil production in Texas. In 2012, Akintunde Mike-Steve Adeleye; screenwriter Kehinde Joseph; lighting designer Stanlee Ohikhuare, production decided to pursue photography. Between 2000 to 2003, was nominated for the Prix Pictet photography award designer Pat Nebo; and photographers Akintunde Akinleye and Debbin Robin. In addition, this she completed an apprenticeship programme, majoring on sustainability for his work, Delta, a Vanishing Wetland. issue features some of the biggest names behind the major festivals and award schemes serving to in Advertising Photography at the prestigious Studio Be in engender the highest standards of film production in Africa; Serge Noukoue, Peace Anyiam-Osigwe, Greven, Germany. Chioma Ude and Wangi Mba-Uzoukwu. Also well documented are the efforts of the academia, Ayeni-Babaeko returned to Nigeria in 2005 and two media partners, internationally-based African filmmakers and directors, as well as those of a growing years later, established Camara Studios in Ikeja, Lagos. legion of African actors in Diaspora. Fully equipped professionally, the studio offers the best in Lara Tiamiyu s an accomplished photographer and advertising, event, portrait, and fashion photography. has covered several high profile events such as the At this point, special mention must be made of some of those who contributed immensely towards Lagos Fashion Week, and the Carnival Calabar. She also Cover the success of this publication; artist, fashion designer and costumier, Adebimpe Adebambo who also Photography: Yetunde Ayeni-Babaeko doubles as Business Development Officer at Revilo; Tayo Shonekan, stylist and founder of leading participated in the British Council Creative Arts Expo Styling: Tayo Shonekan & Adebimpe Adebambo Makeup: Sacred Artistry Lagos-based fashion house Aimas; Lola Maja-Okojevoh; photographers Yetunde Ayeni- Babaeko, Lara and recently, the well attended La’Royal Charity Photo Outfits for the Men: Kola Kuddus Tiamiyu, Debbin Robbin Udeme, and Akintunde Akinleye.
Load more

Recommended publications
  • Program at a Glance
    2019 International Congress of Odonatology Austin, Texas, USA 14–19 July 2019 ICO 2019 has been organized in conjunction with the Worldwide Dragonfly Association (WDA). ICO 2019 Book of Abstracts Editors: John C. Abbott and Will Kuhn Proofreading: Kendra Abbott and Manpreet Kohli Design and layout: John C. Abbott Congress logo design: Will Kuhn Printed in July 2019 Congress Logo The logo for ICO 2019 features the American Rubyspot, Hetaerina americana, a common species throughout the mainland United States. Both males and females of this damselfly species have brilliant metallic iridescent bodies, and males develop crimson patches on the basal fourth (or more) of their wings. You are sure to be greeted by the American Rubyspot along streams and rivers while you’re in Austin, as well as the Smoky Rubyspot (H. titia), which is also found in these parts. The logo also features the lone star of Texas. You’ll find that among the citizens of the US, Texans are exceptionally (and perhaps inordinately) proud of their state. The lone star is an element of the Texas state flag, which decorates many homes and businesses throughout the state. Once you start looking for it, you’ll never stop seeing it! 2 Table of Contents 2019 International Congress of Odonatology ..................................................................................................... 4 Venue, Accommodation & Registration ............................................................................................................... 5 About Austin ...........................................................................................................................................................
    [Show full text]
  • 2013'S Biggest Winner a PASSION for FASHION ONLINE MOVIE
    Nolly Silver Screen ISSUE 01 FEB 2014 O.C. UKEJE 2013’s Biggest Winner A PASSION FOR FASHION Actors turned Designers ONLINE MOVIE HOW IT ALL STARTED STREAMING The History of Discover the best Nollywood 6 websites for Nollywood movies Editor’s NotE the amount of work that needed to be done. A lot of writing, editing, design- ing, following people up and yes, also elcome to our first edition W psyching myself. In the end, I knew that of Nolly Silver Screen magazine. The we had no choice but to just go for it idea of starting this publication came and put in nothing but our very best. while discussing with Adeniyi Olu- tayo of Nultan Nigeria Limited, own- To all the people who believed in this ers of tvNolly. He encouraged me to project and have lent their support go for it despite his fears of a lack of and time, I say a big THANK YOU. To audience; ‘who would read it?’ He had O.C. Ukeje, our cover star who I had the asked. This made me think and do pleasure of talking to quite a few times. some research. I found out that peo- He taught me something important: ple want content to entertain, inform when it is time, everything will just fall and help them connect with the stars. in place. And that is the Nolly Silver Nolly Silver Screen magazine aims to Screen story. Maybe it is time, maybe be that go-to guide for the industry. everything is falling into place, at least you have the magazine in front of you.
    [Show full text]
  • Statistical Yearbook 2019
    STATISTICAL YEARBOOK 2019 Welcome to the 2019 BFI Statistical Yearbook. Compiled by the Research and Statistics Unit, this Yearbook presents the most comprehensive picture of film in the UK and the performance of British films abroad during 2018. This publication is one of the ways the BFI delivers on its commitment to evidence-based policy for film. We hope you enjoy this Yearbook and find it useful. 3 The BFI is the lead organisation for film in the UK. Founded in 1933, it is a registered charity governed by Royal Charter. In 2011, it was given additional responsibilities, becoming a Government arm’s-length body and distributor of Lottery funds for film, widening its strategic focus. The BFI now combines a cultural, creative and industrial role. The role brings together activities including the BFI National Archive, distribution, cultural programming, publishing and festivals with Lottery investment for film production, distribution, education, audience development, and market intelligence and research. The BFI Board of Governors is chaired by Josh Berger. We want to ensure that there are no barriers to accessing our publications. If you, or someone you know, would like a large print version of this report, please contact: Research and Statistics Unit British Film Institute 21 Stephen Street London W1T 1LN Email: [email protected] T: +44 (0)20 7173 3248 www.bfi.org.uk/statistics The British Film Institute is registered in England as a charity, number 287780. Registered address: 21 Stephen Street London W1T 1LN 4 Contents Film at the cinema
    [Show full text]
  • Lighting up the Arena
    The African e-Journals Project has digitized full text of articles of eleven social science and humanities journals. This item is from the digital archive maintained by Michigan State University Library. Find more at: http://digital.lib.msu.edu/projects/africanjournals/ Available through a partnership with Scroll down to read the article. Duro Oni examines the role of lighting in the contemporary Nigerian theater with emphasis on theatrical activities in Arena Lagos. .is Lighting? A good itartin.g DOint will involve reluming to •rancis Reid's2 observation that "Stage ighting is not an exact science: it is science in the service, of performing arts. Rules are very few it indeed there are any." Lighting is a combination of science and art; science being the understgnding of trie technology in the proguction of righting instruments and equipment and art being the creative use of such instruments and equipment. For. lighting is as much a oqrt of the artistic process as any of the other aspects of the theater, helping to create the necessary atmosphere and mood for <GLENDORA REVltVfxAlriain Quarterly on the ArtsxVOI3@No2> <107> 0 dramatiC presentation. In defining stage lighting, Reid3 summarized the main aims of lighting for theatrical productions thus: Stage lighting is a fluid, selective, atmospheric, sculptural illumination appropriate to the style of a particular production. Reid's definition prescribes the primary functions of stage lighting - and accepted by most writers on the subject — as illumination, selectivity, fluidity, atmosphere, mood, dimensionality and creating effects. It was not until recently that the functions of stage lighting were further elaborated upon.
    [Show full text]
  • LAGOS CIVIL SOCIETY PARTNERSHIP for DEVELOPMENT 2021-2025 ABOUT the LACSOP STRATEGIC PLAN This Strategic Plan Sets the Direction for the Platform and the Secretariat
    LAGOS CIVIL SOCIETY PARTNERSHIP FOR DEVELOPMENT 2021-2025 ABOUT THE LACSOP STRATEGIC PLAN This Strategic Plan sets the direction for the platform and the secretariat. Basically, this document presents who we are as an organisation, what we strive to achieve how we work and success definition. PHOTO CREDITS Dr UchenNa Uzo, Street selling (hawking) phenomeNoN in Nigeria The Guardian Newspaper, April 2018;Photos: Lagos FashioN Week, Vanguard, 27 October 2018; Dayo Adetiloye, FashioN School Business Plan in Nigeria; www.lolaakinmade.com; Apata OyediraN, Lagos Culture Carnival Kicks off Today, INdependent, December 2017; Nanacy Ruhling, Banana Island is billioNNair’s paradise, MasioN Global, 2 February 2019; Oladipo Abiola, NaijaNews, Lagos bus coNductors to get uNiforms as from 2018, 20 November 2017; Bukola Adebayo, NigeriaN state governors resolve to declare state of emergency oN rape following spate oN sexual violeNce, CNN, JuNe 12 2020; GTBank, Popular Markets in Nigeria, www.635.gtbank.com; Eko Festival AKA The Adimu Orisa Play, www.lagos-vacatioN.com/Eyo-Festival;The NatioNal Arts Theatre, www.allinNigeria.com,insights.invyo.io/africa/wpcoNteNt/uploads/2018/03; Techfoliance africa Nigeria fiNtech-hub regulatioN,www.cdN.autojosh.com/wpcoNteNt/uploads/2019/08/lag-past-9 TABLE OF CONTENT Message from Executive Secretary I Who are we 1 How we have contributed to Change in Lagos 3 Our Lagos, Our World 6 Our Theory of Change 8 Our Singular Goal 9 Lagos Civil Society for Development 10 Our Success Measures 12 Message from Executive Secretary I am ofteN introduced as a fouNder of LACSOP aNd it is differeNt a little differeNt to Now be iNtroduced as the Executive Secretary.
    [Show full text]
  • Downloaded As A
    Programme £2 2 3 Welcome 02 WELCOME Welcome to the 20th Keswick Film Festival To have reached this milestone is 04 OUR GUESTS testament to the hard work and commitment of a lot of people, involved not only in the Festival but also in the 08 THIS YEAR’S FILMS Keswick Film Club. The only reason that we are able to have this wonderful weekend of cinematic over-indulgence is because the Film Club is doing what it does best, year in and year out. So, to all those people who over 20 Contents years have sat through (and chaired) committee meetings, put up posters, introduced films, booked films, designed 15 PROGRAMME a website, distributed leaflets, worked the Box Office, counted votes or filed annual returns, we are in your debt. 39 TICKETS Here’s to the next 20 years! & TRAVEL Ticket costs, discounts, Ian Payne booking information, and Festival Director public transport details Please note: We want to make sure that everyone gets to see the films they want to see. However buying a Festival Pass does not guarantee entry into a screening. If there is a film you particularly want to see, you must book a seat (free of charge) to guarantee entry by contacting the Theatre Box Office. You can do this, either by phone or in person. As usual and due to the smaller capacities in the Studio, all films in the Studio must be booked in advance. 4 5 OUR GUESTS James Gardner Mike Tweddle Jellyfish – Thursday 28th February Sparrowhawk – Friday 1st March Farm, having numerous hit singles/ and Sunday 3rd March Starting with a background in punk albums both in Britain and Europe.
    [Show full text]
  • Report of the West African Hub Meeting
    REPORT OF THE WEST AFRICAN HUB MEETING HELD IN LAGOS, NIGERIA 2-7 OCTOBER 2017 HOSTED BY: Report Compiled by: Nigerian Slum/Informal Settlement Federation Background to the West African Hub Meeting The West Africa Hub meeting is the opportunity for all Federations in West Africa to come together in one city through exchange to learn from and challenge each other. Exchange is one of the key tools of the SDI network that is central to deepening our core rituals, stopping forced evictions, promoting participatory urban planning and development. Exactly 1 year ago in Accra, Ghana, the West African Federations of SDI converged to hold the preceding Hub Meeting from 2-7 October 2016. The theme was “Keeping Our Federations Through Savings Data.” The theme was no doubt apt as savings is the first core ritual of SDI; a tool for mobilization of every federation of the urban poor for their dignity, development, and to resist forced eviction through advocacy for inclusion. The theme of the follow-up 2017 Hub Meeting hosted by the Nigerian Federation is “Building Inclusive Cities.” This is a response to the rhythm of pains, sufferings and negative experiences of the Nigerian Federation members, in the spate of violent-mass evictions. Over 300,000 waterfront residents threatened with forced eviction by the Governor of Lagos State Mr. Akinwunmi Ambode in October of 2016, and then in November 2016, 30,000 people were forcefully evicted from Otodo Gbame waterfront community. All 33 threatened waterfront communities profiled by the Nigerian Federation enjoyed the respite of court order that condemned the Lagos Government’s actions as illegal, cruel, inhuman and degrading – but so much more needs to be done.
    [Show full text]
  • Lagos Books & Arts Festival ( LABAF) Creating
    LAGOS STATE GOVERNMENT Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show Ebi Festival Venue - Epe Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show Angels & Muse Date - January 27th 2018 Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show Wazobia FM Carnival Date - February 3rd – 4th Venue - Muri Okunola Park V.I Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show Lagos Marathon Date – February 10th Venue - Eko Hotel & Suites Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show Dance Gathering Lagos Date – February 12 - 25 Venue – Freedom Park Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show Tourism Innovation & Development LAGOS LALALALA Advantage: 2018 Conference Theme: Impact of Tourism Development on the Nigerian Economy 27 February – 4 March 2018 LAGOS LALALALA Freedom Park, Unilag E.t.c Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show KulturecentrikLAGOS LALALALA@ the Capital March, June, September and December Venue - Airport Hotel, Ikeja . Creating A Cultural Identity For A Smart Mega City #lagostourism #Eko4Show World Theatre Day Marriage of Anansewa @ Terra Kulture and Muson Centre . Creating A Cultural Identity For A Smart Mega City #lagostourism
    [Show full text]
  • S/No Placement 1
    S/NO PLACEMENT ADO - ODO/OTA LOCAL GOVERNMENT SECRETARIAT, SANGO - OTA, OGUN 1 STATE AGEGE LOCAL GOVERNMENT, BALOGUN STREET, MATERNITY, SANGO, 2 AGEGE, LAGOS STATE 3 AHMAD AL-IMAM NIG. LTD., NO 27, ZULU GAMBARI RD., ILORIN 4 AKTEM TECHNOLOGY, ILORIN, KWARA STATE 5 ALLAMIT NIG. LTD., IBADAN, OYO STATE 6 AMOULA VENTURES LTD., IKEJA, LAGOS STATE CALVERTON HELICOPTERS, 2, PRINCE KAYODE, AKINGBADE CLOSE, 7 VICTORIA ISLAND, LAGOS STATE CHI-FARM LTD., KM 20, IBADAN/LAGOS EXPRESSWAY, AJANLA, IBADAN, 8 OYO STATE CHINA CIVIL ENGINEERING CONSTRUCTION CORPORATION (CCECC), KM 3, 9 ABEOKUTA/LAGOS EXPRESSWAY, OLOMO - ORE, OGUN STATE COCOA RESEARCH INSTITUTE OF NIGERIA (CRIN), KM 14, IJEBU ODE ROAD, 10 IDI - AYANRE, IBADAN, OYO STATE COKER AGUDA LOCAL COUNCIL, 19/29, THOMAS ANIMASAUN STREET, 11 AGUDA, SURULERE, LAGOS STATE CYBERSPACE NETWORK LTD.,33 SAKA TIINUBU STREET. VICTORIA ISLAND, 12 LAGOS STATE DE KOOLAR NIGERIA LTD.,PLOT 14, HAKEEM BALOGUN STREET, OPP. 13 TECHNICAL COLLEGE, AGIDINGBI, IKEJA, LAGOS STATE DEPARTMENT OF PETROLEUM RESOURCES, 11, NUPE ROAD, OFF AHMAN 14 PATEGI ROAD, G.R.A, ILORIN, KWARA STATE DOLIGERIA BIOSYSTEMS NIGERIA LTD, 1, AFFAN COMPLEX, 1, OLD JEBBA 15 ROAD, ILORIN, KWARA STATE ESFOOS STEEL CONSTRUCTION COMPANY, OPP. SDP, OLD IFE ROAD, 16 AKINFENWA, EGBEDA, IBADAN, OYO STATE 17 FABIS FARMS NIGERIA LTD., ILORIN, KWARA STATE FEDERAL AIRPORT AUTHORITY, MURTALA MOHAMMED AIRPORT, IKEJA, 18 LAGOS STATE FEDERAL INSTITUTE OF INDUSTRIAL RESEARCH OSHODI (FIIRO), 3, FIIRO 19 ROAD, OFF CAPPA BUS STOP, AGEGE MOTOR ROAD, OSHODI, LAGOS FEDERAL MINISTRY OF AGRICULTURE & RURAL DEVELOPMENT, FOOD & STRATEGIC GRAINS RESERVE DEPARTMENT (FRSD) SILO COMPLEX, KWANA 20 WAYA, YOLA, ADAMAWA STATE 21 FRESH COUNTRY CHICKEN ENTERPRISES, SHONGA, KWARA STATE 22 GOLDEN PENNY FLOUR MILLLS, APAPA WHARF, APAPA, LAGOS STATE HURLAG TECHNOLOGIES, 7, LADIPO OLUWOLE STREET, OFF ADENIYI JONES 23 AVENUE, IKEJA, LAGOS STATE 24 IBN DEND, FARM, KM.
    [Show full text]
  • Pericolo Rosso: È Tornato Il Morbillo
    WWW.EDIT.HR Anno LXVI - N. 2 | 31 gennaio 2018 | Rivista quindicinale - kn 14,00 | EUR 1,89 - Spedizione in abbonamento postale a tariffa intera - Tassa pagata ISSN-0475-6401 Pericolo rosso: è tornato il morbillo sommario ASSEMBLEA DELL’ui Tamara Brussich PRIMO PIANO Fury» del giornalista Michael Wolff 15 e i nuovi equilibri Morbillo: è allarme. Intervista all’epi- Accordo storico, la diffidenza resta. demiologa Daniela Lakošeljac 4 Alle Olimpiadi di Pyeongchang le due L’Italia e i virus «importati» dai Coree marceranno sotto una bandiera 18 migranti. I dubbi dall’Agenzia europea Matrimoni longevi, i segreti delle per la prevenzione delle malattie 8 star 20 ATTUALITÀ ENOGASTRO Progetti comuni e minoranze. Ses- Iniziative dedicate a sione plenaria del Comitato congiunto Terra di salsicce. uno dei lavorati del maiale più tradizio- FVG-Slovenia a Trieste e Comitato nali 22 10 ministeriale Italia-Croazia a Roma 11 RICORDO BALCANI MULTIMEDIA Belgrado-Priština, colpo al cuore Lucić, lavoro da valorizzare 26 Spectre e Meltdown le falle di sicu- del dialogo. Kosovo: Oliver Ivanović rezza 56 freddato davanti alla sede del suo PERCORSI partito a Mitrovica Nord 13 Un’altra piccola «rivoluzione». MUSICA Il programma della Società di Studi Morendo ha ucciso i suoi tanti Fiumani per il 2017–2020 30 SOCIETÀ zombie. Scomparsa la cantante dei «Cranberries» Dolores O’Riordan 58 L’ira del presidente crea un bestsel- Tour del Ricordo al Magazzino 18. ler. Tutti vogliono leggere «Fire and Dal 12 al 16 febbraio visite guidate 33 PASSATEMPI Cruciverba 59 LA STORIA OGGI CINEMANIA L’isola che non c’è per ritrovare sé Autentica biografia stessi.
    [Show full text]
  • Southern Nigerian Cinema Author: Añulika Agina Toolkit: Southern Nigerian Cinema 2 by Añulika Agina
    Toolkit: Southern Nigerian Cinema Author: Añulika Agina Toolkit: Southern Nigerian Cinema 2 By Añulika Agina Copyright: Genevieve Nnaji/TEN - The Entertainment Network Toolkit: Southern Nigerian Cinema 3 By Añulika Agina Toolkit: Southern Nigerian Cinema A significant amount of literature exists on the southern Nigerian cinema, which was inaugurated with the 1992 Igbo-language film, Living in Bondage. Little is known and documented about the colonial cinema of Nigeria and the period immediately after colonial rule. Although films were made in the 1970s and 1980s by filmmakers such as Eddie Ugboma, Ola Balogun and Ladi Ladebo, such films and critical analyses about them are not readily accessible. Hyginus Ekwuazi, Jonathan Haynes and Onookome Okome (see texts below) have written excellent accounts of the history of Nigerian cinema, especially of the Nollywood boom and the socio- cultural contexts that gave rise to them. The film industry in southern Nigeria is today the largest in Africa, producing over a thousand film titles per annum with locally sourced funds and distributed internationally. Foreign investment in Nigerian film is on the rise given the visibility that local productions have created at home and abroad. The government has also taken notice of the commercial viability of the industry and pledged billions of naira through the Bank of Industry to support the film business. The films receive critical acclaim and are commercial hits within Africa and among Africans in the diaspora. The sections below provide some critical texts and film titles to guide new comers to the nature and scholarship on the Nigerian film industry. The lists are by no means exhaustive; they only serve as a tip of the iceberg in the hope that interested parties can request additional information by emailing aa207@ soas.ac.uk or [email protected] Some Key Texts Ekwuazi, H.
    [Show full text]
  • National Symbols As Commemorative Emblems in Nigerian Films
    European Scientific Journal January 2018 edition Vol.14, No.2 ISSN: 1857 – 7881 (Print) e - ISSN 1857- 7431 National Symbols as Commemorative Emblems in Nigerian Films Alawode, Sunday Olayinka PhD Adesanya, Oluseyi Olufunke Agboola, Olufunsho Cole Lagos State University School Of Communication Lagos, Osodi, Lagos State, Nigeria Religion, Communication and Culture Working Group Doi: 10.19044/esj.2018.v14n2p100 URL:http://dx.doi.org/10.19044/esj.2018.v14n2p100 Abstract Nigerian films worldwide are the entertainment offerings of the nation, a burgeoning industry with steady increase growth rate and contributing substantially to the GDP of the nation. National symbols are objects, entities and relics representing an idea, concept, character that may be physical, abstract, religious, cultural, and linguistic among others in a sovereign context and beyond. Symbols or objects that connected together may not have anything in common in reality but by association and common agreement, they have come to represent each other in social contexts; a symbol may arbitrarily denote a referent, icon and index. In the case of Nigeria, the National flag, Anthem, Pledge, Currency, language, Coat of arms, National institutions like the National Assembly complex, Federal Capital Territory (FCT), images of past leaders, historical monuments like the Unknown Soldier (representing military men who died in the cause of protecting the nation), dresses are some of these national symbols. Apart from commemorative historical functions, national symbols are also used to represent hard work, credibility or truthfulness, as well as ethnic differentiation, religious affiliation, cultural background, social status, professional orientation, class distinction among others. Theorizing with Gate-keeping and Framing Analysis, this study adopts a content analysis design which is the study of recorded human communications, an objective and systematic analysis of the contents of any document that are manifest.
    [Show full text]