VOLUME 2 ISSUE 3

ARTS ARCHITECTURE & DESIGN BUSINESS LUXURY N5000 R362 $25 £17 €22

NIGERIAN THEATRE, TV & FILM: PAST, PRESENT & FUTURE

NIGERIAN FILM AS AN ART

DISTRIBUTION IN

THE ETISALAT PRIZE FOR LITERATURE: REPRESENTING THE DIVERSITY OF AFRICAN VOICES

TAIWO AJAI-LYCETT, SADIQ DABA, WALE OJO, , KUNLE IDOWU, MICHAEL ‘TRUTH’ OGUNLADE, LALA AKINDOJU, O.C. UKEJE OBIJIE ORU, STANLEE OHIKHUARE, MIKE-STEVE ADELEYE

THE FILM ISSUE OMENKA MAGAZINE VOLUME 2 ISSUE 3 2 OMENKA MAGAZINE OMENKA MAGAZINE VOLUME 2 ISSUE 3 VOLUME 2 ISSUE 3 CONTENTS

ARTS ARCHITECTURE & DESIGN BUSINESS LUXURY AFRICA N5000 R362 $25 £17 €22 VOLUME 2 ISSUE 3

DEPARTMENTS ANTENNAE NEWS, EVENTS

10 Sink Hits at the Local Box Office 10 Annecy International Animated Film Festival to Show Three South African Films 11 Perivi John Katjavivi: Confronting The Mostly ‘Unseen’ in Post- Colonial Namibia 11 The Book of Negroes Sweeps Canadian Screen Awards 12 Free State Wins at Luxor African Film Festival Award 12 The 12th New African Film Festival

FEATURES

14 A Concise History of Nigerian Theatre, TV & Film, and the Future of Drama 16 Nigerian Film as an Art 18 The Academia and the Media, Partners in Promoting Nollywood 20 Africa Rising on the International Scene 28 Charting New Territory with Animation 30 Ebele Okoye Weber on Animation in 32 In Conversation with Richard Oboh 44 5 OMENKA MAGAZINE VOLUME 2 ISSUE 3 CONTENTS

FOCUS PLAYING THE BOSS PROFILES, INTERVIEWS THE PRODUCERS AND DIRECTORS Icons of the Screen 128 Using Documentary to Impact 44 A Legend of the Reel Africa Positively 52 Sadiq Daba is Like Fine Wine 132 Thriving in a Male-Dominated Industry 58 Quintessential Wale Ojo 134 The Real Deal! The Unfolding Generation 138 Raising the Bar 64 A Fine Gentleman... 142 The Actor’s Director

68 Leading Lady 146 A Director’s Life Reflected in Film 72 Seriously Funny 150 Depth of Field 76 Renaissance Man 80 FILM AS AN ART MARKET FILE EVENTS GUIDE, FESTIVAL, DOSSIER Made to Measure 82 154 Rewarding Excellence in Film & TV Dressing the Stars 86 156 Lights Camera Africa!!! Setting the Tone 92 160 On Funding and Support for 96 Making Faces Nollywood 100 The Truth About Sound 162 NollywoodWeek Paris Film Festival 104 Sound Bite 164 Distribution in Nollywood: 108 Riding the Sound Waves The Existing Platforms, Piracy and 112 Making Sense of it All... Alternative Structures 116 Lighting Up the Stage! 128 166 Kene Mkparu on Piracy and 118 Weaving the Story Distribution in Nollywood 120 Behind the Lens: Photography in Nollywood 122 A Photographer’s Take on Nollywood 126 Debbin Robin in Focus

REPORTS REGULARS REVIEWS

34 The Etisalat Prize for Literature 8 Contributors 40 Book Review 9 Masthead 170 International Film Events 162 9 Editorial 6 OMENKA MAGAZINE 7 OMENKA MAGAZINE VOLUME 2 ISSUE 3 VOLUME 2 ISSUE 3 CONTRIBUTORS EDITORIAL

I welcome you to this very special edition of Omenka, Africa’s premium magazine on art,

ARTS ARCHITECTURE & DESIGN BUSINESS LUXURY AFRICA business, and culture from the continent. IN THIS ISSUE... N5000 R362 $25 £17 €22 Themed the Film Issue, this edition is a result of ‘Omenka is an Onitsha Ibo term, ome - is maker, traditional maker of; the maker of nka, who carves, a decision to produce well-curated overviews who creates, who communicates through the making, of different aspects of our rich cultural heritage. Oliver Enwonwu is the Editor-in-Chief of Omenka magazine. or the making, or nka, being the attribute of his Buoyed by the success of our previous issue He is also Chief Executive, Revilo. Enwonwu holds a first degree making through creative action...Omenka is usually a genius type...Omenka means greatness, a man of focusing on architecture and design from in Biochemistry, Advanced Diploma in Exploration Geophysics valour...’ -Ben Enwonwu, January 1967 the African continent, this is the first of two (distinction), Post Graduate Diplomas in Applied Geophysics Ladun Ogidan is the Deputy Editor of Omenka devoted to Nollywood! and Visual Art (distinction) and a Masters in Art History, PUBLISHER/ EDITOR-IN-CHIEF magazine. She holds a first degree in Mass OLIVER ENWONWU all from the University of . Enwonwu is the Executive This Film Issue traces the trajectory of the Communication from Covenant University, Nigeria. [email protected] Director of The Ben Enwonwu Foundation and a board Nollywood phenomenon, including its Ogidan is the Chief Operating Officer, Revilo, a trans- member of both the National Gallery of Art, Nigeria and the DEPUTY EDITOR beginnings, challenges of funding and the scourge disciplinary platform for publishing, interactive, design, OMOLADUN OGIDAN Reproduction Rights Society of Nigeria. He is also Director, of piracy, with insightful articles by Amarachukwu music and film, with a focus on Africa . She is also [email protected] Omenka Gallery and President, Society of Nigerian Artists. Iwuala. Kene Mkparu, Group MD/CEO of Assistant Curator at the Omenka Gallery, and has co- EDITOR Filmhouse Cinemas and FilmOne Distribution ordinated several exhibitions, both home and abroad. IJEOMA UCHE-OKEKE also lends his voice in raising awareness against [email protected] piracy. He tells us why cinemas are key in dealing HEAD, GRAPHICS with this menace. Also featured are iconic actors like Sadiq Daba, who like fine wine, gets better ABDULRAZAK BOMBATA Adebimpe Adebambo is the Business Development Officer with age, as well as Taiwo Ajai-Lycett, known affectionately as TAL by her friends and admirers, at Revilo, a trans-disciplinary cultural platform working across PHOTOGRAPHER and who despite her many successes on the screen, shares with us why she prefers to be seen publishing, interactive, design, music and film. A graduate of MICHAEL SOSSOU as an outsider. Quintessential Wale Ojo bridges the gap between the old guard and the unfolding generation of Nigerian actors like Kemi ‘Lala!’ Akindoju, O.C. Ukeje, Kunle Idowu aka. Frank Donga Painting from the Yaba College of Technology, she is also a and Sambasa Nzeribe, who have all helped define the industry. Akintunde Akinleye is the first Nigerian photographer fashion and accessories designer. She debuted as a costume to be awarded a prize at the prestigious World Press designer on the set of the award-winning Tunde Kelani movie MARKETING AND PROMOTION In the article Nigerian Film as an Art, similarities are drawn between the African masquerade, Photo, Netherlands (2007) with his winning image Dazzling Mirage. For her efforts, she received two African ADEBIMPE ADEBAMBO considered by many scholars as an art form embracing painting, costume, sculpture, installation, chosen as the official signage of the 19th edition of the film nominations in 2015 at the Africa Magic Viewers’ Choice [email protected] theatre and music, and Nigerian cinema, well known for the fantastic and the seeming synthesis of International Photojournalism Festival in Peripignan, Awards and African Movie for Best Costume CHARLES ENWONWU urban and traditional life. Ultimately, this issue offers an unprecedented 360-degree view and deeper Designer and Achievement in Costume Design, respectively. (2007). He holds two Masters degrees in Educational [email protected] insight into the inner workings of the industry with behind the scenes scoops, exclusive imagery and Technology and Mass Communication from the in-depth interviews with prominent patrons, leading technicians and professionals across different and a Post Graduate Diploma in CIRCULATION REVILO genres including the largely unexplored animation. The roll call features directors Tunde Kelani, Journalism from the Nigerian Institute of Journalism. In Mildred Okwo, Remi Vaughan-Richards, Kunle Afolayan, Femi Odugbemi, Andrew Dosunmu and 2008, while attending a fellowship programme at the Yetunde Ayeni-Babaeko was born in Enugu in eastern Greg Odutayo; costumiers Objie Oru and Adebimpe Adebambo; sound designers Michael TRUTH University of Texas, he produced a body of work that Ogunlade, Kaline Akinkugbe and Kulanen Ikyo; makeup artist Lola Maja-Okojevoh; film editor Nigeria. After her Abitur (A Levels) in , she documents oil production in Texas. In 2012, Akintunde Mike-Steve Adeleye; screenwriter Kehinde Joseph; lighting designer Stanlee Ohikhuare, production decided to pursue photography. Between 2000 to 2003, was nominated for the Prix Pictet photography award designer Pat Nebo; and photographers Akintunde Akinleye and Debbin Robin. In addition, this she completed an apprenticeship programme, majoring on sustainability for his work, Delta, a Vanishing Wetland. issue features some of the biggest names behind the major festivals and award schemes serving to in Advertising Photography at the prestigious Studio Be in engender the highest standards of film production in Africa; Serge Noukoue, Peace Anyiam-Osigwe, Greven, Germany. Chioma Ude and Wangi Mba-Uzoukwu. Also well documented are the efforts of the academia, Ayeni-Babaeko returned to Nigeria in 2005 and two media partners, internationally-based African filmmakers and directors, as well as those of a growing years later, established Camara Studios in , Lagos. legion of African actors in Diaspora. Fully equipped professionally, the studio offers the best in Lara Tiamiyu s an accomplished photographer and advertising, event, portrait, and fashion photography. has covered several high profile events such as the At this point, special mention must be made of some of those who contributed immensely towards , and the Carnival Calabar. She also Cover the success of this publication; artist, fashion designer and costumier, Adebimpe Adebambo who also Photography: Yetunde Ayeni-Babaeko doubles as Business Development Officer at Revilo; Tayo Shonekan, stylist and founder of leading participated in the British Council Creative Arts Expo Styling: Tayo Shonekan & Adebimpe Adebambo Makeup: Sacred Artistry Lagos-based fashion house Aimas; Lola Maja-Okojevoh; photographers Yetunde Ayeni- Babaeko, Lara and recently, the well attended La’Royal Charity Photo Outfits for the Men: Kola Kuddus Tiamiyu, Debbin Robbin Udeme, and Akintunde Akinleye. Finally, we thank you our teeming readers Exhibition held at the Silverbird Cinema in Lagos. To subscribe, please call +234 809 802 7583 for your support and sustained patronage and ask that you drop us an email and kindly visit and leave Lara Tiamiyu is easily recognizable by her strong, Amarachukwu Iwuala is a 2006 Microbiology graduate of or go online at www.omenkaomenkaonline.com comments on our web-based platform, omenkaonline.com. personal style, hinged on her ability to manipulate light. the University of Port Harcourt. In 2008, he won the only To advertise, please call + 234 818 455 3331, 802 314 4881 Omenka is published (ISSNo 2346-7088) quarterly by: Over the years, she has built a leading photography edition of the Amstel Malta Box Office (AMBO) Write for In all, this issue is useful in promoting the quality and richness inherent in the Nigerian film studio with high profile clients including the British Fame Scriptwriting Competition, beating over 400 others industry amidst widespread criticisms that its reputation as the third largest producer of Council, to which she serves as official photographer, to form the framework of Cindy’s Notes, the third AMBO movies in the world after Hollywood and Bollywood is hinged largely on poorly scripted, low Zenith Bank, UBA, Total, Fortis Group, LTC Agency, movie. He holds a Diploma in Screenwriting from the New Revilo Company Ltd budget movies produced in barely 2 weeks. It is therefore important that a sequel, which City People, Fashion Collection Magazine, Tush Magazine York Film Academy, , Nigeria, as well as a Certificate in 24, Modupe Alakija Crescent, Lagos, Nigeria must be viewed as a necessary supplement is produced to not only celebrate many more key and Encomium. She’s also worked with artists like; Tiwa Creative Design with a bias in Video Production and Editing T: + 234 818 455 3331 www.reviloco.com industry professionals, who because of the sheer physical impossibility, have not been included Savage, Oge Okoye, Skales, Seyi Shay, Ade Bantu, Yemi from the School of Media and Communication, Pan-Atlantic Reproduction in whole or part is forbidden save with express permission in in this first volume, but to also help steer the stylistic development, originality and technical writing of the publishers. All material is compiled from sources believed to be Alade and Provabs. University, Lagos. He has worked at ThistlePraxis Consulting reliable, but published without responsibility for errors or omissions. Revilo accomplishments of film production in Nigeria. accepts advertisements from advertisers believed to be of good repute, but Limited, Lagos, where he edited a quarterly magazine, CSR cannot guarantee the authenticity or quality or objects or services advertised in its pages. Omenka does not assume responsibility for unsolicited manuscripts, Files and a weekly page, ‘CSR Files Weekly’ in The Guardian photographs or illustrations. Copyright worldwide of all editorial content is Sincerely, held by the publishers, Revilo Company Ltd. The name, Omenka is a registered newspaper. He was also freelance editor of Shakara trademark owned by Revilo Company Ltd. and cannot be used without express written consent. International magazine and editor of MODE MEN magazine. @omenkamagazine omenka magazine Oliver Enwonwu

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SINK HITS AT THE LOCAL BOX PERIVI JOHN KATJAVIVI: OFFICE CONFRONTING THE MOSTLY ‘UNSEEN’ IN POST-COLONIAL NAMIBIA Released on March 18, the feature filmSink continues to win rave reviews following its premiere at Silwerskermfees last year, where it picked up five awards. The film has impressed critics and audiences after its local theatrical release on 24 sites, where it The Unseen, the first feature film by award-winning Namibian filmmaker grossed R378, 384 over the long weekend, and averaged R15, 766 per theatre. Perivi John Katjavivi, explores the lives of three young people and the Set in a cold, pristine and modern suburban home, Sink is a gripping drama that personal challenges they each face in modern day post-colonial Namibia. makes its audience sink into their seats. Restraining himself from entering into the Sara deals with suicide, while Anu and Marcus struggle with out of body realm of the thriller, the writer Brett Michael Innes (The Story of Racheltjie de Beer, experiences and hallucinations, as well as a shifting identity, respectively. 2012) opts for a more poetic approach as he tells a riveting story of the plight of Recently premiered at the Pan African Film Festival in , California, a young Black woman pit against the guilt and alienation of a White couple. Using which took place between February 4 and February 15, the film blurs the water as a symbol of emotion, the film builds momentum as we live through her boundaries between documentary and fiction, skillfully interrogating weighty heartache. issues of in , the effects of German colonialism, post- colonialism, and cultural appropriation. Starring Antonio David Lyons (Hotel Produced by Anel Alexander, Johan Kruger and Brett Michael Innes, the film stars , 2004), Senga Brockerhoff (2002 National Theatre Award for Best Anel Alexander (Faan se Trein, 2014), Shoki Mokgapa (Mandela: The Long Walk to Actress), and Matthew Ishitile (Muscian), The Unseen is written, directed and Freedom, 2013), Jacques Bessenger (Ballade vir ‘n Enkeling, 2015), Amalia Uys produced by Katjavivi. (Double Echo, 2015), and 6-year old Asante Mabuza (The Last Face, 2016). Katjavivi was born in Oxford, England to a Namibian father and English

th mother. He moved to Namibia after the country’s independence from The film will be screened at the40 Film Festival, and Festival voor het South Africa in 1990. Katjavivi holds a Masters in African Cinema from the Afrikaans in Amsterdam in April. University of Cape Town.

www.luxorafricanfilmfestival.com

ANNECY INTERNATIONAL ANIMATED FILM FESTIVAL TO SHOW THREE SOUTH AFRICAN FILMS THE BOOK OF NEGROES SWEEPS This year’s Annecy International Animated Film Festival, slated for June 13 to18, is a CANADIAN SCREEN AWARDS major international event for over 8,000 industry professionals. Having significant presence since the 60s, the festival flourishes every year. Three South African films have been accepted in this year’s edition. They are Stick Man in the Best TV Film Category, Arid for the Graduation Film Category and Naomi van Niekerk’s Gewone The Book of Negroes (also published as Someone Knows My Name, 2007) Blou Mandagoggend (An Ordinary Blue Monday Morning) for Short Film Category. is an award-winning novel by Lawrence Hill, a Canadian author. The book The half-hour Christmas special Stick Man will compete with 25 other entries was adapted into a miniseries that aired on BET in the United States in from industry leaders like Cartoon Network, Dreamworks and Stoopid Buddy February 2015 and on CBC TV in Canada. Stoodios (Robot Chicken). Created by Triggerfish Animation and the UK’s Magic Light Pictures for the BBC, this stop-motion-style 3D piece is based on the well- Filmed on location in South Africa, the miniseries was written by Lawrence loved children’s book by Julia Donaldson. Hill and Clement Virgo and stars award-winning actors like Louis Gossett Making industry history as the first African student film to be invited into Annecy, Jr. (The Dependables, 2014), Cuba Gooding Jr. (Selma, 2014), Aunjanue Ellis Arid was created at Cape Town’s Animation School. Directed by Charl van der (The Help, 2011), as well as Lyriq Bent (Pay the Ghost, 2015). Merwe, it is an evocative tale of a boy and a mysterious bull on a journey in the wilderness. The miniseries is a Canadian/South African production, and caused a stir Gewone Blou Mandagoggend was inspired by the poem of the same name by at the Canadian Screen Awards, which took place on March 13 in Toronto, Ronelda Kamfer. Interestingly created out of sand manipulated by hand and brush Canada, when it took home 11 awards; Best TV Movie or Limited Series, on a light box, this unusual stop-motion short film verse project invites local anima- 3 Best Acting Awards, Best Direction (Limited Series), Best Costume tors to give visual life to well-loved Afrikaans poems. Design, Best Production or Art Direction, Best Original Music Score, and Best Sound. The production has fostered the employment of more than Underscoring South African’s coming of age in the global industry, the three direc- 110 South African crewmembers and 70 South African actors. tors hope to represent their projects in person at the film festival later this year. www.annecy.org

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FREE STATE WINS AT LUXOR AFRICAN FILM FESTIVAL AWARD

Winning the coveted Best Director Award at the 5th edition of the Luxor African Film Festival, , Free State continues to gain the attention of film critics all over the world. It will also be screened at the Garden State Film Festival taking place in Atlantic City, New Jersey.

Free State is a story of a White Afrikaans law student who falls in love with something magical, something you can’t control and that something happens to be a wanted terrorist of Indian descent. A tale of love’s defiance over societal rules, riddled with so much discrimination, this feature film explores the weighty issues arising from cultural and religious differences, and the fact that true love knows no boundaries.

Written and directed by award-winning Sallas De Jager (Musiek vir die Agtergrond, 2013), Free State stars Nicola Breytenbrach (The Blue Mauritius, 2016), Andrew Govender (High Rollers, 2013), Leleti Khumalo (Sarafina, 1992), and Deon Lotz (Mandela: Long Walk to Freedom, 2013).

THE 12TH NEW AFRICAN FILM FESTIVAL

The 12th annual New African Film Festival took place from March 11 to 18 in Silver Spring, Maryland. Hosted by AFI Silver, this year’s festival features seven out of ten top films of 2015;Lamb Necktie Youth, Sembene!; Things of the Aimless Wanderer; Crumbs; Akounak Tedalat Taha Tazoughai (The Tuareg Purple Rain remake); and They Will Have to Kill Us First: Malian Music in Exile. Biyi Bandele’s entertaining Nigerian drama, Fifty also featured on the big screen.

Nearly all the titles are from 2015. However, a few, like the documentary on Sudanese music, Beats of the Antonov, were produced in 2014. One of the most significant films in African cinema, Ousmane Sembène‘s masterpiece,Black Girl (1966) was also screened.

Find the full list below:

Lamb () Necktie Youth (South Africa) Beats of the Antonov () Cuckold (South Africa) Fifty (Nigeria) Price of Love (Ethiopia) Eye of the Storm (Burkina Faso) Sembene! (Senegal) Black Girl (Senegal) Madame Courage (Algeria) Morbayassa (Guinea) Aisha () Sugarcane Shadows (Mauritius) Things of the Aimless Wanderer (Rwanda) Katatura (Namibia) Crumbs (Ethiopia) The Boda Boda Thieves () They Will Have to Kill Us First (Mali) Rain the Colour Blue With a Little Red in it (Niger) The Cursed Ones () www.afi.com

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made waves during the era fondly described as the golden age of TV. Doctors’ Quarters, Edge of A CONCISE HISTORY OF Paradise, Tinsel and Hotel Majestic are some of the outstanding drama series from the new TV houses. Some of them have been rested. Mo Abudu’s Ebony Life TV has also joined the NIGERIAN THEATRE, crusade for high quality TV productions with TV series like Desperate Housewives Africa and Friend Zone. TELEVISION-CUM-FILM Additionally, several magazine programmes surface daily both on terrestrial and satellite TV; celebrating, highlighting and analyzing the movie, TV and theatre sub-divisions AND THE FUTURE OF DRAMA of the entertainment sector. Nollywood Uncut, Entertainment News, Art House, VVIP WORDS AMARACHUKWU IWUALA Events, Glam Squad, Metro File, Jara, 53 Extra and are some of the programmes that are wholly or partly dedicated to this cause.

Much as the technical quality of Nollywood films has improved considerably in the last decade or so, industry practitioners should realize that nothing can take the place of The evolution of theatre, TV and film in It is also pertinent to mention that John suffered a setback impediment, following compelling stories and riveting screenplays Nigeria is in consonance with William George Ifoghale Amata, the patriarch of the Amata a dipping economy in the 1980s. In 1989, that are then well-executed. Indeed, these Jordan’s assertion in The Power of Peace that film dynasty, which includes Zack, Fred, Ruke Muyideen ‘Alade’ Aromire of blessed filmmakers have a lot to learn from Nigerian Charles Darwin’s 1859 book, The Origin of and Jeta – was the first Nigerian to produce a memory ingeniously produced Ekun, Nigeria’s www.youtube.com theatre, where many of the stage plays are Species by Means of Natural Selection, was colour film, Freedom, in 1957. The other first first video film in response to the plunging laden with humour that hardly fails to make inspired by Thomas Malthus’s Essay on the generation filmmakers include; Ola Balogun economy. Scores of other videos films then the audience think at the same time. Today’s Principle of Population. Other writers also Hubert Ogunde (Amadi 1975, The Music Man, 1977); Eddie followed, produced on the Video Home films are filled with slapstick comedy that is at opine that the work of Alfred Russell Wallace Ugboma (The Rise and Fall of Dr Oyenusi System (VHS). best superficial without any sort of resonance! similarly stimulated Darwin. Omiran, 1979, Oil Doom, 1980); Francis write a screenplay for the film, a situation that now a money-spinner, less attention was paid Oladele (Kongi’s Harvest, 1970, Bullfrog in the In 1992, Living in Bondage was made on a shoe- still considerably obtains amongst some movie to TV productions, resulting in low quality TV Accordingly, the watchword for today’s movie- Jordan then went on to say that Malthus may Sun, 1970); Ade Afolayan (Ajani Ogun, 1976, string budget like the video films preceding producers and directors today. series on air. The theatre-going public, who makers should be to vacate the beaten tracks have been stirred by another’s writing, which Taxi Driver, 1983); Jab Adu (Cool Red, 1976, it. Surprisingly, the audience identified with were already dwindling owing to growing and explore the innovative-cum-thought- could progressively be traced to the words of Bisi, Daughter of the River, 1977); and Moses the film, which tells the story of a man, who is The Western Nigerian Television (WNTV) insecurity at about the same time, thinned provoking ideas in the numerous unexplored a shepherd in ancient England who might have facing hard times and decides to use his dear Adejumo alias Baba Sala (Orun Mooru, 1982, Ibadan was the pioneer TV station, which down the more; the staging of plays became areas of the Nigerian experience because with died, believing that he did not make any impact wife for a money-making ritual. The film is said began broadcasting in 1959. It later few and far between, happening mostly the right people and exceptional ideas, the in the world when indeed his words spoken Aare Agbaye, 1983). to have sold tens of thousands of copies within metamorphosed into NTA with several TV during special events. Moreover, the lack of movie industry is set for Olympian heights. at auspicious moments culminated in arguably a few weeks of its release on VHS cassettes, stations across the country. The NTA was maintenance of theatre facilities at the National the most influential book of the 19th century. The roles played on the one hand by Francis setting a hitherto unattained record in Nigeria’s popular for many outstanding drama series Theatre, where many of the big plays were By the same token, Nigerian theatre, TV and Oladele, who adapted Kongi’s Harvest video film world. It is incontrovertible that between the 1970s and 90s including The Adio presented, equally affected the stage business. film derive from folklore plus traditional dance and Things Fall Apart, as well as - Nigeria’s film industry (and those of a few other Family, The Village Headmaster, Cockcrow at and music of yore, where people gathered as cum-Chinua Achebe on the other hand, African countries) stands on the shoulders Dawn, The Third Eye, Mirror in the Sun, Check- Thankfully, in the last decade or so, the families, kindred, clans, villages and communities who consented to the adaptation of Kongi’s of Living in Bondage’s ground-breaking success. mate and Fortunes. emergence of places like Terra Kulture in the evenings or during festivals and Harvest and Things Fall Apart in 1970 and ’71 respectively must be underscored. Incidentally, has resulted in the resurgence of theatre ceremonies to entertain themselves. Ola Balogun, who bagged a PhD in Film from the screen adaptation of Things Fall Little wonder the individuals who made the productions as theatre enthusiasts are a French university, is esteemed for taking films that followed the success of Living in entertained with one stage play or another In the 1940s and 50s, the late Hubert Ogunde Apart produced by Oladele was called Bullfrog Chris Obi Rapu, the director of Living in Bondage, were mostly independent television almost every weekend. Hear Word, Love is the popularized the travelling theatre, which in the Sun, but the book was adapted again Bondage 1, under his tutelage as his assistant producers who produced drama series for the Musical, The Last Drop, Hard Ground and Saro, the went from one south-western Nigerian into a 13-hour TV film in the 1980s by the director in his 1976 film, The Music Man. Obi NTA, the only television platform at that time Musical are amongst the prominent stage plays city to another, staging plays. Unlike the BBC and the NTA, with playing Rapu admits that it was his involvement in as private television stations started obtaining that have graced the stage in recent times. With pre-colonial times, interested spectators the lead role in the new version.Unfortunately, that project in addition to his experience as licences in the mid-1990s. These personalities corporate sponsorships for stage performances paid Ogunde and his team to watch the the adaptations of those two great works of art the director of The Art Alade Show, Barbie include; Tunde Kelani (Ti Oluwa Ni Ile 1, 2 & 3; O and a crop of committed stage advocates like performances. Incidentally, he was also one did not lead to an adaptation inertia as the Show and New Masquerade at the Nigerian Le Ku 1 & 2); Zeb Ejiro (Fatal Desire, Nneka, Bolanle Austin-Peters, Ifeoma Fafunwa, Taiwo of Nigeria’s pioneer filmmakers, whose films excellent literary works of Nigerian writers remain Television Authority (NTA) that culminated in the Pretty Serpent); Bolaji Dawodu (Battle of Ajai-Lycett, and Kemi ‘Lala!’ Akindoju, include: Aiye, Jaiyesimi and Ayanmo. However, on the shelves, waiting for screen adaptation. the cutting-edge output in Living in Bondage 1, Musanaga 1 & 2) Christian Chika Onu (Living the future of the stage is quite bright. Pa Orlando Martins was the first Nigerian Yet, Tunde Kelani must be commended as a where he depended on improvisation because in Bondage 2); Chico Ejiro (Silent Night, Dead to feature in a film, Sanders of the River – a lone literally voice in the adaptation campaign the producer (Okey Ogunjiofor) and executive End); Tade Ogidan (Hostages, Out of Bounds); In television, Africa Magic and a few other pro- 1935 film by Zoltan Korda, which starred Paul as several of his films, including Dazzling Mirage, producer (Kenneth Nnebue) had approached Amaka Igwe (Rattlesnake, Violated); and Andy duction outfits have, in the last decade, invested www.nigeriafilms.com Robeson, Leslie Banks and Nina Mae McKinney. , Oleku and Thunderbolt, are adaptations. him with an outline of the project rather than Amenechi (Mortal Inheritance). handsomely in the production of exceptional The movie was partly shot in the country. Filmmaking, like other businesses in Nigeria, a proper screenplay. Curiously, he too did not By the mid-1990s, with the video film business TV series, which are comparable to those that Chika Okpala

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The largest film industry in Africa is the see, which is the visual art form. This figure is editor Mike-Steve Adeleye; screenwriter Nigerian cinema, better known as Nollywood. the focus of attention. But oftentimes, when Kehinde Joseph; lighting designer Stanlee AS AN ART Having grossed revenue of NGN1.72 trillion people think of the works of the visual arts Ohikhuare, production designer Pat Nebo; (US$10 billion) in 2013, it is rated the third that have to do with theatre performance, and photographers Akintunde Akinleye WORDS OLIVER ENWONWU most valuable film industry in the world, what readily comes to their mind are the and Debbin Robin. These artists like the behind and the United States. In terms usual stage or scenic designs. In the usual bearers of the masks are content to remain of the number of annual film productions, theatre event, we think of the human actors in the background, their thoughts, ideas and it also ranks second, behind India. However, and actresses. But that of the masquerade creativity, becoming the foundation upon which South Africa is arguably more recognized is peculiar for it is a work of visual art, in the more celebrated actors project themselves. internationally for the quality of its production, performance, before a human audience.” He Just like the African masquerade, total in its with films likeDistrict 9, which holds the also reminds us that, the masquerade form has embrace of diverse art forms, they come record for the most successful African “an age-old tradition as a performance art. “ together as symbiotic elements of a whole blockbuster, grossing over $210 million at the production, from the; directors who oversee international box office. In addition, South Drama has been defined as “an artistic the production; the costumiers who dress African movie won an Oscar in the Best recreation of life in the form of action the characters; the sound designers likened Foreign Language Film category in 2005. and a systematic design to convey human to the drummers, horn blowers and singers, experiences in a graphic, yet effective who all provide the rhythm; the makeup artist Several scholars and leading artists alike have way.” Just as in drama, the human form is tasked with imbuing each face with a unique written extensively and produced work insignificant in the masquerade pantheon; they personality and identity; the film editor, largely centering on the Nollywood phenomenon both personify another being. Indeed, African responsible for the seamless transition between including Pieter Hugo, Andrew Esebio and masquerades and masks were not intended scenes; the screen writer who adapts the script Zina Saro-Wiwa. This fact, together with by their makers to be exhibited as inert, for production; and to the lighting designer, the prevalent themes of magic, fetishism aesthetic objects as in the museums of the production designer and photographer–their and violence conveyed through new media, West; they only made appearances as spirit roles defined by the provision of the mood and informs arguments by art historians like representatives of ancestors. setting. Significantly, they all offer a counterpoint Nomusa Makhubu to describe Nollywood as to challenge various negative stereotypes cast on an interventionist artistic practice and visual Given their link to the spiritual, masquerades, Nollywood. Many of these award-winning names language that subverts the division between which appear often in Nigerian cinema, are behind the surge in the technical quality and art and popular culture in shifting general contribute to its negative perception as improved content in Nollywood today. Produced opinion about what constitutes art and fantastic. The fantastical as a central theme in with higher budgets, films likeFifty, October1, creative practice in Africa. This position gains Nollywood has led to several interpretations, Invasion 1897, Confusion Na Wa, Dazzling weight when one considers that largely negative by critics, scholars and the Mirage, and Flower Girl have gained much global was originally intended to encompass various general public that expose the dichotomy success, premiering on the international film genres of artistic expression as evidenced in between reality and imagined states, a circuit while still being available to audiences all the masquerade, which enjoys a reputation as situation that inextricably links the desire for over the world on movie-streaming platforms the greatest traditional art from the continent. wealth to the magical, witchcraft and the like Netflix. occult. Indeed, Makhubu asserts that wealth Indeed, the masquerade has long been not gained from visible labour is attributable Nollywood greats like actress, Taiwo Ajai- associated with Africa. Long admired by many, to government corruption and ‘419’ scams, Lycett lend their weight to these recent it is often perceived as a ‘total’ art form, and may have contributed to Nigeria’s negative developments and call for measured control owing to its embrace of a diversity of art international reputation. This situation may over visual projections by practitioners forms; sculpture in the geometric shapes and be further heightened by the high degree of themselves, to help reinvent a new worldview forms of the masks and headrests; costume, hybridity that characterizes Nigerian society as of Nigeria. In a recent interview, she asserts colourful and intricate, and often interlaced depicted in Nollywood. It is commonplace to that the negativity is due to poor research by with raffia; painting, repurposed on the find for example, a well-placed and educated practitioners on several aspects of indigenous masks; assemblage in the found objects and Christian lawyer seeking protection from culture. She cites, for example, the casting of recycled materials including pins and metal perceived enemies, through the occult or babalawos as dubious interventionists rather cut outs in the masks; movement; miming; traditional gods. than in their age-old roles as protectors of our personification; poetry; dialogue; dance; communities and traditional doctors. This call and music, an accompaniment provided by Today, Nigerian cinema boasts of names must be seen as one to exhortation, to reflect drummers, singers and horn blowers. Scholar like; directors Tunde Kelani, Mildred Okwo, in a deeper way, the critical role Nigerian Augustine-Neto Emiemokumo has described Remi Vaughan-Richards, Kunle Afolayan, cinema plays as art that is not only aesthetically masquerades as a visual art form in motion Femi Odugbemi, Andrew Dosunmu and pleasing in blurring the boundaries between and as a theatrical phenomenon. Greg Odutayo; costumiers Objie Oru and painting, photography and various other Adebimpe Adebambo; sound designers genres of artistic creation, but also as a social “When a masquerade performs on stage, Michael ‘TRUTH’ Ogunlade and Kulanen reformative medium–a function of only the Ben Enwonwu, Crucified Gods Galore, 1967-68, oil on canvas, 151 x 122cm the audience thinks mainly of the figure they Ikyo; makeup artist Lola Maja-Okojevoh; film highest and purest forms of art..

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in the last twenty-four years. The festival, which began at about the same time that THE ACADEMIA AND THE Living in Bondage was produced, has promoted Nollywood films extensively from inception; long before the first film festival in Nigeria, MEDIA, PARTNERS IN the thirteen year-old Abuja International Film Festival, commenced. PROMOTING NOLLYWOOD Ola Balogun, a first generation Nigerian scholar/filmmaker, bagged a PhD in Film from WORDS AMARACHUKWU IWUALA a university in France, making him one of Nigeria’s first scholar/filmmakers. According to Wikipedia, “He worked with Nigeria’s Federal Ministry of Information as a scriptwriter and was later posted to Paris as a press attaché of the Nigerian embassy. His 1981 filmFor Freedom! was entered into the 12th Moscow International Film Festival. However, details of Dr. Balogun’s scholarly contribution to filmmaking in Nigeria are sketchy.

In a chat with Chris Obi Rapu, the director of Living in Bondage 1 and Taboo 1, he extolled Carmen McCain Dr. Victoria Ezeokoli (PhD), a retired director with the Nigerian Television Authority (NTA) Onokome Okome, Jonathan Haynes and Carmela Garritano at ‘Reading and Producing Nollywood’ for the intellectual depth she brought to Conference UNILAG, March 2011 programming at the NTA in the 1970s and 80s, admitting that he immensely benefited from her wealth of knowledge. Thus, it is but midway, they wobbled inexcusably. than a decade, he has maintained a column safe to say that the foundations of scholarship On the other hand, Yesterday relates the in The Guardian. The page, ‘Celebrity’ profiles in film and TV were laid before Nollywood story of a widow (played by Liz Benson) and reports the achievements of movie began to attract so much attention. who goes through harrowing experiences practitioners. This is in addition to his film upon the loss of her husband, but through reviews and reports, which also appear in The The reawakening of filmmaking made doggedness, emerges triumphant in the end. Guardian. Fortunately, he is mentoring Isabella culture writers and critics to pay attention to Died Wretched, on the other hand, is the story Akinseye, an up-and-coming film journalist Nollywood. Femi Akintunde-Johnson (FAJ), of a wealthy young man (Tony Umez), who and the founder of the online magazine, www. formerly with the Encomium and the defunct procrastinates to offer assistance to his uncle nollysilverscreen.com. Fame magazines, Okoh Aihe previously (Tom Njemanze) who sold his only parcel with the newspaper and Steve of land in Victoria Island, Lagos to see him Aderinsola Ajao, Didi Cheeka and Oris Ayorinde, ex-Punch columnist and current through tertiary education – until the man Aigbokhaevbolo are the three film critics Commissioner for Information, , dies in want and penury after he is hit by behind the Lagos Film Society, which in AMAA/Debbin Robin are some of the notable journalists who hard times and an ailment. The wealthy young collaboration with the Goethe-Institut and analyzed, archived, criticized and reviewed man spares no expense in organizing a very the Nigerian Film Corporation, organizes From L - R: Ayuko Babu, June Givanni, Steve Ayorinde, Hyginus Ekwuazi, Shaibu Husseni, Dorothee Wenner, Keith Shiri at AMAA 2015 awards Nollywood films of the 1990s and early expensive funeral ceremony for his deceased a monthly film screening, where guests see 2000s. They were later joined by other writers uncle, even flying his body in a jet. At a point, and review a film. Interestingly, the trio at like Onoshe Nwabuikwu, whose column, Died Wretched was no longer the drama the Lagos Film Society plus Isabella Akinseye The role of the academia in teaching, Nollywood, leading to the establishment of in the industry. Once every month, an Airtime appeared in The Punch and ThisDay it was supposed to be, rather it became a and Shaibu Husseni are all alumni of both the learning, research and development is crucial departments of film studies in a couple of accomplished stakeholder from the industry in turn (Airtime currently features in ThisDay documentary film on funeral proceedings! Berlinale and Durban Talent Campus. in the perpetuation of any field of human Nigerian universities and/or contributing to handles a topic, relating to his or her journey. on Sunday); Shaibu Husseni of The Guardian, endeavour. Several individuals and institutions film studies in other climes. Anuli Agina, who Thereafter, guests engage the person in a the Azuh brothers (Arinze and Amatus), and Nwabuikwu’s short but piercing reviews It will be a grave oversight if the contributions all over the world have made significant won the 2010 Nigerian Film Corporation question and answer session at the end of the Ijeoma Ogwuegbu, who wrote briefly forThe usually remind filmmakers that there is always of Keith Shiri, arguably Africa’s most renowned contributions to the development of the essay competition and Ike Obiaya, both presentation. Professors Haynes and Bryce are Sun, but presently works as a screenwriter. room for improvement; she still writes film film curator, are not included in this piece. The Nigerian film industry. The media is a strategic PhD holders, have also contributed to the foreign academics who have done extensive reviews once in a while. Ogwuegbu (now Zimbabwean-born programmer, juror and partner in any business, effectively providing development of the industry through their research on Nollywood whilst Connor A. Whereas FAJ was popular for his incisive Ijeoma Ogwuegbu Uduma) wrote reviews advisory board member to many film festivals linkage between producers and consumers, works. Agina spearheaded the 2011 School Ryan is amongst international students who reviews and historical accounts of events, that portrayed her as eagle-eyed. However, and film organizations all over the world, is as well as setting an agenda for relevant of Media (Pan-Atlantic University) Nollywood researched Nollywood in pursuit of higher Okoh Aihe’s analyses were apt. Following the she has since transited to screenwriting, also a visiting research fellow at the Centre stakeholders. In the Nigerian creative sector, Conference in Lagos, with Professors John degrees. The insights in the works of foreign release of Yesterday and Died Wretched, Buried perhaps to be more actively involved. of Research and Education in Arts and Media the media has been at the forefront of the McCall, Jane Bryce and Jonathan Haynes as students offer an opportunity for Nollywood in a N3.2 million Casket, directed by Lancelot (CREAM), University of Westminster, London. campaign for virility and self-sustenance. some of the resource persons. Ike Obiaya, to reassess its current realities and aspirations. Imasuen and Kenneth Nnebue respectively, Shaibu Husseni is definitely the most who runs the Nollywood Studies Centre of Aihe berated the producers of both films for consistent film journalist in Nigeria and has Indeed, as we learn to tell our own stories, the Professors Hyginus Ekwuazi, Onookome the School of Media and Communication, Jane Thorburn has produced six informative twisting the flicks into unnecessary platitudes become an authority in his calling. He gets academia and film journalists are set to steer Okome, Femi Shaka, Awam Amkpa and Pan-Atlantic University, Lagos, has instituted documentaries on Nollywood. Ayuko Babu and and ruining rare avenues to make enduring invitations to countless festivals around the Nollywood in the right direction with the Niyi Coker have through their books a monthly film forum, which is a meeting his team are also lauded for sustaining the annual impact. Both films, which were produced world and is either on the jury of such festivals quality of individuals in both disciplines and the and publications enriched erudition in point for the academia and practitioners Pan African Film Festival, Los Angeles, United States, between 1999 and 2000 had strong premises, or the festivals’ college of screeners. For more innovative work they are doing.

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As if buoyed by the successes of Nollywood, Uzoamaka Aduba is a 35-year-old Nigerian- (LAMDA), completing his three-year training Nigeria’s local film industry, the largest in American actor and singer. She graduated in 1998. He later took to more stage work, Africa and third in the world, a growing from Medfield High School in 1999 and featuring in The Suppliants. In 2001, his award- legion of talents of African descent are attended Boston University, where she winning lead role in Henry VI was the first making their marks on the international studied Classical Voice. time a Black actor will play an English king in a AFRICA RISING scene. Indeed, actors like John Boyega, major production of Shakespeare by the Royal Nonso Anozie, David Oyelowo, Uzo Aduba, Aduba first gained recognition in 2003, when Shakespeare Company. Although this casting , Hakeem Kae-Kazim, Gbenga her performance in Translations of Xhosa choice was initially criticized by many in the Akinnagbe, Sophie Okonedo, Dayo Okeniyi, at the Olney Theatre Center for the Arts media, Oyelowo’s performance was critically Adewale Akinnoye-Agbaje, Idris Elba and earned her a Helen Hayes Award nomination acclaimed and later won him the 2001 Ian ON THE Lupita Nyong’o, as well as filmmakers like for Outstanding Supporting Actress in a Charleson Award for Best Performance by an Abderrahmane Sissako and Tewodros Play. In 2007, she made her Broadway debut, Actor Under 30 in a Classical Play. Teshome Kebede have warmed themselves portraying Toby in Coram Boy. Her first into our hearts. television appearance was as a nurse on Blue Thereafter, he launched his international film Bloods in 2012. She also played the mother career with parts in the sci-fi adventureA INTERNATIONAL Fast-rising John Boyega, a Nigerian-British, of the title character of Venice at The Public Sound of Thunder (2005) and the Idi Amin 23 year old actor, shot to the limelight with Theater in New York. In 2013, she began biopic The Last King of Scotland (2006), which his lead role as Finn in Star Wars VII: The Force portraying Suzanne ‘Crazy Eyes’ Warren in starred Forest Whitaker, Kerry Washington Awakens. His performance earned him several the Netflix comedy-drama series Orange is the and James McAvoy. Oyelowo also co-wrote accolades, good press and reviews. Expectedly, New Black. After many unsuccessful auditions, the BBC movie Graham and Alice (2006) SCENE his part as the first Black storm trooper in Aduba won the role 45 minutes after she and portrayed Orlando de Boys in Kenneth the Star Wars franchise did not go well with decided to quit acting. She has since received Branagh’s HBO production, As You Like It many who called for a boycott of the movie several accolades, nominations and awards for (2007). In 2006, he made his directorial debut WORDS ADEBIMPE ADEBAMBO on the grounds that the role should have been her performance. on The White Devil, produced by his theatre reserved for a ‘White’ person. However, his company, Inservice. Oyelowo’s versatility is character Finn is featured on a Star Wars Aduba was nominated for Best Supporting evident in the rich assortment of big and postage stamp issued in October 2015 by Actress (Series, Miniseries or Television Film) small screen projects he has been involved the UK’s Royal Mail postal service. Described at the 18th Satellite Awards for her season with over the years. He played a passionate as funny, Boyega is fashion conscious and has 1 performance. She was also nominated academic in the 2008 U.S. TV production graced the covers of several international for Best Supporting Actress (Series, Mini of A Raisin in the Sun and had a lead role lifestyle magazines like series or Television Film) at the 72nd Golden with Naomie Harris in the 2009 British TV Globe Awards. She also emerged as the Best adaptation of the novel Small Island. He shone GQ (Gentleman’s Quarterly). Interestingly, Outstanding Guest Actress in a Comedy in his role as a demanding, rigid executive in he acted in only four filmsAttack the Block Series at the 66th Primetime Creative Rise of the Planet of the Apes (2011), and later (2011), Junk Hearts (2011), Arts Emmy Awards, as well as Best Guest portrayed a Tuskegee pilot in Red Tails (2012). (2013) and Imperial Dreams (2014) before Performer in a Comedy Series at the 4th Other projects include The No. 1 Ladies’ being cast in a lead role for the Star Wars Critics’ Choice Television Awards. Aduba won Detective Agency (2009), The Help (2011), Jack franchise. He also auditioned for the role of a second Primetime Emmy at the 67th edition Reacher (2012) and the award-winning Lincoln Eggsy in Kingsman: The Secret Service (2014), of the awards in 2015 as the Outstanding (2012). In 2013, Oyelowo was prominently and was one of the three finalists along with Supporting Actress in a Drama Series for featured in The Butler, depicting the activist son Taron Egerton, who won the role. In February her performance as ‘Crazy Eyes in Orange of Cecil and Gloria Gaines, portrayed by Forest 2016, he won the BAFTA EE award for Rising is the New Black. Due to newly introduced Whitaker and Oprah Winfrey respectively. Star, beating four others in the only category Emmy rules in the 2014/2015 season to Oyelowo was reunited with director Lee decided by the public. accommodate the series switch from comedy Daniels for the film, the two having worked to drama, she became the first actress to previously together on Paperboy (2012). Boyega began his primary education at Oliver win in both genres for the same role. For Oyelowo also co-starred in the 2012 Goldsmith Primary School. When he was 9, her second season, Aduba won the Screen independent drama Middle of Nowhere, which while acting in a play, he got noticed by Teresa Actors’ Guild Award (SAG) for Outstanding Ava DuVernay directed. He and DuVernay Early, the Artistic Director of Theatre Peckham, Performance by a Female Actor in a Comedy worked together again for her film, the a learning theatre for young people who live Series and another award as part of the cast riveting drama Selma (2014), in which Oyelowo in south London. With a hardship fund, he for Outstanding Performance by an Ensemble portrays Dr. Martin Luther King Jr., earning a joined the theatre, spending his time there in a Comedy Series in January 2016. Golden Globe nomination for the role. outside school hours between the ages of 9 and 14. He started his secondary education at David Oyelowo is a 40-year-old Nigerian- In 2015, Oyelowo received a second Westminster City School, where he took part British screenwriter, actor, director and Golden Globe nomination, as well as in various school productions. Between 2008 producer. A classically trained stage actor, Emmy consideration for his portrayal of a and 2010, he attended South Thames College Oyelowo developed a passion for acting from psychologically troubled war veteran in the (Wandsworth campus) to study for a National a tender age; as a teenager he was with the HBO filmNightingale . He is also slated to star Diploma in Performing Arts. There, he played National Youth Music Theatre. He studied with Lupita Nyong’o in Americanah, a film to www.popsugar.com the lead role in the college’s production of Theatre Studies at the City and Islington be adapted from Chimamanda Ngozi Adichie’s Othello. He then enrolled at the University of College, where his teacher suggested that www.nbc.com novel. The story follows a pair of young Nigerian Greenwich to study Film Studies and Media he become an actor. Oyelowo enrolled for immigrants who face a lifetime of struggle while www.blackfilm.com Writing, dropping out of the course to focus a year in an art foundation course at the their relationship endures. In 2016, he was on his acting career. London Academy of Music and Dramatic Art appointed Officer of the Order of the British

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television debut in the thriller Deadly While at school in Canning Town, he took up Beasts of No Nation. became well known for film and television roles Voyage (1996). In 1999, he appeared in the acting, and traces his emergence as an actor to including Hotel Rwanda. Following its success, British filmGMT – Greenwich Mean Time. his appearance on The Stage. Having seen an Elba has also performed as a singer and rapper, Kae-Kazim re-located to Los Angeles, and went In 2000, he starred in Blue/Orange at the advertisement for the play in the newspapers, going by the name (Big) Driis. He continues to on to appear in Slipstream alongside Sean Astin Royal National Theatre (Cottesloe Stage), Elba successfully auditioned. In 1986, he spin as a DJ internationally. and The Front Line, before starring in the hugely and later at the Duchess Theatre. That began helping an uncle with his wedding DJ successful Pirates of the Caribbean: At World’s is a 54 year old Nigerian same year, his performance as Romeo in business and within a year, he started his own Hakeem Kae-Kazim End as Captain Jocard. Another blockbuster actor whose acting career has spanned through William Shakespeare’s Romeo and Juliet was with some friends. Elba would later win the role followed in X-Men Origins: Wolverine. the UK, South Africa, the United States and nominated for the Ian Charleson Award. National Youth Music Theatre, thanks to a recently, Nigeria. Most notable is his role as Ejiofor was awarded the Jack Tinker Award Prince’s Trust grant. His list of impressive credits also include; Pirates George Rutugunda in the Oscar nominated for Most Promising Newcomer at the Critics’ of the Caribbean III, Lost, Cane with Jimmy film, , a 2004 American drama Circle Theatre Awards in 2000. For his He landed a number of British television roles Hotel Rwanda Smits, Law & Order: Special Victims Unit with based on real life events from the 1994 performance in Blue/Orange, Ejiofor received and worked with his father at a car factory Mariska Hargitay, The Triangle with Sam Neil, Rwandan Genocide. Kae-Kazim is also making the London Evening Standard Theatre before making his way to the United States. The Librarian with Gabrielle Anwar, The 4th impact back home in Nollywood with features Award for Outstanding Newcomer in 2000 There he settled in Brooklyn, New York, and Kind alongside Milla Jovovich and Darfur with in , , and and a nomination for the Laurence Olivier Jersey City, working as a doorman at the comedy Inale Last Flight to Abuja Half of a Yellow Billy Zane. Kae-Kazim is often recognized for . He is also known for his work in the Starz Award for Best Supporting Actor in 2001.His club Carolines and DJing. Elba soon transitioned Sun his recurring role as Colonel Dubaku, through television series Black Sails. first leading film role came withDirty Pretty to a big-screen career landing film roles in a which he impressed audiences with his stunning variety of genres. He starred as a mechanic in performance in 24’s’ Season 7, and in the Things (2002), for which he won a British His interest in acting began with school plays director Tyler Perry’s feature Daddy’s Little Girls prequel movie Redemption. Independent Film Award for Best Actor. In the and at The National Youth Theatre. He later (2007), a general in the zombie-populated 28 Hakeem Kae-Kazim produced and starred in following year, he was part of the ensemble enrolled at the Bristol Old Vic Theatre School, Weeks Later (2007) and a devoted husband Black with Mickey Rourke and Kim cast of Love Actually, and starred in a BBC graduating in 1987, and was subsequently opposite Beyoncé Knowles in Obsession (2009). Basinger, as well as the award-winning Man adaptation of Chaucer’s The Knight’s Tale, as offered a space at The Royal Shakespeare Sci-fi/fantasy also appealed to the actor, as seen on Ground. His distinctive voice has also been well as the BBC series, Trust. Company to continue his classical training. in his roles as Norse god Heimdall in Marvel featured in many popular video games including After working for The Royal National Theatre In 2006, More recognition followed with the Comics’ Thor (2011), directed by Kenneth Halo 3: ODST, Halo 3: Reach, Call of Duty: with the likes of Brian Cox and Ian McKellen, BAFTA Orange Rising Star Award, five Golden Branagh, and as ship captain Janek in Ridley Modern Warfare 3 and The Bourne Conspiracy. www.fastcocreate.com Kae-Kazim made a successful transition to Globe Award nominations, and the Laurence Scott’s Prometheus (2012). Other films on Elba’s British television, with appearances in The Bill, Olivier Award for Best Actor for his lead roster within this period include This Christmas Gbenga Akinnagbe is a 35 year old Nigerian- Idris Elba Trial & Retribution and multiple episodes of performance in a stage revival of Othello. In (2007) and Rock ‘n’ Rolla (2008). American actor and writer, best known for his popular BBC series , amongst others. 2008, he made his directorial debut with the Grange Hill role as Chris Partlow on the HBO series The Empire (OBE) for his services to drama. interested in Nollywood and would like to first He then moved to South Africa, where he short filmSlapper , which he wrote, based on Elba got his major break in his portrayal of Wire. He attended Colonel Zadok A. Magruder produce Nollywood content, then act, when drug lord and aspiring businessman Russell Nonso Anozie is a 38-year-old Nigerian- editor/director Yusuf Pirhasan’s idea. He also he feels the standards are much improved. ‘Stringer’ Bell on several seasons of the highly British actor, well known for roles in movies appeared in the martial arts film acclaimed HBO drama, The Wire. He also like Cinderella (2015) and The Grey (2011). Anozie, recognizes some of the challenges Redbelt. In 2008, he was also honoured with an continued his TV work over the years with He was awarded the Ian Charleson Award with being a Black actor but is not fixated on Officer of the British Empire (OBE) by Queen series like The Office, The Big C and The No. 1 in 2005 for his performance as William any specific genre, and is willing to travel. He Elizabeth II for his services to the arts, and in Ladies’ Detective Agency. The actor has received Shakespeare’s Othello in a production by expresses an affinity for South Korean and 2015, he was awarded the CBE (Commander multiple Emmy Award nominations and won Cheek by Jowl Theatre Company. Anozie Japanese cinema, and is inspired by the works of the Order of the British Empire) as part a 2012 Golden Globe Award for his lead role graduated from the Central School of of the celebrated . of the Queen’s Birthday Honours List for on the BBC crime series Luther, as a driven, Speech and Drama, London in 2002 and his contributions to drama. Chiwetel Ejiofor yet tortured detective whose conduct brings in the summer of the same year, became Chiwetel Umeadi Ejiofor is a 38-year- appeared as Luke in Children of Men (2006), and up ethical issues. In 2014, Elba starred in the the youngest person in history to play old Nigerian-British actor. Embracing film, Dr. Adrian Helmsley in 2012 (2009) to receive thriller No Good Deed, directed by Sam Miller Shakespeare’s King Lear, professionally. With television and stage, he is highly acclaimed for an Academy Award, a Golden Globe and and co-starring Empire’s Taraji P. Henson. Elba this feat, he gained much recognition outside his roles in Othello (2008), as the operative Screen Actors’ Guild nominations, along with a also has several other film projects in the the especially in the United in Serenity (2005), Lola in Kinky Boots (2005), BAF TA Award for Best Actor. works, including A Hundred Streets, Bastille Day States. In 2004, he was the first non-Chinese Solomon Northup in 12 Years a Slave (2013), Idris Akuna Elba, a 43 year old award- and Star Trek Beyond. 2016 has been a most to win Magnolia Stage Performance Award for Half of a Yellow Sun (2014) alongside Thandie winning actor, disc jockey and hip hop and eventful year for the actor, he was nominated best actor. Newton, and as Dr Vincent Kapoor in The Martian (2015). When he was 11, Ejiofor was soul musician of Sierra Leonean and Ghanaian at the 2016 Golden Globe awards for the Best He featured as Xaro Xhoan Daxos in HBO’s involved in a car accident on a visit to Nigeria. descent, was born in Great Britain. Recently, Actor in a Supporting role for the Netflix’ 2012 hit fantasy/drama series Game of Thrones It claimed his father’s life, leaving the younger he was honoured with an Order of the British Cary Fukunga’s child soldier drama, Beasts of and co-starred alongside Liam Neeson in Ejiofor hospitalized for over two months, and Empire (OBE). He is known for roles in No Nation (based on the book by Nigerian 2011 thriller The Grey. He was originally set to physically scarred. With his mother taking some screen projects like Beast of No Nation, novelist, Uzodinmma Iweala) for his portrayal voice Lorek Byrnison in The Golden Compass care of the family, he developed a passion for Luther, The Wire, Thor and the biopic Mandela: of a commander in charge of young rebels in (2007), but was replaced with Ian McKellen. reading and the stage. Ejiofor later performed Long Walk to Freedom, where he played Ghana and Television miniseries, Luther. He He has also starred in Pan (2015) as Bishop, with the National Youth Theatre, gaining a Nelson Mandela, starring opposite Naomie was also nominated for a British Academy of Conan the Barbarian (2011) as Artus, The Last scholarship to attend the London Academy of Harris as Winnie Mandela. As part of his Film and Television Arts (BAFTA) award for Legion (2007) as Batiatus, and Happy-Go-Lucky Music and Dramatic Arts (LAMDA). preparation for the role, Elba reportedly spent Best Supporting Actor for Beast of No Nation. (2008) as Ezra. a night alone locked up in a cell on Robben At the Screen Actors Guild (SAG) awards, he At 19 and three months into his course, Island where Mandela was imprisoned. His emerged Best Actor in a miniseries for Luther Anozie owns a production company, Shadow Steven Spielberg cast Ejiofor in a supporting performance earned him a nomination for the and Best Supporting actor for Beasts of No www.vogue.co.uk Arts and plans to write and direct, both role as James Covey in the filmAmistad Golden Globe Award for Best Actor–Motion Nation. He also won a Capri Supporting Actor for the stage and film. He’s also particularly (1997). A year before, he had made his Picture Drama. Award for Best Actor in a Movie/Miniseries for John Boyega

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TV film Mrs. Mandela (2010). and in the Marvel Studios filmThor: The Dark until the balance of their lives is upset by the of the Cannes Film Festival in France and other World as Kurse. arrival of a fifteen year old orphan. She was international film festivals. In 2005, she became the first Black actress kidnapped but later became the fourth wife. since Angela Bassett in 1994, to receive a Akinnuoye-Agbaje has revealed he will shortly Nyong’o’s performance received rave reviews, International film critics describe Sissako’s National Association for the Advancement direct a film about his life. and the production made history as the first works as having serious narratives about of Colored People Image Award nomination Broadway play with an all-Black female creative the realities facing Africa and told through for the same role she received an Oscar Lupita Amondi Nyong’o is a 33 year old team and cast, led by two Black producers. searingly beautiful images. His themes include Kenyan-Mexican actress and film director. nomination. Okonedo was awarded an OBE globalization, exile and the displacement She earned a Bachelor’s degree in Film and (Officer of the Order of the British Empire) in Nyong’o is presently in negotiations to star of people. A 1hour 40 minute-picture, Theatre Studies from Hampshire College in 2010 for her services to drama. in Intelligent Life (2017), a sci-fi thriller from brings together interwoven stories Massachusetts. Nyong’o started her career as Steven Spielberg’s Amblin Entertainment that of residents of the ancient Malian city, which Dayo Okeniyi is a 27 year old Nigerian actor a production assistant on several Hollywood Ava DuVernay is eyed to direct. Intelligent in recent years has been wracked by violence who gained prominence as Tresh in The films, like Fernando Meirelles’ The Constant Life is about a ’ worker in a and Islamic fundamentalism. The movie was Hunger Games in 2012, eventually leading Gardener, Mira Nair’s The Namesake and department that was created to represent nominated for an Academy Award for Best to his role as a tech genius in Terminator Salvatore Stabile’s Where God Left His Shoes. humankind in the event of alien contact. Genisys (2015). Prior to being cast in The He falls in love with a beautiful, mysterious Foreign Language Film in 2015, a British Hunger Games, Okeniyi worked in local Nyong’o grew up in an artistic family, woman who turns out to be an alien. Academy of Film and Television Arts (BAFTA) theatre and film shorts. He also starred in where family get-togethers often included Award for Best Film Not in the English Endless Love (2014) and is presently in the performances by the children in the family, Abderrahmane Sissako is a 54 year old, Language in 2016, a Cairo International Film

Shades of Blue series, acting opposite Jennifer and trips to see plays. She attended Rusinga Mauritanian film director, screenwriter and Festival award in 2014 for Best Arabic Film, Lopez. He holds a Bachelor’s degree in International School in and acted in producer. He studied Cinema at the VGIK the Most Valuable Film of the Year award

Visual Communications from the Anderson school plays like Oliver Twist, her first. At 14, (Federal State Film Institute) in Moscow from at the Cinema for Peace Awards 2015 and University, Indiana (2009) Nyong’o played Juliet in Romeo and Juliet, a 1983 to 1989. Sissako, along with the likes of the Best Art Cinema award at the Hamburg production by the -based repertory late Senegalese Ousmane Sembène, arguably Film Festival 2014. At the African Movie His most recent movie Good Kids is a coming- company Phoenix Players. While a member of the father of African film, is one of the few Academy Awards (AMAA) 2015 in South of-age story about kids graduating from high the Phoenix Players, she performed in the plays, filmmakers from Africa to gain international Africa, Timbuktu was also nominated in several school, and trying to find their place in society. On the Razzle and There Goes the Bride. categories, winning four for; Best Film; Best He plays Conch, the most affable of them, recognition. His films likeWaiting for Happiness Child Actor; Best Director and the Ousmane captain of the football team and class clown. In 2008, she made her acting debut with the (Heremakono), Bamako and Timbuktu, have short filmEast River and subsequently returned been screened under the official selection Sembene Award for Best Film in an African independent.co.uk Adewale Akinnuoye-Agbaje is a 48 year to Kenya to star in the television series Shuga categories and competed in the main Language. In 2015, Timbuktu was also the only old Nigerian-British actor, writer, producer, (2009). That same year, she wrote, produced competition sections of ‘Palme d’Or’(palm of film by a Black African director to make one director and fashion model who began his and directed the documentary In My Genes gold), as well as won prizes at some editions million dollars in American cinemas. It was also David Oyelowo career as a model in Milan. He studied Law at about the discriminatory treatment of Kenya’s King’s College, London and holds a Masters albino population. High School in Rockville, Maryland, and later British actress known for her roles in After in Law from the University of London. At Bucknell University on a wrestling scholarship, Earth (2013), Aeon Flux (2005), Hotel Rwanda university, Akinnuoye-Agbaje worked in a Nyong’o later completed a Master’s degree majoring in Political Science and English. (2004) and Ace Ventura: When Nature Calls clothes shop, where he was introduced to in Acting in 2012 from the Yale School of (1995). She trained at the Royal Academy of modeling. His interest eventually led him to Drama. At Yale, she featured in many stage Akinnagbe played Ben Ellis in the episode Dramatic Art in London and she has worked Hollywood. He is fluent in several languages, productions, including Gertrude Stein’s Doctor Contenders on the TV series Numb3rs. In the across media including film, television, theatre including English, Italian, Yoruba and Swahili. Lights the Lights, Chekhov’s Uncle summer of 2006, he acted as Zim in the NYC and audio drama. Owing to his tall frame, powerful physique Vanya, and William Shakespeare’s The Taming of Fringe Festival’s “Outstanding Play” award- and baritone voice, he often plays sinister, the Shrew and The Winter’s Tale. She graduated winning production, Modern Missionary. In On stage, Okonedo starred as Cressida in imposing characters with criminal or military from Yale in 2012, winning the Herschel 2007, Akinnagbe appeared in the filmThe the 1999 National Theatre production, Troilus backgrounds. Interestingly, he has played Williams Prize for “acting students with Savages (2007) with Laura Linney, Phillip and Cressida and made her Broadway debut almost entirely African characters, despite outstanding ability. Seymour Hoffman and Phillip Bosco. He also in the 2014 revival of A Raisin in the Sun. being born and raised in England. appeared in the remake of The Taking of Pelham For her portrayal of Ruth Younger, she Lupita Nyong’o’s first feature film role was as 123 released by Sony in June 2009. Akinnagbe received a Drama Desk Award nomination Akinnuoye-Agbaje is best known for his roles Patsey in Steve McQueen’s historical drama made a guest appearance on a Season 10 Law for Outstanding Featured Actress in a as Lock-Nah in The Mummy Returns, Nykwana 12 Years a Slave (2013) Her performance & Order: Special Victims Unit (2012) episode Play and the Tony Award for Best Featured Wombosi in The Bourne Identity, Mr. Eko on met with rave reviews, winning the Academy entitled Hell as Elijah Okello, a former Ugandan Actress in a Play. She began her film career ABC’s survivor drama, Lost and as the imposing Award for Best Supporting Actress. Nyong’o child soldier living in New York but facing in 1991 in the British coming-of-age drama convict Simon Adebisi in the HBO prison series became the sixth Black actress to win the deportation. In 2010 in Seattle, Washington, Young Soul Rebels before appearing in Ace Oz. His more recent roles include Malko in the award, the first African actress to win the Akinnagbe starred in world premiere play Ventura: When Nature Calls and Stephen fifth season of the HBO series Game of Thrones, award and the fifteenth actress to win an The Thin Place at The Intiman Theatre. He has Frears’ Dirty Pretty Thing (2002). Her other providing the voice to the titular character on Oscar for a debut performance in a feature starred in leading roles for two independent film roles include Skin (2008) and The the animated TV series, and Dave Duerson in film. films, as Jack inHome (2013), directed by Jono Secret Life of Bees (2008). She received the NFL biopic drama Concussion. Oliver, and as James in Big Words, directed by an Academy Award nomination for Best Nyong’o made a return to stage with a Neil Drumming. He also starred as CIA Agent Supporting Actress for her role as Tatiana He has numerous film credits since he began starring role as ‘the girl’ at the New York Erik Ritter in 24: Live Another Day (2014), and Rusesabagina in Hotel Rwanda, Okonedo also acting in 1994 and has appeared in many top premiere of Eclipsed (2015), directed by Liesl Nollywood movie Render to Caesar (2014) with received a Golden Globe nomination for the films, includingThe Bourne Identity, in which he Tommy and written by Danai Gurira. Eclipsed took place during the Second Liberian Civil Wale Ojo, Dede Mabiaku and Bimbo Manuel. miniseries Tsunami: The Aftermath (2006) played a deposed African dictator, Ace Ventura: www.rollingstone.com and BAFTA TV Award nominations for the When Nature Calls, as Hitu the police officer, War, where the captive wives of a rebel Sophie Okonedo is a 48 year old Nigerian- officer band together to form a community, drama series Criminal Justice (2009) and the G.I. Joe: The Rise of the Cobra, as Heavy Duty, Uzoamaka Aduba

24 OMENKA MAGAZINE 25 OMENKA MAGAZINE VOLUME 2 ISSUE 3 VOLUME 2 ISSUE 3 FEATURES FEATURES released in some European countries. Tewodros was on his way to his first film. That year, he wrote Gilbet Alem (The World Upside Sissako has also been a jury member at some Down). His first attempt was filmed in Jimma international film festivals like theMoscow and featured indigenous actors. It was filmed International Film Festival and the Cannes Film using the wedding camera, editing initially with Festival. two borrowed VCRs and a television. He would later edit the film to four hours, and Tewodros Teshome Kebede is a 46-year old re-edit in Addis Ababa to two hours. Ethiopian filmmaker, director, screenwriter, actor, producer and entrepreneur who owns In 1996, with a start-up capital of 4,000 birr and runs a cinema chain called Sebastapol ($500), Tewodros opened Teddy Studios in Entertainment PLC, as well as Teddy Studios the Addis Ababa neighbourhood of Cherkos. in Ethiopia. He is well known for resuscitating However, he was unsatisfied with the finished the Ethiopian film industry after the fall of the Gilbet Alem and only showed it in Jimma and communist Dergue Regime that ruled Ethiopia to the people of Jimma living in Addis Ababa. for close to 17 years. Tewodros’ films usually Tewodros then produced, wrote and directed deal with social issues such as HIV, immigration his next film in 1998, a direct to VHS release, and violence against women. In about 16 years Seoul (Hell). It was a success with the public, of filmmaking, he has established himself as a furthering Tewodros’ confidence in his ability to leader and trendsetter for an Ethiopian film make films that the public enjoyed. His success industry that is currently booming especially in attracted MidRoc Ethiopia, owned by billionaire Addis Ababa, the capital city. To date, he holds Sheik Mahmoud Al-Amoudi, who hired him full- the record for the highest grossing Ethiopian time to make documentaries for the company. films of all time,Abay vs Vegas and Kezkaza Welafegn. His ambitious film projectKezkaza Welafegn, about HIV, which landed him in debt, became From an early age, Tewodros showed an Ethiopia’s first digital film to be released to the appreciation and love for the arts, taking a public. It was a resounding success, becoming special interest in reading, especially Ethiopian the highest grossing Ethiopian film of all time novels. When he was 8, he discovered films, (until the release of his Abay vs Vegas seven particularly Indian ones, which were his www.wnyc.org years later) with an estimated 5 million birr favourite because he found the two cultures ($625,000) domestically. In addition. it has paowmagazine.com similar. During this time, Tewodros developed Sophie Okonedo been shown to Ethiopian Diaspora in the a knack for writing and entrepreneurship. He United States, and South Africa. Hakeem Kae-Kazim would write love poems for his classmates trying to woo girls at 50 cents per poem. At Tewodros Kebede’s films have also travelled 16, Tewodros joined the military, as all men to and opened international and African of that age were forced to during the Dergue film festivals like thePan African Film Festival Regime. However, his time in the Ethiopian (PAFF) in Los Angeles, where his Triangle Airborne was short lived as he fled after Going to America, also called Sost Maezen was one year. Military officials went to Jimma, a Centerpiece 2015 feature. It won The Best his hometown in search, but he hid in Addis Audience award at the Rwanda Film Festival. Ababa where he attended Shimelis Habte and was also nominated in 10 categories Secondary School. According to him, he fled including Best Director and Best Film at the the military because he did not believe in African Movie Academy Awards in 2015, held the civil war taking place at the time. While in Port Elizabeth, South Africa, winning four at Shimelis Habte, he joined the Mini Media awards – an impressive feat for a first-timer. Club, where he broadcasted poems and other creative works over a loudspeaker Triangle Going to America addresses the topical while making a living as a photographer in issue of immigration. Each year, hundreds Addis Ababa. After graduating, Tewodros of Africans from Ethiopia, Eritrea and attended Addis Ababa College of Commerce throughout the African continent travel across where he studied Business Management. On the world in hope of reaching America. The completion, he spent the next three years film’s characters, Kaleab and Jemal are willing shuffling between various jobs at photo shops to endure any danger for the promise of a in Addis Abab and Jimma as a photographer. better life in America. Along the way, Kaleab Soon after moving to Jimma, he watched his meets Winta, an Eritrean beauty who is also younger brother Muluken Teshome perform making the journey. Together, they travel an in a stage play. He was moved and convinced arduous and illegal path wrought with danger, that the arts were a family inheritance. From exploitation and death from East and North then on, he focused his energies on making Africa through , Mexico and finally to the United States. Triangle Going to America stars films and soon convinced his employer to www.thetrentonline.com likesuccess.com buy a camera to start a business of covering Solomon Bogale and Mahder Assefa, two of weddings. The shop owner agreed and the most famous actors in Ethiopia. Gbenga Akinnagbe Chiwetel Umeadi Ejiofor

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Walter Disney and Shirley Temple

“Animation is the process of making an illusion White included 32 animators, 107 assistants, Unlike live-action films, animated ones of motion and change by means of the rapid 20 layout artists, 65 effects animators and were traditionally developed through the display of a sequence of static images that 158 female inkers and painters. A total of two storyboard format with the artists receiving minimally differ from each other.” It starts million illustrations were made using 1,500 credit for writing the film. In the early 1960s, with the hand drawing of each character shades of paint. Snow White and the Seven Dwarfs animation studios began hiring professional and situation. Generally, in motion pictures, earned Walt Disney Academy honourary awards screenwriters along with the use of story the optical illusion is thought to rely on the with one full-sized and seven miniature Oscar departments, and by the late 1980s, phi phenomenon and persistence of vision statuettes on a stepped base, which the then screenplays had become commonplace techniques where our eyes work with our 10-year old child actor Shirley Temple presented for animated films. At international award brains to flesh out images. to him at the 11th Academy Awards on February schemes like the Academy Awards (Oscars), 23, 1939. It was recognized as a seminal screen The British Academy of Film and Television Animators are therefore, artists who innovation that charmed millions and pioneered Arts (BAFTAs), and the Golden Globes, specialize in the creation of animation, which a great new entertainment field for motion screen plays for animated features have been can be recorded with analogue media, a flip picture cartoons. nominated alongside live action films in the judging also from number credits at the end of internationally. It is also the highest grossing book, motion picture film, video tape, digital Best Original Screen Play categories. An an animated feature, as well as the difficulty in South African film in 30 years, earning over media, including formats with animated GIF, With the success of Snow White, Disney built example is Inside Out (2015), the 3-D, Walt obtaining funding. However, when produced $28 million at the worldwide box office. In Flash animation and digital video. To display a new Walt Disney Studios for $ 1, 488, 422.74 Disney and Pixar Animation studio animated to high standards, animated features are 2015, Triggerfish Animation Studios teamed animation, a digital camera, computer, or in Burbank, California. It opened for business on feature. In 1995, Toy Story won an Oscar for family favourites, highly educational, and yield up with Walt Disney Studios for a Story Lab projectors are employed. Animation creation December 24, 1939 and remains till . the Best Original Screenplay. It was the first great financial rewards. Indeed films like Walt animation competition. The entry was open includes the traditional method and those This began an era that came to be known as the time an animated feature film was nominated Disney classic Finding Nemo (2003) have been to Africans and other nationals permanently involving stop motion animation of two and ‘Golden Age of Animation’ for the studio. He in this category. Frozen (2013), a Walt Disney used as teaching aids in some schools. The residing in an African country. The objective three-dimensional objects, paper cut outs, purportedly mortgaged his house to finance animated feature, won an Oscar in 2014 for sequel will be released this June in theatres. was to select 3 stories for an animated feature puppets and clay figures. Images are displayed the production, though his wife and brother Best Original Song with Let it Go, which has and 3 stories for a TV series, to be produced in rapid succession, usually 24, 25, 30, or tried to discourage him. Incredibly, the film, became hugely popular as a ringtone. Frozen Africa has also served as inspiration for many and sponsored by both Triggerfish and Walt 60 frames per second. Early examples of while in production, was derisively regarded as inspired by Hans Christian Andersen’s fairy of the most successful animated films including Disney studios. The organizers received an attempts to capture motion in a still drawing ‘Disney’s folly’, by the Hollywood movie industry, tale, The Snow Queen is one of the top 10 Walt Disney’s 2-D full-length feature The Lion incredible1,378 entries, forcing the addition of can be found in Paleolithic cave paintings, earned a lifetime gross of $ 418.2 million! highest grossing films and third highest grossing King (1994), which required about 800 staff an extra winner to each of the 2 categories. where animals are often depicted with original films of all time. With a budget of $150 to produce. In 2012, Triggerfish Animation Out of the eight winning entries selected from multiple legs in superimposed positions, clearly For animated films, computer animation million, it earned $1.276 billion at the cinemas, Studios in Cape Town, South Africa produced the thirty five finalists, some were co-written. attempting to convey the perception of motion. became popular since Pixar’s Toy Story not including profits from merchandise, as well Adventures of Zambezia and the following year, For example, The Camel Racer by Nigeria’s (1995), the first feature-length animated film as DVD and Blu-ray sales.). Khumba, a full length animated feature. In Nnedi Okoroafor and Kenyan Wanuri Kahiu, In 1937, Walt Disney produced the first completely made using this technique. In 2008, 2014, it won awards for the Best Animation at who was one of the four winners in the full-length cel animated feature in motion the animation market was worth US$68.4 In Africa, animation is steadily gaining the Africa Movie Academy Awards (AMAA) animated feature section. All the other entries picture history Snow White and the Seven billion. Animation as an art and industry momentum like Walt Disney classic Finding and the International Film Festival; for this section, as well as for the TV series Dwarfs, based on the German fairy tale by continues to thrive, because high quality Nemo (2003). However, the animation as well as two Gold Panda awards at the were from South Africa with the exception The Brothers Grimm. Prior to this success, projects can find audiences across borders. category is still missing from some African Sichuan Festival in China, for Best Overseas of a Zambian. Winners started off their the studio produced short animations; Animated feature-length films returned the award schemes, and where available, there Animated Feature and the Grand Prize for journey into production with a two-week Mickey Mouse and Silly Symphonies series. A highest gross margins (around 52%) of all film are no entries. Reasons that maybe adduced animation. It has been translated into about mentoring and immersion trip at the Disney monumental production at the time, Snow genres between 2004 and 2013. for this include the high cost of production, 20 foreign languages and released in cinemas headquarters in Burbank, California.

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for Entrepreneurship and Development Research (CEDR) of the University of Nigeria, Nsukka. How much impact has EBELE OKOYE WEBER been made so far? There has only been one edition of the Shrinkfish Media Lab (smedLAB) Being a maiden edition, I must say that the impact ON ANIMATION IN NIGERIA has been great. The testimonials from the students have been encouraging. One of the WORDS ADEBIMPE ADEBAMBO, PHOTOS EBELE OKOYE WEBER AND PETER BENNETT ex-trainees has just finished further education in an animation school in Canada, and it is such a great feeling to know that smedLAB gave him the stepping stone to venture that far. A second edition is planned to kick off in October, 2016. We are expecting an extremely increased impact, especially as we are introducing new courses and methods based on an in-depth evaluation of the first edition.

How do you think animation in Nigeria has progressed so far? Animation in Nigeria has seen a huge leap within the past 5 years. Catalysts to this are improved Internet usage and data availability. Thus animation enthusiasts are adopting the method of on-line self training. Since 2009, I have run and managed a Facebook group called The Animation Club Africa, aimed at co-operation between animation filmmakers in mentoring the young ones. The developments in the group today clearly validate the progress made within these past few years.

Animation in Nigeria seems to be a male –dominated industry. Is there prejudice against women? I do not think there is prejudice against anybody in the animation industry in Nigeria. I do feel that the lack of female presence in the industry is as a result of a lot of factors, of animation, written by the great historian four years to produce because there were one of them being that animation is a very Ginnalberto Bendazzi, of which I was honoured interruptions along the way, involving four tough area which needs 100% passion and Ebele Okoye Weber is a Berlin-based animation filmmaker. She studied Fine and Applied Arts to compile the chapter on Nigeria. deaths in my immediate family including that dedication. In addition, the societal values at the Institute of Management and Technology Enugu, Nigeria, and later Communication of my mother-in-law. Then there were other in Nigeria and Africa as a whole, deter Design at the University of Applied Sciences, Düsseldorf. She also trained in traditional 2D The Legacy of Rubies is a 2D animation short. technical ‘force majeures’ but basically, the women from going into this field as animation Cartoon Animation at the Internationale Filmschule Köln. Why 2D and do you have plans for a full- real production time was 16 months. length feature that will show at the cinemas? filmmakers tend to be ‘married’ to their Her animated feature The Legacy of Rubies, which she wrote, directed and produced, has won Well 2D because first of all, it is the basis of How did you feel when it was nominated and profession. Thus I have seen a few women many international film awards like Best Animation in 2015 at both the African Movie Academy any animation knowledge. Secondly, because it won both the awards for Best Animation in who started on very enthusiastic notes and Awards (AMAA) and the African International Film Festival (AFRIFF). Here she talks about her is a technique that appeals to me, having a vast 2015 editions of AMAA and AFRIFF? even went as far as outside Nigeria to learn animation. Then they returned to the country, multi-cultural influences and the progress of animation in Nigeria. artistic background and experience in painting, It was a feeling of surprise and gratitude. illustration, sculpture and all sorts of craft. As Surprise because I did not make the film got married, and nobody ever heard of them a person who believes in the perfection of my to ‘chase awards’ as I put it. I only made the again. This is because you cannot combine You moved to Germany in 2000, and are country 16 years ago. This influence manifests Michael Dudok de Wit, Sylvain Chomet and art, I would rather stick to a technique I have film to inspire other animation enthusiasts being a good animation filmmaker with raising now married to a German. How have you itself in many of my animation films, which Giannalberto Bendazzi? mastered than do a shabby job using a popular of African origin, to let them know we can litle children. As long as you are single, or your been able to deal with and fuse varying are made out of literary works of renowned I do count myself lucky to have been taught technique. There is a plan for a feature, produce works of such visual quality that can kids are out of the house, you can do this Ecultural influences in your work? German poets like; Kurt Schwitters, Anna by such powerful names in animation. It was however, as it is still in the pre-production compete with those from any other part of seamlessly as a woman. This might sound shocking; I never had Blume; Ulrike Almut Sandig Meine Heimat (My a wonderful experience though I would have phase, information will only be put out at the the world. To this effect, my focus was not on extremely varying cultural differences in my Homeland); Simone Kanter Die Verrückte (The loved to have spent more time with them than onset of production. the story line but on the visuals, and this was a What new projects are you working on? There are quite a good number of projects work because even when I was in Nigeria, my Lunatic); and lately Björn Kuhligk, Die Liebe in my intensive programme allowed. Nevertheless, great success. work had a multi-cultural influence, depending den Zeiten der EU (Love in the Age of the EU). it has provided a great collaboration What inspired the storyline and how long running parallel, crossing both arts and on my interactions at the particular time. opportunity, which has also benefited some did it take you to produce it? You launched Shrinkfish Media Lab in March entertainment, but I prefer to mention Thus, I already had a German influence before What was the experience like studying Nigerian animation filmmakers. This is in form The storyline of The Legacy of Rubies was 2013 at the Goethe-Institut, Lagos in co- my projects only when I am sure there is making the conscious decision to move to that under prominent names in animation like of an entry in Cartoons 2, a world history book inspired by an African folk tale. It took me operation with the Goethe-Institut Centre something substantial to see.

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Ovie and Wale. I have always wanted to tell our African stories from the perspective of an African, in a way that promotes our cultures IN CONVERSATION and values. The original version was just 14 minutes. It came to 24 minutes when the end credit and an additional dance move were added. This was about 2 months after the WITH RICHARD OBOH original version went viral. A new character, Chichi, has been added to WORDS ADEBIMPE ADEBAMBO, PHOTOS ORANGE VFX Eee Don Show. Why the addition, how many more characters are you willing to add in this animation, and would it retain the same name? We plan to develop Ovie and Wale into a series. It is very exciting to build a brand in a whole new way that no one has done before in Nigeria. We created Chichi to add a bit of drama into the mix. We will add a few other characters with time. We also plan to represent major ethnic backgrounds in Nigeria and all the names of the characters will be retained throughout the series.

News went round that the Eee Don Show was a short film project formerly intended for a telecommunications company, which got leaked online. Is this true, do you have any idea how it got leaked, and what are the plans for safeguarding your intellectual property? No. Eee Don Show was created to showcase our talent. We wanted to prove to Nigerians and to the world that we can make high quality content in 3D animation. We are still amazed at how far the video has spread globally and that Nigerians in the Diaspora appreciate our work. We have registered the characters to protect them for the future. We tried to market the video to some companies but they turned us down. After we shared the video with colleagues, it somehow got online and went viral. In less than a week we were getting calls from One of your latest works includes the the United States, Germany, Australia, remake of the 1980’s Super-V advert now South Africa and the UK to name a few. owned by Forte Oil. How did you get Unfortunately, we did not include our the opportunity to remake it and how do contact information on the material before you get to do animation for corporate we shared it with our colleagues. By the time companies? How did Orange VFX Studios start; what then. Our main competition was from abroad– we added the credits and reposted it online, We got the offer to remake the Super V ad challenges were encountered when entering primarily studios in South Africa and . the video was too widespread and so it was directly from a client who had seen Ovie and into the Nigerian animation industry, and There were only a handful of animators around hard to trace the video back to us. Wale. That was the primary motivation and how did the studios create its team? at the time and most of them were doing other it convinced them we could deliver on the Orange VFX Studios started in my bedroom things. I met a few more people who joined the Prior to that animation, what other works job. The majority of all our jobs have been Richard Oboh, the Creative Director, Chief in Delta State. I founded the company and team, and we have been increasing in number were created? from clients who have seen Ovie and Wale and incorporated it in May, 2010. I had just one over the years. Executive Officer and founder of Orange We did a few TV ads and short training videos through referrals and traditional marketing. desktop at the time and did everything myself. VFX Studios studied Chemical Engineering for some companies before doing the Ovie In 2011, I relocated to Lagos and started hiring In 2013, a short animation of about 24 and Wale video in 2013. What other projects are you working on at the University of Port Harcourt. He has on a freelance basis. The challenges in entering minutes titled Eee Don Show was produced and are there any plans for a full-animated always been fascinated by 3D animation as the industry were enormous. We had no by Orange VFX. It had the characters; Ovie How expensive is it creating these feature? it fuels his passion to write a story. Oboh permanent office, no hardware, no manpower, and Wale. What was the inspiration behind characters? At the moment we are focusing on launching believes that 3D animation allows one create no customized emails and lacked capital. it? We designed the characters ourselves so it Ovie and Wale into a series. Once we have something from nothing, where the only limit Entering the market was very tough because My desire to create something original that did not cost anything. However licensing them established the brand, we plan to do a full- is one’s imagination. very few people knew about 3D animation represents Africa, inspired the animated short cost us quite a bit and took some time. animated feature for it and other projects as well.

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Penny Busetto is a South African born writer Fiston Mwanza Mujila was born in 1981 piece by Coltrane. Interestingly, 8 international who studied, lived and worked in Italy for in . He studied Literature and publishers have acquired the foreign rights for about twenty years before returning to Cape Human Sciences at Lubumbashi University. Tram 83. Town in 1996. She is the author of a novel, Now living in Graz, Austria, Mujila is The Story of Anna P, as Told by Herself, which pursuing a PhD in Languages. The winner of the prize this year will walk won the European Union Literary Award He has been awarded numerous prizes, away with several incentives like a £15,000 The Etisalat Prize (2013), the University of Johannesburg prize including the Gold Medal at the 6th Jeux cheque, a high-end device, and a sponsored for English (2015), and is presently shortlisted de la Francophonie in Beirut, as well as the book tour to three African cities. The winning for the Etisalat Prize for Literature (2015). 2010 Best Text for Theatre (State Theatre, writer will also embark on the Etisalat Associated with the Department of English Mainz). His poems, prose works, and plays are Fellowship at the University of East Anglia Language and Literature at the University of reactions to the political turbulence in Congo, mentored by Professor Giles Foden, author for Literature: Cape Town where she is currently working on as well as its effects on day-to-day life. of The Last King of Scotland. It will also include an interdisciplinary doctorate, Penny also has significant opportunities to meet other a deep interest in philosophy, psychoanalysis, He was also a French Voices 2014 grant writers, publishers and most importantly work psychiatry and history. recipient and won the Grand Prix du Premier on a second book. Representing the Diversity of Roman des SGDI for his debut novel Tram Rehana Rossouw was born in Cape Town, but 83. It was also shortlisted for numerous other As part of developing the publishing industry, presently on a self-imposed exile in Johannesburg. awards like the Prix du Monde. Tram 83 has Etisalat will also purchase 1,000 copies of all She holds a Masters in Creative Writing from drawn comparisons to Fitzgerald, Céline, shortlisted books, which will be donated to African Voices Wits University. A journalist for three decades, García Márquez, Hunter S. Thompson and various schools, book clubs and libraries across she has also taught journalism and creative writing. even a painting by Hyeronimous Bosch or a the African continent.

In 2013, Etisalat Nigeria established the first ever Pan African prize celebrating first-time writers of published fiction books. Since then, the Etisalat Prize for Literature has become a platform for the discovery of new and creative talent from the continent. This initiative to promote the burgeoning publishing industry in Africa brings much needed awareness and acclaim to the art of fiction writing, as well as applauds and rewards the efforts of those who have ventured into this genre in recent times.

Previous winners include NoViolet Bulawayo who won the maiden edition for his work We need New Names (2013), as well as Songeziwe Mahlangu who emerged winner of the prize in 2014 for Penumbra. The much-anticipated announcement of the winner of the third edition of the Etisalat Prize for Literature is slated for March 19. Expected at the grand finale is a convergence of celebrated and high profile writers, book critics and academics from across the continent and beyond.

From a 100 entries, only three writers made the cut; two South Africans Penny Bussetto and Rehana Rossouw, as well as Fiston Mwanza Mujila from the Democratic Republic of Congo. Rehana Rossouw Fiston Mwanza Mujila Rehana Rossouw

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John La Rose Memorial Short Story Meet the Judges Competition. She is also a recipient of a The Patrons Commonwealth Broadcasting Association award. As an arts and culture editor of NEXT The credibility of this prize hinges on the Prof. Ama Ata-Aidoo is a notable West calibre of judges, who are saddled with the Newspaper (2008-2011), she steered a groundbreaking weekly supplement on the African novelist and playwright, whose focus is onerous task of selecting the winning entry. on gender issues in Africa. Author of several The judges for this year’s prize are: arts. Recently, Molara Wood served as the special assistant on documentation to former plays, short stories and novels, Professor Aidoo teaches courses on , Prof. Ato Quayson is the chair of this year’s Nigerian President Goodluck Ebele Jonathan. as well as on gender in African society. An edition. He is a Professor of English and the A culture activist, Wood is involved in many alumnus of the University of Ghana, Legon, Director of the Centre for Diaspora Studies artistic projects, in collaboration with groups Ama Ata Aidoo has served as a Fellow of the at the University of Toronto since 2005. He and organizations, including the Africa Movie Advanced Creative Writing Program, Stanford has a BA from the University of Ghana and Academy Award (AMAA) and the Africa University in Palo Alto, California. was a research fellow at the University of International Film Festival (AFRIFF). A former Minister of Education in Ghana, Cambridge in 1995. He is also a Fellow of Ata-Aidoo has at various times lectured in Pembroke College and a member of the Zukiswa Wanner has facilitated writing the Department of English at the University faculty of English where he became a Reader workshops in South Africa, Uganda, Denmark, of Cape Coast. She has also served on the in Commonwealth and Postcolonial Studies. Germany, , Kenya, Tanzania and Board of Directors of the Ghana Broadcasting He is the Director of the Centre for African Ghana. The author of novels like The Madams Corporation, the Arts Council of Ghana and Studies, and is on the Faculty of English at the (2006), which was shortlisted for the K.Sello the Ghana Medical and Dental Council. aspenideas.org University of Cambridge. Duiker Award, Behind Every Successful Man (2008), Men of the South (2010), which was A distinguished Cornille visiting professor shortlisted for the Commonwealth Best Dele Olojede is an award-winning journalist, Dele Olojede in Humanities at the Newhouse Centre, Book Africa Region (2011), and London Cape and the first African-born winner of the Wellesley College (2011/12), he held research Town Joburg (2014). Her short story The Pulitzer Prize for International Reporting, for fellowships at Wolfson College, Oxford Dress that Fed the Suit was selected as one of his piece–Fresh, haunting look at Rwanda a (1994/95), and at the Du Bois Institute for the top 20 stories in South Africa’s 20 years decade after rape and genocidal slaughter had African-American Studies, Harvard (2004). of democracy (1994-2014). Selected as one ravaged the Tutsi tribe (2005). A one-time Quayson is a Fellow of the Ghana Academy of the top 39 sub-Saharan African writers foreign editor of Newsday and the United of Arts and Sciences, and the Royal Society of under 40 (Africa 39), Zukiswa Wanner co- Nations’ bureau chief, Dele Olojede won the Canada. edited the African-Asian anthology Behind John P. McNulty Prize for his vision and efforts the Shadows (2012) with Indian author/editor in creating 234NEXTin Nigeria (2011). Rohini Chowdhury, as well as co-authored Molara Wood, the author of Indigo, a the Mandela home biography, 8115: A collection of short stories, is an editor, Prisoner’s Home (2010) with the late veteran journalist, writer and critic. Formerly an art photographer, Alf Kumalo. She sits on the english.utoronto.ca columnist for the Lagos Guardian, Molara board of the continental writing initiative, emerged as the winner in the inaugural Writivism. Prof. Ato Quayson

xokigbo.com vuzu.dstv.com themanbookerprize.com kwekudee-tripdownmemorylane.blogspot.com.

Zukiswa Wanner Prof. Ama Ata-Aidoo Molara Wood Ellah Allfrey

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Ellah Allfrey is the Deputy Editor of Granta magazine. She sits on the board of Writers’ Centre Norwich and is also the Deputy Chair of the Council of the Caine Prize for African Writing. In 2010, Allfrey was on the judging panel of both the David Cohen Prize and the Caine Prize for African Writing. The following year, she served as a Caine Prize judge for a second term. Ellah Allfrey was also a chair of the fiction prize panel for the OCM Bocas Prize for Caribbean Literature (2012). Her introduction to Woman of the Aeroplanes by Kojo Laing (Pearson, African Writers Series) was published in 2012. The National Public Radio (NPR), The Telegraph, and The Observer have also published her work. A Fellow of the Royal Society of the Arts, Allfrey was awarded

blogs.premiumtimesng.com an OBE in 2011 for services to the publishing industry.

Kole Omotoso Kole Omotoso is an accomplished writer well known for his work in promoting a socio-political reappraisal of Africa, as well as respect for human dignity. Omotoso lectured in the Department of Arabic and Islamic Studies, University of Ibadan (1972- 1976). He has written for various magazines including . In1988, Kole Omotoso published Just Before Dawn, a historical novel on Nigeria. He was a professor at the University of Western Cape, South Africa (1991-2000), as well as in the Drama Department at Stellenbosch University (2001-2003).

Margaret Busby co-founded Allison & Busby wasafiri.org Ltd, becoming the UK’s youngest and first Black woman publisher. She was editorial Margaret Busby director for 20 years and has contributed for various publications including The Guardian, Independent, The Observer, New Statesman, Wasafiri and The Times Literary Supplement. Busby has also served as a judge for several literary awards like the Caine Prize for African Writing, and the Orange Prize for Fiction. She has won many awards for her contribution to book publishing, and continues to campaign for diversity in the industry.

Zakes Mda, a prolific novelist, poet and playwright, is a founding member of African Writers Trust, and serves on the board of advisors. He has won several literary awards for his novels and plays including the Commonwealth Writers Prize for Africa. Awarded an honourary doctorate at the University of Cape Town for his contributions to world literature, he is a professor of creative writing at the University of Ohio. Zakes was also a judge on the 2013 Panel of the Etisalat Prize for Literature.

wasafiri.org

Zakes Mda

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Tram 83 by Fiston Mwanza Mujila

210 pages Commuting in a danfo bus (Lagos transit bus) ISBN 978-1-941920-04-6 (paperback) that takes the Ajah- Oshodi route, I was hit ISBN 978-1-941920-05-3 (ebook) by the realization that all I saw was the effects Originally published in French as Tram 83 by Editions Métailié in Paris, France or hangovers of excessive political paraga English Translation copyright © 2015 by Roland Glasser and economic shepe. I could relate to Fiston First published (2014) by Deep Vellum Publishing Mwanza Mujila’s fiction novel Tram 83. Tram 83 represents a nightclub where everyone converges after a hard day of ripping each other off. A picaresque novel of two characters representing two ends of a pendulum; Lucien (on the one side), the hero of Tram 83 is an idealistic, yet struggling writer, who upon his arrival by train to an unnamed city-state, gets waylaid by his cynical childhood friend Requiem (on the other side) for unsolicited adventure.

Tram 83, a place where everyone is for sale, depicts an inescapable chaos characterized by the sleaziness of pilfering foreigners who take away the city’s mineral resources, the indigenous corrupt warlords, who sell local resources to the foreigners, and locals (different shaped streetwalkers, poor patrons of Tram 83), who must survive in a dodgy, city- state and ask whether it matters if individuals are amoral or righteous.

The novel explores the theory of “the mightier crush the mighty, the mighty defecate in the mouths of the weak, the weak sequestrate the weaker, the weaker do each What Will People Say? everyday family. These characters inhabit by Peter Segal and starring Drew Barrymore other in, and then split for elsewhere.” Hanover Park and the author helps readers (Miss You Already, 2015 and Adam Sandler by Rehana Rossouw who who are moved by the familiarity of it all (Grown Ups, 2010). Anna P, the heroine of Raising thought-provoking questions like, Does and those who have never been to the flats to Penny Bussetto’s novel is a lot like Drew it matter how we live our lives? Whether with 320 pages inhabit them and those. Barrymore’s character Lucy. innocence or without when farce and tragedy ISBN 978-1-4314-2024-7 (paperback) have become a part of our daily reality? The ebook d-PDF ISBN 978-1-4314-2166-4 This novel discusses issues of apartheid Anna P lives on an island off the coast of Italy novel suggests that the best way to live would ePUB ISBN 978-1-4314-2167-1 and the experiences of marginalized South but has lost her memory and cannot recollect be to get the heck out of there and then tell mobi file ISBN 978-1-4314-2168-8 Africans who were forced out of Cape Town how she got there, an amnesia caused by the world what you saw. Originally published July 1 2015 by to live in a disadvantaged community. sexual trauma, serial abuse and victimization. Jacana Media (Pty) Ltd. A South African, Anna P has no memory Tram 83 strikes me as a very honest work of her birth country or its people. The only depicting the internal conflicts and struggles An unexpected piece of fiction,What Will The Story of Anna P, As Told relationship she can make any sense of is one of a city recovering from civil war. Like most People Say? is a family saga that draws us in with a sex worker she solicits by the hour. African countries dealing with a disastrous and makes us wonder what would happen By Herself by Faced with a constant struggle of identity, this present resulting from a cruel past, and next. It is a story of a family living in Cape Flats novel asks its readers questions like, Can you heading towards a seemingly treacherous during the apartheid era. From the church- Penny Bussetto make ethical choices without an identity? Does future, this work of fiction is set in an African going mother, Magda to the loving but clueless having an identity matter? state ravaged by war and corruption, whose father, Neville, to Suzette the oldest daughter 153 pages peace time is characterized by death and the determined to get away and make a better ISBN 978-1-4314-1016-3 (paperback) Anna P’s life begins to make meaning when deafening sounds of machine guns. Mujila’s life for herself, to Nicky, the unselfish one, to First published 2014 by Jacana Media (Pty) Ltd. she forms a bond with a young boy, who helps Tram 83 is relatable, realistic and definitely a Anthony, the naïve and doomed son, Rehana her connect to her emotions as she finds must-read. Rossouw captures the essence of an average Remember 50 First Dates (2004) directed value in herself.

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Featuring in this section, are iconic actors who represent the older generation of Nigerian actors like Taiwo Ajai-Lycett, known affectionately as TAL by her friends and admirers, and who despite her many successes on the screen, shares with us why she prefers to be seen as an outsider in Nollywood after so many years. There’s also Sadiq Daba, who like fine wine, gets better with age, while the quintessential Wale Ojo is one of the few accomplished actors who bridges the gap between the old guard and the unfolding generation of Nigerian actors.

Photography: Yetunde Ayeni-Babaeko for Camara Studios Makeup: Sacred Artistry Styling: Tayo Shonekan and Adebimpe Adebambo Men’s traditional outfits: Kola Kuddus Sculpture: Ebong Ekwere Location: Omenka Gallery, Lagos

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For decades, Taiwo Ajai-Lycett, has thrilled millions all over the world. In this exclusive with Oliver Enwonwu, she talks about her journey including the defining moments that shaped her Flife and career. When you were at about 19 years old, you was out of the question, but being a pragmatic and poetry. left Nigeria for England to study. Please person, I decided to apply for the next course tell us about this early period in your life because as one progressed, they taught us I had a special time in England. Nobody saw including your successes and the difficulties typing and shorthand. I would say my eclectic me as black, green or yellow; they just saw you encountered on your journey in to taste developed from reading all the things me as a mind. This is why I will not forget Mr. acting. I was typing, from science to mathematics Coates, I owe a great deal to him because ‘Show business’ was entirely accidental. When and literature. I was fascinated and absorbed through him I educated myself. There is I left here to study abroad, I was going to be a them all. At the end of the 6-week course, racism by the ordinary illiterate mind, but the lawyer because it was conventional. It was on which the civil service paid for, they assigned professional mind is a completely different the eve of independence in 1960, and having one higher. I was taken from the typing pool one. There is a class hierarchy in England, and a law degree got one not just to practice law, and assigned to the directors. First, I went to as you know, not all professional minds belong but to know the law. Nnamdi Azikiwe and the director of personnel, Mr. Coates; I will to the higher class, like those who struggled to Obafemi Awolowo were lawyers and could never forget him  he nurtured my curiosity find their own niche in the system. speak for the people. I wanted to be a one and gave me books to read. Till today, if you so that I could be a spokes person, but when give me a book, I know you love me. I am not Soon, I went for another course and got I got there I had to work. First, I got myself a interested in diamonds or anything like that, posted to research and development, where typewriter and learnt to type so that I could but if a man looked and talked to me, then Mr. S. Wood was the director. It was at a time work anywhere. I had to wait tables to get thought, Taiwo should read that book, then when PCs were being developed. People money, but one day, I saw an advertisement in no greater love hath no man. If any one wants were coming from America to have secret The Guardian or The Times that the civil service to open my mind and nurture it, then I know meetings in my department, where these department and the General Post Office were he is a true friend. The books introduced me were being developed. This was between looking for people to train in their secretarial to all sorts of things, for example Egyptian 1962 and 63. I was the secretary then, and field. So I applied and was successful. They poetry. During lunchtime, I would go to the present at the meetings. Scientists were sent us for training and then assigned us to lunch office library to study various artists like developing this amazing thing–the computer Turban: Aimas the typing pool of the civil service. I also Leonardo da Vinci. That was how I came to phenomenon that is taking over the world Kaftan: Ejiro Amos Tafiri registered at Pitman College. Now lawyering know about your father, and to appreciate art while I was typing away, going for meetings Jewellry and Footwear: TAL’S own

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and having geniuses and great minds come was. I could not work in England without I also thought to myself, it would be nice to to prepare for the future. They would even an equity card, the theatre had to apply on have an African wake. Tom Lycett, my husband, talk about if there would be a need for my behalf for a temporary one as I did not came all the way from London to Dublin to secretaries in the future because computers have an agent. Soon Elizabeth Allen Jeffery see the play. There used to be a Yoruba drama would take over the world. I listened to of Premier Management signed me on. The group at Ebute-Metta, behind the fence. I could all these discussions, read their papers and following week, John Smith (I think this is his always hear them sing this song, and I liked it; it prepared the reports for my boss. They were name) who was Head of Domestic Service was so evocative it made me cry. It was about highly confidential events between America at the BBC, asked me to come to the Bush a warrior who died in battle. The village no and Britain,about how every home and House, and then the show started. So it was longer had this champion and so the women office would have a PC. It was working with just something I did during my holiday while were wailing about where he was (starts S. Wood in research and development that waiting for a friend. singing in Yoruba). The meaning of the song is if made me change my mind from law. When there is war here, you have to fight it for us. So I now go round London and see the post When people started approaching me for my dirge was not only for Lumumba but also office tower, I tell myself I was there when work, I said to myself, ‘I am a fraud. One of for a war being pitched in Africa; I sang it in that started. No one knows who I am but I these days they are going to find out that I am Yoruba. Tom, who was in the audience told me am proud to be part of it as I feel an affinity, an interloper, I had better do something about later that if a penny had dropped, one would a proprietary connection, though I was only this.’ Do not forget that all my life I had been have heard as the audience was so captivated. a secretary then. I was later posted to the learning this or that. If you like, being secure The next morning, I was in all the papers and I private office of Lord Hall, the Chairman of about my own talents or gifts because theory became the toast of the town. Then, I was still the General Post Office as senior personal is important, and one has to get it right. So doing other things like studying accountancy, secretary, then to the minister, John Stone’s I rushed into training and forgot the private but my husband warned me against being a house. He was the postmaster – general. sector. I went to the City Literary Institute in perpetual student. He said that he had not So I worked up from the typing pool in the London, and even tried to learn to play the met anybody as broadly educated as I was, so General Post Office to the minister, that is because of the musicality in acting, as I have to give education a rest. “If it is about extent of the broadening of my knowledge. one has to know all the underground roots. I money, I will put a stipend into your account I worked with people who run the system also tried to learn to play the guitar and work every month. You are an actor. I know you are there; they broadened my knowledge and on my voice. Not only did I go to school, I multi-talented but you have to focus on acting educated my sensibilities. had private tutors like Sue Ridges who later because this is your calling, as when you got on became one of my maids of honour when stage, everything shut down even though they How did you delve into acting in London? I married Tom Lycett. So my life has always did not understand what you were saying.” While at the civil service, I had a friend, been consumed with my work. Yemi Ajibade whom I was about to date and You attended the Christine Shaw School of after work we would go for tea. Rehearsals I also went to down Floral Street at Covent Beauty Science and Cosmetology, London were taking place for the premiere of Wole Garden to learn ballet and modern dance. I where you studied cosmetology, and later Soyinka’s The Lion and the Jewel. I was sitting then started television, eventually enrolling for earned a Diploma in Business Studies. Have in the foyer one day, when the director of a course at the Guildhall School of Music & these separate fields had any influence on the play approached me. I was dressed like Drama; world-class musicians were there and your acting? a model in those days; I looked unusual, not I had good teachers. Mrs King was my teacher While I was working at that height at the artistic but very elegant. He walked across the in acting while Mr. John trained my voice. I also post office, it occurred to me that I needed foyer of the Royal Court Theatre in Sloane had the Australian, John Wilcox, who taught to be well groomed because my bosses were Square and asked if I was an actor. I said no, I me to sing modern musicals. This is the range entertaining people from all over the world. was just waiting for my friend Yemi. He then of training I spent my money on in my journey Depending on my status, I was entitled to asked if I would mind being in the play. I said I’d to becoming an actor. I was taught all manner a holiday of between 4 and 6 weeks. So think about it. I hope he is still alive, his name of things that I would like to pass on to aspiring every holiday, like a proper Nigerian, I went is William Gasscol and he was the legendary actors. I cannot remember my first show but to study something or the other including Artistic Director of the Royal Court Theatre. I played at the Edinburgh International Festival; filmmaking and cosmetology at the Christine He is one of those who started the modern if as an actor you have played there, it is a Shaw School of Beauty. Cosmetology entails English theatre.The Royal Court Theatre is big deal. I think my first appearance on the knowing how to dress properly for various an avant-garde theatre; they tried things that international stage was the Dublin International occasions, especially cocktails. You do not orthodox, conventional theatres wouldn’t. Festival. Conor Cruise O’Brien, a diplomat have to look like a model but you must Whenever I took a holiday, I went to study who was a deputy to Dag Hammarskjöld, the have everything put together absolutely something or the other. So when I got back to Secretary-General of the UN at the time, right, including your makeup. So I studied the office, I told my boss that I would like to wrote a play about Patrice Lumumba titled cosmetology to aid my work for the post take my holiday, but because I thought it was Murderous Angels. It was about the shenanigans office. It wasn’t that I wanted to be a makeup a project for a year, I joined the Royal Court of the UN and how they sacrificed Lumumba artist; I just wanted to understand what it Theatre and started going for rehearsals. That with African politicians in the 60’s when African meant to put yourself together. Looking is how it all started, I never set out to be an countries started gaining independence. Olu good is good business. When you look good, actor; it was completely accidental. Most of Jacobs played Shaun Bay and Gwen Mahoney you encourage people to tidy up themselves the girls were Ghanaians and Africans from played the assistant to Hammarskjöld. I played because when you are in the public eye, the Diaspora; West Indians and Americans. Pauline, Patrice Lumumba’s wife, but not there are so many impressionable people A girl called Stella and I, were the only without a word. I was only supposed to be looking at you. You have to send a signal that Iro and Buba: TAL’s own Nigerians. I was just having fun, but then we crying when they came to tell me my husband is edifying to everybody. How you comport Necklace and Earrings: Beampeh opened the floodgates to people and the died, so I asked if I could do a dirge for him, yourself and how you speak is what you learn Bracelets and Rings: TAL’S own press who wanted to know who my agent as what was happening in Africa was intense. in cosmetology, which is not just about the

46 OMENKA MAGAZINE 47 OMENKA MAGAZINE VOLUME 2 ISSUE 3 VOLUME 2 ISSUE 3 FOCUS - PROFILES, INTERVIEWS FOCUS - PROFILES, INTERVIEWS painting of the face. Even if painting the face You came back to Nigeria when the Everybody was mystified about why they is a perspective, it is a vision you want people standards weren’t as high as those in the UK were here on earth. They had certain to see. It is a point of view you are trying and acting wasn’t so popular, how can you knowledge about herbs and many other to communicate. Though, it is a mask, what compare the difference then and now, and is things. They solved problems. What do we do is it saying? You have to be aware of that. there any room for improvement? to them? We make them a laughing stock. I What is your brow saying? Where are your In Nigeria, there is always room for think everybody should be ashamed of the cheekbones? Is your face animated or do you improvement. Life is a stage and every one of way they have portrayed the people who kept want to be passive because you are sending us is an actor but because we are Nigerian, we our culture and society together. These a different message? Cosmetology is not just are more theatrical than most countries and people understood their responsibilities to about a face, it is meaningful to whatever I do. think each of us is an actor, or an artist. This is their community and discharged them. In that Have you seen the many faces I have? Each the reason we do not appreciate art; it is all contract, it is written that if you do not deliver, projects different ideas about my person or around us. It is difficult for some to you must go into your room and as Yoruba character, so I am able to live with my face particularize what we do. They take it for call it, parada (change yourself). In other whether I have makeup on or not. Indeed, granted when they see masks and paintings, words, go and join the ancestors. It’s not like cosmetology has informed my life and work. It and do not take an academic, analytical or the this lot on TV, who thinks they have the still does and maybe that is why I do not take intellectual view. Actors think they can do power of life and death over people. In those painting my face too seriously. anything, including standing on their heads, days, if a witch doctor said it was going to rain especially in performing art, where everyone and it didn’t, he had better disappear because Acting is not just a show, there is a business is a dancer or singer. I have studied singing all what is the use of predicting something that attached to it. My training helped me learn my life but I would never say I am a singer. We doesn’t happen? They were good, kept people that it is not play acting but that it is to an do not know our limitations; it is difficult calm and comforted them. They healed the end and can be commercially and financially because everyone wants their five minutes in sick, but what do we see now? That my meaningful; and when you realize it, you can the sun. When one is put on television, it husband is interested in another woman, I plough back more to develop in that area. The doesn’t matter what he or she is doing. As it is come to you and say give me poison to put in reason we are struggling is because we have a compelling medium, the content is irrelevant. his food. This is rubbish because it is not what not taken care of business, it is all show. We Everyone wants to be recognized, but one they were doing in those days; at least those do not have managers because everyone just should be recognized for something. There is who did so were charlatans. But then we start wants to take all the money. However, you no self-criticism; there is little humility in our our own thing and project to the world that must have specialists even in show business  show business as we think we know it all. we are a people who are superstitious and people who manage you, and you pay them Nollywood exemplifies that. There is no fetish. The way we are packaging and to take care of business. Instead, we want to doubt that it is an energetic system that has misrepresenting what is happening shows we grab all the money, and think I am the talent, breathed life into show business in Nigeria in do not truly understand what they are. That’s so why should I get 10,000 naira and pay him the last 20 years, but it is very complacent. my fight with Nollywood. If you couldn’t have When it started there was nothing happening a baby, you went to see the babalawo because 100 naira? You must do that, concentrate on around and some people with a business he was your doctor. He was the one who what you know. You can focus on that while survey decided others were going to be knew which herbs to put together for you, other people help you grow, perchance, you entertained. It was very imaginative and and to tell you what to eat so that you can be can even make more money than if you are creative to do that, the energy is prodigious, more fertile, ready to ovulate and pregnant. Is struggling in areas you know nothing about. but to what purpose? It is exploiting people’s that what we are seeing now? We ought to Even if you know about these areas, let others need. I understand that is the essence of the be ashamed of ourselves for rejecting our earn a living because when all these people entertaining business but it is abusing their culture and becoming such a laughing stock support show business, it grows. That show helplessness and inability to question, and just that people think we are witch doctors. My business is unsung means that so many people take what they have. This is a national malaise understanding of what these babalawos were have to work together to achieve that goal. because 51 people are stealing us blind and in our community is that they carried us It is a function of illiteracy for anyone to play we do not say anything because of our through before inoculations and vaccinations diva because you know your true importance ‘poverty mentality’, we think well they are were discovered. They knew what to put when you realize so many people are behind lucky, maybe one day we would be there as together and though they didn’t have you to get you out there. If the wardrobe well to eat some too. Well, it is shortsighted. If injections, they would cut you to rub these person is not doing his job, the make-up one does not plant the seed, what one is things in so that they go into your blood person is not doing his, the lighting camera eating now will finish. One constantly has to stream. We may not have invented whatever man doesn’t know what he is doing, the stage grow things so that one can harvest. The same it is, but it is our responsibility to tell the world manager doesn’t know too, and the coffee lady with the people who started Nollywood; that we are not people to be trifled with. A who is going to serve you doesn’t know what anything that is moving on the screen will lot of them came here to get the herbs for she is doing, where exactly are you? I always engage people. It is not for nothing it is called most of the things they are giving us through think politicians in particular should look at an idiot box. It carries some of us, who are injections. They synthesized and advanced show business; it is unsung when people have acting, away because we are recognized on it. them because that is the way of universal to work together to achieve a great whole. It There is no literacy in what we are doing; knowledge, called universal consciousness. You doesn’t matter who gets the credit because if Nigerians are not reading and do not could start something but the next country Makeup: Sacred Artistry what you are doing is marvelous, you all win; understand their own culture. Take this fetish would advance it. That’s the nature of Hair: Flora it is not about you. That is what I learnt about nonsense as an example. When we had knowledge but Nollywood constantly projects Styling: Tayo Shonekan business  for me to win, everybody has to babalawos, they were not useless people. They to the world that we are so backward and Orange Top: Ejiro Amos Tafiri win. So yes, my business training is important were our modern psychologists and medical knew nothing about anything, and you think I Necklace: Emisara in my development and in understanding what people, who helped explain what the universe should align with that? I don’t agree. They Earrings: TAL’S own I am doing. is. They were not trivial, and not killing people. imbibe other people’s cultures they do not

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into an industry and projected ideas and from what I read and hear, that on Valentine’s the greatest critics of Nollywood.’ I also said, images. My people should not be projecting Day, you get a present so you can bed her. Do ‘I hope this is a new dawn for Nollywood. My the kind of images we see because we do not they even know the background to the business is not quantity, it is quality.’ If it were need the outside world to tell us who we are. Valentine that they are talking about? Some up to me, I would be the last person they Look at the way the international media is people said they didn’t see J.P. Clark at my 75th would want to honour. I was encouraged and projecting Africans the way they see us but anniversary celebration. I replied it is not his bag received the award. They were very hospitable we have a chance to let them see who we are for those who know him. Just before my and maybe they are now listening. I have never –the largest population in Africa and the birthday, he brought me three white roses; one been averse to working with anybody and cleverest brains in the world. Showbiz has a each for 25 years of my life. It is pure love; his yes, it is true that I am a juggling actor, but I responsibility to project what Africa truly is, feelings towards me are adulterated affection care about what I do. I want to make a mark; and the contributions we have made, and that does not cover sex, but many people I want to make a contribution, because it has continue to make, and how important we are wouldn’t understand this. I am not part of to be worth something. This is a journey that to the rest of the world. We are consuming Nollywood because it is not portraying our none of us has traveled before, so someone here, everything they are producing, all our culture. I believe Nollywood should be the shines a light on it for somebody else. That resources are being exported over there and mirror of our society. There is good and bad in is the only reason one should be there. I am yet we project that we are still so helpless and life. When you show bad, show good but what self-educated; when you travel it broadens useless, do not have anything and have to we show is this very rich ‘big’ man. We do not your mind. I didn’t go to Europe just to get depend on them to give us things. Hollywood know what he does to get money, but the Europeanized. Knowledge isn’t only in Europe; almost single handedly colonized the world media shows that you have to be bad to get up it is universal and belongs to everybody. You with the idea of America and the American in life. In our films, we want to be that rich man take knowledge and not wait for somebody to lifestyle. A lot of it is from their films but false. who stomps on the poor like they are give it to you. The Pope carries his own brief America is the land of the peaceful and the nobodies, further polarizing the society and case and umbrella. People are mystified when free, but many of us know the reality. Have sending the wrong message to the architecture they hear from him that the secret of success you seen any film from America without the of our culture, as the enemy of an open society. is service; they do not understand. American flag in the background? One way or the other, that flag is flown all the time, even Owing to your most successful international What new projects are you working on and in the romance films. Are we thinking deeply? career, a few critics argue that you are not what advice do you have for the coming When I talk about illiteracy, I mean the inability part of the Nollywood film industry, how generation? to think analytically and deeply about one’s would you react to such criticism? I want to establish the Taiwo Ajai-Lycett Arts self. Project only what you think is good about My fight with Nollywood is that we consume Academy. When Ike Ude visited and inter- yourself, not judging yourself badly by ideas other people’s ideas. In show business where viewed me, he met several of the actors. received from other people. In our films we we should be spilling ideas, we are still He challenged me to run master classes for are still consuming everything that Europe and consuming their bankrupt philosophies and them. However, they don’t think they need the rest of the world throws at us, not looking ideas, and thinking people would take us training, but there is a new generation in at contemporary issues. Take romance, what is seriously. We do not take ourselves seriously, entertainment, who want to learn. Those are the style of romance between our young and when somebody says Nollywood, the the ones I am trying to catch. I have a place at today? The only examples we have are what largest film producer, we fall for that. We are Egbe but in the mean time, I’ll see if I can run Hollywood is giving us – the high number of so happy that we just spew it out like that. at . Money is the engine; they one-parent families and the fact that our How clever we are (laughs) when people can see more people flashing money around, women are ready to have babies without are actually insulting us because nobody but I still want to correct that to stop them husbands, and plan not to have a future with can produce any quality feature film in two thinking that everything starts with money. I weeks. There is no greater fool than a fool want them to know that one creates prosper- even understand and make them look way I did back home and I don’t come from a they are not comfortable with the Black skin, their men. I remember when I did Winds who doesn’t know he is one. Do you know ity through knowledge and execution, because superior, so why should I be doing business backward family, but I am an African and I do if you buy into that nonsense. Here in Nigeria, Against My Soul. People didn’t just know me how long it takes to plan, the shooting and both total success, and that for one to make it, with them? My business is to make the world not intend to look White for anything or it is only if you want to accept that but I didn’t, from watching me in England, they also know everything else? However, there is something one must not pursue money first. It’s not the know who we are; it is because I am like that I anybody. I have lived and witnessed Nigerians I was intensely African and still am. I am me from work that I did here. They talk about nobody can teach you – your own ideas. There reason to want to do something because one have been able to work with them. They going to sit somewhere else. This business has Nigerian and I find it insulting for anyone to my accent, but I say what accent? It is just an is nothing original in this world but different must first have a vision and line up how you respect you for who you say you are. When I been carrying on for 60 plus years now. There even challenge how I look. My boss was very educated voice because you must hear what I perspectives on the same idea. For example, want to achieve it, and that as you are doing, was modeling, they said my teeth had too is this incredible self-loathing we have that fond of me at the first place I worked, the am saying. Even the market woman the roots of jazz are from here, and most of it you would be getting. At the moment they are many gaps and wanted to fill them up, but I everything foreign is the currency. It would Lion’s Tea Shop at St. James, London. People understands what I say because of the is experimental. I am offended by the way we attracted to showbiz because they can see all said, ‘in my country, this is sexy, it is beautiful.’ fascinate Europeans that Nigerians do not used to come there because I talk a lot. inflexion my voice comes with. I am seeing the have opportunities and don’t do anything about these so called celebrities. First of all, I want So they learnt something. We have sold a want to be associated. The Europeans say our Wearing their bowler hats, they wanted to money I spent on many teachers, as I grow them. One might ask, why aren’t you doing to stop this celebrity nonsense so that they great deal to Europe that many do not realize. hair is nappy; we buy it and then hide it. In know where I come from, because to travel all with my inflexion. I have an actor’s voice and I anything? Well, I am an actor. I am portrayed can see this as work they can take a high sense I used to carry my nephews on my back down America it is a different kettle of fish, the the way from Africa to England was a big deal am not trying to conceal that I am a Nigerian. as an enemy of the industry, because they of responsibility to, a commitment to change, Oxford Street and people would stand and Whites do not want to see our hair, so Black at that time. They hadn’t even gone to It is because my voice is trained that I give can’t hear what I am saying. They think I am a blessing to themselves and the communi- watch us. They developed the sling that you Americans have to put on scarves. People Brighton themselves (laughs) and yet, I came value to my vowels and diphthongs, as there is criticizing them and being too snooty because I ty, and an avenue to build the society while use to carry children, and now we buy that should educate themselves even in America. all the way from Africa, talked like this and no point talking if no one can hear what you am from Europe. What insult! That’s why I do making a statement about their culture. You and think they invented it. These are the The Black Americans have different types of knew about their country! Nuns educated us are saying. Everybody watched Winds Against not want to join them. It isn’t all about talking; have to do the work for the money to come things that show business in our country hair and bleach to become more acceptable. I in the type of home I came from, so we were My Soul; it caused streets to shut down. This you have to talk to people who are listening in. That is the philosophy behind my school. If should project. I remember I would go in the can accept that because it is where they live, articulate and knew all about England. My was the mother of all soaps and so intelligently to what you are saying. But maybe they are you want personal recognition, then you work underground and Nigerians would get away but what is our excuse here? They were brothers and all my family are very articulate written by Laolu Ogunniyi. Romantic love beginning to understand because recently, for it. When I say work, I mean not necessarily from my side because I looked so backwards, forced to do that over there to get jobs and and very well educated. I started my fades but what makes love, is not romantic Nollywood gave me the award for Legend of with sweat, but work smart, don’t even expect like a maid or a village girl. They wore wigs or be more assimilated because if they do not professional life in the city of London and how love. It is like the Valentine’s Day we celebrate, Nollywood. I said to them, ‘This is very funny anything because you do not work for nothing, their hair relaxed. I used to do my hair the look a certain way, they won’t employ them as we projected ourselves was essential. I got what does it mean to Nigerians? We should have a film about that. It seems to me now because everybody knows that I am one of the world gives to you what you give to it.

50 OMENKA MAGAZINE 51 OMENKA MAGAZINE VOLUME 2 ISSUE 3 VOLUME 2 ISSUE 3 FOCUS - PROFILES, INTERVIEWS FOCUS - PROFILES, INTERVIEWS SADIQ DABA IS LIKE FINE WINE WORDS ADEBIMPE ADEBAMBO, PHOTOS YETUNDE AYENI-BABAEKO

Iconic Nigerian actor, Sadiq Daba was born in Kumasi, Ghana and grew up in Freetown, . He started off his career as a broadcaster after a chance meeting on his first visit to Nigeria in 1968. He tells Adebimpe Adebambo about this encounter, his unease with the prevalent standards of broadcasting in Nigeria, and his trajectory as an actor. Like fine wine, which gets better with time, Sadiq Daba takes us through his long road to recognition!

Your mastery of the English language is well my voice, playing back and pretending I am man found it very hard to believe but before Iknown, perhaps due to your long stint as broadcasting to people. That’s how I got into we left, he asked, “Can you come over to a broadcaster at the Nigerian Television it, but soon I left Sierra Leone for Nigeria in the broadcasting house, Radio Television Authority (NTA). How did you get into 1968 because I wanted to see my country of Kaduna? Let’s talk to you.” I thought he was broadcasting and acting, which came first? birth. I came to Lagos, which was so different joking and to humour him, I went over to the This is very nice! This is the first time from Freetown. All my cousins had left broadcasting house, and was auditioned. It was someone is asking me a question that is to me in Freetown and everybody was going still a big joke to me and two days later, I went the tee. Mastery of English, broadcasting, back to Nigeria, so I woke up one morning back to Kano and completely forgot about which came first? Of course, broadcasting and said to my old man, before you die, I the whole episode. Another two days later, a sharpened my English because we had to go need to go and see where you come from. letter came inviting me for a formal interview on training. Acting is something I got into by It’s only you and your brothers left here in for work. I was nowhere to be found. My accident, not something I planned or wanted Freetown. He nagged and nagged, but on this cousin, the retired major, drove from Kaduna to do. Broadcasting was always something I beautiful day, June 28,1968, he bought me to Kano with a military land rover, bundled dreamt about. I didn’t grow up in Nigeria, I a ticket, and I embarked on a liner, The MB me back to Kaduna and handed me the letter! grew up in Freetown, Sierra Leone. Growing Dumura from Freetown and landed at the That’s the story of how I started work as a up there opened my eyes to broadcasting. port five days after. I’ll never forget broadcaster back in 1973. Sierra Leone is a very small country and we the experience since it was like coming from used to have this wonderful broadcaster one small village to a town. I had never seen Can you tell us about your fondest on Sierra Leone Broadcasting Service. He is skyscrapers before. Soon I left Lagos and went memories especially when compared to late now, William Roberts they called him. to Kaduna to visit a cousin of mine, Major broadcasting today? His English was impeccable and it made (rtd) Mohammed Daba. One day, I took a The first time I saw a television was when I you want to be like him. I always dreamt stroll to Hamdala Hotel, which had a garden got to Nigeria, as at the time I left Freetown, that one day I would be a broadcaster and bar and sat at a table where my destiny lay. there was no television there. Here in Nigeria, work at a radio station. I had never seen or We got talking and then someone at the I started listening to people like Adamu Aoki, been to a radio station in my life and then table, Hadiza Baba Mohammed introduced Aba Zoro, Mike Enahoro, Ikenna Ndaguba, one beautiful Christmas day, my father (may me to her friend, who asked me “Have you and Marios Ugada. If you shut the door and his soul rest in peace) bought me a tape ever worked at a radio station?” and I replied, don’t see them, you’ll think they are British–no recorder. I’d play games by myself, recording ‘Me, I have never even been to one!’ The accent; this gingered me up. If they can do it,

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why can’t I? And of course, the opportunity Sienne will also never go on air to say that. to become a broadcaster was handed to me These are old school people who go by the on a platter of gold by Baba Ahmed. When rules. I finally got the job, I met people like Ibrahim Abba Gana, and became friendly with others Perhaps it’s what the stations want from like Sienne Allwell-Brown. However, if you these younger people, some of whom are are not competent, you are in trouble as your now called On Air Personalities (OAPs)? boss will be on your case. They had their OAP is another stupid one. It was about little radios with them 24 hours, seven days continuity in those good old days but with a week. If you are on duty and dare make a the advent of Nollywood and all of that mistake, pronunciation-wise, you are in soup razzmatazz, glitz and glamour, they needed to because they will call and suddenly, you will change and struggle for relevance to be like see the red light in your studio blinking. One Jim Iyke and co, so I guess they had to fashion must run for dear life because only God something for themselves. Whoops out of knows if you are going to be fired or what the hat came OAP and of course, if you do else would happen. I’ll give you an example, OAP, you have to sound OAP. At times, one there was this fine day, I mispronounced the doesn’t know what he is hearing. Cockney? word schedule, and then I saw the red light Welsh? They don’t speak English, I tell you. come on! In five minutes, my boss was at my Some also don’t pronounce names properly. door. I quickly put my fader on because he The hallmark of a good broadcaster is to cannot come in if my light is on. I could see pronounce names as they should be because him fuming, waiting to have my head but I if one doesn’t, it might mean an insult or refused to open that door to let him in until something even very vulgar. I was taught, if he eventually left! The joker was waiting you don’t know, ask and save yourself some somewhere and after my duty, I came out trouble! You can show someone a piece of and he said, “Come here, I have been waiting paper with a name written on it and ask for you! Pronounce this word, schedule.” how it’s pronounced, or ask directly how the I said it the correct way and then he said, name is pronounced. That’s why there is a “Oh, it’s not that other way? May God punish newsroom. There is a whole long table with your mouth!” It was fun because you had to people and what you don’t know, you can ask be on your toes as someone somewhere the next man. When you watch Sunrise Daily is listening. A couple of years after I came on Channels TV and you hear Chamberlain on a training programme in Lagos and I met and Alade, you want to sit to listen to them those I called my mentors then; Bode Alalade but when you turn to Silverbird, you want to who taught me how to pronounce his name switch off and then go to MITV. However, its properly, and the great, nice lady Julie Coker. Yoruba in English so you save yourself all the They took me as their own. Then there was trouble and go to NTA? But better for you? a funny thing that happened–the late Art I don’t know! I don’t want to even mention Alade, invited us to a party and to make jest LTV 8 because that one na ‘shon of the shoil’ he said, “This young Hausa man from Shokoto dem transfer come put for their studio! I get and I replied, ‘Excuse me sir, the name is not emotional when I talk about my job because Shokoto, its pronounced Sahkwato. He said, for 35 years, this is all that I have been doing “Ok, I stand corrected ladies and gentlemen, and I have not given up. Nowadays, I give its now Sahkwato because that is the correct some training; sometimes, I am invited to pronunciation.” I get angry when one can say talk, which is great. The last time, Madam Obama, Clinton and Sanders, and then cannot Yerima of the Theatre Arts Department, pronounce Bimpe properly! Why? And then Redeemer’s University invited me to speak. to further my annoyance, and in response It was so lovely to talk to the younger ones to your question about standards then and and tell them the proper way to do things. now, how dare one go on air without our It’s so nice and I don’t get tired of talking to Bible by your side? We call it the Daniel Jones people. My boss Peter Igho used to say, “If because whatever is not in that Daniel Jones you don’t ask, I won’t tell you. If you want is not English. Your pronunciation matters a to be stupid, please be stupid!” The other lot. I have never seen, I gonna, I wanna, or yo, day, I was talking to Sonnie Irabor about his in Daniel Jones, but then it is illiteracy because station, Inspiration FM. He has tried, I have too people want to cover up their shortcomings, but you can’t break somebody’s head to put so they use these kinds of language. The only knowledge inside. There is no newscaster or people who speak like that are illiterates in presenter on Channels who goes I wanna or Europe or America. When you watch BBC I gonna. When you go to Silverbird, from the or CNN, do you hear them use gonna and CEO to the gateman, they are all American wanna or yo and whoopee? I don’t know and Irish, or in between–cross bred Irish- where they got that craze from. But suddenly, American or Nigerian Canadians. Ben Bruce it became the vogue. You will never find a was my boss, he was once Director-General Sonnie Irabor or John Momoh saying that. of the NTA, and so from Bruce to the head

54 OMENKA MAGAZINE 55 OMENKA MAGAZINE VOLUME 2 ISSUE 3 VOLUME 2 ISSUE 3 FOCUS - PROFILES, INTERVIEWS FOCUS - PROFILES, INTERVIEWS of presentation, you know where they are I love. I can take you back in time to the days called. I said ‘how can it be me?’ My name was released films in Nigeria are glorified coming from. I am saying this without any of Cock Crow at Dawn, when we were talking called again and then I looked at the hall and reality shows, where actors are idolized apologies to anybody because it’s my terrain about stories of everyday people. People were saw people standing and clapping for me. If and little is done to project our traditional that’s been trifled with. If you build a radio running to their houses to watch Cock Crow at you were in my shoes what would you have cultural values or tackle serious issues like station and you say this is purely dedicated to Dawn. Why? Because we were telling stories done? You would have shed tears. During the corruption and Boko Haram. What is your the American system, so be it. But then you they could relate to. We have a thousand and AFRIFF 2014 award night in Calabar, I was response to these assumptions? are polluting our Nigerian morals and culture one stories to talk about and not ‘Ojuju jam in Abuja when somebody called me around We cannot run away from who we are in and what we stand for. Are we Americans, or ojuju’, ‘Sharon Stone visited Enugu’, or ‘The midnight saying I had just won an award, which spite of our faults and shortcomings. We do we look like Americans? good, the bad’ and ‘he came back home again’, also came with money in dollars. I exclaimed, also have amazing forbears who did many and then there will be part one to five ending ‘Ahh… great!’ Then AMAA came the wonderful things for this country. Have we You recently appeared in October 1 and on with “To God be the glory.” Of course, they following year. When I called Kunle up to the told the stories of people like Jaja of Opobo, several TV series like Hotel Majestic, what have to put God if not, it won’t sell. podium to be with me at the AMAA in 2015, Queen Amina of Zaria, Moremi of Ife and do you consider before accepting a script? it came from the deepest part of my stomach the likes? Let’s do that. Was Things Fall Apart You mentioned the key word script. If the We heard you had a disagreement with Kunle because he absolutely believed in me. He not a Nigerian story that gained international story is not good, I won’t accept it. I also need Afolayan and were going to leave the set of came to my house to convince my wife that recognition and is still being studied now? to know who the other actors I am working October 1, what was your experience like there was no one who could fit the character People will never forget Pete Edochie as with are, who is directing me—his pedigree. on the set, as well as winning an award at and interpret the role except me. Okonkwo. Let’s face our own stories and Out of the matchbox, I will not work for you. the 2015 AMAA as the Best Actor in a Lead do serious work. All those films where we If those I am going to work alongside are from Role, and giving a very moving speech that I was on the set of Hotel Majestic when are trying to do I don’t know what, spoil our the Enugu vista and they don’t know what got everyone on their feet and some teary Kunle’s general manager called to ask if imanueljannah.blogspot image outside the country. October 1 was a they are doing, I will not work for you. If your eyed? I had my passport. I too asked if he was Nigerian story that talked about issues like storyline is ‘part one, two, three, four and five’ Kunle is like my younger brother. I must give joking and if Kunle and I were traveling tribalism; we may not be comfortable with or “To God be the glory”, don’t come near it to him, he is a workaholic and crosses his t’s somewhere together. Then he replied I had everything about us but we have to tell it. me! and dots his i’s. That tiff wasn’t about Kunle, been nominated for yet another award and Tribalism was started and encouraged by it was about the people surrounding him. He this time, the event was going to be in South someone and stories like these resonate with Do you work with only older people with will delegate duties, but they will not carry Africa. other Africans and even people of other a certain pedigree or you also work with them out. People will connive but he has a countries of the world. There has always been younger upcoming actors? large heart. However, these things get to me. How do you compare old productions like conflict between peoples but the resolution I absolutely don’t mind working with younger For example, when you expect to have food Cock Crow at Dawn and Ripples to more is what begs the question. I am not saying people who know their onions. For example, at a certain time, but it doesn’t come, you recent films and TV productions? we should do only epics, but let’s be proud in Hotel Majestic, three quarters of the are sometimes bound to lose it. That thing There is a lot of advancement, technology-wise of who we are and revel in it. Let us try to actors are younger people but they want to was no big deal. I had some other senior and some of the challenges we faced then are get rid of the bad and hold on to the good. learn, and is a fine production. almost non-existent now, especially in terms of Hotel Majestic colleagues there who said Sadiq you can’t do I think that is the reason why October 1 did Someone like Ivie Okunjaye is a fantastic that. However, I was just drawing his attention equipment. Equipment was heavier and more well at international film festivals. I am looking actor. Yvonne, and Kelechi are also good voluminous then but now for example, you can to things so he knows how to deal with them. forward to ‘76, a movie directed by Izu young actors. Of course, we older ones like He eventually sacked a couple of people even make a movie with a phone. Ojukwu that tells a story surrounding a coup Lewis, Tina Mba, and Bukky Ajayi help them on the set after that incident but we always Soul of d’état. A lot of research went into the movie out because they ask questions as they want believed in him. The script was fantastic and You produced a programme called Highlife, which involved going to different and it took seven whole years to make. That to improve their craft, like, “Excuse me sir, the scriptwriter Tunde Babalola was there on will surely be an amazing movie. if I do my hands like this for this particular set so it was all hands on deck. We didn’t see countries like Sierra Leone and Ghana to scene, is it alright?” I am not going to be like the production as Kunle Afolayan, it was ours speak to several highlife legends. What was What can you attribute to your most the motive behind this and was it self funded? some people I see, who will carry a goat in a ghanamma.com because at the end of the day, if it is good, it accomplished career and how can the It was not self funded but sponsored by the square and start dancing because they will be is all of us and if bad, the same applies. And coming generation of actors be as successful Nigerian Television Authority (NTA) when given N1.5m for that movie to make a fool of regarding my acceptance speech and getting as you? Bello Sule was the Director-General. At themselves. On my fingertips I know those people teary eyed–it’s like it has been a long There is no easy or short way to genuine a time, I went to NTA Abuja to see some who I can work with, those I give so much time coming. I went on a trip, cast my mind success. Work hard, be yourself, be humble friends and he happened to be in the vicinity, respect. I will work with Joke Silva even gratis, back and played some certain tapes to see and willing to learn. Accept and learn from your saw me and said he would like me to do as well as Liz Benson who I haven’t seen in a people with awards; those I trained, people mistakes with a smile on your face and always be something for NTA even though I was retired. long time. A fantastic woman, I even used to that came to the limelight through me and positive. I won’t be where I am today without the He said I should go and work something out be her director at a time. I will also work with others who know next to nothing about what help of people like Peter Igho, Bode AlaAlade, and return. So I thought that we didn’t seem O.C Ukeje and Wale Ojo. These are serious they are doing, sometimes sponsored by their Mike Enahoro, Khalifa Baba-Ahmed, the to recognize and appreciate our music legends minded people. I am yet to see them in those governments and hosted at Aso Rock. But I late Adamu Augie, Major (rtd.) Mohammed especially the ones doing highlife. We decided ‘part one to five movies.’ There are those who never say die and kept on doing this so one Daba, my good friend, confidant and business to go around the country to speak with and are serious when you watch them, it’s an art day I’ll be recognized, and believe me, I never partner Isiaka Aliyu, the late Ibrahim Abba- document some of these legends like Victor form. You want to send a message. You are no thought in my wildest dreams that I will win Gana, Zainab Bewell, Ene Oloja and Lantana Olaiya, Victor Uwaifo, and Fatai Rolling Dollar. longer you, but somebody else and embody a an award with October 1. However, Kunle had AhmedMay God bless them all. We even went to Delta to bring out people character. I remember movies like Maami by this doggedness and undying faith. He calls me to feature. We then left Lagos and went Tunde Kelani, people like Tade Ogidan and a Uncle S and told me I will win awards. I replied What new projects are you working on? in search of E.T. Mensah, who by that time couple of MNET programmes we did. There’s ‘if it comes, fine.’ When I was nominated had passed on so we went to look for the First and foremost, to regain my strength and one that Joke Silva and her husband starred in. for an award at AMAA in 2015, I said that is Rambler Boys and then off to Sierra Leone. health as I have been quite ill. I also produce There’s one I did with Yomi Layinka, that had one award. That day came and then I heard That’s how came to be. documentaries with my business partner. With to do with HIV Aids. It was funny because at ‘Sadiq Daba.’ First, I didn’t believe it and then Soul of Highlife respect to acting, nothing for now but if I get a the premiere someone thought I had AIDs someone sitting by my side, perhaps Rachael channelstv.com Many critics would argue that many recently good script and I am fit enough, why not? (laughs!).These are the kind of programmes Oniga, nudged me and said you’ve been

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Wale Ojo has come a long way from a child actor to one of the most recognizable faces on African film and television. He chats with Oliver Enwonwu on his journey so far including his Wthoughts on the advances in technical standards in the industry and the future of Nollywood. You have come a long way in the movie Through my late uncle Sam Igwe who starred industry, from being on the first television in the original drama series Mirror in the Sun. He station as a child, to acting professionally would cart me off on the back of his motorbike in the UK, and being featured in many and bring me to the television studios. I loved it other recent Nigerian films. What has the there and never wanted to leave. experience been like and what are the difficulties you have encountered? As the pioneer and founder of the New The experience has been great and I am very Nigerian Cinema, please tell us more about grateful. Ever since an incredibly young age, I it. Is this in anyway related to the New have always stared wide-eyed at the television Nollywood(NN), an emerging phase in screen trying to work out how I could get Nigerian cinema that describes the major inside the small television set and star with shift in the method of film production from the other actors. There have been challenges the video format cinema methods? along the way, but adversity and obstacles New Nigeria Cinema, which I founded in have instilled in me a stronger determination 2009 is a movement dedicated to breaking to succeed and more so, they make one never new frontiers in Nigerian and African cinema. want to rest on his laurels. It is very similar to NN because it is creating new trends and waves to take the Nigerian How did you get the chance to be featured cinema platform to international levels. It’s on the first television station in Africa? definitely aeons away from the video model.

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Audiences will soon be treated to stunts, special effects and dynamic movie making never before seen in Nigerian cinema.

You are a great lover of Shakespeare and are currently researching on an African movie adaption. What progress has been made, and how has Shakespeare contributed to your overall performance? There is no other model for becoming a better actor than learning how to perform Shakespeare.The intensity and poetic images of the language keep an actor on his feet and fire the imagination. The movie adaptation is called Hamlet-Prince of Oyo and is also being adapted for the stage. I am having a great time working with Oxzygen Concepts, a theatre company based at Freedom Park. The actors there are very talented and hardworking. They are helping to bring the play to life in a very African way! I can honestly say that it will be the most unique and rare performance of a Shakespearean play yet, both on stage and screen!

Nollywood has gained an infamous reputation for the fantastical including scenes of the occultic and witchcraft. What impact has this had on Nollywood’s reputation and on our image as a nation? Hmm…not great. However, you must admit the stories are pretty enticing. I remember staying up watching an old style Nollywood movie for three hours. I was hooked!

Today, many of our movies including October 1 and Dazzling Mirage are being nominated and winning international awards. What in your opinion is responsible for this? Hard work. Greater attention to detail. Both Tunde Kelani and Kunle Afolayan are thorough and completely obsessed with getting it right. Once you have that approach, it resounds through the material and communicates well to an audience. People will find themselves enjoying the film more than other ones because of that simple element of constantly perfecting the craft of filmmaking. With that attitude, the films will easily cross over into the international market, but if they are sloppy and lack attention to detail, then those kind of films will forever be consigned to a dusty shelf in Alaba Market.

What new projects are you working on? I am working on a film titledKalakuta Express, which is a musical and I am also releasing a short film soon, titled Ghost of Tarkwa Bay, which is about surfers. I am also getting ready to premiere Kunle Afolayan’s new film The CEO, which boasts a Pan African cast that includes Peter King, and Jimmy Jean-Louis. A must-see for fans of both Kunle and I.

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Today, a new generation of Nigerian actors are helping to define the Nigerian film GENERATIONindustry. They include O.C Ukeje, Kemi ‘Lala!’ Akindoju, Kunle Idowu aka, Frank Donga, who uniquely plies his craft across the internet, and Sambasa Nzeribe.

Photography: Yetunde Ayeni-Babaeko and Lara Tiamiyu Makeup: Sacred Artistry O.C Ukeje’s traditional outfit : Kola Kuddus Headwrap: Byge Location: Omenka Gallery, Lagos

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Okechukwu Chukwudi Ukeje, better known as O. C Ukeje, is Nigerian actor, model and musician who came into prominence after winning the Amstel Malta Box Office (AMBO) reality show for acting in 2006. He began his career while he was still in his first year at the University of Lagos, , where he studied Marine Science. He went on to pursue both music and acting, focusing mainly on acting in stage plays for the first four years of his career before winning the reality TV show.

His first screen appearance was in a lead role inWhite Waters (2008) starring Joke Silva and , and directed by Izu Ojukwu. For his performance, he won an Africa Movie Academy Award for the Best Upcoming Actor (2008) and a City People’s Award for Best New Act (2010). O.C is a two-time recipient of an Africa Movie Viewers’ Choice Award (2013 and 2015) and a Nigerian Entertainment Award for Best Actor in a Lead Role (2013). Others he has received so far include a Golden Icons Academy Movie Award, a Nigerian Movie Awards, a Best of ONollywood Award and a Future Awards Africa Prize (Entertainment Category).

He has starred in many Nollywood films such asBlack November (2012) by Jeta Amata with cast members like Mickey Rourke, Kim Basinger, Sarah Wayne-Callies, Hakeem Kae-Kazim, Vivica Fox and Akon. He also featured in the film adaptation of Chimamanda Ngozi Adichie’sHalf of a Yellow Sun (2013) directed by Biyi Bandele, with Chiwetel Ejiofor and Thandie Newton as lead cast. Ukeje also appeared in the British Film Institute-sponsored award-winning film,Gone Too Far (2014), directed by Destiny Ekaragha. He recently played lead role in the South African multiple award-winning filmAyanda (2015) by renowned director Sarah Blecher. The film was screened at the Cannes Film market and the London International Film Festival, premiered at the Los Angeles Film Festival, and opened the Durban International Film Festival. O.C also starred in the Ford Foundation- sponsored Remember Me (2016), a movie produced by Uru Eke and directed by Izu Ojukwu.

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You studied Marine Engineering at the University of Lagos,how did your interest in acting come about? I actually studied Marine Science, not It would be nicer to Engineering. Whilst I was studying, I worked with an organization on campus called The Rock Foundation Mission. We were involved in a number of things that we contained on have stronger distribution campus. At some point, they thought to do a play, which I was forced to audition for. I got the lead role and executed the play to rave reviews channels available to the that surprised me because I was just doing it out of compulsion. It would later lead to being invited to join a bigger organization, Rhythm of the Blackman, where I honed my craft better large population we have and learnt a great deal about acting. That spiked my interest and by my third year at school, I was certain I wanted to keep acting. in Nigeria. How easy was permeating into Nollywood and how receptive was the industry when you first appeared? It was no easy feat getting in. It’s still a difficult as young actors and actresses, one of the Office Reality TV Show for actors. Some journey on a different level. I had done a challenges is the desperate focus on being critics don’t consider Nigerian reality TV reality TV show, which I aced but it didn’t give popular or getting attention, as opposed to shows effective at making stars out of their me automatic access. It is a business and for the focus on being disciplined professionals, winners. How much of a boost was that win one built, on the star power of recurring and especially with the craft. I think that is a to your career? bankable actors, It made no viable sense to present day challenge. In retrospect, I think that every opportunity to hire someone off a TV show so I spent quite get into circulation is a blessing. When you’re some time trying to prove myself. I followed There are other issues such as stereotyping a beneficiary of a reality TV show, it matters producers and directors on social media, sent and the general absence of varying genres, as more to you at the time that the producers them messages, went to auditions despite well as remuneration. do more for you to make you a star. And winning a TV show, and attended industry there is some plausibility to it. However, it is events I got invitations to...I did it all to get in. I What do you wish was different in Nollywood? still an opportunity to seize that is dependent did have some help too. It would be nicer to have stronger distribution on the beneficiary to utilize. Nigeria is a channels available to the large population we difficult place and it is so much better if show You started off on theatre stages, how have in Nigeria. That would change many producers extend their intentions past the different was the transition to screenplays? things, including what genre of films can be mere winning of the show. However, winning I had a crash course on the differences explored and what payment structure is the show was a major boost to my career. between stage and screen but the difference possible. I also think that it would be nicer if between theory and practice can’t be Nollywood had more structure for every level Gone Too Far showed a comedic side to your explained alone. It was nice to see that the of practitioner in the business. And I think acting. How different was that role for you? camera/audience can come to you as seen on that if the government also helped us with I think comedy is difficult. I think that you’re screen, as opposed to theatre where you go legislation that favours the creative industry, either naturally gifted for it or have the to the audience. It was one of the welcome Nollywood would be much further along. discipline of doing justice to comedy. It was differences for me. However, it wasn’t an easy very different for me because I had to make transition, especially being subtle with your Last year, you interpreted a role from sure I wasn’t caricature about my choices, choices on screen but a bit more deliberate Songeziwe Mahlangu’s book at the Etisalat which the director, Destiny Ekaragha didn’t with theatre. I managed to do it though. Prize for Literature award ceremony want. It could not come off as forced humour where he emerged winner. How was that and that takes discipline. I was well guided by How would you describe your evolution in experience for you? the script and direction. I also had to be even the industry, and what are the challenges for I liked the fact that Ifeoma Fafunwa thought more deliberate about my acting choices. But young actors and actresses today? I’d be able to do the job and hired me for I’m glad I tried it at least. I think that it has been arithmetic for the most it. I liked the challenge of trying a different part, and then geometric for the last couple of accent. We both agreed that the material was What have you been working on recently, years. I think I have paced myself well. I have hard text and trying to compress Songeziwe’s and what’s next for O.C Ukeje? been through an interesting learning curve, thoughts into one monologue was a difficult Well, I’m a working actor so I’m primarily doing stage for the first 5 years before getting task. We managed to distill its essence, thanks occupied with scripts and new work. There shots at the screen. I have also spent all my to Ifeoma and her team. We had about a are new films hitting the cinemas this year. film experience learning more than seeking week to tweak and perfect it. It was quite a I’m also working on how to expand my position or attention. So I believe I have been pursuit but I think that I did my best and it international circles and possible collaborations. very steady in my growth. seemed well received. I have personal interests and I’m equally trying to develop in terms of businesses and I also believe that above the need to be hired You won the 2006 Amstel Malta Box productions. So, yeah, fingers crossed.

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LEADING

LADYWORDS OLIVER ENWONWU, PHOTOS SHOLA BALOGUN

Kemi ‘Lala!’ Akindoju is a graduate of Insurance from the University of Lagos and holds a Master’s degree in Media and Communication from the Pan Atlantic University, Lagos. This year, the actress, producer and singer, she won an Africa Magic Viewers’ Choice Award as Trail Blazer for her work in the Nigerian film and theatre industry.

In 2010, Akindoju won a Future Award for Actor of the Year. Her first lead role in a movie was in Dazzling Mirage (2014) by Tunde Kelani, which earned her an Africa Movies Academy Award for Best Promising Actor (2015). She has also worked with other notable film directors like Charles Novia, Biyi Bandele and Kunle Afolayan. She started her acting career professionally in 2005 in a play titled All I Want for Christmas and has since featured in over 70 stage Photography: Shola Balogun for Camara Studios performances, and was part of the team that started Theatre @ Terra – an initiative supported Makeup: Sacred Artistry by the cultural centre, Terra Kulture. She also runs a production company called The Make Kit Happen Productions, which aims at telling African stories through all media, especially film, Outfit: Lala’s own Head Wrap: Byge television and stage. Location: Omenka Gallery

68 OMENKA MAGAZINE 69 OMENKA MAGAZINE VOLUME 2 ISSUE 3 VOLUME 2 ISSUE 3 FOCUS - PROFILES, INTERVIEWS FOCUS - PROFILES, INTERVIEWS Women are sexually harassed everyday, the difference is how it is handled and/or stopped. I haven’t experienced sexual harassment and I don’t think it is a big issue getting in the way of the growth of the industry.

Please tell us a bit about yourself. perception of violence against women? known and more ‘bankable’ faces. This is why I My name is Kemi ‘Lala!’ Akindoju. Well, Lala! When I produced the V Monologues in 2013, started Open Mic Theatre, which allows new is what everybody calls me. I was called Lala it was mainly because I had been touched and and upcoming actors showcase their talent as a child and I grew up knowing myself as educated by the V- Monologues movement, and where directors can see and offer them roles. Lala. I usually don’t respond when people call thought it would be good to bring it back on Also, earning a consistent income and knowing me Kemi. My mother tells this story better, stage. I must say that the play still needs to go how to build a strong brand are some other of how the name moved from Kemi to Kemo around the country so that all women can get challenges young actors face. Lala and then Lala! stuck. As an artiste, I liked a chance to be educated on how to get help if it and added an exclamation mark. So I actually they are being oppressed by culture or family. It You featured in The CEO, directed and say my name is Lala with an exclamation has been a great tool in educating people about produced by Kunle Afolayan. What was the mark. I attended the Fountain School in so many practices that still go on in our society. experience like on set and how did you get , Lagos, for primary education, and As such, some transformational bills have been to be featured in the film? later Queen’s College, Yaba for secondary. I passed, like the one against rape and female Getting cast to play a role in Kunle Afolayan’s later studied Insurance at the University of genital mutilation. The CEO was a game of time and chance. He Lagos, and for my Masters degree, the School had already cast someone else in the role, of Media and Communication, Pan African Some actresses have complained about but for some reason wasn’t too comfortable, University. I also completed an intensive sexual harassment against women and so he invited me for an audition in his office. ‘crash’ course in acting with Amaka Igwe. I having to condescend to get major roles This was apart from the fact that I had always started acting professionally in 2005. Growing in Nigerian movies. Is this a major concern disturbed him about wanting to work with up, I was always an expressive child—always and have you personally had to deal with him. The experience on set was amazing debating, I even went to the MUSON to learn such issues? and I will never forget it. My role was very how to sing and play the recorder. I think sexual harassment is not unique to challenging; the director pushed me out of my the entertainment industry or Nollywood. comfort zone, and I loved it. I also got to work You have been acting professionally since 2005 Women are sexually harassed everyday, the with 3-time Grammy award-winner Angélique and 5 years later you won the Actor of the Year difference is how it is handled and/or stopped. Kidjo, and directed by the great Kunle at the Future Awards, what were the struggles I haven’t experienced sexual harassment and I Afolayan. That doesn’t happen all the time! you encountered when you first started? don’t think it is a big issue getting in the way of I don’t think the struggles I encountered are the growth of the industry. More filmmakers Please tell us about your role in the new peculiar to being an actor. The challenges that are particular about actors being qualified movie Suru L’ere. come with starting a career especially when for the job, but if an actress decides to have This is one project that I won’t forget in a you didn’t get formal training in that field came sexual relations with a director, then both hurry. It started off with me playing the ‘old at me. From getting the right jobs, to hustling parties most likely wanted it. landlady’ in just 2 scenes, to playing a second through auditions and earning a good income, role as ‘Beauty’ in the same film! The director were some of the struggles, to mention a few. What are the major challenges young actors Mildred Okwo was determined to prove to and actresses have to deal with in the the world and I and how much range I have as Photography: Shola Balogun for Camara Studios The V-Monologues was produced in 2013, Nigerian film industry? an actress. Both roles are very different, and Makeup: Sacred Artistry telling the story of Nigerian women and Young actors, male and female are usually I was nervous through the process as I didn’t Outfit: Lala’s own their fight against violence. How far do faced with the challenge of being seen. Many want both characters to be similar in any way. Jewelry: Onye Collection you think this production impacted public times, filmmakers want to work with the However, I did my best. Location: Omenka Gallery

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Kunle Idowu is product of agricultural science. From mechanized farming and fertilizers to situation comedies and rib cracking skills, Idowu burst onto our computer and phone screens a few years ago with his hilarious but thought-provoking skits, ‘The Interview’ series on Ndani TV. Cast as Frank Donga, an external job seeker, he is very confident of himself but ends up making extremely costly mistakes at interview. Also a photographer and filmmaker, Idowu has played cameos in several movies and music videos. He has also been invited to TED Talks in some higher institution in Nigeria, and continues to speak motivationally abroad.

You recently featured in an interview saying of the reasons for ‘The Interview’ skits. that your future goals include influencing The sometimes unfriendly disposition of Kattitudinal change and policies in the interviewers and the numerous irrelevant country. How has that progressed so far? questions for a job or vacant position was Very well I must say. Going by personal another. I wanted to project some of the encounters with people online and off- funny job interviews I’ve had and heard line within my circle of influence, I’d say it’s about, but also expose the sad state of encouraging. Nigeria and the continent of unemployment in the country. Africa are a large geo-political canvas to paint Since I didn’t have access to funds, spare a masterpiece on, but every stroke of effort time or actors needed for film, I created and paint drop of creative unity is important ‘The Interview’ skits. With the help of my for that level of change. friends and colleagues Femi Bamgbetan and Mohammed Atta, we shot the first episode. What were these different experiences like from drafting a radio show to working at ‘The Interview’ was your first major stint NN24 in Lagos, and being trained by CNN’s as a comedian, how did you feel when Ken Teven, and what inspired you to create you were nominated for Best Actor in a the web series ‘The Interview’, instead Comedy for the 2015 Africa Magic Viewers’ of employing more traditional means of Choice Awards? dissemination like film and TV? It’s a great feeling for your craft to be accepted Every experience I’ve had so far has been of and appreciated. I wasn’t expecting the tremendous value. I believe God used them to honour. My friend Seun Ajayi put my name prepare me for what I’m doing now and what down for the category. I also can’t forget I’ll be doing next. I’m passionate about people, Daniel Effiong, and the efforts of the entire especially the youth. The apparent state of crew at Ndani TV. Big ups to them! ‘un-employability’ of many Nigerian graduates due to the poor educational system was one What influenced your various decisions

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from having a background in agricultural entertainment, education, commerce, politics, Does working across the Internet have science to being interested in the visual and governance. its own piracy and copyright infringement arts and then music, wanting to retire as a I’ve had fans from countries I’ve never been to, concerns, and if so, how have you been able farmer and now being splashed across the tell me how much they love my comedy skits. to deal with them? Internet in your TV series? Folks I’ve never met tell me how refreshing Yes, the Internet as a medium comes with its I’m a non-conformist of some sort. I believe in they find my brand of comedy. It humbles challenges. Technology keeps evolving and change. I realized I had a passion for creativity me when I get such compliments. All these it’s easier for people with negative motives in all these areas and so I went ahead. I’m are what the Internet brings. It can also reach to hide or remain anonymous. However, the learning and still exploring other things where traditional TV cannot; it complements. opportunities far outweigh the disadvantages about myself but I’ll always love agriculture, There are ways in which some might say it if we all come together to make it work for journalism, art and music. They are all affects the industry negatively, but let’s focus the entertainment industry in Nigeria and important influences in my acting and comedy. on the advantages and work with it. Africa.

You belong to a new generation of actors What are the financial opportunities What is the federal government’s employing the Internet as a platform to available for those who want to emulate you responsibility in this regard? reach broader audiences all over the world. and how lucrative are they? The government has done a few things already In your opinion, what is the impact today of Content is king, we say. As mobile devices but the right laws need to be enforced. the Internet on the film and TV industry in become cheaper, so will Internet access. More However, beyond this, pirated materials won’t Nigeria and Africa? people will seek entertainment on the go. sell if people don’t buy. The importance of the Internet on human Advertisers and platform owners will seek life in general is yet to be fully comprehended people with exciting content and innovative What new projects are you working on? and explored, especially in Africa. It holds ideas. Be original and unique. Put in hard work I’ve featured in a few feature films, sitcoms great potential for young people to learn and in your craft, in time, your reward will come. and I’m currently working on many skits and earn. It also opens doors of opportunity for There are many ways to earn but it’s good mobile entertainment content for advertisers, funding, collaborating and marketing. We if you discover what you do effortlessly and online platforms and cable TV networks. need to make the Internet as accessible as work on it. There’s something special about I also still find time to run a production recharge cards (airtime); then we’ll see this you that the world needs but doesn’t know company where I make corporate videos and fantastic technology turn our world around in yet. Do something; just take a step first. documentaries.

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Sambasa Chiedozie Nzeribe is an actor, poet, model and music entertainer. The award- winning AMVCA 2016 Best Supporting Actor studied Creative Arts at the University of Lagos. His first movie role was Suku in the multiple award-winningA Mile From Home (2013)by Eric Aghimien. Described by many as a captivating performer and dedicated artiste, he was introduced to acting by his late mother, who was a drama and choir teacher Sat church.

You studied Creative Arts, which is all different challenges. The multiple award- embracing, why did you choose to focus on winning movie was shot when I was in my acting after graduating? third year at the Creative Arts Department, As a child growing up, I always followed University of Lagos, and it will always be a my mother to St. Mary’s Catholic Church, reminder that you can achieve success and Isolo. She earned a living as a primary school quality performance if you are determined, teacher and while at church she was the believe and work for it. drama and choir instructor for the children ministry of the Jesus Cares Charismatic You were nominated and won Best Society. So through her influence and the Supporting Actor at the AMVCA 2016 for A drama performances at church, I became Soldier’s Story. How did you fare on the set fascinated about the arts, which made my love with all the training you had to go through? for acting to blossom from a tender age. I want to commend the producer and director of the movie Martin Gbados and You had your debut as a screen actor in Eric Frankie Ogar, respectively for creating an Aghimien’s movie A Mile from Home, what enabling environment for both cast and was the experience like on your first film crew to deliver their roles professionally and set? successfully. I tell you it was a very challenging The experience was awesome. Working on and tough project to work on, I even injured set with the very intelligent Eric Aghimien, my shoulder on set when I did a flip-stunt was an intriguing, interesting and demanding while shooting. After receiving medical adventure. The movie was a low budget one attention on set (though I nursed the injury and both cast and crew swapped roles at for about five months), we had to continue different times on set. We worked as a team, shooting because we were chasing time while exchanging duties continuously as we faced trying to overcome so many constraints we

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had. I didn’t want to stall the production so I had to soldier on with the pain while receiving I tell you it was a very challenging treatment. I thank the producer, director, cast and crew for the experience I had with them. and tough project to work on, I Winning the AMVCA is ‘our win’ and I am also grateful to all those who voted for me. even injured my shoulder on set

You seem to play the villain in some movies when I did a flip-stunt you have featured in. Don’t you think you run the risk of being typecast and are you while shooting. open to other roles? I can understand why I get asked this question or her services. What do you have to tell upcoming actors all the time because of my notable and The truth is that I am open to other roles as who wish to work in Nollywood? amazing performances in a couple of movies. an actor. Acting is not a one-way thing and Believe, study, train, and above all, have a However, I think I’ve done only a few of these. Sambasa will never be put in a box. Filmmakers good relationship with God the Almighty, So if you are a filmmaker out there, bring it on! and even the viewers ultimately understand that the One Whose creativity is beyond human One thing we have to understand is that all you see of me on screen is an act. So as an comprehension. every investor wants to reap back what he actor and a person, I’m all for romance, comedy, or she invested, as well as make profit. Being action, drama, horror, sci-fi and so on. Can you tell us about some of your future a filmmaker in our Nigerian system is very projects? tough, so one must always have the mindset to What other activities do you engage in Watch out for the spectacular movie make a hit movie that would be commercially within the arts as a creative person? titled Slow Country by Eric Aghimien. That’s all I successful. Therefore, when you feel a certain I sing; I am a musician. Watch out for my will say for now about that, but just remember actor can bring the same or even more experimental Afro-hip hop single coming out I told you so. Also let’s keep our fingers energy and quality performance to your story/ this June titled I Want to Shout. I am also a crossed for the visuals of Sambasa’s rendition script, then you should think of employing his model and a poet. of the poem titled Woman.

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On these pages, Omenka offers an unprecedented 360-degree view and deeper insight into the inner workings of the Nigerian film industry, with behind the scenes scoops, exclusive imagery and in-depth interviews with some of it’s most creative minds today, working across different disciplines. Here celebrated are costumiers Objie Oru and Adebimpe Adebambo; sound designers Michael ‘TRUTH’ Ogunlade, Kaline Akinkugbe and Kulanen Ikyo; makeup artist Lola Maja- Okojevoh; film editor Mike-Steve Adeleye; screenwriter Kehinde Joseph; lighting designer Stanlee Ohikhuare, production designer Pat Nebo; and photographers Akintunde Akinleye and Debbin Robin

Photography: Lara Tiamiyu Creative Direction: Adebimpe Adebambo Makeup: Sacred Artistry and Monique Glam Headwraps: Byge Location: Omenka Gallery

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From monochrome clothes, courtrooms and wigs to the world of needles, patterns and charac- ters. Obijie Oru is a lawyer turned fashion designer and costumier. She cut her teeth on Kunle Afolayan’s thriller (2009). She has since then worked on several movies, tv pro- grammes and reality shows like Maltina Dance All. She also worked on the set of the TV series FShuga directed by Biyi Bandele. What challenges did you face on your elegant than trendy. career change from law to fashion design? None, apart from telling my dad I didn’t want You have a website which is a platform for to do law anymore. It wasn’t a conscious the sales of your clothes to both local and decision, I eased in slowly. international audiences. How well do you think BYGE has been received so far and What distinguishes your brand BYGE, and how has the Internet facilitated the sales when did you get your first breakthrough? and exposure of Nigerian brands such as The fact that we are often addressed as yourself? magicians or fixers because we make things My website isn’t doing as well as I would have happen, no matter the situation, and the fact hoped. In Nigeria, people still want to try on that we cut across being a fashion brand, a their clothes before they buy. Are the sales as tailoring brand and a costume design brand. high as I want them? Not yet. Will that deter We have the technique you need to cut me? Absolutely not! I will keep on because I across, and arrive on your project with have a vision, which I am working towards. everything including all the manpower you I have received feedback from visitors and I need; no need to out source. I didn’t officially am currently working on how to make the have a break through,I have just worked so website better and more accessible. Have I hard over the years to get here.It has been a gained presence? Yes I have; people are more slow process; it has been God. aware of our brand because they can see that we are able to express our creativity. I How would you describe your style? get more traffic on the website from non- My style is timeless. I am that woman who Nigerians and people living abroad, so I know loves clean lines and pieces that will never go there is a market out there. Part of what we out of fashion.I’m more interested in being are working on is getting sales reps in other

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countries.

You’ve also carved a niche for yourself as a notable costumier in the Nigerian film industry. Considering the difficulties in financing production in Nigeria, how much freedom is allowed for costumiers? The Nigerian movie industry is getting better. In the beginning, a costume person was more or less a wardrobe standby who just ironed clothes for the actors. Has time went by, producers found out the important part costumes tell in a story and now more attention is being paid the them. It goes beyond people wearing clothes; its about characters being properly clothed, moods and tempos, and wardrobe technique. Its a whole world on its own.

You were nominated and won the Best Costume Designer award at the 2015 AMVCA for October 1. You also won the Achievement in Costume award at the 2015 AMAA for the same movie, and have been nominated again at this year’s 2016 AMVCA for the film Being Mrs. Elliot. What was your experience on the set of October 1 and Being Mrs. Elliot, and how different were the costumes? It’s amazing to be nominated back to back, that’s a serious pat on my shoulder. Each project varies of course, but they are fundamentally the same, because after the initial pre-production, the costume prep kit becomes easier. For October 1, the costumes were set all the way back to the 1950’s. A lot of research had to be done, as well as a lot of visits to libraries.There’s not so much you can get on the Internet as we just recently began to do proper documentation in the last 15 to 20 years. I visited libraries and photographed pictures from books.I also visited women who were teenagers in 1958, listened to their stories, looked at their clothes and asked to be gifted some, which I recreated to the best of my ability.... In all, it was about the research. Being Mrs. Elliot was set in present day time, so it was all about my creativity and the direction I wanted to go. I then chatted with the producer/director and she asked me to do my thing.

How well do you see this discipline developing in Nigeria? It will develop with time; it’s not as glamorous as the other aspects of production so for you to be in it, you have to love it. Hopefully, once people realize that costume design is much more than glamour, it will grow as the movie industry grows.

What new film projects are you working on? I am currently working on my first production. God willing, I’m about to take the big leap!

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Adebimpe Adebambo is a graduate of Painting from the Yaba College of Technology, Yaba, Lagos. A self taught fashion,accessories and costume designer. She comes from a lineage of creative and enterprising women dating, as far back as her great grandmother who strung and sold iyun, segi and eyinla beads in Ile-Ife – the cradle of the Yoruba . At age 7, she deconstructed her father’s old ankara tunic and sewed a dress for herself sewing by hand. She launched into the world of film officially as a costume designer on Tunde Kelani’s award winning movie Dazzling Mirage (2014). In 2015, she received nominations for the Africa Magic Viewers’ Choice Awards and African Movie Academy Awards for Best Costume Designer and AAchievement in Costume Design respectively.

Tell us about your education and For my secondary school education, I went background. What were your experiences to Federal Government Girls College, in far growing up? away City. Going to a Unity school gives Growing up in Ibadan, I was surrounded by you so much if you want to learn. I learnt love, warmth, beauty, nature and creativity, about other cultures and people as we always starting from my primary school. I went to had cultural festivals where we interacted one of the best primary schools then, Maryhill with other students from all over Nigeria. In Convent School, Idi-Ape. It was an enabling secondary school, fine art and physics were environment with green lawns and hedges, my best subjects, I wanted to be an architect trees, quaint buildings and a convent. All and still love architecture, but I studied these leave something in your subconscious General Art for my National Diploma at the as a child. We also had good Nigerian and Ibadan Polytechnic and specialized in Painting Ghanaian teachers. Being a Catholic school, we at the Yaba College of Technology (Yaba were brought up in the love and fear of God. Tech). My parents encouraged me to study At school, they took us on excursions during fine art because they saw I was a talented the holidays. We were always encouraged to child and drew guests anytime they visited learn something new; they encouraged us to from the time I was 2 years old. read. Our house was filled with books by Enid Blyton, Eddie Iroh and even world history How did you start fashion designing? books. All these develop your imagination as a I started fashion design as an extension of my child. I am eternally grateful to my parents for creativity after graduation from Yaba Tech, this primary school education, as it was a great Yaba. I did needlework at primary school foundation. and made a tunic for myself, sewn entirely

86 OMENKA MAGAZINE 87 OMENKA MAGAZINE VOLUME 2 ISSUE 3 VOLUME 2 ISSUE 3 FILM AS AN ART FILM AS AN ART by hand at age 7 from my father’s old top. They are all related, as the human being does culture and values, without compromising I also did clothing and textiles in secondary not exist in a vacuum; you wear clothes, adorn production values. He is always trying to school and spent some time at my mum’s yourself and decorate your home and office preserve and propagate our culture, which seamstress during some holidays. I have no as a way of self-expression. we are losing quickly. As a culture enthusiast, formal training in fashion. All I know is from I am appreciative of his efforts, while trying books, magazines, short courses and online Arguably, you came to limelight after being my own little bit through my visual art and research. At Yaba Tech, when I wasn’t in the nominated for an Africa Magic Viewers’ fashion design. Growing up, I watched several painting studio, I was either hanging out in Choice Award, as well as an Africa Movie traditional plays, programmes, and movies the textile or fashion studio. When I was also Academy Award for your role as a costume from different parts of Nigeria, thanks to at general art school, I was already designing designer on Tunde Kelani’s Dazzling Mirage. the Nigerian Television Authority (NTA). I my clothes and accessories. I just decided to How was the experience, and what was it would say that was the golden age of TV even formalize my experience after graduation. I like working with him? though you couldn’t see or hear anything have also participated in a number of national Working on the set of the Dazzling Mirage before 4pm, but coloured bars and the and international fashion competitions, and movie was such a great experience for me National Anthem. We also watched foreign have learnt new things each time. that I will cherish it forever. It was great programmes too. My parents took us to working with Tunde Kelani and I learnt so intellectual and cultural events like book fairs, How would you describe the fashion and much on the job being a first-time costume cultural conferences, concerts and plays. I creative industry in Nigeria and what have designer. I have watched some of his movies remember watching Mosebolatan by Moses been the challenges of trying to survive as a and I love that he always portrays our Adejumo (Baba Sala) at KS Cinemas in Ibadan fashion designer in Nigeria? There has been a lot of growth but we can still improve. The government can still do better. The private sector is also trying but some times, it seems they only want to work with some known names. The creative industry can drive the economy if well structured and supported.

It will definitely sound cliché but the challenges of survival as a fashion designer in Nigeria are the usual lack of infrastructure, untrained personnel, unsteady power supply and poor funding.

You also design furniture and home accessories, as well as paint, what inspires your design and artwork, and which are you most comfortable with? The wonderful works of God the creator and what the intelligence He bequeathed to humans has produced. It all depends on my inspiration, mood and the materials available. I like trying new things out. For a living, I get myself involved in any creative or legitimate venture, as I don’t like to box myself in. In the past few years, I have worked as a fashion designer under my Beampeh label, as well as in several art related organizations. I have been a fine art teacher (I still give informal art and craft classes), assistant gallery curator and interior decorator. I also love to write and have contributed to several magazines and a newspaper. I am very passionate about the arts, so I have worked in public relations and marketing for some brands.

Public relations is a field I would love to explore more, as I believe God gave everyone different talents and abilities. I love selling ideas, services and products to people! I always like to try my hands on new things as far I have the capacity for them.

How do these different disciplines complement each other in your work?

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with my cousins and aunt. It made such a deep because I felt that I was part of a movement television industry. It also validates my work as impression on me, especially the scene where that would bring about some awareness. I a creative person and shows I must be doing a ferry capsized killing almost everyone. I still have supported Tosyn Buckor’s ‘These Genes’ something right. For this, I feel very elated remember the sound track of that particular project through a fashion show, Jeans for and grateful to God and Tunde Kelani who scene till now. When recently, I heard Tunde Genes in the past, so I was happy to be part had a lot of trust in me and my work. I had Kelani was the director of photography for of Dazzling Mirage. It’s not a documentary and never been on a production set and had no that movie and several others with trailers I doesn’t pretend to solve the problems or have previous body of work in that field before I had seen on TV while growing up, my respect the solutions, but after watching it, you’ll be got on the set of Dazzling Mirage. Not even as for him grew even more, and I looked forward more informed about the sickle cell disorder an assistant in anything. I don’t watch much TV, to meeting him. Not only is Tunde Kelani and probably want to do something about it. so for Tunde Kelani to put the costume design a very good professional, but he is also an of his classic, fantastic film in the hands of a amazing human being. He is patient, humble, How did you feel about your nominations newcomer to the industry says a lot about the and has a listening ear and a great sense of for Best Costume and Achievement in man. humour! He pays a lot of attention to details Costume Design at the Africa Magic and as someone who has climbed up the Viewers’ Choice Awards and the Africa To be nominated again for Achievement in rungs in the film industry, from cameraman to Movie Academy Awards respectively? Costume Design at the Africa Movie Academy assistant director to director of photography, It felt great to be nominated for Best Awards alongside the calibre of costume he has a great ability to multi-task and knows Costume Design at the Africa Magic Viewers’ designers like South African Brenda Khambule everything about film production. It was an Choice Awards. I was highly honoured to have (iNumber Number, 2014), and Marina Vian amazing script, cast, crew and production. I my first ever job on a film set, nominated (Nijinga, Queen of , 2013) was surreal. loved that the movie was a love story with in a keenly contested category at such a sickle cell anemia as the theme. Most of us prestigious award. There were 5 productions What does it entail being a constumier on a Nigerians have friends and family members in the category; 3 were Nigerian, one was movie set? or people with sickle cell anemia. I have seen from Kenya and the other from Ghana. It takes understanding the script, interpreting them in their crisis, some were friends who the director’s vision, fleshing out all the I felt very blessed as a nominee and I would I had to care for even from my secondary characters and a very strong will. like to applaud Multichoice, Africa Magic and school days, and those who died as a result the lead sponsors, Amstel Malta of Nigeria Where do you see yourself in the next five of the disorder. Working on a story with this Breweries Limited, for choosing to reward years? theme was emotional and a blessing for me and celebrate the professionals in the film and Let me answer like Frank Donga—At the top!

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SETTING THE TONE WORDS ADEBIMPE ADEBAMBO, PHOTOS LARA TIAMIYU

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Pat Nebo is an internationally celebrated Nigerian art director. In 2012, the China Central Television (CCTV) Africa, which launched in Kenya the same year, dedicated Working as a a 30-minute feature on him for their Faces of Africa programme, tagged Pat Nebo: Africa’s Best Art Director. They followed him on his production designer in journey through film sets, stage designs, studio and family life. Pat Nebo’s accomplishments as a production Nigeria is like a mixed designer are hinged largely on his wealth of experience spanning over 29 years. At 16, he joined his brother in Italy, where he , like salad. There are went to study Architecture and Fine Art at the Academia di Bella Arti di Roma (Arts Academy Rome), an institution set up in the 16th century. Here, he discovered his passion low moments and high for design. The terrain however, has not been an easy moments... one to tread according to Pat Nebo. Nigeria has not always been one’s dream enabling environment. Art direction or production design was earlier referred to derogatorily that scene then. Pat then asked for cardboard, as the carpentry department because it was anticipated The CEO, the last four by Kunle right, getting the costumes right, getting the believed to be limiting and for those who which we had luckily and disappeared into Afolayan, Kelani’s protégé Two of Nebo’s film feel right, the kind of building we had at that the kitchen. Minutes later he appeared with could only knock wood together. “In the awards for production design, were as a result time—that is my specialty.” Nigerian film industry, people were running the ‘birthday cake’ he had made entirely with of his work with Afolayan. He won an Africa cardboard and smeared with butter. That was away from technical specializations like editing, Movies Academy Award for Achievement in Each concept starts with a sketch, which he sound design, lighting and so on because they then passes onto a graphic designer who the cake that was cut for the celebration in Production Design for (2012) the movie.” are not glamorous. One’s name is not in the and an Africa Magic Viewers’ Choice Award conceptualizes it. “From the computer designs, papers or celebrated, yet one is the soul of for Best Production Designer for October 1 models are created for the sets before the Eddie Lawani, Pat Nebo’s technical manager the production. People just wanted to be (2015). actual products are made. Film sets are quite and supervisor for many years, adds that given actors, producers, directors or marketers.” complicated. Stage sets are easy because you Nebo’s wealth of experience, he is able to He also lamented Nigerians lack of a sense of In the 2012 CCTV feature on Pat Nebo, have a controlled environment, but for films cut down on expenses younger production history, which makes work difficult especially Peace Anyiam-Osigwe the founder and it is very difficult. A case in point was when designers might find difficult. “He knows when doing period movies or television former CEO of AMAA said of him: “Pat we wanted to shoot (2010), a Tunde all the tricks and can create things locally as productions, “There are no archives; events, is an excellent creative designer and I’ll say Kelani film. We could not shoot it at the Osun opposed to having to import many items. which happened 20 years ago in this country, this because of his tenacity and patience. He Oshogbo Shrine. What we did was to come The only weakness I see in him is that with his cannot be found anywhere. Photographs of has endeavoured where others have failed, down to to look for a place that painstaking attention to detail, he loses time in Nigeria’s Independence have to be imported especially in this country. I feel he is not looked like the forest and had a river to put delivering some projects…” and begged from BBC.” appreciated; I feel that as usual in my beautiful up the shrine. For those who watched the country Nigeria, if Pat Nebo were South film, they never knew that it was not shot at Nebo believes in giving back to the society, Award-winning screenwriter and filmmaker African, he would be celebrated and paid a lot the grove; in fact no part of the film was shot so he regularly trains a new generation of Fidelis Akpom said about Nebo: “Pat Nebo more than he is paid. I think Nigerians don’t there, as it is a World Heritage site. There is production designers on real live jobs. Most is a genius to put it mildly. He is an asset really know his value. He has ventured where also this belief that people would damage or of them graduated from tertiary institutions in to any production. He adds to the other many haven’t.” desecrate the place, among other things.” Nigeria and benefit from the in-depth, hands departments on a film set as well.” Pat Nebo on technical experience he gives them. has worked on several stage and set designs On his working methods, Nebo says: “In film, Pat Nebo believes success lies in knowing and for plays, product launches and game shows as a production designer, the first thing I do delivering on your clients’ exact and individual In addition to his work as a production like Star Search, which he did for over seven is to read the script. Once I am through, I requirements. His satisfaction comes from designer, Pat Nebo played a cameo in The years, Dettol, Panadol, Gulder, as well as come up with the feel and what the people clients reveling in his work. A fine example of Figurine and acted in the much-anticipated several award-winning television shows like will look like, wear, how the buildings will look Nebo’s well-known ability to meet challenges Izu Ojukwu military thriller, ’76 scheduled for MNET’s Edge of Paradise (2015). He has also and then we work based on chronology. You by improvising and innovating, occurred on the release this May. In his words: “ Working as a worked with notable Nigerian filmmakers like have to see these things first as a picture. You set of Tunde Kelani’s 1997 blockbuster Oleku. production designer in Nigeria is like a mixed Tunde Kelani, Izu Ojukwu and Kunle Afolayan. have to understand the cultural implications Tunde about Nebo: “ Pat is very resourceful. grill, like salad. There are low moments and Collaborations include Tunde Kelani’s first of what you do. We have sophistication in There was a particular scene in the movie that high moments. What I have done all these film from his Mainframe production stable,Ti our local culture, in our local culture set was a birthday party, which we were filming years working as a set designer, art director Oluwa Ni Ile (1993), as well as award-winning up, in our local homes as well. So these past midnight. We then realized that there to me shows only one thing—you need to dig The Figurine (2009), Phone Swap (2012), aspects of representing things the way they was no cake! We had all forgotten strangely, into your particular field and specialize in it. October1 (2014), and most recently, the highly were—period movies, getting the pictures and wondered what to do, as we had to film Film is my life!”

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Lola Maja-Okojevoh is a certified beauty therapist, holistic massage therapist, eyebrow and eyelash specialist (threading & waxing) who has been working as a makeup artist for 20 years. She has also successfully launched her own range of professional artistry eyelashes and lash/ brow bars .She specializes in semi-permanent eyelash extensions with top US brand, Xtreme Lashes. Adding to her achievements, she is also an official member of The Perfume Studio, which offers the unique service of individualized custom blended perfumes. She started her career in beauty working freelance for major cosmetic companies until she took up the role in 1997 as the makeup artist for 2 years with the original team that launched Iman at their flagship Lcounter in Selfridges, London.

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Until now, special effect makeup In 2015, you won the Africa Magic Viewers’ practitioners were not given much Choice Award for Best Makeup Artist, how recognition in the Nigerian film industry. did you feel? What do you think is responsible for this I felt like a mother hen proud of her entire new turn of events? brood. The award was a group effort my team Makeup artists in general weren’t given made possible. They worked so hard on the enough recognition. Initially, the industry filmOctober 1, which is why I asked for the was based mostly on straight to DVD type award to be given under the name ‘Sacred’ not films with very few going into the cinemas. just my own name. I was Head of Department However, over the last few years we’ve had on both October 1 and MTV’s Shuga, shuttling a rise of directors and producers who have between the two sets. It was an extremely their sights on international film festivals, strenuous period for everyone involved. I had cinema screenings and online pay per view just returned from London after giving birth channels. The overall quality of the production to my daughter; she was only 2 months when had to be considered. Makeup and costume filming commenced and I had a 1/22 year old were two departments, which dramatically son. So I have to say I’m extremely grateful benefitted from this awareness as the talents and feel blessed to have an amazing team and a of those individuals were now far more fantastic family supporting me. since my first film in Nigeria,The Figurine Do you sometimes sketch before you begin; appreciated. It was no longer a case of just - Araromire. She is a gem in the industry. Please explain your working methods? making do with white powder and standard How do you source your material, have you Recommendations can come from anyone I create mood boards based on each beauty makeup. The advancement of HD had to improvise on what is available locally? and everyone on set, from the production character. We research what the director cameras meant that the standard of makeup I import nearly all my products, even the ones manager, director, producer or crew hands. and writer envisage the actor/actress to look also had to be upgraded. I make myself use elements of the imported You never know and as such I make friends like and get visual comparisons from either materials. This is why there is such difficulty for with everyone. Shuga was one of the best existing movies or real life people. That way How would you currently rate our many new artists to easily source the products productions I’ve worked on. Both seasons we have guidelines. We look into what colours practitioners and what is the future of this they need. Using the wrong SFX makeup we’ve shot in Nigeria have been some of my the character would identify with and their small niche in the Nigerian film industry? products can be hazardous to your health and favourite projects. emotional states through the different parts We’re still a very small minority within Nigeria the actors’ as well. I’ve seen people use the of the movie. We then put together set bags and Africa in general. Most of the time when same wax that plumbers use to create effects. You were the makeup artist on the set of containing specific makeup colours for each people think of makeup, it’s for weddings and Though they may seem to have the same The CEO produced by Kunle Afolayan, which actor/actress. I usually always head both the events. Only a small number of makeup artists composition and ingredients, the two are very is to be released later in 2016. How did hair and makeup departments on projects I have a keen interest in special effects. But different. This is why we have now launched it feel working on set with him again, and work on to ensure everything is noted down those who have an interest are mostly self- The SFX Store. It’s the first dedicated film and compared to October 1, what did you do for continuity as we don’t always shoot in taught artists who aren’t able to easily access TV makeup boutique in Nigeria. We launched differently regarding the makeup? sequence. We may have to return to a scene the professional products and as such just use online at first with a physical location opening in Everything changes but everything also we shot 2 weeks earlier and recreate the same their determination and imagination to create the next few months. remains the same. Kunle and I have been day over again. So it’s very important that in their effects. My main aim and focus in the friends since 2008. He was the one person pre-planning, we map out all the different looks next few years is to increase the availability The Gotenborg Film Festival that took place who convinced me that I could work in the throughout the entire film with the costume and opportunities for the education and retail from January 29 to February 8, 2016 in Nigerian film industry. I once said I could department. It’s very important that everyone of specialist products to help those interested Sweden featured three films that you never work on a Nollywood film while is in sync with each other and that the director achieve the best out of their work. Many worked on as the makeup artist; October 1, growing up in London, but when I read the also knows what looks will be delivered in front directors and script writers would love to do Flower Girl and Fifty. Did you ever think they script for Araromire, I saw he had a vision and of the camera. It’s our job to help him bring the more in their films if they had the confidence would be screened at the festival? the determination to create a piece of work vision in his mind to life! that there were artists capable of delivering To be honest, I didn’t even think all three would that could be taken on tour around the world. the kind of makeup illusions, prosthetics and be screened, but it doesn’t surprise me. The I’ve never looked back since. The stories What new projects are you working on? characters they envisaged. directors and producers who I’ve chosen to of all his films have been very different; the I’m focusing most of my time and energy work with since moving back to Nigeria are truly characters and the locations all have their own right now on launching and building The SFX What does SFX entail and what is the the most visionary creatives in the industry. They challenges. Filming outside in extreme heat Store. We have a training schedule starting relationship between SFX, beauty and health? are hard working and proudly Nigerian with conditions on both Araromire and October 1 in Lagos and travelling around the country. It SFX is a very technical field. Good SFX international goals. We have a lot of amazing both brought different unique problems as includes special effects and creative makeup relies heavily on knowledge about anatomy content that the world would love to see! one was set in modern times and the other in training, as well as professional makeup artist and physiology. Many people create bruises 1960. The looks of the makeup and hair were courses for film and TV, beauty and weddings. or scars using memory or their opinion on You were the makeup artist on the set of very different. ForThe CEO, we had a widely There are films we’re in talks about but we’ll see what they think it should look like. But you Shuga from 2013 to 2015, how did you earn varied cast from different countries. Some how the year goes. I have worked on several need to study human biology so that you the role and what was the experience like? were Caucasian skin-toned, some mixed and movies, which are still waiting to be released. understand what colour the blood should A very close friend of mine, Bose Oshin others dark African skinned. So my team had Fifty did exceptionally well but we’re still waiting be if it came from an artery or a vein, how a recommended me for the job. She’s one of to be trained on making sure we were able to see The CEO and 93 Days. I’m trying to spend bruise discolours over time and how the skin the best production managers in Africa. She to fully create looks which would represent more time at the school than on set filming, sags due to aging. Sometimes when you see an had previously recommended me for Half each person’s heritage just by looking at his unless it’s a major project. We need to grow the image, your brain tells you that something just of a Yellow Sun with Biyi Bamdele but I was or her makeup. For example you can tell a industry and that can only be achieved through seems off about it. To create realistic effects, unfortunately out of the country at the time. Middle Eastern woman from the way she education and the availability of materials and you need to be able to deceive the brain So when the opportunity came up to work does her eyeliner and brows from a lady from products. My students come on set with me so based on what it “knows” an injury should with him again on Shuga, I jumped at the . Our job was to interpret each that eventually they can take over and I can help look like, not just what the eyes see. chance. I’ve worked on projects with Bose character through makeup and hair. others achieve their dreams.

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Michael ‘TRUTH’ Ogunlade studied Pure and Applied Mathematics at the Ladoke Akintola University of Technology (LAUTECH) in Ogbomosho, but has since made a name for himself scoring and as sound designer for major movies like The Meeting (2012), Render to Caesar (2014), Phone Swap (2012), Being Mrs. Elliot (2014), Dazzling Mirage (2014), The First Lady (2015) and most recently, Suru L’ere (2015). Ogunlade’s expertise also includes audio engineering and producing music for film and theme songs for programmes on different television stations.

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From math to sound, what’s the connection and did you always want to work in the Your ear is your most film industry as a ‘sound guy’; why did you choose to go this route after years of numerals, theorems and formulae? priced possession. Don’t For me, the only connection is that music is calculated sound/note per time so calculations take it for granted; are involved across the two fields. Besides that, they are parallel career paths. train and protect it. It just happened that I became so ‘obsessed’ with one than the other that I had to let go of math for the infinite combination of musical notes. I just watch out yearly for the Oscar nominees It was great! It goes to show that people How do you intend to educate people and winners for best sound editing. I see are aware of what is being done and they about this aspect of film production i.e. the movies and I listen scene by scene to appreciate it. sound design and scoring, as it’s not so understand why they got the nominations and common in the Nigerian film industry? maybe wins. Your work for Dazzling Mirage, produced and I have noticed that there are a few directed by the legendary Tunde Kelani was misconceptions in the areas of audio pre- So that means you would have already also great. He said it gives him goose bumps production planning, capturing great sounds studied movies like Bridge of Spies for when he watches the movie. How does it feel at location, audio post-production timeline example, as it was nominated in 2 Oscar working with older and seasoned professionals and process. In due course, short videos sound categories this 2016. in the industry; is it more challenging? highlighting the effects of quality sound Yes. “Old and seasoned professionals” means production will be made, seminars, fora and they know exactly what they are doing, workshops will also be held to create specific/ Which sounds do you usually use as your which implies that the flow of the story and strategic awareness. inspiration when you want to create sounds emotions will be seamless. For me, it is a lot for films and how do you know what sounds more fun working on such projects because I You are a sound designer, audio engineer, to make? can readily read in between the story. It’s like music producer and film scorepractitioner. The movie/story is the first and major source taking a shark out of an aquarium into the Did you undergo any special training for of inspiration. As you can imagine, I must ocean; it is home. your work? have tonnes of movie scores that I have No, I am self-taught in all these fields. been listening to over the years and playing Do you work only in the field of sound or in my mind (consciously/subconsciously). So in other departments, as quite a number of The mathematics is surely at play in all the when I set to work, I take from this wealth of creatives in the film industry multitask. musical permutations you are able to configure. different music and styles, but strictly guided Sure, I work in other departments outside the Just the frequency of modulation, I would say. by the story in front of me. field of sound but still within the film industry. I help drive the director’s intent to register In fact, I believe it is this other knowledge that Being self-taught, would you say you were at strongly on the minds of the viewers; a bit of has helped enhance my ability to provoke an advantage or disadvantage in comparism psychology…(laughs). certain expressions (goosebumps) in viewers, with those who studied music or other fields using music and other audio elements. you work in, and how did you teach yourself? This field is not a common area that I won’t say there is an advantage or Nollywood has excelled at in past years, what How long have you been working in the area disadvantage. It’s like a typical case of different challenges did you face when you started? of sound design in the Nigerian film industry? people arriving at a common destination, The major challenge was not having a project About seven years. following different routes. I learnt from the to work on because marketers decided the ‘special school of hard knocks’…(laughs), quality of movies back then, which was mostly Your nickname ‘TRUTH’ results from what? under studying a great deal of composers like on home video basis, but thanks to the return of It’s a reminder about the quality of truth, John Powell, John Williams, James Horner, cinemas, movie producers now have other sales which is consistent, simple, firm… Howard Shore, Hans Zimmer and Ramin alternatives. The quality also had to improve for Djawadi, as well as books, online videos, their movies to be acceptable to the cinemas. So what should we look forward from you and experimenting at the early stages. So people like me are now in business. in the coming months? From giving the editor to slap whatever music Watch out for the Suru’lere movie (Mildred Have you been inspired by any African or he/she can find on the picture, to now that Okwo and Rita Dominic). In addition, I am Nigerian composers? there’s a need for a professional composer / commencing work on ’s next Yes, I recently listened to a music composer audio engineer, if not more. movie Wives on Strike, which will be in col- I appreciate a lot from Nigeria, Kolade Directors/producers like Tunde Kelani, Kunle laboration with Kolade Morakinyo. I am also Morakinyo. Most of the time, I hear Afolayan, Mildred Okwo, Rita Dominic, working on something (I don’t want the cat compositions that I like very much but don’t Omoni Oboli, Tope Ogun and Tolu Ajayi trust out of the bag yet), but it’s an Original Sound know the composer. me time after time to deliver on this. Track(OST) compilation of my works.

Did you also learn the audio engineering You were nominated for major awards with Your famous last words for the people inter- part of your work through the same means films such as Phone Swap, The Meeting, Render ested in working in this area? as the scoring and sound design? to Caesar, Being Mrs. Elliot and The Young Your ear is your most priced possession. Yes, but not anyone’s work in particular. Smoker, how did these make you feel? Don’t take it for granted, train and protect it.

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A child prodigy, Kaline Akinkugbe stood out from a tender age showing prowess in singing, and playing different musical instruments, She went on to perform at several musical concerts and toady, is a self managed Afro-soul musician who scores, composes and produces music for television shows and movies. Akinkugbe also writes, draws and paints. In this interview with AAdebimpe Adebambo, she shares her story, experiences, future plans and aspirations. You have a BSc in Applied Business Licensing my songs for film and TV are also a and certainly sped up my musical growth. Management from Imperial College, London great income earner. and are from a musical family, with your What was your experience like as the mother teaching you piano and violin from What has been the reception of your music opening act for Chaka Khan and Angélique the tender age of five. What influenced your especially back home in Nigeria? Kidjo at the Smooth Luxury Concert (2013)? decision to venture into music and to study My music has started to gain the attention To say that I was once an opening act for Film Scoring at Berklee College of Music? of quite a few people in Nigeria, some parts Chaka Khan and Angélique Kidjo is still Before I even started at Imperial College, I of , and America. It’s great to something I haven’t fully come to terms with, knew I wanted to be a musician. I had already have people come up to me and tell me even after 3 years (hahaha!) What a huge started writing songs at 10, and producing that they are fans of my work, followers on honour to play on the same stage as two them on Garageband music production social media, and very much love what I’m of the greatest voices of our time and my software. On completion of my studies putting out there. I’m hearing more people influences. It was incredible to say the least, at Imperial College, I got a scholarship to talk about specific songs I’ve got online with and to get to meet them both as well was Berklee, spending my first year taking the such enthusiasm. It is very heart-warming that extra special. required courses like most of my peers. the interest grows everyday. I must be doing After a year, I realized that it made more something right. Are there future collaborations in the works? sense to choose an all-encompassing degree, Absolutely. Stay tuned. where I would learn not just production, or You are inspired by jazz, rhythm and blues songwriting but also composition, film editing, and Afrobeat. What influenced your You sang the Nigerian National Anthem and orchestration. With my classical training, decision to focus on neo-soul and who were at President Buhari’s inaugural visit to I already had an appetite for larger orchestral your influences growing up? Washington in 2015. How do your African works, so the music of film composers like I usually refer to my music as Afro-soul but roots influence your music given that you John Williams and Hans Zimmer, had been because I’m influenced by so many different live and work mostly in New York? compositions I knew and loved. I attended genres, I prefer to call it soul. Growing up, I Our global community gives us access to any the introductory class to the course and was was exposed to Michael Jackson, Earth, Wind and everything that’s happening in the world instantly sold. Because of this I have been able and Fire, Carole King, Whitney Houston, through the Internet. The beauty of that is to produce, and write music for TV and film, Dionne Warwick, The Beatles, and many one can be on top of what’s going on in the as well as write more complex orchestral others. Of course, I mustn’t forget that I continent, a little easier than 3 or 4 years ago, parts for larger ensembles, when I have played the music of Beethoven and Chopin and that access has become easier everyday. performances that require them. before I was 10, so they were major influences My African roots are just that, rooted in me

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ARTS ARCHITECTURE & DESIGN BUSINESS LUXURY AFRICA AFRICA’S FIRST ART, BUSINESS, AND LUXURY-LIFESTYLE MAGAZINE N5000 R362 $25 £17 €22

so it’s quite difficult to move away from them You have won a number of international storytelling. The episodic nature of TFOR was even though I may be physically absent from awards and competitions for your vocals, to create suspense and anticipation over the the continent. Fela, Lagbaja, Victor Olaiya, piano and song writing skills like the Tamezin 14 days of its release. I created a story around King Sunny Ade and are Singer-songwriter competition in London the 14 songs and incorporated characters and major influences on my music especially when in 2004, 2005 and 2006 when you were in dialogue that would move the story along in a it comes to the complex rhythms, the use high school, and the Berklee Social Change fun sort of way. It was received very well with of instrumentation and harmony. Although I songwriters’ competition in 2012. How have an average of 500 plays per song and 2 songs don’t speak Yoruba fluently, I infuse the little I these awards impacted your brand? eventually used in a Nigerian TV series called Established as Africa’s premium art, business and luxury-lifestyle brand, know into my songs. They’ve helped the brand to stand for Before 30. Globally recognized makeup vlogger something. To be seen as an expert and Michelle Phan also used one of the songs for Omenka has expanded its focus to include content on architecture and You are an advocate for social change and thought leader in my field is a huge bonus and one of her Youtube videos. design, with a renewed commitment to an emerging Art Finance indus- have written songs like Stand and Fight to be recognized for accomplishments early try in Africa. The magazine is published as a quarterly print, an online (2012) addressing domestic violence, and on in my career creates a positive perception How has the Internet helped you as a self- Bring Them Home (2015) in honour of the and impression about who Kaliné the artiste managed artist and what challenges do you digital platform and an app. Chibok girls. How well do you think these is. I’d like to think it adds more depth and I’m face here in Nigeria and abroad? songs have impacted on the society judging blessed to have certain awards under my belt. Great question. Social networking has become Through its well tailored content, Omenka aims to position Africa as the from the feedback from your audience? a way of life and of course creating awareness hub of an increasingly globalized world by stimulating interest in art from Judging from the feedback I keep getting about In February 2015 you released The Fires of for the brand via social media platforms has Bring Them Home, I would say that the song Red: Season One (TFOR), a body of work helped to get the brand name out there more the continent as an asset class, while cultivating taste and defining emerg- has done exactly what it was written to do— featuring 14 original songs and drawings frequently and consistently. The Internet has ing trends in contemporary visual culture, among a new generation of keep the hope alive, and create awareness released over a period of 14 days, which afforded me various ways to make money and urban thinkers, collectors and enthusiasts. for the cause all around the continent. served as a visual diary detailing a modern connect with other brands, event planners, Though it is sad that we still have to keep fictional drama. What was the idea behind prospective collaborators, producers, the hope alive, as the girls are still not back, I this and how was its reception? filmmakers and so on. I am also able to come am grateful to have the opportunity to be a I wanted to create a body of work that was up with cool ways to engage my audience and part of the movement through my music. It different from just producing an album and catch the attention of potential supporters. is also amazing to be recognized for it. Stand releasing videos. I wanted to engage people in a Self-management, although a challenge, keeps and Fight has touched a number of people different way than they were used to—through me on my toes by constantly being creative especially when I play it in my shows. the 3 strongest artistic methods; music, art, and and innovative.

106 OMENKA MAGAZINE 107 OMENKA MAGAZINE VOLUME 2 ISSUE 3 VOLUME 2 ISSUE 3 FILM AS AN ART FILM AS AN ART RIDING THE SOUND WAVES WORDS ADEBIMPE ADEBAMBO, PHOTOS KULANEN IKYO, MULTICHOICE Kulanen Ikyo studied Physics at the University of Jos, Nigeria but has since established himself as a leading film composer, sound designer, music producer and sound editor. He has worked with some of the most accomplished directors and producers in the Nigerian film industry and received several nominations, as well as won prestigious awards for his work. Are you leaving the likes of Young’s Modulus You have worked on about three and optics behind for good while toying productions with Ishaya Bako and two with with tuning forks and wavelengths, or would Kunle Afolayan, which have both earned you you say you reached your elastic limits with AMVCA nominations and wins. What is the physics, got tired of chasing mirages, and winning formula? now working fully in sound? The winning formula…first all, I’ll say I am Laughs! First of all, I’ll say I haven’t left physics blessed though I have worked on more than because sound and music are both part of 3 productions with Ishaya Bako. Let’s just say physics. When you talk about sound, you talk that because I am blessed, whatever I do about wavelengths, frequencies, reverberation, is blessed. I don’t work for awards; I work compression, modulation and so on. All of because I love to create as I think I have a these things are music principles so I haven’t left creator’s trait. The joy of bringing out an art physics as I am just applying it. Studying physics form is my first reward, and I work very hard has helped me understand several aspects of for long hours even if I have to say so myself! I sound and music. In today’s world there are a do it until I get it right and I keep learning from lot of electronics, which also happens to use everyone I meet. If you are also at the right physics. This has also helped me to get to know place, doing the right thing at the right time, and use the technology better. everything just adds up.

When you get a feature or short film Do they give you a free hand to work? treatment and eventually the script, what is Directors are different. Kunle Afolayan allows the first thing you do? me to work organically, doing what I want and I read it through and start to think like the then he just comes to adjust. Other directors director. I try to get a feel of the world in the know what they want and insist things are script and eventually the film. I put myself in done in a particular way, so you have to the story and in the shoes of the director and follow that as it’s their film and creative vision. think about what will happen here and there. Others give you a carte blanche, some give you Then I make notes on the script and speak specific references they want you to follow, with the director to find out exactly what he insisting on the way it must sound. One has wants and then see if my notes tally. If they to be flexible and prudent enough to work don’t or are completely opposite, I try to feel with different directors. I try to find out what he wants or suggest to him sound and each director’s style and go with it, to get the music wise, what I think will work so we find relationship productive. a balance. Reading the script can be an uphill task as I am moving from the end of one job Kunle Afolayan travelled with you to to the beginning of another and sometimes Budapest, Hungary in search of an orchestra have just a day to read through a script then for the sound in The CEO movie, this is quite start to work on it. novel. Was that at your suggestion and how was your experience? You seem to work with award-winning film Yes it was my suggestion. I told Kunle we directors. Does this happen by chance or do needed to go to Hungary to get an orchestra. they seek you out? It was Scopli in Greece initially but he didn’t like Most of the work I have done came by the country. It was also difficult to get a visa as recommendation. I think all the people I they don’t have an embassy in Nigeria, so we have worked with have no regrets, so they moved it to Budapest. I told him that sound recommend me to other directors. I then do and music wise, we needed to push his film what I have to, to the best of my ability. further. We needed to do something different

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by getting an orchestra to have that symphonic sound on it. It will be African but symphonic sounds as well. I wrote the music, we went, saw or would I say heard and conquered! It was a great experience for me having to work with the Budapest Film Orchestra, musicians from another country, speaking another language and working with a conductor who understood and translated my music notes. It was also great to have the music you wrote interpreted beautifully well. It just gives you joy! I hope more Nigerian directors will take their music and sound seriously.

What was your experience working with Ishaya Bako on the Road to Yesterday movie and what should we except from The CEO? Like I said earlier, every director is different. Road to Yesterday was Ishaya Bako’s first feature. I have worked with him on several other projects, two of which won awards before Road to Yesterday. We have a way we work and understand ourselves, though Road to Yesterday was a bigger project than he had previously done and was different from his short films and documentaries, we worked on earlier. It wasn’t so difficult though we had challenges that any production will have like time constraints. About what to expect from The CEO? I try to improve on everything I do. I am not trying to beat my chest or blow my trumpet but expect a whole new level in film from a Nigerian production. Just watch out, especially when it comes to my department because even I am blown away by what we have been able to achieve sound and music wise in The CEO.

You had Angelique Kidjo on the set of The CEO. What was it like to meet a vocal power house and three-time Grammy award-winner? Were you inspired to create some of her kind of music for the movie? I asked Kunle if we could have Angelique Kidjo on the production, but these are contractual issues as you would have to sign music for movies? biggest composers and sound designers who with her management and so through the Primarily I do sound, music and movies but I even went to music school. They’ll tell you that whole process. I don’t think it was something also have other businesses as an entrepreneur. seven to 10 years after school, they could not we could afford at the time. Angelique is feed themselves. an energizer! Anytime she came on set, Will you say you are living a fulfilling career everywhere was full of energy because she path and what’s your advice for people who My advice to people who want to take this would make jokes to make us laugh; she wish to work in this field? path? First, it’s a lonely one; people around creates very positive energy anytime she Yes! I am happy with what I do. As far back as I you won’t see a reason for this. ‘Why are you comes on. Everybody loved her because of can remember, growing up, I always loved sound doing this? Go and get a regular job and bring the life she put into everything she did. It was and music production. Even though I didn’t come money home! However you have to keep on; good to be around her and get to hear her from a well to do family, as a young child, my you have to be determined, persistent and speak about different issues from politics to dream was to go to Berkley College of Music in tenacious. You can’t do it one day and stop. music, to things she was working on, and to Boston. This never happened. I wrote to them You have to keep at it otherwise you won’t know that as big and international as she is, at some point and they used to send me their go anywhere; it requires that consistency. she is very humble. She was approachable, brochures which I would just look at and admire. Sometimes, it’s not because you are so even with all her achievements you could talk It’s something I wanted to do but I would say talented but because you have been very to her without fear that she is one superstar that I am happier I am succeeding without having consistent. That way, people will find you. with an attitude. I liked that a lot. gone to any of these music schools. It’s fulfilling. Work hard, improve your skills, find out It’s the same everywhere, when initially, you the most recent things happening, and your What else do you do besides sounds and are trying and nothing is happening. Talk to the chance will come.

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Mike-Steve Adeleye is a graduate of Motion Picture Production from the prestigious National Film Institute, Jos. He majored in directing and specialized art. His oeuvre spans animation, visual effects, scriptwriting, directing and editing. Adeleye’s flair, finesse and attention to detail have earned him a formidable reputation within and outside the African continent. He continues to travel widely making fiction, TV commercials, documentarie.

His first live action featureWell of Fate was well received at its screening at the Pan African Film Festival, Los Angeles in 2007. He is also an alumnus of the Berlinale Talent Campus (2008), which takes place during the Berlin Film Festival in Germany. This programme brings together about 300 shortlisted professionals Myearly from all over the world, working in different areas of the film industry. He returned to Berlin in 2009 as one of the 15 Berlin Today Award contestants chosen from 350 entries worldwide with his script titled Writing the Wrong. In addition, he has worked with the BBC, Namibia Film Commission and notable Nigerian film directors like Kunle Afolayan, Izu Ojukwu and Tope Oshin-Ogun.

In 2015, Adeleye was nominated for both an Africa Magic Viewers’ Choice Award for Best Video Editor for October 1, directed by Kunle Afolayan, and an Africa Movie Academy Award in the same category. He was also nominated for the Best Editing Award for October 1 and Best Animation for Alternative to Corporal Punishment, a commissioned production aired on Namibian terrestrial TV stations. He is presently working on a unique family fantasy feature film project.

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internationally, what was the inspiration poles, transformers, billboards and wires, out behind it? of the frames. It was an idea the talented Mak Kusare and I was the visual effects supervisor and had I had back in film school while we were to oversee the process right from pre- roommates. We thought it would be nice production through production and unto to do a satirical series that would deal with post production. This involved ensuring that different social situations in the country and the VFX scenes were shot in a particular chose to start with one about land disputes. way and certain onset reference materials We had two characters fight over something were acquired in addition to solidifying the as seemingly insignificant as a piece of rock workflow by taking into account the RED where the background and environment is RAW 4k format the film was shot on. A big filled with rocks. What starts out as peaceful advantage was that we did the edit and VFX co-existence quickly turns into violence as the in-house, so it was easier to stay consistent once neighbours fight over possession of the with the workflow. piece of rock. In the end none of them gets it, After the shoot, the footage of the recording and in the process, we showcased the vanity referred to as ‘Rushes/Dailies’ was first and futility of similar land disputes. transcoded (converted to a format that is easier to edit with) and then cut (edited) How difficult was it to set up Emes Pictures to tell the story in the most engaging way Animation Production here in Nigeria and possible. We then prepared reels of the how has the journey been so far? edit for VFX, sound edit and colouring. The When we started, animation was very new in film was then finalized by combining the Nigeria. In fact, it would have been impossible completed VFX shots into the rest of the edit, to run the business solely on producing graded, and then mastered with the sound animation. We based our operations on mix into the different required formats. different aspects of film/TV production and limited animation to in-house projects alone. For animation, the process becomes the This was the status quo for a long time same once we get to post production. The until we made Playground, a short animation actual animation process can be likened to about girl child education. The floodgates of the production aspect of live action where animation jobs were thrown open from that the actors are filmed. Animation starts with point on. We have made animations for a very pre-production too, just like its live action diverse clientele ever since. counterpart. The production process follows and involves first recording the voices of the performers/actors and then applying Animation in Nigeria is a relatively new motion to the animation characters, frame field, what are the opportunities for growth by frame in reference to the recorded voice in the industry, as well as for young and performances of the actors. Every second of upcoming animators? motion we see on the screen is made up of There is need for a sturdy platform if 24 separate frames and the animator needs animation is to grow as an industry in the to draw or pose the character 24 different Did you study Animation Production in a and then later got a degree in Motion Picture country. At the moment, there is only a times for each second of animation to be formal institution or were you self-taught? Production with a specialization in Animation. handful (pockets) of animators here and perceived as ‘normal’. Depending on the style/ I’d say a bit of both. I studied Film (Animation I have not stopped learning since, getting there, struggling to practice professionally. technique of animation employed, there could inclusive) at the National Film Institute, Jos but acquainted with new techniques and I have friends that are fine animators but be shortcuts and reduction of the amount of my passion for animation predates my formal technologies that aid animation, and doing have dropped the trade for more ‘certain’ frames needed to animate for every second study. I had an Amiga 500 + computer in the several tests and experiments at every chance industries, professions or other aspects of are emerging every day, with new ideas and required a bit of animation and lots of matte of screen time, but that’s going into a very mid -90’s that I experimented with. However, I get. the entertainment industry. The absence of hunger to do something unique or different painting and compositing. We did loads of detailed/lengthy discourse. Post production it was very limited because it had just 8MB of synergy and co-production is the culprit in my that stands out. And with the boundless visual effects forOctober 1 but interestingly, follows and just like in live action, this is where RAM and I had to work directly into a floppy Please take us through your creative opinion. Animation is a specialized art, which possibilities animation provides, it is only a a lot of people are unaware of this because everything is tied together nicely and output disk. An animation of about 30 seconds might process. requires many hours of dedication, and it is matter of time, before we begin to see locally they were mostly ‘beauty effects’ – effects into a finished film. end up saved across several floppy disks, and It depends on the project and what I am nearly impossible to thrive under the belt of produced animated features on our big done to authenticate and aid the suspension to output, I would play out directly into a VHS required to do. One thing I always do though single entities, especially when coupled with What is new for Mike-Steve Adeleye? recorder, editing manually with the deck. It is plenty of research. I go online and begin to survival. The advertising industry is sometimes screens. I believe a good way to accelerate of disbelief as opposed to effects done for I’m very excited about a new feature film that was very tedious but I didn’t mind at the time. comb for references and information about a great patron of animation but sometimes, this actualization is through local, as well as grandeur and attention. For example, the we are putting together. It’s been hush-hush so That was the only way I got to practice what the subject being treated. If it is an animated the agencies would rather outsource their international co-productions. location the majority of the film was shot, far, but we are about to go public with details. I loved. project, I do several thumbnails to help me animation TV commercials outside the Akure, had the look Kunle Afolayan (director), I cannot say too much just yet, other than the get a rough but good visual sense of the story, country than patronize local vendors. You edited the film October 1, which earned Yinka Edward (DP) and Pat Nebo (production fact that it is a truly original film, a hybrid of At film school I was taught the principles and then prepare a storyboard and animatic. The good news is that the entertainment you two prestigious film nominations. designer), all agreed would be well suited live action and computer generated animation. of animation, a solid foundation that I could I also have many conversations with the client industry as a whole is growing very fast, and Please tell us how different the procedures for the story. The only problem was that It will require all the skills and knowledge I apply not just to my animation projects but where I bounce off ideas, exploring the best with access to more information now than are in editing a film and an animation. the town was filled with modern items that have been blessed to hone through my career. storytelling generally. I graduated first with possible way to achieve their goals. ever before, it is possible to keep up to date Working on October1 was a lot of fun. would be out of place in the film’s set period I also have a colourful pre-school animated a professional diploma in Motion Picture In 2003, you created Evolution of Intelligence, with the latest trends and practices in the We were commissioned to handle post of 1960. Solution: Long hours of erasing and series I started working on last year that Production with specialization in Directing which won rave reviews in Nigeria and business, the world over. Also, new producers production, as well as visual effects, which painting all unwanted elements like electricity should be ready for airing later this year.

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award at the International Film Festival for and the fantasy–embellished requirements for emotional journey, leave them stranded with Peace, Inspiration and Equality in Jakarta, an appreciable drama. These two elements the characters and arm them with a resolve Indonesia. I also recently won the INDIEFEST are interwoven by fiction and driven by strong to be part of the remedy that’s required to Humanitarian Award of Excellence for my narratives. vindicate those characters. “conscience film” Verdict in January, 2016. LIGHTING UP A movie like that is bound to thrive because What are your goals in the immediate future? Your first venture as a producer was in a 3D it appeals to both worlds. Common Man My immediate goal right now is to get the animation movie Lifespan, what was your has been screened and awarded both as a attention of the Oscars (The Academy experience producing it? documentary piece and a drama hence, its far Awards). I want to turn the attention of the Lifespan has been my most ambitious project reaching accolades. It also touches on topical film world towards Nigeria. It won’t be easy, yet. At a time when I was still creating content taboos in a very engaging and daring manner but I will do it. All it will take is a movie they THE STAGE! to service the advertising industry, it was while leaving room for a conclusive resolution never saw coming! Concerning my next film WORDS AMANDA ONYEARUGBULEM, PHOTOS STANLEE OHIKHUARE quite difficult combining the two. I got more with a ray of hope and a subtle call to action– projects, I have another “conscience film” to experience, an equal share of disappointments all stemming from a seemingly grotesque and shoot this March in Oghara, Delta State, and and most importantly – the resolve to forge hopeless situation. then another epoch-making film adventure that ahead and branch into live action films, What I do essentially with these “conscience will definitely get the world talking. Look out all based on my experience with Lifespan. films” is that I take the viewers on an for that one! Furthermore, it was self funded and this made it even more difficult to persevere. Stanlee Ohikhuare graduated from the University of Benin with a Bachelor’s degree in Fine In a span of three years, seven of your Arts, specializing in Painting. He also holds a National Diploma in General Art from the Yaba works have been nominated sixteen times, College of Technology, Lagos. A self-taught 3D animator and filmmaker, he works in different and received three awards at the 2015 technical aspects of film, from scriptwriting to cinematography, lighting, art direction, visual AMVCA.What keeps you motivated? effects and directing. The works of Spanish surrealist artist, Salvador Dali, as well as El Dragg, a Most of the filmmakers with whom I am Nigerian painter and his former lecturer, inspire him. friends with always say that I am a constant attraction at the AMVCAs. Coincidentally, I have always had multiple nominations in every AMVCA since my first, and as much as it feels good. It also places some sort of pressure on me because I keep asking myself ‘What if I don’t get a single nomination this time... What would You studied Art at the Yaba College of It was my directorial debut and also my first with what obtains internationally? the perception be?’ Technology and the University of Benin, attempt as a producer. Since then, I have At Mighty Jot Studios, the core strength of then went on to producing, directing, video moved on to create live action movies as well, our operations lies in capacity building. Every Firstly, I believe I always get slots with the Sediting and the many other things you do. many of which have been hugely successful, year, we train hundreds of film enthusiasts and movies I submit each year because I tend to When did your interest in film start? both within and outside Nigeria. already practicing professionals, alike – many think outside the confines of boring and generic My interest in filmmaking probably dates of whom seek to learn and master the artistic normalcy. Secondly, my movies do not just back to my childhood. I was a very playful You are an accomplished 3D animator, approach that is inherent in our film projects. celebrate the entertaining aspect of filmmaking, and equally intelligent child, and the power of graphic artist, video editor, visual effects Consequently, we can never be stranded as but also the effectual potential with which creative imagination was a common attribute creator and stunt director. How are you far as getting competent hands is concerned. movies can become a veritable tool for social for every member of my family. After seeing able to achieve mastery in all these? I believe our film projects have collectively change. All my signature “conscience films” some early movies, mostly still credited for I am a born artist. I was never confused or done so much in terms of positioning have bagged reputable AMVCA nominations their bold attempts at creating compelling ashamed of the arts because in my case, it was “Nollywood” as our industry is often referred and awards, and I’m quite confident that 2016 visual effects, I was hooked! innate. to, in the right light, internationally. In 2015 will not be an exception. There were always questions on my mind, alone, our movies got over 30 international bothering on how certain things were However, being computer savvy expanded my nominations and won a total of 11 With the AMVCA, my movies have received achieved and the reason why the filmmakers imagination and provided me with a tool with international awards. 16 nominations from seven movies in three back then, represented certain other things. which I could seamlessly blend technology years. The AMVCA awards won include; Best Such movies include The Seventh Voyage with the arts. I am proud to look back and As at February 2016, we have already won Documentary (AMVCA 2014) for the movie of Sinbad, Jason and the Argonauts, Clash of realize that I earnestly sought after, learnt and four international awards with the last two The Deadood, Best Short Movie (AMVCA the Titans, Hugo the Hippo, Seven Brides for perfected everything else, besides my formal in favour of our multi -nominated movie 2015) for Oblivious and Best Cinematography Seven Brothers, Sound of Music and of course, training in the fine arts and my subsequent Common Man. On February 19, Common Man (AMVCA 2015) for Verdict. Hammer House of Horror. specialization in painting. I am not an alumnus won two INDIEFEST international awards However, my first opportunity at practicalizing of any computer training institute, 3D in the United States, for the use of film for Common Man has won several awards in the the art form came when I saw Shrek and animation training school or film school. I am social change and art direction. Common Man United States, and has also been screened decided that I wanted to create animated totally self-trained in every technology driven has four nominations in the forthcoming at the Roma Cinema Doc in Italy and other movies like it. The opportunity finally showed endeavour I have pursued. AMVCA 2016 in the following categories, Art foreign countries. What would you attribute up in 2014, after I taught myself 3D animation Direction, Cinematography, Lighting Design its success to? and then embarked on a rather ambitious Mighty Jot Studios is a creative consultancy and the biggest – Best Movie West Africa. The success story of Common Man cannot quest to create a feature-length 3D animated and production company that you set up. Our movies have placed Nollywood in festivals be separated from the core formation of the What have you been able to contribute to movie titled Lifespan. Lifespan launched my and awards for which we have never been movie. It is a “conscience film” and has a very filmmaking career and helped me understand the film industry in Nigeria and how would featured – and we thrived! potent storytelling mechanism that exudes the tedious processes of getting things right. you compare the technical standards here Last year, I won the Filmmaker of Inspiration both the surreal attributes of documentary

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this to good effect in class. Learning can be good and bad films, listening to podcasts and that will enrich the story. These things cost tedious but the lectures you remember most enrolling in film schools, home and abroad. money. Telling a story in a way the world has are the ones that felt more like a fun time out Today, they visit producers to pitch their never seen, takes time. Getting sufficient time as opposed to a knowledge dump. stories and are in writers’ rooms showing and money is the major war the Nigerian their mettle. It’s improved, but we still have a screenwriter has to win. WEAVING THE How do you balance script writing and long way to go. teaching? To be fair, movies are not making the kind of To be honest, I’m still figuring it out. Writers aren’t paid well enough to write as profit that will justify huge writing fees. Even so, Teaching is easier – prepare for a class, show well as they should. I’ll explain. The British producers can do much better. The new craze up and talk. Use visual references in films, screenwriter (to use the American, is going too for content may be the tipping point for the STORY engage them in exercises and hear their far) is paid well enough to attend to her bills Nigerian screenwriter to develop deep pockets. WORDS ADEBIMPE ADEBAMBO, PHOTOS ANTHONY KEHINDE JOSEPH thoughts on the lessons learnt. and dedicate adequate TIME to research her story, immerse herself in its themes and write What new projects are you working on? For writing, I have to start early, think, research, two drafts, which she’ll submit as a first draft. At the moment, I’m in the creation stage of create … and battle the demon called Here, you’re paid barely enough and are my own TV show. It’s a personal project. procrastination that keeps forcing one to browse expected to churn out a good screenplay in This year already, I’ve done a feature for a – honestly producers, it’s the devil’s work. two weeks. To get your balance becomes a client. I am also involved in negotiations for Kehinde Anthony Joseph is the talented screenwriter behind several acclaimed productions war. Soon, screenwriters take two or three two different cinema projects. like the four-man cast movie, The Visit (2014), While You Slept (2014), Weekend Getaway Sometimes, one or the other has suffered, jobs at a time (add that to the fact that very (2013), Kiss and Tell (2010), and I’ll Take My Chances (2011). He has also written for celebrated though, I still do both and have managed to get by. few of us don’t procrastinate) and are unable To be honest, I’d rather just write three producers like the late Amaka Igwe, as well as the BBC. Self-taught, he constantly hones his skills However if you’re out there and have the to deliver any on time. scripts this year. I want to pour the much I’ve by attending local and international workshops while consuming books and scripts by award- secret formula to the work-balance between learnt into them and write as I never have and winning international writers, and watching several movies. He was nominated for an Africa screenwriting and teaching, find me … you’re The screenwriter needs constant electricity, deliver a job I’m more excited about than I’ve Movies Academy Award for Achievement in Screenplay (2015) for While You Slept, and is a very the one prophesied to lead me out of this Internet and access to places and resources ever been. passionate drama and scriptwriting teacher. quandary.

You were nominated for the Best Screenwriter award for the movie While You Slept, what was the inspiration behind that script? First, lower all expectations. I don’t have a clever response that will be inspiring to young Are you specially trained as a screenwriter? instead for ‘any book on writing movies.’ and made suggestions about where to place screenwriters and frequently quoted by them. KLike most screenwriters, I’m self-taught. She got me Syd Field’s Screenplay The the board and the TV screen, and how the Emem called and said wanted a It starts with an obsession for watching films Screenwriter’s Workbook. I read it over one performing space should be used. Then Emem good, engaging story. Emem and Ini pay well, from youth. The ones you love, you see so night and had an epiphany when done. I learnt remarked “You should teach here.” I wanted good cash. It was demand meets many times and you know the lines by heart. that screen stories had to be structured and That was early 2010. I’m still with the Royal opportunity, so I thought hard. Then you dream up a sequel to these movies, characters needed to be 3-Dimensional and Arts Academy. and in some cases, change the story according active, and that a plot has to change course at A useful technique for generating story ideas to what’s brewing in your imagination that day. certain junctions called a plot point … What techniques do you enjoy in teaching is the ‘What if’ tool. What if we’re all trapped Soon, you begin to create stories in your head And I haven’t stopped learning; I’ve read the your students? in a simulated reality and are prisoners of like the ones you love. major books and the newer ones. I watch In 2009, I attended Highbury College in a software system (Matrix); What if the films regularly and consume movie scripts. Portsmouth, UK for a course in teaching. one obstacle between a contractor and the In my case, the stories in my head had high- I was with Amaka Igwe’s Centre of Excellence minister he needs to see is the minister’s speed car chases, single men taking down many Why did you choose to teach at the Royal for Film and Media Studies at the time, which cantankerous secretary (The Meeting); What if with Kung Fu, superheroes battling villains in the Arts Academy? partnered with the British Council to train us a woman gets pregnant for the doctor tending sky, and gorgeous men serving witty lines and I’m a talking person. It got me a job as an OAP in ‘training’. to her comatose husband, and the husband the femme fatales being addressed, returning at Eko FM – a job I didn’t pursue but simply awakens (Falling). same with quotable repartees. escorted my good friend, Wale Scott (now The most important lesson I learnt during that a leading sports presenter), to audition for. I amazing learning adventure is that people learn That’s how I came up with the story for While I wrote my first screenplay in 1994 in a 20-leaf used to teach at late Amaka Igwe’s Centre for through various methods. The one subscribed You Slept. There have been similar stories so I exercise book. It was an adaptation of Wale Excellence in Film and Media Studies, but that to and deployed by Highbury College is VAK needed an angle they hadn’t explored. Maybe Adenuga’s Ikebe Super comic book series, and was for 2 weeks, thrice a year. (Visual, Auditory and Kinesthetic). Some that’s what got the story nominated. mine was titled Ikebe Super: The Political Ordeal. students learn by what they see, some by what Don’t judge it was my first. I was a kid, yet Uduak Isong Oguamanam, a foremost writer they hear, and others by what they do. How can you rate the standard of screen smart enough to cook up a movie about Papa and producer, became my good friend and I have since used this effective method to writing in Nigeria today and can anything be Ajasco running for the post of state governor. introduced me to Emem Isong, her older teach at the Royal Arts. First, one determines done to improve on such standards? You won’t think so when you read the script. sister. I wrote two scripts for Emem, which each students’ learning method and then uses It’s getting much better. Time was, when you I never stopped writing, getting better, getting made me a member of her creative family. the variety of all three in good balance to knew the names of all the good writers. Now, the hang of it. But training proper started One afternoon, Uduak, Emem and I took a satisfy all learning styles in class. young and hungry writers are emerging from in 2001. I was an On Air Personality at Eko trip to the Royal Arts building while it was everywhere. FM and my good friend, Dupe Falase was under rehabilitation, and Emem shared her Also, humour is my most potent tool. By spending her annual leave in Holland. She vision. I stood in the centre of the room nature, I see life in comedic shades and more They are educating themselves on the Net, wanted to buy me a mobile phone. I asked that was to serve as the major classroom often than not, people laugh around me. I use reading books, devouring screenplays of

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Much as film is an audiovisual art, pictures the Iroha cousins – Uche James-Iroha and October 1 whilst Ejim shot Tiwa Savage’s music are its chief currency; after all, a picture is the Uche Okpa-Iroha, Yetunde Ayeni-Babaeko, video Ife wa gbona in addition to films like distinguishing element between the screen Amaize Ojeikere and Ade Plumptre. Fiofori, Lancelot Imasuen’s Adesuwa. It is advocated and radio. In fact, a school of thought affirms photographer, writer and filmmaker, once that the NFI model and perhaps, models that if the volume of a film’s sound is turned narrated an incident during the visit of former from institutions that have produced some off completely for the duration of the movie United States President Jimmy Carter to of these competent DOPs should be studied and the viewer is unable to understand what Nigeria in 1978. Fiofori was one of the official for onward replication in other areas of is happening, then that film has failed. photographers for Carter’s visit; unable to get the industry, especially screenwriting and the shot he wanted as the former president sound, which continue to disappoint movie Whereas radio drama or play relies solely disembarked from the aircraft upon arrival in enthusiasts. Tunde Kelani, one of Nigeria’s on words, film places a premium on motion Nigeria, he said, “One minute, Mr. President”. best cinematographers, says he fell in love and, sometimes, static/still pictures in relaying Carter stood still for a moment as Fiofori and with cameras as a child and saved money its story. The popular saying in film – “Show, his colleagues clicked away. Such is the power to purchase his first camera. Kelani, 68, has don’t tell” means the filmmaker is expected an entertainer possesses, a clout, which should photographed scores of movies, including Tuface to remix his song Baby Jowo to to use pictures rather than dialogue or words, never be taken lightly. Anikura, Ogun Ajaye, Iya Ni Wura, Iwa, critical acclaim. Considering the applause which are a last resort when every form of Fopomoyo, Ti Oluwa Ni Ile (1993), Ayo Ni Mofe that greeted that collaboration between non-verbal expression fails. People do not Several efforts made by other professionals (1994), O Le Ku (1997), (1999), the young and old, some filmmakers who care what the actors in a radio play look like, in the process of producing a film are either Thunderbolt –Magun (2001) and Dazzling made outstanding movies in the past could but screen actors go the extra to appear like appreciated or despised given the level of Mirage (2015). reconsider re-enacting some of them in view the characters they portray. knowledge and degree to which they are of the advances in the photography unit, applied by the photography department – Stanlee Ohikhuare is a fast-rising/multiple both in terms of equipment and capable Who could have told what popular the camera operators, cinematographers award-winning cinematographer who started manpower. This is important because those superheroes like Superman, Spider- and Directors of Photography (DOPs). The as a painter before embracing photography, films were shot with technologies that have Man and Batman look like, save for their aesthetics and technical quality of a film’s animation and filmmaking. poor picture quality when viewed on today’s photographs? Without pictures, everyone is photography is easy to decipher right from the devices. Furthermore, more than 60% of comparable to the blind – those born without establishment shots up until the film ends. The Ohikhuare has made several films in the last people under 30 do not know such films as their sight and so are left to imagine what angles the camera people choose and all the five years, some of which areThe Deadwood, Tade Ogidan’s Hostages or Teco Benson’s State daylight looks like. other components of their shots may or Common Man, Oblivious, Verdict, Stupid Movie of Emergency and Executive Crime, whose may not reveal the beauty in the costumes, and Kpians, the Feast of Souls. The examples of stories are still relevant today. By the way, some Owing to the fact that motion picture location and props used in the film. Kelani and Ohikhuare are indicative that the of these filmmakers will need to revise their photography and cinematography have static manifestation of great skill commences with screenplays to make them more engaging. or still photography as their forerunner, Gladly, the camera work in Nollywood films interest, which is then nurtured to excellence. it is apt to mention a few individuals who has appreciably improved in the last couple A picture, they say, is worth more than a established photography as both art and of years because many of the newcomers Undeniably, photography in Nollywood has thousand words and this is demonstrated business in Nigeria. Jonathan Adagogo in this field are well trained, either locally or inadvertently improved the fortunes of other in all the historical pictures that reveal Green (1873 – 1905) photographed King internationally whilst the older professionals allied businesses in entertainment. Granted previous civilizations and generations. It Jaja of Opobo and Oba Ovonramwen have attended capacity building workshops that now, more than ever, celebrities want is heartwarming that photography is one Nogbaisi in the 19th century. Other leading to upgrade their skills. The National Film to step their best feet forward on the red of the areas where Nollywood continues photographers across generations include; Institute (NFI) has made an exceptional carpet, the incomes of fashion designers, to show satisfactory improvement by the Peter Obey, Solomon Osagie Alonge, J. D. impact in this regard, producing reliable stylists and makeup artists keep improving day. Therefore, the present age needs to ’Okhai Ojeikere, Sunmi Smart-Cole, Tam DOPs like Yinka Edward and Fortune Ejim. with new players, making their entry every preserve high quality still (static) and motion Fiofori, Don Barber, Akinbode Akinbiyi, Jide Edward is the DOP responsible for Kunle day. A few years ago, veteran musician Victor pictures, which will expose our exploits to Adeniyi-Jones, Kelechi Amadi-Obi, TY Bello, Afolayan’s The Figurine, Phone Swap and Olaiya teamed up with hip-hop sensation posterity in an endearing way.

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Long before I started working on my in the works of Nigerian film producers like Nollywood assignment, I thought about Kunle Afolayan and his older counterpart exploring the story of Nollywood. I first hit Tunde Kelani, whose ingenious film making on the idea at the beginning of 2008 when a incorporates political and satirical themes, friend, who is a model and actress, suggested you can see the importance of Nollywood in taking a trip to India to shoot a collaborative political communication. movie between Nigerian and Bollywood actors. Unfortunately, the trip never happened. Nigerian entertainment has changed a great deal since the 1950s and ‘60s, when theatre Recently, however, I had the chance to groups would travel between communities rejuvenate my idea through Reuters’ Wider and villages in trucks and set up their stages. Image desk, which commissions in-house Now the film industry is so powerful that photographers’ in-depth photo stories. I UNESCO reported in 2009 that it had wanted to explore the reasons why Nigeria’s overtaken America’s Hollywood in the Nollywood has been so successful in a number of films produced, its output only continent where conflict and poverty are rife. surpassed by India’s Bollywood.

Millions across Africa watch Nigerian films. In August 2013, I spent four days in the They are as popular abroad as they are at rainforest in Nigeria’s southwest, watching home. I remember taking a shuttle bus while in amazement as cameras, lights, shadows, on holiday in Gabon a couple of years ago, and smoke, and a group of talented people, from as I settled down in my seat, the screen started electricians to costumiers, worked together playing a movie. It was an export from Nigeria. to create one example of the media that is so influential across Africa and its Diaspora. Nollywood has generated a great deal of money, not just for those directly involved The film, titled October 1 was set during a in the movies, but also in other areas like key moment of Nigerian history, just before advertising and corporate sponsorship. independence, and shot by Kunle Afolayan. Thousands of movies are produced on shoe- Shortly before that, in July, I went to string budgets for different media formats, Abeokuta, also in Nigeria’s southwest, and and they have fed emerging digital television spent another four days on location to see the channels for decades. filming ofAke. The movie was an adaptation of a childhood memoir by Nigerian Nobel In my graduate class at the University of Lagos Laureate for literature, Wole Soyinka, and a few years back, a friend argued that Nigerian produced by Dapo Adeniyi. film has also played an important role in down playing the political tensions in Nigeria. Many people have dismissed Nollywood as She argued that Nollywood movies soothed cheap and sensationalist. Others have argued and had even helped prevent an that Nollywood has provided a much-needed imminent civil war. platform for Africans to tell African stories. Whichever side of the argument you stand on, I cannot completely agree; I think the the story of Nollywood is one of power and movies are mostly just entertainment. But bright lights. I intend to follow wherever it leads.

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Mostly self-taught Debbin Udeme Robin completed a special course in photography at the Yaba College of Technology to hone his skills. Today he is one of Nigeria’s notable celebrity photog- raphers and has over the years, carved an enviable niche for himself especially in the Nigerian film industry. On the invitation of Okechukwu Ogunjiofor in 1994, he worked on the set of Nneka The Pretty Serpent as still photographer. Since then, he has worked with the likes of Zeb and Chico Ejiro, Sunny Mc Don, Sandra Achums, Kanayo O Kanayo, late Sampson Augu Barry, Ngozi Ezeonu, Rita Nzelu, Sydney Dialla, and late Francis Agu, undertaking actors’ folios and promo shots to photos for movie jackets and covering film festivals. Significantly, from the incep- tion of the African Movie Academy Awards (AMAA) 11 years ago, Robin has been the official photographer till date, covering all nomination events outside Nigeria and the awards proper in DBayelsa,Lagos and South Africa.

You are reputed to have one of the largest of images stored in negatives. archives in the Nollywood film industry, However, with the use of technology, the please tell us about that. negatives have been converted into digital I am a professional photographer with storage. I have no funding from any source, about 20 years of experience. Working with I fund everything myself. Sadly, there was a Nollywood as a foremost and reputable terrible flood in 2012 in Lagos, which affected photographer is a thing of pride to me. I have my studio in Surulere. I lost most of my photographed the high and mighty in the archival photos taken from the 90s up until Nollywood industry even before they became that year. I was only able to salvage a few. Most very famous . I have also covered AMAA of my equipment were also ruined so I had to since inception, that is for the past 11 years. I start all over. am proud to say I have the largest archives of Nollywood stars, from their studio shoots to What do you intend to do with this sets and red carpet events. collection and how do you think they can be employed for the greater good of the How have you been able to store and Nigerian film industry? maintain such an expansive archive; did you What I intend to do soon with my archives is have to convert from analogue formats to to put up a photo exhibition celebrating my digital, how expensive was this, and do you about 20 years work in the industry. have government or private sector funding in this regard? How important is it to make illustration From the days of analogue photography, when archives, and what technological process have I was shooting on negatives to today, using you employed in maintaining this archive? digital photography, it has been challenging Well it’s very important to do illustration converting those beautiful images on negatives archives, but for now there is no technology into digital form because of the huge numbers here for such a project.

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A filmmaker extraordinaire,Femi Odugbemi is also a screenwriter, cinematographer, director, photographer and producer. The name behind one of the most successful and well-viewed Nigerian soap opera, Tinsel, Odugbemi was born in the early 60s in Lagos. Among his other notable productions are the award-winning documentary Bariga Boys, Abobaku, a short film directed by Niji Akanni, which emerged as the Most Outstanding Short Film at the Zuma Film Festival in 2010.

You co-founded and are presently Executive governments and political leaders. They are So government should be interested in Director of IREPRESENT International using documentary film to explore important furthering the cause of documentary Documentary Film Forum, “an organization development issues like education, gender- filmmaking with a more deliberate interest dedicated to promoting awareness about discrimination, the environment and many and investment in its growth. So far, we have the power of documentary films to serve as other areas of their life experiences. The not received the attention or support of a means of deepening and sharing social and numbers will surprise you, we have gone from the Nigerian government in material form Acultural education, as well as encouraging receiving less than 10 entries in the first IREP but we are hopeful. We want to partner participatory democracy in our societies.” Festival 6 years ago to receiving in excess of a with the Nigerian government in advancing With Africa as its prime focus, how have hundred film entries this year. The majority of the values of the documentary film form in you been able to evaluate its direct impact these are from young filmmakers who realize its best expressions. I was personally very on the continent? that documentary film provides them with a disappointed, for instance, in the poor quality The wonderful thing about the documentary powerful ‘voice’ to foster development and of documentaries that we saw during the last art form is that primarily it causes you to be involved in changing their communities presidential elections. They were the worst think. Whatever the subject matter of any for good. As I like to say, documentary film representation of what documentary can do. documentary you watch, it changes you. can be an extremely subversive tool for They were poorly researched, very uncreative You are certainly more informed because progress, for accountability and for fostering and biased, and poor technically. It was an it gives you a deeper perspective than understanding and stabilizing the democracies embarrassment for us as a country to imagine you otherwise would have. But more than of our continent. Our greatest ambition in that they were screened on the national TV likely, it also influences your understanding IREP is to take documentary filmmaking out network. Anyway, I still prefer the original. of issues and can very much provoke you of the hands of institutions, where for all these That shows we have a lot of work to do in to act. Documentary film is the ultimate years it was used as a tool for propaganda, educating our industry better in documentary ‘agent provocateur.’ And that is because and put it in the hands of individuals as a filmmaking. The government cannot sit back documentary filmmaking is not a deliberate tool for exploring and projecting what is the and watch. They have to join hands with art form; it starts from questions not answers. ‘truth’ of our collective desire as Africans for initiatives like the IREP Documentary Film Its success relies not in having all the answers, peace, progress and prosperity. I believe IREP’s Forum to advance the progress needed in this but in asking the right questions. That is why humble efforts have contributed in no small area of our creative industry. we founded the IREP Documentary Film way to fostering this awareness of the power Forum because we believed that the creative and promise of the documentary film form. We also need more private sector support. industry revolution going on across Africa and The larger percentage of documentary powered by the young and restless, provided What have been your challenges in terms filmmaking in Nigeria today is corporate a unique opportunity window to explore the of funding, have you received any form of videos. They are documentaries. We need power of documentary to foster change. By government support? the support of the private sector as we focus their nature the documentaries ask questions, The IREP Documentary Film Festival has in building capacity in the techniques and so if we can encourage the youth of Africa been sustained over the course of 6 years technology of documentary filmmaking. There to embrace their power and promise, then by the amazing goodwill and support of is room for many hands to join what we are their impact will bring accountability to many individuals and non-governmental institutions doing to advance this vision. areas of governance and social development. that believe in what we are trying to do. Delightfully, that is exactly what is already Democracy and development are critical As part of its thrust, iREPRESENT’S training happening across the continent. More ambitions we need to project and protect. programme is specially targeted to expose young people are using documentary film to Documentary is necessarily at the heart young filmmakers to the rudiments of interrogate the realities of their experiences of that conversation because it focuses on documentary production. What can you say in ways that are demanding answers from building awareness and pursuing accountability. about the standard of filmmaking in Nigeria,

128 OMENKA MAGAZINE 129 OMENKA MAGAZINE VOLUME 2 ISSUE 3 VOLUME 2 ISSUE 3 PLAYING THE BOSS - PRODUCERS, DIRECTORS PLAYING THE BOSS - PRODUCERS, DIRECTORS and what can be done to improve it? contemporary issues of governance and ‘Sango’ in Yoruba mythology is a billion dollars commercial content for corporate The standard of filmmaking in Nigeria is a development in humourous but pointed ways. of creative exploration of Thor in film – organizations. What difficulties have you work-in-progress and that is because we These kids said out loud things we were all video games and what have you! Imagine the faced, considering that several prefer to have not focused well on film education. The thinking. As to the film’s impact,Bariga Boys colourful characters of D.O.Fagunwa’s books outsource their work internationally? majority of people making films in Nigeria brought national and international attention to in films? The biggest crisis in the advertising industry today are self-taught. To secure the future of both Bariga, the slum and the boys themselves. today is how to stop investing local money Nollywood and its incredible achievements Of course, the Crown Troupe is today an You became President of the Independent in the production industry of foreign over the last 20 years, we must take film internationally known artistic brand, having Television Producers Association of Nigeria countries. Today, sadly, the majority of TV education more seriously by encouraging a been invited to perform in many countries in (ITPAN), ending your tenure in 2006. How commercials airing in Nigeria are produced more formalized approach especially in our Europe and Africa. But more crucially, their did you tackle piracy during your time, abroad. These commercials are targeted tertiary institutions. There are far too few art has focused attention on important issues and in your opinion, what can be a lasting to appeal to Nigerian consumers who buy institutions in Nigeria with a solid curriculum of inner-city development, child education, solution to the scourge? products and services with locally earned in filmmaking. Compared to the mass of integrity in leadership and many other issues When I was President of ITPAN from 2002 money. It is a crazy trend that began over people who want a career in the business, that form the content of their works. to 2006, we spent a lot of time working with 10 years ago. Back then, agencies told their the capacities of the few ones available are the Nigerian Copyright Commission to focus clients that these commercials could only woefully inadequate. A solid film education In 2013, you scripted, produced and strategies to fight piracy. My honest opinion from be made to international standards if they structure will foster stronger specialization directed a documentary titled Literature, that experience is two-fold. The first is that we were produced abroad at incredibly huge in the different skill sets of filmmaking. It will Language and Literalism, about the late need to invest in a massive awareness campaign budgets. With over a decade of making also deepen our storytelling capacities in new Nigerian writer, Daniel O. Fagunwa, the to educate the general public in realizing that films exclusively abroad, the question is how ways. It will grow new knowledge in areas author of Ògbójú Ọdẹ nínú Igbó Irúnmalẹ̀. piracy is a crime. If you and I refuse to buy the many of these ‘international award-winners’ nationalmirroronline.net like film distribution and the technology of Why did you choose to direct this pirated DVDs, books or music in traffic as we have broken any creative bars consistently digital cinema. There is so much more that documentary and what was the experience now so nonchalantly do, the pirates will do less enough to merit the millions of dollars we a filmmaker can do as an artist when he like? business and be less encouraged. People just have invested in the production industries of or she is educated to a tertiary level. We I have always wanted to do something to don’t understand that piracy is theft. Intellectual other countries at the expense of ours. It’s need to foster the consciousness of creative bring attention to the timeless stories of theft. Because we are not sensitized to its a shame to say it, but there is a level of self- entrepreneurship. This is how we can sustain Baba D.O. Fagunwa for a couple of reasons. criminal nature, we fail to understand that loathing that seems expressed when we spurn and surpass whatever achievement our On a personal level, I am proud to have every single pirated DVD we buy dispossesses local technology or expertise in deference film industry has recorded in recent years. come from the same family as this giant of legitimate artistes of earnings from their sweat. to anything foreign. I spent over 15 years in At IREP we recognize that education is the Nigerian literature. I never had a chance to The pirate has zero investment, zero liability, advertising and this much I can tell you–the key to building the talent pool to attain our meet him but my father spoke a lot about and is legally a criminal. So yes, the kind of majority of the TV commercials that resonated vision, so we focused from the beginning on him, and as children we read his books and investment needed is a public service campaign most with Nigerians and built powerful brands a vibrant and intensive training programme reveled in the incredibly rich imagination of that needs to be mandated for all broadcast in the history of advertising in Nigeria were as a core essence of our festivals. With the the context and content of his stories. They licensees in Nigeria to regularly broadcast conceptualized and produced locally. Who kind support of Goethe-Institut, Freedom were amazing fantasies with unforgettable creative jingles and announcements that would doesn’t remember the Bagco Supersack TV ads Park and organizations like the Africa World characters and value expositions that defined make the anti-piracy campaign a top-of-mind of the 90s? There are many more like that... Documentary Film Festival in the United States, the moral millieu of the Yoruba culture and thing for Nigerians. Government, especially the Advertising we have hosted top international filmmakers identity. It was important to me that I make Practitioners Council of Nigeria (APCON) and trainers to conduct filmmaking workshops a documentary to preserve the importance The second important thing I learnt is that we must do something to protect the indigenous at every IREP Festival. The result is a steady of these works and define Fagunwa’s eminent have enough laws against piracy, yet there is production companies in Nigeria that have improvement in the quality of Nigerian place in our rich literary history. zero enforcement. Pirates don’t sell DVDs in been denigrated and incapacitated by this documentary films produced to a very high The chance to make the film then presented secret, they sell them in traffic where police foreign filming trend in advertising. It is the international standard. itself in 2013 when a distinguished group of officers see them everyday. The markets perfect oxymoron to ask the question, how scholars and the Government where pirates sell wholesale are known. will they grow in capacity and retool their You scripted, directed and produced Bariga convened a conference on Fagunwa’s works The warehouses where their duplicating technology if nobody patronizes them? Boys, a multiple award-winning Nigerian to mark the 50th Anniversary of his death. machines are humming are not hard to find. documentary about street performers in It was irresistible to me to have a chance The printers designing fake sleeves for pirated Please tell us about your forthcoming Bariga. What was the motivation behind it, for almost every significant intellectual, as CDs and DVDs are in the open. So we have projects? and how have you ensured projects like this well as researchers from across the world to ask if the law enforcement institutions like Well I am excited about my upcoming feature improve the lives of their subjects? who studied Fagunwa’s works to be available the police, the customs and the Standards film currently in post production titledGidi Bariga Boys is a profound exposition of the in the same environment. I was incredibly Organization of Nigeria have the political will Blues. We hope to release the film in April and amazing artistic talents that abound anywhere happy to take the opportunity and create to help our industry survive. These are the I am looking forward to sharing this with the you turn to in Nigeria. How else do you a documentary that stylistically presents sorts of institutional support I have always public. I also have a new documentary in the explain how such incredible dramatists ‘Fagunwa 101’ to a new generation of encouraged the government to give to the works that is focused on the crisis of public emerged from the belly of one of the most storytellers who might be hearing about his creative industry to help it grow. Piracy will education. We are still in the early stages deprived slums in Lagos to create original work for the first time. More importantly as eventually kill the industry if we do not do but will hopefully finish the film towards the plays and performances that spoke truth to well, I made this film to highlight the weak something drastic and urgent. There is no end of the year. Right now I am focused on power through song and dance? I followed link between our growing film industry and doubt that President Buhari’s government the 2016 IREP Documentary Film Festival the performances of Segun Adefila and our literature. We have such a rich literary has shown seriousness in tackling corruption tagged #CHANGE – Documentary as Agent the Crown Troupe for an extended period heritage that I think can deepen the quality in our nation. We beg him to invest support Provocateur. Its happening from March 24 and then made the film over the course of of storytelling in our cinema. Beyond that, in the creative industry by also helping us to 27 at Freedom Park, Lagos and also at several months. I think the film made such an it also has significant economic dimensions. eradicate the scourge of piracy. the Afrinolly Space, Oregun, Lagos. We are impression because people were impacted I like the way my incredibly brilliant brother excited to be screening over 30 exceptional asirimagazine.com by the creativity and courage in the works of Obi Asika makes the point. The difference You started off your career in the international films and hosting filmmakers and Adefila and his troupe. The works addressed between ‘Thor’ of Germanic mythology and advertising sector, and still produce speakers from across the world.

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Filmmaker/director par excellence, Remi Vaughan-Richards says she enjoys using drama as a tool to convey entertaining, as well as educative messages. She started out abroad in 1990, where she worked with some of the biggest names in Hollywood then came back to Nigeria when she thought, “it was time to tell our stories.” She recently picked up an AMVCA award for Best Documentary for her six year labour of love, Faaji Agba–a documentary that explores highlife music in Nigeria. Well known for her versatility, Remi Vaughan-Richards shot, directed, produced and edited it.

Who is Remi Vaughan-Richards? Since 2005, you have been working between someone to do it, then end up having to do it Remi Vaughan-Richards hmmm, who am I? Nigeria and the UK. Why did you come yourself. So you don’t get paid for it because Well, I am a filmmaker. I started out at the back to work in Nigeria? you have paid someone else to do it… The FRoyal College of Art, where I studied Textile I came back for a couple of reasons; I felt I had word therefore, is creative frustration… So been able to make and maintain a niche for with something to think about. good! Design. As soon as I left, I moved into the sci-fi to come back to look after my parents’ legacy, when you come across the good people, you yourself? and fantasy costume department, then to the their house and what they both represented hang onto them! I worked in a male-dominated industry in the Your company provides serious content, What projects are you presently working art department as a storyboard artist for the in the context of Lagos. Then of course, as a UK, where I was mostly the only female and shedding light on Africa’s ordeals, including on? BBC among others… In 1999, I finally became filmmaker I was a bit tired of seeing stories It is also frustrating to see filmmakers making in some instances, the only person of colour. diseases. Do you feel personally affected by Well, I just finished rounding up a 6-year a fully-fledged director/filmmaker… Directing about Nigeria and Africa, which always pander wannabe American stories… America is the So it is a piece of pie here; I am very hands-on these documentaries? old passion project called Faaji Agba, a is in my blood! towards the Western perception of Africa… master at telling their stories. In addition, the and very physical, there is little the guys can do I guess I went ahead of myself ….I get totally documentary on the history, music and It was time to tell our stories. support here for the industry is lacking...I physically that I can’t. My 15 years of capoeira immersed in the documentaries I do. I feel culture of Lagos from the 1940s to 2015, You started your career in 1990, working could go on but let me stop here. has helped me too, though I guess I am still a very privileged that the people I cover, through the lives of a group of Yoruba master on films like Judge Dredd (Sylvester Stallone) How has that experience been for you? tomboy. I grew up in a home in which there trust and allow me to tell their stories. It is musicians including Fatai Rolling Dollar, which How would you describe cinematography and Stanley Kubrick’s Eyes Wide Shut (Tom Is interesting a word for it? No, it has been was no division of labour between the sexes. important one does not abuse that privilege Kunle Tejuoso of Jazzhole Records brought Cruise). How was that experience? very rewarding but frustrating at the same standards in Nigeria, and how far are we and tells a balanced story. together to form the Faaji Agba Collective… It was an incredible experience working at the time. To be honest, it can be hard because from reaching world standards? You are the Creative Director of Singing It was a very emotional and personal journey, top end of the film world… It helped me to the dedication is not there; people tend to I think on that level we are generally obsessed Tree Films, a company that provides How effective are they in passing the and an insight into them as people, as well as see how things should be done and the craft set their standards low and it can be very with the latest camera and technology, production services. Why did you start a message across? their perspective of Lagos. The other project behind filmmaking. I spent a lot of time back difficult to realize one’s vision. I end up doing forgetting that the story is what should come production company? Very! Especially when it comes to drama… I is a feature drama for the Ford Foundation then on set, studying the master directors and the script, the directing and the editing myself first. Cinematography has a long way to go I started SingingTree Films so that I could never start a project without doing extensive called Unspoken, on the issue of young girls getting to know all the main people in each because I am sure of what I am going to get. because it is more than merely lighting the set, work on projects with institutions like the research on the target audience and on the between 11 and 15 ending up pregnant and department while constantly asking questions. Many times, I pay people to write and give the cinematographer has to understand the Ford Foundation. I love the work I do that subject. When the script is done and taken the impact on them. One character is an 11- It has proved an invaluable time for me as a them a good outline of what I expect… story and help it with his or her skill. involves using drama as a tool to convey around the communities, I embark on more year old northern child bride and the other, a director, learning stuff you will never learn at But what I get despite my many notes is Thriving in a male-dominated industry messages— stories that educate and bring up research to see what the reaction was and 13-year old from the south. Both their stories film school because it is hands on. substandard. It’s the same with editing; you pay must not have come easy, how have you issues, so one is entertained, yet walks away how it impacted on the audience. So far, so collide in a hospital in Lagos.

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In addition to being a producer, you wear theatre artiste in Nigeria. We also started benchmarks. many caps; National President of the the recognition of professionals with the National Association of Theatre Arts institution of NANTAP fellowships. What has been your most challenging work Practitioners (NANTAP); own and run so far and why? R2TV, as well as run Royal Roots, a film Be that said, I don’t know if I should be talking Every work is challenging, each poses its own THE REAL DEAL! production company. How have you been about NANTAP two years after I left office. level of challenge. From when we started with WORDS OLIVER ENWONWU, PHOTOS GREG ODUTAYO able to manage all these roles, and how do It will be 3 years in November. Let’s leave Global cuisine, to House Apart and Tides of Fate. they complement each other? NANTAP alone. There is a new team in Edge of Paradise was on yet another level as Firstly I dropped NANTAP over 2 years charge and we need to give them room to we were shown new ways of doing the same ago. I ran 2 terms of 3 years each and function. old thing. We were able to raise the bar of contributed my quota to the growth of the drama production with it. We had another association. All of what I have done has in a Nigerian films were recently screened at level of challenge with Deal or No Deal and Goteborg Film Festival way complemented each other and as such the including your our foray thereafter into developing drama Beyond Blood. it is not so difficult to achieve. NANTAP the production, What does this content without sponsorship. production company and the TV channel, are say about the quality of films in Nigeria, The TV channel development is also a all TV and production-based. and what can be done to improve current standards? different level of challenge. Creating and I am also a team player. The success of each of Yes, Beyond Blood and about 7 other films producing Nigeria’s first cooking reality show these endeavours is as a result of an effective made it to the Goteburg Film Festival in was also a different kind. Or do you want us team that I have built up over time, which Sweden. It was a great experience as we saw to talk about producing our first English full helps to take away the pressure from me. In a fantastic appreciation of Nigerian films but feature movie, Beyond Blood? It was a whole NANTAP, I also had a team of excos that I from only Swedes. Like some of the others, new experience. Every endeavour has its could rely upon to a large extent. I also had we played to full halls; we were sold out in the own challenges and that part of what keeps a fantastic deputy, Toyin Bifarin Ogundeji and 3 nights we were featured. The post mortem us going as individuals. We are constantly an effective secretary, Steph Ogundele, so Q & A sessions were also eye opening. The driving ourselves and making each experience working was not so difficult. I did not try to do audience thoroughly enjoyed Beyond Blood, worthwhile. all the work by myself. far beyond my expectations, were keen to hear me out and asked a lot of questions. The Funding remains a major issue in the film At Royal Roots, my wife and partner Debbie questions showed their hunger for Nigerian industry. How do you manage to cover is a tremendous level of support. As executive stories and content. production costs and how were you able to director, we complement each other very secure funding from the French Film Fund well. While I focus on finance and the The good thing also was the curators did to produce a series of 26 episodes for Tides administrative, she takes charge of the creative a very good job. The films that made it to of Fate? side of things. She is a fantastic producer so Goteburg were some of Nigeria’s best and a Securing funding for Tides of Fate was probably the work is made very easy. At R2TV we have good advertisement for Nollywood. Standards one of the easiest that we had to engage in. a team of young people running the channel. It have greatly improved in Nollywood so there The criteria for accessing the French Film Fund is an entertainment channel targeted at those is not much to comment on. The stories are was then quite straight forward, although very between 16 and 35. It is a youth channel. getting better and technical quality is also on tedious. However, ‘working’ with NANTAP Usually the youth in Nigeria do not have a the high. We however, still need to work on prepared me for handling reporting for voice of their own. In Nigeria we pretend to how we treat sound, as well as the directing such. When you deal with a fund like that, give them a voice but what we do is speak and acting skills. reporting is detailed. The requirements are for them. This is where R2TV is different. It is straightforward but you must pay attention their channel and a voice for them to express How did you get the opportunity to to details and be ready to align yourself to Deal or No Deal Nigeria themselves, we just guide. They are doing produce and direct the process. If they approve N10, 000 for quite well although we strive to improve with and what was the experience like? stationery and N20, 000 for a car, but you was an exciting them everyday. Deal or No Deal Nigeria get the car at N18, 000 and your stationery experience for me. It was Nigeria’s first ever- is N12, 000, you cannot just move it to the What have been your greatest achievements game show, even before Big Brother Nigeria. stationery because you have surplus. You must as National President of NANTAP, and Endemol came into Nigeria and we had just report and seek approval to do that, it is as what is the association’s impact on film and finished to great success, the first season of simple as that. Documentation was a lot and theatre in the country and by extension, Edge of Paradise for MNET, and naturally they that was what discouraged many people at Africa? asked if we could handle the show. We agreed the time. I took over NANTAP when things were very to do it for MNET and Endemol. I had to go Greg Odutayo is a leading producer/director based in Nigeria. He is the owner and Managing Director of Royal Roots Nigeria, a television bad for the association. We had mounting to South Africa to be trained on the format Sincerely, getting the resources to produce content creation and production company with subsidiaries in Ghana and South Africa. His works include Bella’s Place, My Mum & I and Edge and its intricacies. your own content as an independent is much of Paradise, both nominated at the 47th and 50th Monte Carlo Television Festival in Monaco, France. He also produced/directed Deal or No Deal debts and low self esteem as an association. We were not to be reckoned with. My team more tedious and requires plenty of creativity. Nigeria, commissioned by MNET in 2007. Odutayo is currently engaged in the production of Knorr Taste Quest, the first cooking competition It is interesting that we were trained in took NANTAP back to the zenith and we format produced in Nigeria. South Africa for almost 7 days because the revived many of the chapters pan Nigeria. M-Net commissioned two of your TV trainers were told Nigeria was not safe to We put NANTAP back in reckoning. We series, were there any set backs at any time? Recently, Greg Odutayo was honoured with the Nollywood Director of the Year 2015 award by the Hollywood Weekly Magazine. Produced by come to. It was a great session and when I MNET commissioned only one – revived FESTINA and started the fellowship. Edge of Royal Roots Production and HF Media, with the support of the federal government’s Project ACT Nollywood grant, his movie Beyond Blood is returned to Nigeria, we identified the team , although for 2 seasons. There were We also put NANTAP back in the comity of Paradise produced in four languages; English, Pidgin English, French, and Yoruba. Written by Debo Oluwatumininu, produced by Deborah Odutayo, and to work on the project. We set up wisely and no set backs because we were prepared associations in the cultural sector. We never directed by Greg Odutayo, the movie parades a unique cast and crew made up emerging actors from including; Kehinde Bankole (Best Female with an entirely Nigerian team, pulled off a and had a detailed line of action to guide failed to celebrate ITD and other notable Actor at the African Viewers’ Choice Awards); Joseph Benjamin, Deyemi Okanlawon and Wole Ojo, as well as established names like Francis magnificent programme. It was a first, so we the process. Working with MNET, however, programmes. We restored value to the Onwuchie, Bimbo Manuel, Carol King, Shan George, Uzo Osimpka and Ijeoma Grace Agu. had no references; we had to set our own taught us a lot. They gave us a lot of training in

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Select your subscription option, complete this form and email it to [email protected] 136 OMENKA MAGAZINE 137 OMENKA MAGAZINE VOLUME 2 ISSUE 3 VOLUME 2 ISSUE 3 PLAYING THE BOSS - PRODUCERS, DIRECTORS PLAYING THE BOSS - PRODUCERS, DIRECTORS RAISING THE BAR WORDS OLIVER ENWONWU, PHOTOS MILDRED OKWO

Mildred Okwo is an American-trained lawyer turned film director and producer. Very accomplished, she has produced several award-winning films. She continues to contribute to Nollywood’s success by providing quality management for several Nigerian actors and actresses. Okwo is also a member the Nigerian Oscars Selection Committee (NOSC) and continues to

MHow challenging has it been as a female film funds because many investors prefer to give Sciences to screen Nigerian films submitted movies that won or were nominated, even in for now we are not there yet. people who worked on that set still call me director and producer working in a male- to a man. Well, they have seen that it doesn’t for the Best Foreign Language Film category the foreign language category, you can see the today and we talk about them. dominated field? always work out. First and foremost, you at the Academy Awards. How much quality of work. Obviously the people in the The Meeting won the Best Movie (Comedy) I came back to this industry as a grown must find someone who knows what they are progress has the NOSC made so far in selection committee in Nigeria have a very award at the AMVCA 2015. What was it How did it feel to have won the AMVCA woman who worked as a lawyer in California doing. I think with my experience and the way promoting Nollywood? good sense and they wouldn’t want us to put like on the set and how did you feel when 2015? for several years, so I do not think I had any I approach things, many people realize that I I am still a part of the Oscar selection any wrong foot forward. They want to bring the film won? Well, it felt fantastic considering the fact that time to notice if anyone thought I was female do and respect me. Therefore, in that sense, I committee for Nigeria, and we are still trying the best from Nigeria. The movie, (Laughs) The Meeting was shot almost four the AMVCA is one of the most popular award or not. Having survived in the United States as have not had that many challenges as a woman to make progress. The major problem is directed by László Nemes from Hungary won years ago. Being on set was fantastic. It was schemes on the continent. It is remarkable a Black female, then in law school as the only in the industry. that we do not have products that are good the award for Foreign Language. As part of quite challenging but we were prepared for that when the AMVCA’s are on, almost Black person in a class of 70 or 100, coming enough to push. In the past few months some the Oscar selection committee, it is what I everything we faced. It was difficult raising funds everyone in Africa is watching, so it is such an back here was nothing to me. I just go about You were one of the practitioners that products have come out and I think the Oscar would hope for Nigeria. The other committee and while we were on set we had to make sure important award to win and I felt very happy doing my work; not paying attention to the founded the Nigerian Oscars Selection selection committee will start getting busy. members are also people who like quality everything went right. However, I had a capable when we did. Obviously, it is all thanks to the people around placing obstacles. However, I Committee (NOSC), approved by the You have to call a spade a spade, the Oscars products. We will try to bring out the best to crew and cast who made everything interesting. viewers out there for thinking The Meeting is noticed that it is more difficult trying to raise Academy of Motion Picture Arts and was just the other night and if you pick up the represent Nigeria when the time comes, but There are many lovely memories; most of the worthy of winning.

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GALLERY SWEET MOTHER

An exhibition of photographs and video by KARL OHIRI May 6 - 21, 2016

24, Modupe Alakija Crescent, Ikoyi, Lagos, Nigeria T: +234 8184 55331 | www.omenkagallery.com

Alongside Rita Dominic, you directed and beauty of a place and there are people with been able to achieve a balance? produced Suru L’ere, which was released in AK47s moving all around. It was also difficult I do so many things, which is crazy as February this year. How much effort went getting some locations and equipment. We sometimes I can’t even believe how much I into directing and producing the film and overcame all those challenges because as get done in a day. I started managing actors what difficulties did you encounter? director, I persevered by cutting down on because when I got back from the United Rita Dominic and I produced the meeting and some expectations and making it work with States, I realized that were no good business I directed it; obviously those are two different whatever I had. For example, we couldn’t or career managers managers in Nollywood. things. When it comes to producing (laughs) find a hotel that would let us use and shoot The actors were popular but they did not you need a certain type of temperament. It it the way we wanted. We had to build the seem to know how to grow their careers to is often very difficult to do both because as a hotel in The Meeting, as well as the reception the next level or how to earn money from director, I tend to protect my actors from the room because we couldn’t find anyone who what they created. While practising law in producers, (laughs): So how do you protect would let us turn their office around and the States, I observed a lot so I took up a few your actors from yourself? That is why it use it for as long as we wanted. It was quite clients. I noticed that many more actors are is good that I had a co-producer like Rita challenging but we got through it because I getting managers but I do not know if they Dominic. We also had associate producers. had a capable cast and crew who supported are well trained. One of the things I want to The Meeting was our first project and we me. I love directing and I also love helping do in future is to have a school where I could wanted it to be very good, but directing it was actors get to where they want to in telling a train managers and other kinds of people we quite difficult because there were so many story. I believe that it is the actor who gets need in the industry. I try my best, though things I wanted to achieve story-wise that I the story to the people, everybody else it is difficult most times to keep a balance couldn’t because of the limitations, especially supports to make them look good. So I think with everything I do. However, the most with shooting a romantic comedy in Abuja we tried as much as we could in The Meeting, important thing for me is producing and when we had security concerns. If you recall, although it might have been better. directing films because it is a way to create Supported by: in 2012, the army was everywhere and one jobs for our actors. There is a lot of work couldn’t even take a wide shot without seeing In addition to your role as a producer/ out there but there are also several bad films, them carrying guns. So you can imagine when director, you manage a few high profile so it is important that I still do that, not just you are making a movie that talks about the artists like Rita Dominic. How have you managing actors.

140 OMENKA MAGAZINE Ohiri + Kassinen, Detail: Medicine Man: I’ll Take Care of You, 2013, photographic141 print OMENKA MAGAZINE VOLUME 2 ISSUE 3 VOLUME 2 ISSUE 3 PLAYING THE BOSS - PRODUCERS, DIRECTORS THE ACTOR’S DIRECTOR WORDS TEGA KUMAPAYI, PHOTOS KUNLE AFOLAYAN, AKINTUNDE AKINLEYE

Kunle Afolayan’s latest movie, The CEO has a Pan African cast including Angélique Kidjo, a 3-time Grammy award winner and activist who had her debut acting role. A filmmaker, director, and actor, Afolayan has inspired people all over Africa and beyond with movies like Irapada, Figurine and October 1. With mouth-watering deals as a brand ambassador for the likes of Air France and the Lagos Chamber of Commerce, he continues to hold sway as one of the biggest names in the Nigerian entertainment industry. He was also appointed Peugeot brand ambassador in 2015. Kunle Afolayan is the son of the famous theatre and film director, actor and producer, Adeyemi Josiah Afolayan aka Ade Love. He studied Business Administration and started out working in a bank while doing some casual acting. He soon decided to become a full-time filmmaker after taking a course at the New York Film Academy. His other seminal titles includeThe Figurine: Araromire (2009), in Yoruba and English, as well as Phone Swap (2012), which featured Nse Ikpe Etim and the iconic Chika Okpala (Zebrudaya) of The New Masquerade fame. The Figurine won five major African Movie Academy Awards. In 2013,Phone Swap won The Public Choice Award Kat the inaugural edition of NollywoodWeek Paris.

Your father was the legendary filmmaker shooting those kinds of films. The digital age my brother, who is a doctor of philosophy Ade Love. How much did he influence had come and people were shooting with low and presently lectures at the University of your career, and do you sometimes feel the quality film. For me, it was important to merge Ibadan in Oyo State. We grew up being weight of living up to his illustrious name? where we are coming from with where we are independent, which has helped me in making He influenced my career to a large extent. As now. I aspired to be a filmmaker and got the some decisions. If I had relied on my parents, a child, you get to see what your parents do. If opportunity to feature in Tunde Kelani’s film maybe I wouldn’t be where I am today. It was your father is a carpenter, there is no way you Saworoide as an actor. That was how I started. fun growing up in such a family. won’t at some point hand him nails or carry wood. I watched him while I was growing up. I Your father had 10 wives and 25 children, You have a brother, Gabriel, who is also never thought I would be a filmmaker though with you as the seventh child. How was carving a niche in the movie industry. How I wanted to become an actor, because I saw growing up like for you? many of your other siblings are actors and how popular they were. My brothers and I Growing up for me was normal, that’s what filmmakers? wanted to feature in my father’s films, but he prepared me to be independent and to also I have Aremu and Moji, and other brothers into discouraged it because he wanted us to have believe that every human being’s career music, but they are not at the forefront yet. The . He felt there was no money in and future is in his hands. It’s not about the majority of my siblings have the traits, energy and acting, but we could make a lot if we were amount of money your father left, but his gifts to be artistic, but at the moment, it’s just doctors or lawyers. When I was 15, I started legacy. There are many people who had Aremu, Moji, Gabriel and I who are out there. travelling with him and his crew across different wealthy fathers, but after their deaths, most locations in Africa, not to shoot films, but to of them couldn’t keep up with the pressure Did any of you feature in your father’s films? show, because then, the filmmakers were of continuing their father’s businesses. Most In 1992, he shot a movie called Events After also the distributors. They made the films and of us in my family didn’t live together. Some of Death, which featured my sister Moji. Though branded the vans. Each van had projectors us lived with our mothers, but saw our father he previously discouraged us from acting, he and publicity items, and they would travel to on weekends though sometimes we didn’t needed someone who looked like him to play different parts of the country. I was involved see him for months. Sometimes I didn’t see his child because it had to be convincing. I am until my father passed on but by that time my mother for months as well, because they sure he allowed this for artistic reasons, as his generation was already having problems would travel and tour together. I’d be left with people would not question the looks. He later

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Piracy is the scourge of the Nigerian movie questions. I like films that are engaging; one maybe more collaborations. It also puts me at industry. How do you deal with it when doesn’t just watch a movie for entertainment that edge where in my head I think I need to distributing your films, particularly outside purposes. With Phone Swap, we wanted to do better with my next film because people Nigeria? do a commercial film, but it turned out to be expect more from me. I’m always confident You can’t deal with it. Piracy never existed educative and informative, while balancing that every film I make will do well because outside Nigeria until now. All the films people our differences as people of different tribes. like I said, I always see the result before I send to the Diaspora are pirated; no returns I always engage my crew and cast before a start. If I don’t see the result, I won’t go into come to the filmmaker. WithOctober 1, we movie is shot. I let my actors know from the production. were able to seal a deal with Netflix. It’s the first beginning my mindset. They in turn tell me You started your acting career as Arese expensive and complex is producing a movie? time a Nigerian film will be on such a credible theirs, and then we play with different ideas. made home videos, which featured some of north, cared less about your tribe. I saw all of Jabata in Saworoide. Lately you also played It’s complex and difficult. Most times it platform, and it is the only international deal In that movie, we had the likes of Zebrudaya, my other siblings. them with my father at film festivals outside the lead role in Tunde Kelani’s Dazzling takes over a year to pay up the crew fees we can boast of. The theatrical area is nothing Ada Ameh and Nse Ikpe Etim. When I called Nigeria. When Nollywood came, tribes Mirage. How do you effortlessly combine With such an iconic filmmaker as a father, and sometimes many years to recoup one’s to write home about. Piracy is a global thing. them, they were surprised. I told them it was became segregated, which for me was not movie production with such brilliant acting? one wouldn’t have imagined you’d study investment. It is not such a lucrative business if their movie so let’s put minds together to the way to go. Most of the films that I make For example, before Avatar was released in It’s with God. I also think it’s the creativity. Business Administration and work in a bank. you are operating in Nigeria at this moment. make it because we needed to be detailed reflect Nigeria and Africa, meaning there is the cinema, it was already on the streets of I take my time and look at the best way to What was your mindset at the time? These are pirated copies of my film (points Nigeria and New York, but a huge amount as and not misrepresent a tribe or individuals. no Nigeria if all the other elements are not balance both. We shot October 1 and Dazzling My mindset was what my father wanted; he at a pile), they are everywhere on the streets, profit was probably declared because there is a Of course, we can’t be a hundred percent put together and balanced. I don’t care who Mirage at the same time. Before we started wanted us to go to school. After school, I and this is the original copy (pulls out a copy). distribution structure. Before a film is made, it’s accurate, but if we were 90% or even 60% is doing well, it’s about who can deliver. In shooting Dazzling Mirage, I agreed with the got a job to work in a bank. No platform is We have not even recouped the money yet, accurate, then it’s ok. my films you’ll seldom see the core Yoruba sold partially—it would be released worldwide director, Tunde Kelani to design my look in a loss. Every one that you find yourself on but how do you control piracy? The other day, in more than 50 cinemas. Even if what is made actors as I don’t go with the wagon but with Which is your most commercially successful such a way that is not so different from my will add value to your life. Studying Business I seized ten copies. When we were about to in one region is a thousand dollars, imagine what the talent. The market is also segregated; the look in October 1, so if I needed to change Administration, then working in a bank helped shoot Phone Swap, our investor, unfortunately movie yet? Yoruba distributors were in Idumota, now that would sum up to, considering it won’t only anything, it wouldn’t be so difficult. That was me put in place a business structure. If you pulled out. The budget was 60 million naira, None. they’ve moved to Oshodi, while most Igbo be sold to the theatrical but to other distribution why I wore a beard, reshaped and trimmed are just creative but can’t balance the business but we had only 5 million, which came from platforms across the world like television. Our distributors are in Alaba. There’s no unity. None? You said October 1 grossed in over a my hair for Dazzling Mirage. I left them just in side, you may be successful artistically but my Glo ambassadorial deal. I asked my crew if primary market is Nigeria and maybe some 100 million naira? case we needed to do a re-shoot for October unable to make ends meet. This is common Are you saying most Nollywood distributors we should go ahead. They said, “Yes, let’s start”. parts of Africa. When you make a film, one We made the film with over 200 million naira, 1. It took a lot of planning with the director in the industry. That was why I decided are tribalistic? After that, didn’t I have to repay? However, I DVD goes out through the wrong channels to it’s not a commercial success yet. and crew. to pursue my degree, then come back to I’m not saying that they are. Tribalism is common can’t stop making films; it’s my life. I dream film all those places where you think you will make every day. Most times I see the result before filmmaking to excel and make an impact. in Nigeria, even among the Yorubas and Igbos. some money, so nothing comes back to you, and October 1 received immense support from the What should we expect from The CEO movie? doing the work. That is what has always got me The Yorubas will ask, if you are from Oyo or that’s frustrating. federal government. How did you succeed? The CEO is a Pan African film with a cast from The production qualities of your movies are going. Every time I conceive an idea, I call the Ogun. If you pick Ogun, they’ll ask if you are The film was shot with support from Toyota other parts of Africa including Morocco, outstanding. How and when can Nollywood director of photography to inform him about it. Abeokuta or Ijebu. If you are Ijebu, they’ll ask if Your characters in your movies are also quite Nigeria, Guinness and Sovereign Trust South Africa, Kenya and Côte d’Ivoire. It was get to that level? People don’t know this but we nurse these films you are from Ijebu Remo or Ijebu Igbo, and even complex. How do you envision the actors Insurance. Just like quite a number of people, shot in Nigeria, Morocco, Kenya and Paris. It’s Not until we come together and put for years before shooting them. We then meet ask for your family house. Looking at it critically, who can portray your characters perfectly? I applied for and received additional support about a telecommunications company that sentiments aside, the industry will never randomly to talk and toy with ideas. I don’t work tribalism is not peculiar to only Nigeria, but is It’s because I’m complex too. You don’t from the Project Nollywood Act in form of a wants to appoint a new CEO, so they invite grow. There is segregation in the industry. by dreaming about something, having a script, and global. Here, it reflects so much in what we do, but give people what they already know, you federal government grant, which came in handy. their top executives to a retreat. In the course In the past, we had the Yoruba filmmakers then putting the crew together, I always dip my until we work together as a people of like minds, feed people what you think they should. If The grant was to help promote the film. of the retreat, a lot happens, which we will and actors, then we had the English and the crew in my thoughts and idea for months before our problems will persist. I think the way forward I make a film today, and just put Buhari on show you when the movie is released. Igbo filmmakers and actors. A few years ago is to develop a structure, where people can relate a project. That is why when we make a film, it the cover saying I’m a Muslim, then I don’t October 1 is no doubt a success, winning 9 Kannywood also started. In my father’s time, based on professionalism and not tribe or age. comes like it’s easy. It’s the passion and the kind intend to change Nigeria because, he has prizes at the just concluded Africa Magic My expectation is to break all the distribution it wasn’t so because there were not many of people I’ve worked with that have helped in stated that several times. People know that, Viewers’ Choice Award, and featuring in film boundaries. In Africa, we have different filmmakers. People like my father, Hubert After producing The Figurine, you were making all these films a reality. The truth is if it is so so it’s not going to sell. It’s not deep. I like festivals around the world. What have you languages and there are problems all over Ogunde, Eddie Ugbomah, Sadiq Balewa, quoted to have said, “I produced a world expensive and we can’t recoup our investments, deep things; I like people to watch films, think gleaned from this attention and success? the world. I want to make films that will to an Francis Ladele and Brenda Shehu in the class movie, now I owe banks millions.” How the industry will collapse at some point. and ask themselves and their neighbours Such attention brings much interest, and extent, bridge all these gaps.

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Tunde Kelani, who recently turned 68, is an iconic Nigerian filmmaker, director, cinematographer and producer. His works embrace the rich cultural heritage of his country, and draw from his experiences while growing up with his grandparents. His grandfather, a chief grounded in the traditions of the , was able to inculcate his love for culture in his grandson.

What was growing up like, being grounded Television as a cameraman and soon had in such a rich cultural heritage? access to all the cameras I had dreamt of. Soon TGrowing up was exciting for me. I was born I realized that though I was making films for in Lagos and when I was five, I was sent to television, I wanted to make big pictures like the Abeokuta to live with my grandparents. I great Hollywood films such asLawrence of Arabia saw the new environment as a playground, that had to be seen in cinemas. That pulled me because Lagos didn’t have as much space; it out of television to train at the London Film was a daily adventure between the forest and School as a filmmaker. I have since realized, that rivers. After a while, I learnt to feed myself I chose the medium of cinema to share my by catching crabs, hunting and fishing. The experience of what I saw and read, as well as environment was so friendly for children, the influence the Yoruba culture had on me. a child could wander off and never go hungry. Going back now, I have seen that Most of your movies are literary the streams have dried up, the rivers are adaptations; The White Handkerchief, Maami sick, deforestation has taken place and those and Thunder Bolt. Why have you chosen to things I love are no longer there. There were stick to this trend? also many cultural and family ceremonies, It took a while before I grew accustomed to which involved food, music and dance. The the separation from my mother. I was lonely environment enriched young minds. I pity the and hoped my parents would change their next generation, it’s a shame it is all gone. minds and my mother would one day take me back, but that never happened. As soon How did your interest in photography and as I was able to read and write, the first set filmmaking start? of books that were available to me were In my final year in primary school, I discovered D.O. Fagunwa’s series, The Saga. I started the camera. Though I had an idea of what reading to my grandfather at night, then we it could do, photography didn’t start for me got into other literature. At a young age, I saw until secondary school, when I could purchase the similarities between Greek and Yoruba one. I went around taking pictures for free, it mythology. I decided to read a lot, which I was just for pleasure. After secondary school, still do. While reading, I came across fantastic it became more than just pleasure, I knew stories and with my zeal to share them, I I couldn’t let the camera out of my sight. I subconsciously started to adapt those that became an apprentice, then the cinema pulled made an impression on me. I still have piles of me. I saw all the movies that came to Lagos and books I hope to adapt; literature and cinema was so impressed by the Hollywood classics are extensions of each other. that I decided to go into motion pictures. I got employed and trained in Western Nigerian With a generation that appreciates literary

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fruits and vegetables, and of course tea!

Lets talk about your movie, Dazzling Mirage, which has such a strong social message to the society. Why the focus on sickle cell? Dazzling Mirage is such an important film to me. When we started Mainframe Productions, we had a mission statement to make meaningful films that have social relevance. Most of the films I have done are not just entertaining but also have strong themes. Dazzling Mirage is adapted from Yinka Igbokare’s book; it is essentially a romantic drama with the theme of sickle cell. It is important because Nigeria is the epicentre of this disase, contributing to 150,000 deaths every year. Over 400 children are born with sickle cell everyday. With over 14 million people, Nigeria has the greatest number of carriers in the world. I have had personal experiences; people living with it and the pains they experience with their families. It was appropriate to make a film to draw more attention to the sickle cell disorder.

How well has the public responded to this movie? People who have seen the film enjoyed it, but it needs to be seen by millions of Nigerians. It and theatrical works less, what do you feel before, and we mix all those elements together. I clearly see the actors when thinking about started showing in the theatres on February can be done to correct this and ensure our The Nigerian movie industry Nollywood new projects. They could be well known 20 last year, but we have to do more than children pass on our rich traditions? is filled with so many controversies and stars like Omotola, Genevieve, Ivie, Tunde that. We are looking for corporate shows; we Nigerians need to read more. I hope young scandals. How have you managed over the Awosanmi and , and then I have a national campus tour in mind, and to people are encouraged to do the same. There years to keep such a well-respected name in work on another project and see a new set get into churches as well. The objective is to are many distractions as we are now in a this industry? of faces. For example, Cordelia by Prof. Femi get millions of people to see this film because technological world. The beauty about reading The level of scandals in Nollywood is nothing Osofisan is an adaptation centered on one of of the message in it, aimed at reducing the is that you can imagine a lot as every reader compared with other industries; it has been Nigeria’s military coups. I get excited when I number of sickle cell disorders in the country. mixes up his own fantasy. Since the introduction relatively mild. Our movie industry is barely 30 work with as many people as possible. of other forms of media, first television, then years, but with the capacity to grow. Inevitably, You recently turned 68, should we expect Internet, Nigerians have read less, preferring the there has to be a lot of gossip around the What movie production has been the most to hear about Tunde Kelani retiring soon or visual experience. When I was young, you had industry, which makes it interesting. People are challenging for you? expect more works from you? to devise your own toys and games. There was engaged in it, which may not necessarily be bad. All of them, there is no small or simple You should expect both. I pray I have the good a disconnection with our cultures. When I was A lot of them are attracted to the glamour of project. What you consider simple may be health to continue because I still have works younger, people lived together, now they break the industry. For me, I pay more attention to deceptive. It has become more challenging, lined up. I am looking at venturing into other away to live in estates that are fenced round. the work at hand; anyone is free to write his because electricity and water supply in Nigeria media in the next phase of my life. There are There is no cord that draws them together own code of conduct in relation to what he have become increasingly unstable. If the rate a lot of challenges facing the film industry, anymore. Inevitably, there has been alienation does. As an initiator and moderator, I have to of development was constant, we would not I would consider other media like TV and from culture; it is a problem we need to address. keep a level playing ground. have that many challenges. certainly take on young people to teach.

When casting actors for characters in your Who in the industry would you like to work As a Yoruba man, what adages, food, games How fulfilling has your career been? movies, what do you consider during your with? or hobbies have stuck with you till date? I recognize my pioneering role in the industry, selection? Everyone, if I have the opportunity to. I Yorubas have a concept called Omoluabi, which but I wish I did more as a businessman. I consider the need of the story itself; I think sometimes think I am not doing enough means your character is most important, and you However, it has been an exciting career. that is priority. Though the commercial aspect because the talents in Nigeria inspire me. must be dependable and reliable. Those qualities demands we have a star attraction, this is There are many creative people with are almost missing today; people don’t care about What do you wish you had done differently? delicate, because a wrong star can affect the extraordinary talents, and I dream of working their characters and about being dependable, I wish had made more money (laughs) but story itself. We try to match the cast to the with as many of them as possible. though family reputation is so important. I suspect if I had gone that way, I might not characters as closely as possible. We also look I am old now but my hobbies are related to have gone this far. I would have probably at different backgrounds; university-trained Is there anyone in particular you admire? productivity. I like competitive games like long abandoned filmmaking if I had been distracted. people, those who have the theatre traditions, I admire everyone in the industry as people tennis, table tennis, squash and swimming. I am as well as young people who have never acted have different levels of expertise. Sometimes also a poor eater; I eat moderately. I take a lot But you have done very well?

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between the unique aesthetic of the stylists and the grinding poverty of inner city Detroit, which never fully recovered from the 1968 riots, Hot Iron shows how events like ‘Hair Wars’ bring a sense of art and purpose to communities where both are often lacking.

DEPTH OF In 2004, Dosunmu directed several episodes of the widely acclaimed South African TV series Yizo Yizo including one in which he used Ori wa dara, a song by the late legendary Nigerian musician Fatai Rolling Dollar. Yizo Yizo dramatizes the policy debates around education FIELD in post-apartheid South Africa through a frank WORDS BY ADEBIMPE ADEBAMBO, PHOTOS LARRY BUSACCA, ANDREW DOSUNMU presentation of the social crises and conflicts at a Johannesburg high school.

In 2010, he directed and produced The African Game, a sports documentary, which was also given a massive nod by film buffs and critics. Dosunmu’s debut fiction featureRestless City (2010), an immigrant crime drama, which premiered at the 2011 Sundance Film Festival A still from Andrew Dosunmu’s Restless City movie is about a Senegalese motorcycle messenger, a local crime boss, and the beautiful woman who comes between them. His family drama movie, Mother of George (2013), which also Andrew Dosunmu is a Nigerian-born premiered at Sundance was the closing night international photographer and filmmaker. selection for the Maryland Film Festival 2013. Educated in Nigeria, his eye for design led The film is the story of a Nigerian-American him from Lagos to Paris, Johannesburg and woman who reluctantly becomes pregnant then New York. According to Dosunmu, he by her-brother-in-law because her husband learnt French by watching movies in Paris and suffers from infertility. began his career as a design assistant at the fashion house of Yves Saint Laurent in Paris. For his forthcoming movie Beat-up Little His work as a creative director and fashion Seagull, which stars Michelle Pfeiffer I( photographer has been featured in a variety am Sam) and Keifer Sutherland (Sentinel), of major international magazines. He came he teams up again with Darci Picoult, to prominence in the United States after the screenwriter. Dosunmu and Picoult, directing music videos and designing album collaborated on Mother of George, and wrote covers for many acclaimed artists including the Little Seagull story together. Principal Isaac Hayes, Angie Stone, Erykah Badu, Public photography for the movie ended last year Enemy, Common, Tracy Chapman, Wyclef Jean, but there is no release date announced. The Kelis, Aaron Neville, Talib Kweli and Maxwell. story revolves around the life of a woman Dosunmu has directed and photographed (Pfeiffer) struggling to find her footing in numerous commercials for print advertising the fast-paced world around her. But when and TV, for companies such as AT&T, General her mother dies, she faces a crisis and is Motors, Levi’s, Giordano Jeans and Kenneth Cole. compelled to work to find a means of survival, all the while hiding her challenges from He debuted as a filmmaker with the1998 her lover (Sutherland). Dosunmu’s work is documentary Hot Irons, which won Best often characterized by a Pan African cast Documentary at the 1999 biennial Panafrican and international crew. He has worked with Film and Television Festival of Ouagadougou Nigerians like the celebrated Bukky Ajayi, Tony FESPACO in Burkina Faso and at the Reel Okungbowa and Osas Ighodaro. Award, Toronto. The 50-minute documentary on women’s hair, offers an inside glimpse at Alongside his career as a filmmaker, he Motor City hair salons that turn the tresses has a successful photography practice. of their African-American clientele into Béatrice Dupire curated his first solo remarkable works of art. Dosunmu took exhibition, Andrew Dosunmu: Elsewhere – 10 his cameras to Detroit’s annual ‘Hair Wars’ Years of Photography at Hotel Particulier, in competition, where stylists compete to 2014 in . It featured10 large see who can create the wildest and most format photographs selected from over 10 outrageous hairdo. Offering a stark contrast years of personal and commissioned work. Andrew and Michelle on set of his new movie Beat up seagull

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The festival has also been held in Port Harcourt, Calabar and Lagos where it debuted REWARDING EXCELLENCE in 2015. As an impetus, winners of categories receive monetary rewards in addition to the statuettes. AFRIFF has a team of experts that ensures it runs seamlessly. Keith Shiri, a world IN FILM & TV reknowed Zimbabwean film curator who WORDS ADEBIMPE ADEBAMBO has also been on the board of AMAA since inception, is AFRIFF’s Creative Director. Ude has partnered with other industry experts to give training sessions and master classes to the emerging. In addition, she assists in securing scholarships for deserving students in film schools in the United States. For example, The Relativity Studio partnered with three leading film festivals in Africa including AFRIFF to provide scholarships because they sought content and wanted to be part of the growing film industry.

Wangi Mba-Uzoukwu Wangi Mba-Uzoukwu is the Regional Director (West Africa) at M-Net. She is a graduate of Political Science from the University of Nigeria and holds a post graduate diploma from the Institute of Direct Marketing in the United Kingdom. With a dynamic career spanning over 16 years in top management positions in multinationals such as British American Tobacco, Coca-Cola International and Bharti Airtel, she is a successful business and media strategist.

Mba-Uzoukwui heads the drive for the development and showcasing of world-class

henationonlineng.net African entertainment content to a Pan African and global audience, providing platforms for the creative minded, as well as employment Chioma Ude opportunities in Africa. Under her direction, there have been two successful editions of Africa Magic Viewer Choice Awards (AMVCA) in 2015 and 2016, the launch of Africa Magic Igbo channel, partnerships and the promotion of Nigerian life.guardian.ng movies and productions like Saro The Musical by Bolanle Austen-Peters, The CEO by Kunle Peace Anyiam-Osigwe Afolayan and’76 by Izu Ojukwu. She is focused on re-defining the viewer experience by emphasizing the strengths and potential of indigenous entertainment content as M-Net In this piece, Adebimpe Adebambo profiles the African Visionary Award at the Pan African Nigeria. Founded by Chioma Ude, it spans continues to win new audiences. pioneers, interestingly, all women: Peace Film Festival (PAFF) in Los Angeles. throughout a week and includes award shows, Anyiam, Chioma Ude and Wangi Uba- movie premieres and screenings, training Wangi Mba-Uzoukwu is focused on defining Uzoukwu, who through their award schemes Anyiam-Osigwe created AMAA 12 years ago classes, while offering major networking the growth strategy for M-Net Africa and seek to engender the highest professional to acknowledge excellence in filmmaking and opportunities. A graduate of Marketing from shaping the local content agenda to maintain standards in the film and television industry in cinema in Africa. It is a platform that projects the University of Nigeria, Nsukka, who runs the leadership position in Africa. She is also Nigeria, and indeed Africa. the African film industry to Africa. AMAA is her logistics company, Ude was the local behind a number of content development and lauded widely as the African equivalent of the producer for ION International Film Festival showcasing initiatives such as Africa Magic GO Peace Anyiam-Osigwe, AMAA Founder Oscars. A highly competitive scheme, boasting (IONIFF). The first edition of AFRIFF was (AMGO), the Africa Magic Video on Demand A graduate of law, Peace Anyiam-Osigwe, is a of a competent and experienced national and held in Port Harcourt from December 1 to 5, (VoD) service and the Africa Magic Original published poet, TV/film director, producer and international jury, the event brings all filmmakers 2010 with the theme Africa Unites, following Films project, which provides not just a the founder of the African Movies Academy in Africa and the African diaspora together. its first official announcement at the 6th Africa platform to promote original premium African Awards (AMAA). She has served as a jury Movie Academy Awards. In five short years, titles, but also highlights the rich talent pool africanbusinessmagazine.com member on international film festivals like the Chioma Ude, AFRIFF Founder AFRIFF has grown to be one of the most available in the region whilst equipping fresh Cine del Sur Film Festival in Granada, and The Africa International Film Festival (AFRIFF) respected award schemes for film on the talent with the tools they need to showcase won national and international recognition like is an annual event which takes place in African continent. Wangi Mba-Uzoukwu their work to Africa and the world.

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Ugoma Adegoke, co- founder of The Life House in Lagos, as well as host of Lights Camera Africa!!! Film Festival, in a chat with Ladun Ogidan, talks about the fifth edition of the hugely successful film festival themed Future Forward. With an average attendance of 3,000 people annually since its debut in 2011, the 2015 event was bolder and more energetic with the screening of the award- winning documentary Faaji Agba.

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is often vague and difficult to clarify. This is consideration the subject matter, the skill persona, Zebrudaya), a Nigerian comedian who usually because of the inadequate distribution displayed in creating the work and the message is a part of our rich television tradition. infrastructure, the weak enforcement of it shares with viewers. We certainly have a bias intellectual property rights and the relatively towards ensuring the screenings of films of What were the highlights at this year’s edition? low number of cinema screens in Africa. first time and emerging filmmakers that are at Favourites this year were Remi Vaughan- the core of our purpose at the Lights Camera Richards’ Faaji Agba, a documentary about Were there themes that came together in Africa!!! Film Festival. We also work to ensure highlife music in Nigeria and its leading figures. making selections for last year’s movies? a representation of diverse genres from across This thoughtful documentary explores an Last year’s theme was Future Forward, which was the continent and the diaspora. important piece of Nigerian musical history. an assembly of bold and energetic pieces of A film like this will entertain viewers while African and independent cinema that portrays What were the events or screenings that providing information on a phase of Nigerian the intrepid spirit characterizing the force that stood out to you last year? life. Another film this year wasHead Gone by propels us and feeds our imperatives to pursue The theme for last year’s festival was Legacy, Dare Fasasi, which is a well-written, intelligent success. I think Future Forward embodied ideas which meant that we focused on the canons of and multi-layered Nigerian feature comedy like dynamism, energy and ingenuity. African filmmaking and on African filmmakers. that also cleverly takes a swipe at the geo- I have to say that October 1 by Kunle Afolayan political landscape. What is your approach in working with the was a special treat for festival-goers, who filled film selection committee to choose movies, the house to the rafters! Last year for the first Where do you see the festival in the next 5 and are there battles over specific films? time, we examined television and the breadth years? I don’t think I can tell you about battles with of work and material that exists in this area. As Over the next five years, I expect the festival specific films! But honestly in selecting films, part of this examination, we had a Q & A session to grow to become a fixture on the festival we consider the entire film and take into with Chika Okpala (popularly known by his TV circuit in Lagos.

Can you give a brief background of Lights Nigerian film industry, and how successful for the festival to address this unique feature Camera Africa!!! and how it came to being? have you been in achieving your goals? and make it sustainable. Lights Camera Africa!!! grew out of a I would like to think that Lights Camera series of film screenings hosted by The Life Africa!!! has provided a platform for emerging How important are festivals in promoting House, Lagos, which I co-founded in 2010. filmmakers in Africa to reach audiences and distributing an independent film? In October 2011, the first Lights Camera that would like to see good quality African Festivals are often the earliest opportunities Africa!!! Film Festival was held in partnership films that are a true reflection of our lived for filmmakers to share their work with the with the African Film Festival, New York. Our experiences. In terms of attendance, we public and can act as a good bell-weather for motivation was to share diverse pieces of receive an average of about 3,000 annually the reception it will receive from the viewing African cinema with a Lagos audience and over a period of 5 days. These guests not public. Films then go on to be distributed via to stimulate a more nuanced narrative and only see films, they participate in workshops cinema and other channels including DVD, concept of African cinema that appeared to and panel discussions, as well as engage with cable and the Internet. be trapped in a one-dimensional narrative. established industry experts. Another aspect of our work is to stimulate How much interest is there on the part of emerging filmmakers and to share their What are the major challenges you have Nigerians in purchasing these films especially work with film viewing audiences in other faced, especially with regards to funding? with the absence of a proper distribution parts of the continent and globally. Since our One concern was about whether or not market in the country today? first festival in 2011, we have expanded our there was any interest in the public to see There is certainly interest in purchasing some partnerships to include Film Africa with Nadia independent African cinema. Funding is of the films we screen although this is not in Denton, a UK-based film scholar. indeed a challenge especially because tickets to significant or commercial quantities. Having screenings are free. We therefore need to be said that, distribution challenges including the What impact has the festival had on the creative in the way that we secure resources issuing of distribution rights for films in Africa Ugonma Adegoke

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Foundation in October 2015, Prof. Paul of N1.0 billion in single-digit interest loans. Silverbird Distribution Company and Genesis Nwulu, the foundation’s Programme Officer, Kunle Afolayan was first to benefit from the Deluxe Distribution Company, as well ON FUNDING AND SUPPORT Advancing Public Service Media (West Africa) scheme with his latest movie, The CEO. In as studio operators such as Fans Connect confirmed this. He also manages the media August 2015, while Afolayan and his team Online Nigeria Limited (Afrinolly), Kingsley initiative, the organization supported the filmed at the Inagbe Grand Resorts & Leisure, Ogoro Productions Limited and 4Screams distribution of the film. Lagos, the former Chief Executive Officer International Nigeria Limited, to support this FOR NOLLYWOOD of BOI, Olaoluwa Rasheed visited the set initiative. Through its support policy for the In the same vein, the Chime for Arts to show his support. Olaoluwa explained creative sector of the economy, BOI had in WORDS ADEBIMPE ADEBAMBO Foundation, established by actress and that the bank was working on actualizing the past financed films such as Biyi Bandele’s producer Uru Eke to positively affect the community cinema project to boost film Half of a Yellow Sun and Michelle Bello’s Flower society using film, received a 120,000 dollars distribution in the country, while also planning Girl. In its first rollout, the Nollyfund has for Remember Me (2016), from the Ford to support the establishment of international already approved for support, more than 12 Foundation. The film is about accountability quality movie studios in Nigeria. “At the Bank movie projects, including Ayanma, from the and transparency in exposing and fighting of Industry, we have decided that Nollywood well known Royal Arts Academy. corruption. In 2014, the Ford Foundation should be supported very strongly for us to supported the Africa International Film Festival move to the next level. When we introduced Air France, which began operations in Nigeria (AFRIFF) with scholarships for 15 students, the fund, we had three objectives; first to in the 40s, is not left out in the Nollywood through the AFRIFF Talent Development ensure that people like Kunle who have shown cause. Last year, they chose Kunle Afolayan Workshops, to pursue intensive one-month that quality and helped in elevating African as brand ambassador. Before him, Hollywood hands on training in various aspects of films to international standards, and secondly, great Kevin Costner was their brand filmmaking at the Film School, Montana State ensure we can support movie distribution in ambassador. The deal entails flight support University in the United States. The recipients a different paradigm. We are still working on for cast and crew to all filming sites across included 12 Nigerians, two Kenyans and an community cinemas and we will continue to Africa and Paris for his forthcoming movie. Ethiopian. The training ended with a trip to work with entrepreneurs who want to do Afolayan’s movies are also shown on Air Hollywood in Los Angeles, California where business in that regard. The third objective is France as flight entertainment. they visited some American filmmakers and to support the establishment of international toured some film studios. quality movie studios in Nigeria. We are At the historic signing-on event, the General really pleased to be here. This is just the Manager of Air France, Jean-Raoul Tauzin, Some banking institutions like Access Bank, beginning, we plan to do a lot more, we are explained that the decision to bring Afolayan First Bank, Nigerian Export Import Bank a development bank and our objective is to on board Air France as an ambassador NEXIM and the Bank of Industry (BOI) have ensure that all the critical sectors in Nigeria was born out of their decision to forge a also supported in small ways, including loans get support from the Bank of Industry.” partnership with the creative industry in to filmmakers at lower interest rates. Access Nigeria and connect Nollywood to the Bank has partially supported some movie The second film project financed by the abundance of opportunities, globally. “If you premieres while First Bank co-sponsored a BOI, are Queen Amina, an epic movie about are familiar with the Air France environment, contemporary television series, Before 30 the historical Hausa Muslim warrior queen, we have been in Nigeria since 1946, serving comprised mostly of a younger cast and produced by Okey Ogunjiofor, a pioneer the country, serving its citizens, and we are crew in 2015. According to First Bank, the Nollywood filmmaker and producer of the very pleased that we have someone very series addresses the challenges of women landmark flick,Living in Bondage. Another famous and international to represent our under 30, which for them is a social cause and notable name in Nollywood, Izu Ojukwu, brand. As you may know, Air France has within their corporate social responsibility directed the film. been sponsoring the Cannes International Film and sustainability department. The Head of Festival since 1980 and we are very proud Marketing and Corporate Communications, Opa Williams’ The Three Wise Men has also to be a partner of the Festival de Cannes to Folake Ani-Mumuney explains: “We are benefited from the scheme. In February develop the entertainment and art industry nnuya.com. known for supporting causes and this is a 2016, some officials of BOI, led by Uche in France. Therefore, we are very convinced cause because it’s rooted in sincerity, and that C. Nwuka, Group Head, Creative Industry that with the help of Kunle Afolayan, we Kunle Afolayan and some members of staff of Air France is really what as a brand we stand for. If we visited the set to observe as the cast and will be able to also develop as much as we cannot have an honest conversation among crew filmed some scenes. Other officers can, a partnership between Air France and ourselves as a people about the things that of the bank who visited the film location Nollywood in Nigeria.” The deal is arguably drive our economy forward, about our people included Okechukwu Madu, the Assistant the biggest international endorsement for a and their health, and things that ensure that Manager, Creative Industry. Williams celebrity brand in Nigeria in recent times. we are a nation of productive people, then we informed the BOI team that 30 members of wouldn’t be doing what we should be doing as the crew were involved in the production The reason for the juicy deal, according Over the past few years, the Nigerian film and Fox and Walt Disney that source for funds to work and finances pooled together by the a company. In 2012, the NEXIM Bank granted a of the film, adding that the project had also to Arthur Dieffenthaler, the Commercial TV industry, Nollywood has received growing make their own movies. Movies not made by filmmakers. loan to Tony Abulu, the producer and director employed about 100 individuals, including a Director of Air France, is consistent with support from banking institutions, foundations, studios are called independent ‘indie’ films, Ford Foundation, a US-based organization of the Hollywood/Nollywood movie Dr Bello. new set of actors being groomed for various what the front line airline stands for; care, companies and well-meaning individuals. where producers have to source for funds for with offices worldwide, works with visionaries roles. Nwuka, on her part stated that her quality and pleasure–qualities which resonate Indeed, Nollywood has been the subject of their works. Producers and movie directors at the front lines of social change. They have Abulu was the first to access the loan the bank bank was encouraged by the efforts of in the well-known filmmaker’s works and international scholarly and business studies in Nigeria, most times have put in personal supported some movies with social justice made available through its Nigerian Creative filmmakers who have benefited from the persona. It is hoped that other organizations because it started without any government finances, funds from family and friends, and messages like Stephanie Linus’ award-winning and Entertainment Industry Stimulation Loan scheme so far; hence the bank was expanding and multinationals continue to lend their support, yet continues to thrive. Contrastingly, money loaned from banks at extremely high film,Dry (2014) about the medical condition Scheme. Similarly, the BOI has granted loans its chain of exhibition outlets around the support to the creative industry and the in some other countries especially in the interest rates, to get their movies produced. fistula that occurs in girls forced into early to filmmakers and film distribution companies country. She reiterated that BOI had already film industry in particular, which serves as United States where Hollywood berthed, Unfortunately, many of these fall into the ‘child’ marriage. Speaking at a Champions in Nigeria, through its BOI Nollyfund (BNF) accredited some reputable distributors like a medium to tell our stories and show the there are established studios like 20th Century hands of pirates who try to reap off the hard for Change workshop sponsored by Ford scheme, which has an initial programme limit G-Media, Filmone Distribution Company, world our rich culture and heritage.

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nollywoodweek.com Jamiu Soyode, Tunde Kelani and Kemi ‘Lala!’ Akindoju at the NollywoodWeek Paris 2015

NollywoodWeek Paris is one of Europe’s deals for people in the industry have been awarded. Films released in Nigerian cinemas leading festivals and the biggest celebration sealed and over 5,500 guests have graced the are not left out, and we read the critique of of Nollywood in France each year. The 4th event. We want the term NollywoodWeek and the films. Nigerian filmmakers are asked to edition, which will be held at The Cinema quality to be synonymous in people’s minds. submit their works and we do a pre-selection L’Arlequin in Paris, France from June 2-5 will The festival also helps the directors get a real based on that, then we narrow it step by step feature a more diverse film selection, more feel for their audience through the Public to arrive at about 10 films.” events, as well as more audience surprises. Choice Award, where we can measure the This year’s official selection includes;Fifty by , audience’s preferences.” Biyi Bandele, Falling by Niyi Akinmolayan, The In a June 2015 interview with Lisa Bryant, First Lady by Omoni Oboli, Stalker by Moses - Serge Noukoue, the co-founder of Okada The co-founders Nadira Shakur and Inwang, Gbomo Gbomo Express by Walt Media, the organization that runs the festival Serge Noukoue are looking forward to Taylaur, Lunch Time Heroes by Seyi Babatope explained it made the most sense to hold the accommodating the growing size as the festival and Taxi Driver by Daniel Oriahi. The short festival in the French capital. continues to gain attention from surrounding films areHex , Prey, Joy, The Encounter, Keko, “Paris is the world’s cinema capital in a way. European countries. For the 2016 festival, a Ireti and The Good Son. It’s a really important city for cinema. It’s a total of 10 Nigerian feature films and 7 short city that matters, and I believe Nollywood is films were chosen. It’s the first time short films At the inaugural edition in 2013, 7 Nigerian Na cinema that matters. I believe it just makes are featured in the festival. On the choice of movies were screened namely; Maami, Ije, sense to have a platform here for Nollywood films, Noukoue in an interview with Shaibu Inale, Phone Swap, Tango with Me, Last Flight and especially for Nollywood’s finest films.” Husseni of The Guardian Newspapers said, to Abuja and Man on Ground while Kunle “We try to stick to the years of production Afolayan’s Phone Swap won the Public Choice According to Noukoue, “We are excited because we want to be current. We try to Award. The opening night took place at the about this year’s edition of NollywoodWeek have the best of the year and the year before. Lagos Lounge, with Nigerian touches including Paris, which is growing into a global model We also try to have a fair representation of fine cuisine and musical performances 24, Modupe Alakija Crescent, Ikoyi, Lagos and promises to be even bigger and better. different genres, representative of what is featuring a surprise session by Keziah Jones. At T. +234 81 7164 6710, 809 871 7710 24 Nigerian films have been translated into going on in Nigeria. We want to have comedy, the 2014 edition, Rita Dominic and Mildred French and screened in Paris. In the past three drama, thrillers and other genres. We also Okwo’s The Meeting (2012) won the Audience years, over 20 Nollywood actors, directors and look at major festivals and other award Award while the 2015 edition had Tunde producers have been hosted in the city of lights. shows like the Africa Movie Academy Awards Kelani taking home the trophy for his Dazzling Partnerships, acquisitions and co-production (AMAA) to see what has been selected and Mirage (2014).

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for Food Drug Administration and Control (NAFDAC) as a competent organization. The DISTRIBUTION IN NOLLYWOOD: success of NCC’s battle against piracy will change the fortunes of many film producers who are short-changed by these lawless THE EXISTING PLATFORMS, people. Several producers are skeptical to deploy other marketing platforms after their films screen at the cinemas, choosing rather to PIRACY AND ALTERNATIVE keep the flicks on their shelves. The current government should also devise STRUCTURES a Public-Private Partnership model that will ensure the proliferation of cinemas WORDS AMARACHUKWU IWUALA, PHOTO FILMONE STUDIOS throughout the country; big multiplexes for large cities and towns on the one hand and cottage cinemas for thinly populated communities on the other hand. If community cinemas which will charge, lower viewing rates are created, they will cater for those at the bottom of the pyramid and/or those for whom cinemas are far away. This is paramount The distribution of Nigerian films received country as a consequence of a plummeting It is also instructive to remark that piracy in because inadequate distribution channels have a big boost in 2009 when Stephanie economy in the late 20th century. the Nigerian film world was existent when been an intractable problem in the Nigerian Okereke’s Through the Glass (2008) grossed the first generation filmmakers plied their film industry for a long time, giving rise to ten million naira (N10,000,000.00) within the After the revitalization of movie-making, trade. In 1982, Moses Adejumo (Baba Sala) deliberate and unwitting pirates. Furthermore, first three weeks of release at the Silverbird, following the success of Living in Bondage in produced a film Orun Mooru, which was it is trite to state that the re-emergence of Ozone and Genesis Deluxe Cinema outlets in 1992, several films were box office pirated days before its release, causing him cinemas has lessened the shattering effects of Lagos, Abuja and Port Harcourt, which were hits, recording VHS sales in hundreds untold loss. piracy occasioned by a dearth of distribution the only existing cinemas then. There were of thousands. For instance, Amaka networks for movies. a total of five cinema houses with less than Igwe’s Violated was made with a little above Given the advancement in technology, forty screens altogether. Prior to that, only a three million naira (N3,000,000) in 1995 and the problem of piracy has become more Some years ago, the Nigerian Postal Service few Nigerian films like Across the Niger (2004) the following year, gave the producers more complicated. Indeed, the arrival of the Internet (NIPOST) was made a partner for the sale and Cindy’s Notes (2008) premiered, but did than ten million naira (N10,000,000) after the has exacerbated piracy, as films are also of films in Nigeria. However, the partnership not necessarily screen at the cinemas. Shortly peak period of sale for the movie’s second part. distributed online. The virtual distribution was not sustainable because it was about afterwards, The Figurine (2009), Tango with Me platforms like iROKOtv, Afrinolly and the same time that many people abandoned (2010) and Ije Even then, the video clubs scattered all over iBAKATV always have to be a step ahead of their post office boxes and private mail T(2010) raised the stakes by grossing much the country, which were reproducing foreign those who try to circumvent the security bags, following the advent of e-mails. A new more than Through the Glass at the cinemas. films, also duplicated these (and other local measures meant to protect content. partnership can be forged, say between the ones), and rent them to their customers Association of Movie Producers (AMP) and Fortunately, the cinema intervention came at perhaps a tenth of the prices of the The cinemas should be pro-active as well. In the Federal Inland Revenue Service (FIRS), when filmmakers were at a crossroads cassettes to rake in revenue. Sadly, no one 2014, Ayo Makun’s (AY’s) production, 30 such that kiosks manned by sales people who due to untold losses incurred from the can put figures to the income generated by Days in Atlanta was pirated whilst it was still are engaged by movie producers, are built sales of DVDs, then the chief avenue for hiring the films, which in some cases went screening at the cinemas. It is hoped that the within FIRS premises for movie sales. That distribution. Soon after, the immediate past on for several months if people found them film did not leak from sources in the cinemas way, the core business and mandate of the government announced the availability for fascinating. Interestingly, the money made and that the medium of leakage was identified agency will not be disrupted by people a twenty-five million-dollar ($25,000,000) from renting the films belonged solely to the and prosecuted. going in and out of their offices in a bid to entertainment loan, which entertainers club owners! purchase films. Alternatively, the cinemas can could access through the Nigerian Export Producers will have more bargaining power if be employed in the marketing of DVDs as is and Import Bank (NEXIM) and the Bank of This activity went on even when VCDs came they make remarkably high quality films since the case for some films marketed by Gabriel Industry (BOI). Filmhouse Cinemas headed in vogue and only reduced drastically about the TV stations, especially Africa Magic, and Okoye’s (Gabosky’s) G-Media. by Kene Mkparu, erstwhile Managing Director twelve years ago when DVDs became the new media platforms that buy the rights of of Genesis Deluxe Cinemas, was one of the primary medium through which movies were almost all the films, rate them mostly based Consequently, the urgent construction of recipients of the loan with which the company packaged for purchase by the consumer. The on their quality. Producers of top-class films a critical mass of cinemas nationwide will built more than 10 cinemas with several reason hinged on the fact that the DVDs, should also not neglect film festivals and enhance this venture. others underway. Though many towns and which were mostly of very poor quality, easily audiovisual content markets in Africa and cities still do not have cinemas, the revolution cracked and became unusable after one or beyond because they are veritable distribution There is an urgent need for Nollywood to has begun. If this current trend continues, two customers borrowed them. Besides, since set-ups for movie-makers. sort out distribution, chiefly because both many cinema houses will spring up, increasing the prices of the DVDs were now two to blockbuster and run-of-the-mill films suffer the number of that distribution channel. three times the amount charged by the video The Nigerian Copyright Commission from poor sales. However, when well-made clubs to rent the films, it made more business (NCC) has to tackle piracy with the kind of films begin to record high box office returns, Ben Murray-Bruce must be extolled for his sense for the clubs to rent the DVDs, which single-minded persistence and unparalleled other things being equal, they will not only act as astuteness in building Nigeria’s first set of cost a third of the price for video cassettes, commitment with which the late Dora an incentive for the filmmakers to up the ante; twenty-first century cinemas after the collapse on the average. Moreover, the consumers also Akunyili fought drug counterfeiting, and by they will also make those behind substandard findingnollywood.com of numerous cinemas scattered all over the found the DVDs more affordable. the process entrenched the National Agency productions upgrade their art.

164 OMENKA MAGAZINE 165 OMENKA MAGAZINE VOLUME 2 ISSUE 3 VOLUME 2 ISSUE 3 MARKET FILE - EVENTS, GUIDE, FESTIVALS, DOSSIER MARKET FILE - EVENTS, GUIDE, FESTIVALS, DOSSIER KENE MKPARU ON PIRACY AND DISTRIBUTION IN NOLLYWOOD WORDS ADEBIMPE ADEBAMBO, PHOTOS FILMONE STUDIOS

Kene Mkparu who first set out to be a medical doctor and was in pre-medical school in Nigeria with the likes of Dr. Bennet Omalu (Concussion Biopic), is the Group MD/CEO of one of Africa’s fastest growing cinema chains – Filmhouse Cinemas, as well as FilmOne Distribution. He has over 26 years of experience in business management and cinema operations management. Starting with just two outlets in December 2012, his companies have seen remarkable growth across Nigeria in just a short time. Mkparu gained a Masters degree in Business Systems Analysis & Design from the City University London. During this time, he worked at the Odeon Cinemas, UK, where he won several awards for marketing between 1992 Kand 2007. Piracy and copyright infringement have been use to the thief. Also, ‘pirates’ don’t usually Control) with the late Prof. Dora Akunyili. evils of piracy. the scourge of the film industry in Nigeria. come to the cinema halls with video cameras Prior to setting up Filmhouse Cinemas, Mkparu was CEO, FilmAFRICA UK and MD of Genesis As the MD/CEO of Filmhouse Cinemas anymore because they know they’ll get caught. It ought to be treated like fake drugs because What about the consumers – those individuals Deluxe Cinemas. He has also produced three films and won the 2013 Creative Entrepreneur and FilmOne Distribution, you have made Apart from that, they know that the picture proceeds from piracy are used to fund who stop on the streets and shops to purchase Award (Film Industry Category) and the 2007 Best Producer Award at the Africa Films Awards, strong statements about equipping cinemas quality will not be great and have found more organized crime, the illicit drug industry, pirated movies? I think a lot of times we only UK for The Successor. He earned his first degree in Biochemistry and Zoology (1988) from the with infrared goggle glasses used to detect advanced ways. Sadly, movies are pirated human trafficking and counterfeit products. talk about the pirates who should be jailed but University of Nigeria, Nsukka and completed his post graduate studies in Biopharmaceutical abnormal radiation from recording cameras, through other means. These pirates are killing and destroying people how about the consumers who buy a pirated Sciences/Toxicology (1990) at King’s College, University of London. Mkparu’s Filmhouse as well as placing watermarks on films to and their families. film knowing full well that the creator is not Cinemas is a beneficiary of the $200 million Creative and Entertainment Industry Intervention ensure they can be traced. How have these At Filmhouse Cinemas, we tell the filmmakers going to make money? Why are consumers Fund from Nigeria’s Bank of Industry (BOI), and NEXIM Bank. He plans to roll out twenty-five methods helped in the fight against piracy in submitting their movies to encrypt them Is there a role for the private sector too? supporting the pirates? Nobody is addressing cinemas over a six-year period commencing in 2012. Nigeria? because we digitally lock the film content on Apart from the government, we all have our the consumers. They are the biggest pirates in a specialized film format called DCP, which responsibilities…the media, film producers, my view! FilmOne is the film distribution and production sister company of Filmhouse Cinemas. The infrared goggles, placing watermarks on films and the encryption of films have can only work with specified projectors in cinemas, consumers. What can we do ethically Their combined primary roles are to screen and distribute films locally and internationally. We don’t think about the producers when we helped greatly within cinema operations. cinemas. If a movie is played on a particular and morally to fight piracy? The companies’ management teams have a total of over 140 years’ cinema operation and buy pirated films. We also don’t think about When people watch films at the cinemas projector in which the film is unlocked, it can’t development experience gained in England, Italy, United States, Spain and Nigeria. The media is also not helping. They should how we sponsor and fund organized crime they don’t know that they are watermarked, play on another one. not only report when movies by a certain by buying pirated materials. Someone is selling Filmhouse opened its cinemas in; Surulere, Lagos (December 2012); Calabar, Marina (December so when they record them, the watermark What can the government do to reduce well-known director is pirated. They should pirated works in traffic in Lagos and people are 2012); Dugbe, Ibadan (May 2013); and Samonda, Ibadan (May 2014). Then more recently in; will show the source of the piracy. More piracy and copyright theft? educate and sensitize people. It is a collective paying money to buy them; shame on everyone Apapa, Lagos (January 2015); Port Harcourt (January 2015); Kano (February 2015); Ikoyi, Lagos importantly, when films are encrypted, they The government needs to tackle this head on effort. Just like they have enlightening and who supports this crime. People also download (May 2015); Akure (December 2015); and Asaba (February 2016). FilmOne has since theatrically need special decryption keys specific to like they did for NAFDAC (National Agency informative programmes on different topics, movies from the Internet without paying for released some major Nollywood blockbusters including Half of a Yellow Sun, October 1, When Love individual projectors in the cinemas to open for Food and Drug Administration and there should be something constant about the them. This is also very bad. We’re very quick Happens, Gone Too Far, Taxi Driver (Oko Ashewo) and Fifty in cinemas across Nigeria. them. So even if a film is stolen, it is of no

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to blame the government and everybody this kind of business; structures, strategies, movie ticket, popcorn, drink and other items else but ourselves. When we as end-users management style, and execution–all the all go for N100 each at that time. We also use choose not to buy pirated works, pirates will works, from film production through film this to push the Nollywood films. close shop. By buying pirated films, you the distribution to film exhibition. Our focus is the consumer, are a partner in this crime. I think entire film industry though we started with In addition, some people may not be able we all need to take responsibility for this. At film exhibition, that is, cinemas which we have to afford the standard fees but we want times, some Nigerians are proud to even got off the ground and are still working on them to also enjoy the cinema experience. announce on social media that they’ve bought several other outlets nationwide. Nonetheless, through our findings in this and seen a film even before it’s released; scheme, we discovered that interestingly, shame on such people. You’re denying the We have conducted and still conduct training many of the people who took advantage of filmmakers their right to feed. Everyone needs sessions on different aspects of the film our offer were Youth Corp members, as well to work together to curb this. industry from the business side, through the as some students and workers. It has stopped creative process to final execution, exhibition at the moment but we are restructuring it to You have opened Filmhouse Cinemas in and distribution. We also fully produce some surely come back bigger and better. Lagos, Calabar, Ibadan, Port Harcourt, movies and have a good stake in others. Akure, Kano and Asaba. Is there any reason We have a TV show on ELTV (Ebony Life We also launched a scriptwriting campaign Omenka is the online global source for up-to-date news, information, and expert commentary on why you don’t have a presence in FCT, the Television) and AMC (Africa Movie Channel), under our FilmOne Distribution for first- African arts, music, architecture & design, literature, performing arts, fashion, luxury-lifestyle, and nation’s capital? as well as two magazines informing people time screenwriters. The lucky ones will have culture & travel. There is no particular reason. If you know about the world of cinema and film from their stories made into movies. We want to of a good location with plans for great malls, a Nigerian perspective. We also seek to encourage and empower people working and contact us! We would like to be in Abuja. Each empower people. At the moment we have those who would love to work in the industry Omenka is also Africa’s premium art, business and luxury-lifestyle magazine. It has expanded its focus city and location is unique. We study each 330 persons in our employment across the by presenting to them other possibilities toOmenka include content Online on is architecturethe global sourceand design, for withup-to-date a renewed news commitment, information to ,an and emerging exper tArt market and look forward to opening in Abuja. nation and our aim is to get to 1,000 when we besides acting. commentaFinance industryry on Af inrican Africa. ar tThe, musi magazinec, architecture is published & design as a quarterly, literatur print,e, per a fdigitalorming edition arts , andfashion an , meet our target of 25 cinemas nationwide. app. Through its well tailoredluxu content,ry-lif estylOmenkae, and aims culture to position & tr aAfricavel. as the hub of an increasingly You worked at the Odeon Cinemas in UK What new strategies have you adopted in globalized world by stimulating interest in art from the continent as an asset class, while cultivating for about 17 years prior to setting up your Nigeria cannot be dealt with as a distributing films across Nigeria and globally? taste and defining emerging trends in contemporary visual culture, among a new generation of urban In addition, Omenka Online has launched 5 international online magazines on the above businesses in Nigeria. What lessons from homogeneous group. We have studied and As a distributor, key to what we do is helping thinkers, collectors and enthusiasts. that experience have you applied here in are still studying the market. People have our clients negotiate more money for their topics that allow you stay connected to the latest trends, as well as explore new innovations Nigeria? different spending powers and we try to get as films. Establishing global relationships to buy by the most prestigious brands. We also invest heavily in content production and origination Odeon has been in existence for about many different demographies of people to our Nollywood content is of utmost importance, andOmenka our content is also ais leading delivered art gallery via our in onlineNigeria magazinesrepresenting, social a fine media selection and of video established channels. and 100 years. Having worked there for many cinemas as much as possible. Our cinemas are and this is what we are best at. Locally, we are emerging artists working in diverse media and whose oeuvre resonates with Africa. years with some members of our existing the most affordable in Nigeria. We launched establishing ourselves as the go-to distributor Filmhouse team, we bring over 140 years of the ‘Everything Na N100’ scheme at the for the best films made in Nigeria as we can experience between us to bear. We bring the cinema where people come in between 10am also leverage on our brand to help negotiate best practices and unique skills for running and 12 noon on weekdays to see movies. A better local deals.

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Paff Pan African Film Festival Los Angeles African Film Festival, New York Nyaff February 4 - 15, 2016 May 1 - 25, 2016 6820 La Tijera Blvd, Suite 200 African Film Festival, Inc. Los Angeles, CA 90045 154 West, 18th Street, Suite 2A Email:[email protected] New York, New York 10011 Tel:310 337 4737 Tel: 212 3521720 Fax: 212 807 9752 E-mail: [email protected] Durban Film Festival www.africanfilmny.org June 16 - 26, 2016 Tel: +27 (0)31 260 2506 Email: [email protected]

Giama October, 2016 Tel: 731 518 6633 Cape Town International Animation Festival [email protected] February 18 -21, 2016 www.ctiaf.com

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AFRIFF CAMIFF November 13 - 20, 2016 25 - 30 April, 2016 Tel: +234 803 046 9897 Tel: +237 243 633 136 Email: [email protected] Email: [email protected] Address: 24, Adebisi Ogunniyi Crescent Phase 1, Lagos NollywoodWeek Paris Film Festval June 2-5, 2016 Homevida www.nollywoodweek.com December 2016 AMVCA 1st Floor, UAC Commercial Complex March 5 2016 Central Business District, Abuja www.amvca2016-awards.dstv.com Email: [email protected] Tel: +234 803 626 7188 I Luv Africa Film Festival (ILAFF) April 10 -July 31, 2016 Tel: 604 229 0600 Email: [email protected] Address: 500-666 Burrard Street Vancouver, British Columbia, Canada V6C 3P6

Luxor Film Festival 5th Edition: March 17-23, 2016 L 15, 26 July St, Cairo AMAA Awards Tel: +202 27 73 84 74 11 June, 2016 Fax: +202 27 73 84 75 The Africa Movie Academy Awards [email protected] 17a, Adenubi Close Behind St Leo’s Catholic Church FESPACO I-Rep off Toyin Street February to March 4, 2017 March 24 - 27, 2016 Ikeja Lagos FESPACO 425 Santa Teresa St. Stanford Tel: +234 708 404 9285 01 BP 2505 Ouagadougou 01 CA 823 13 821 Mobile: +234 802 844 6792 Burkina Faso 0123-456-789 +234 803 776 3620 +226 25 30 83 70 / 71 www.irepfilmfestival.com www.ama-awards.com www.fespaco.bf

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