Is There Still a Place for Public Service Television? Effects of the Changing
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7116-A BBC TV Review
Independent Review of the BBC’s Digital Television Services 1 Contents Executive Summary 2 1. Introduction 13 1.1 Background, terms of reference, and report structure 13 1.2 General and specific approval conditions 16 1.3 Review process 16 1.4 Consultation results 17 1.5 Conceptual framework: net public value 19 1.6 The BBC’s digital TV strategy and its assumptions about audience behaviour 23 1.7 Television is a mass medium, not a niche medium 26 2. Performance Against the Approval Conditions 35 2.1 CBeebies 35 2.2 CBBC 37 2.3 BBC3 41 2.4 BBC4 47 2.5 Interactivity 50 2.6 Driving digital takeup 52 2.7 Value for money 54 2.8 Performance against conditions: summary and conclusions 58 3. Market Impact 63 3.1 Introduction 63 3.2 In what ways might the BBC’s services impact the market? 65 3.3 Clarifying the “base case” 66 3.4 Direct impact on commercial channels’ revenue 69 3.5 Impact on programme supply market 77 3.6 Impact on long-run competitiveness of the market 79 3.7 Market impact: summary and conclusions 80 4. How Might the Services Develop in the Future? 82 4.1 Summary of conclusions: performance and market impact 82 4.2 The evolving market context and the BBC-TV portfolio 87 4.3 Recommendations for future development 91 Appendix: Ofcom Analysis of Genre Mix 98 Supplementary Reports* Report on CBeebies and CBBC, by Máire Messenger Davies Report on BBC3 and BBC4, by Steve Hewlett Assessment of the Market Impact of the BBC’s New Digital TV and Radio Services, by Ofcom About the Author 100 *All supplementary reports are available electronically on the DCMS website, www.culture.gov.uk 2 Independent Review of the BBC’s Digital Television Services Executive Summary This report reviews the BBC’s digital television services CBeebies, CBBC, BBC3 and BBC4. -
The BBC's Use of Spectrum
The BBC’s Efficient and Effective use of Spectrum Review by Deloitte & Touche LLP commissioned by the BBC Trust’s Finance and Strategy Committee BBC’s Trust Response to the Deloitte & Touche LLPValue for Money study It is the responsibility of the BBC Trust,under the As the report acknowledges the BBC’s focus since Royal Charter,to ensure that Value for Money is the launch of Freeview on maximising the reach achieved by the BBC through its spending of the of the service, the robustness of the signal and licence fee. the picture quality has supported the development In order to fulfil this responsibility,the Trust and success of the digital terrestrial television commissions and publishes a series of independent (DTT) platform. Freeview is now established as the Value for Money reviews each year after discussing most popular digital TV platform. its programme with the Comptroller and Auditor This has led to increased demand for capacity General – the head of the National Audit Office as the BBC and other broadcasters develop (NAO).The reviews are undertaken by the NAO aspirations for new services such as high definition or other external agencies. television. Since capacity on the platform is finite, This study,commissioned by the Trust’s Finance the opportunity costs of spectrum use are high. and Strategy Committee on behalf of the Trust and The BBC must now change its focus from building undertaken by Deloitte & Touche LLP (“Deloitte”), the DTT platform to ensuring that it uses its looks at how efficiently and effectively the BBC spectrum capacity as efficiently as possible and uses the spectrum available to it, and provides provides maximum Value for Money to licence insight into the future challenges and opportunities payers.The BBC Executive affirms this position facing the BBC in the use of the spectrum. -
Digital Set-Top Box Instruction Manual C1stb11
DIGITAL SET-TOP BOX INSTRUCTION MANUAL C1STB11 C1STB11_IB_110608_Annie.indd 1 11年6月8日 下午3:22 Content Unpacking.......................................................................................................................4 Product.Overview...........................................................................................................5 Front View ............................................................................................................................................5 Right View ............................................................................................................................................5 Rear View..............................................................................................................................................5 Remote Control .................................................................................................................................6 Installing Batteries in the Remote Control ...............................................................................8 Remote Control Operation Range ..............................................................................................9 Connections..................................................................................................................10 Connecting to the TV ....................................................................................................................10 Connecting to External AV Equipment ...................................................................................11 -
Better Protecting BBC Financial Independence an Exploratory Report for the BBC Trust
Better protecting BBC financial independence An exploratory report for the BBC Trust Martin Moore King’s College London January 2016 The Policy Institute at King’s About the Policy Institute at King’s The Policy Institute at King’s College London acts as a hub, linking insightful research with rapid, relevant policy analysis to stimulate debate, inform and shape future policy agendas. Building on King’s central London location at the heart of the global policy conversation, our vision is to enable the translation of academic research into policy and practice by facilitating engagement between academic, business and policy communities around current and future policy needs. We combine the academic excellence of King’s with connectedness of a think tank and the professionalism of a consultancy. Moore, M., Better protecting BBC financial independence: an exploratory report for the BBC Trust, Centre for the Study of Media, Communication and Power, the Policy Institute at King’s College London, January 2016. About the author Martin Moore Dr Martin Moore is a Senior Research Fellow and Director of the Centre for the Study of Media, Communication and Power at the Policy Institute at King’s College London. He has twenty years experience working across the UK media, in the commercial sector, the third sector and in academia. 1 Preface This report was commissioned by the BBC Trust in order to explore ways to better protect the BBC’s financial independence beyond Charter Renewal. The ideas presented in the report are derived from ten interviews with expert sources conducted for the study in October and November 2015, supplemented by relevant publicly available information. -
Review of Operations
REVIEW OF OPERATIONS OVERVIEW Turnover from continuing operations was £964.6 million (2001 restated: £1,040.1 million).The decline is primarily due to a reduction of £35.7 million in advertising revenues. Operating costs are under tight control. A stringent review last year identified £45.0 million in annual savings in the second full year, including Carlton’s share of savings in ITV. Delivery is well ahead of target with savings of £54.2 million achieved by end-September. June Brown and Penelope Keith star in Total continuing operating profit before amortisation and Margery & Gladys, a Carlton production for 2003. exceptional items was maintained at £65.3 million (2001: £65.8 million).The total amortisation charge, including joint ventures, was £17.6 million (2001: £17.4 million) and operating exceptional items totalled £4.8 million (2001: charges £52.4 million). Net interest charges were £12.0 million (2001: £35.6 million).The fall is attributable to lower effective interest rates and lower net interest bearing balances. Amounts written off investments were £8.2 million (2001: nil). Profit on continuing operations before taxation was £32.3 million (2001: loss of £39.6 million). ITV has extended its rights to show Bond movies on TV. BROADCASTING Turnover was £799.5 million (2001: £830.1 million) and profits were £67.4 million (2001: £83.3 million). Carlton’s television advertising revenues recovered to show an increase of 2 per cent in the second half of the year, compared to the same period last year. After a difficult first six months, year-on-year growth resumed in May. -
BBC Technical Standards for Network Television Delivery
Ó 2008 Page 1 of 28 BBC Technical Standards for Network Television Delivery DQ Status Live BBC Standard DQ Content Controller Technology Vision (Wes Curtis) Authority Contact(s) for Help Wes Curtis Description Intended Audience: production staff, including technicians and producers, and independent production companies. Use: This document covers the technical requirements for programmes that have been commissioned by BBC Television for London delivery, either directly or on tape. It is also available on bbc.co.uk. DQ Reference Version Date Last Reviewed tv_02_01 01.13 13/11/2009 November 2009 Key Words Television technical standards, TV delivery, London DQ Location Internal: http://guidelines.gateway.bbc.co.uk/dq/tv/standards.shtml#london External: www.bbc.co.uk/guidelines/dq/contents/television.shtml BBC Technical Standards for Network Television Programme Delivery BBC Technical Standards for Network Television Programme Delivery (BBC One, BBC Two, BBC Three, BBC Four, CBeebies and the CBBC Channel) Version 01.13 Version 01.13 13/11/2009 DQ Ref tv_02_01 © BBC 2009 2 BBC Technical Standards for Network Television Programme Delivery 1 SCOPE OF DOCUMENT--------------------------------------------------------------------------------4 2 INTRODUCTION-------------------------------------------------------------------------------------------4 3 TECHNICAL RESPONSIBILITIES FOR PROGRAMMES--------------------------------------5 3.1 GENERAL RESPONSIBILITIES ----------------------------------------------------------------------------5 3.2 TECHNICAL -
Channel 4 DEA Review
Annex 3: Evidence assessing C4C’s delivery of its media content duties (2010-2013) December 2014 Contents • Background Slide 2 • Evidence to assess C4C’s delivery of its media Slide 11 content duties 1 Background 2 Introduction • Section 198C of the Communications Act 2003 (the Act) requires Ofcom to review the extent to which Channel 4 Corporation (C4C) has delivered the media content duties set out in section 198A of the Act. These duties were introduced by the Digital Economy Act 2010 (the DEA). • This slide pack sets out C4C’s media content duties, and maps the evidence compiled to assess C4C’s delivery of each these requirements across its services comprised of: its TV channels, on-demand and online services, and Film4 Productions. 3 C4C’s media content duties under Section 198A of the Act *The public service objectives are: 4. In performing their duties under 1) to 1. C4C must participate in - (b) that cultural activity in the United Kingdom, and its diversity, are a) the making of a broad range of relevant 3) C4C must - reflected, supported and stimulated by the representation in those services media content of high quality that, taken as a) support the development of people (taken together) of drama, comedy and music, by the inclusion of feature a whole, appeals to the tastes and interests films in those services and by the treatment of other visual and performing with creative talent, in particular – arts; of a culturally diverse society, i. people at the beginning of b) the making of high quality films intended to (c) that those services (taken together) provide, to the extent that is their careers in relevant media appropriate for facilitating civic understanding and fair and well-informed be shown to the general public at the content or films, and debate on news and current affairs, a comprehensive and authoritative cinema in the United Kingdom, and coverage of news and current affairs in, and in the different parts of, the c) the broadcasting and distribution of such ii. -
Diverse on Screen Talent Directory
BBC Diverse Presenters The BBC is committed to finding and growing diverse onscreen talent across all channels and platforms. We realise that in order to continue making the BBC feel truly diverse, and improve on where we are at the moment, we need to let you know who’s out there. In this document you will find biographies for just some of the hugely talented people the BBC has already been working with and others who have made their mark elsewhere. It’s the responsibility of every person involved in BBC programme making to ask themselves whether what, and who, they are putting on screen reflects the world around them or just one section of society. If you are in production or development and would like other ideas for diverse presenters across all genres please feel free to get in touch with Mary Fitzpatrick Editorial Executive, Diversity via email: [email protected] Diverse On Screen Talent Directory Presenter Biographies Biographies Ace and Invisible Presenters, 1Xtra Category: 1Xtra Agent: Insanity Artists Agency Limited T: 020 7927 6222 W: www.insanityartists.co.uk 1Xtra's lunchtime DJs Ace and Invisible are on a high - the two 22-year-olds scooped the gold award for Daily Music Show of the Year at the 2004 Sony Radio Academy Awards. It's a just reward for Ace and Invisible, two young south Londoners with high hopes who met whilst studying media at the Brits Performing Arts School in 1996. The 'Lunchtime Trouble Makers' is what they are commonly known as, but for Ace and Invisible it's a story of friendship and determination. -
Weekly Information Bulletin
Contents House of Commons • Noticeboard ......................................................................................................... 1 • The Week Ahead ................................................................................................. 2 Weekly • Order of Oral Questions ...................................................................................... 3 Information Business Bulletin • Business of the House of Commons 4 – 8 June 2007.......................................... 5 • Written Ministerial Statements............................................................................ 7 • Forthcoming Business of the House of Commons 11 – 15 June 2007 ................ 9 Editor: Nick Majer • Forthcoming Business of the House of Lords 11 – 15 June 2007. .................... 13 House of Commons Legislation Information Office London Public Legislation SW1A 2TT • Public Bills before Parliament 2006/07............................................................. 18 • Bills - Presentation, Publication and Royal Assent............................................ 26 TEL: 020 7219 4272 • Public and General Acts 2006/07 ...................................................................... 27 FAX: 020 7219 5839 • Draft Bills under consideration or published during 2006/07 Session .............. 28 [email protected] www.parliament.uk Private Legislation • Private Bills before Parliament 2006/07............................................................ 30 To Contact the Editor: Delegated Legislation TEL: 020 7219 5715 -
Creativity and the Experts: New Labour, Think Tanks and The
Schlesinger, P. (2009) Creativity and the experts: New Labour, think tanks, and the policy process. International Journal of Press/Politics, 14 (1). pp. 3-20. ISSN 1940-1612 http://eprints.gla.ac.uk/4895/ Deposited on: 22 January 2009 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk 1 CREATIVITY AND THE EXPERTS: NEW LABOUR, THINK TANKS AND THE POLICY PROCESS PHILIP SCHLESINGER CENTRE FOR CULTURAL POLICY RESEARCH UNIVERSITY OF GLASGOW To be published in the International Journal of Press Politics 2009 Introduction This essay examines the role of expertise in the public debate on creative industries policy in the United Kingdom. Think tanks have been prominent in this. However, in the extensive literature on British think tanks, their relations with the fields of media, culture and communications have been completely neglected. This is a strange omission, given the centrality of these fields to public life – and not least, to the polity and economy. As well as addressing questions in public policy analysis, this article also contributes to the sociology of the intellectuals. It is the politico-intellectual field in which think tanks are situated - between universities and the political institutions. In that location, the connections between think tanks and news media (as well as the political system) are key because some key think tank players are also ‘media intellectuals’. The practice of think 2 tankery is above all about the mediation of ideas, and their brokerage in the public domain, with intended policy effects. We may argue, therefore, that think tanks – as producers of reproducible mediated discourse – are themselves part of a wider communications industry. -
Digital Channel Lineup
DIGITAL CHANNEL LINE-UP Entertainment Granada Men & Motors skysports.comTV News & Documentaries The History Channel Fox Kids Music Choice BBC Knowledge Fast cars, bikes and The ultimate sports news Dedicated to history, Packed full with the best 44 channels of digital A stimulating mix of fast women – the and information service – including programmes shows, biggest prizes audio music available factual content, both Sky One channel for men who the latest sports headlines, Sky News with educational content and coolest presenters. 24 hours a day without on-screen and on-line. Our number one channel like all the action. breaking stories, results The award-winning relevant to the National advertisements or for family first-run and league tables 24-hour service, now Curriculum. Fox Kids (+1hr) interruptions. Ten Money Channel* entertainment and Sky Travel discussed and displayed with Sky News Active, Catch all those fantastic channels are included in A channel dedicated award-winning drama. Magazine shows and around the clock. Britain’s first interactive UK Horizons Fox Kids programmes – the Sky Entertainment to money, which aims documentaries providing television news service. Fly-on-the-wall an hour later. packages. You can add a to demystify the world UK Gold viewers with holiday British Eurosport documentaries, history, further 34 channels with of finance. A quality selection of inspiration. Top class international Bloomberg travel and adventure, Disney Channel Music Choice Extra, British comedy and sports with a special Keep up to date with natural history and Brings the magic of a premium service. drama. UK Style focus on British business and financial science. -
The Chairmanship of the BBC
HOUSE OF LORDS Select Committee on Communications 1st Report of Session 2006–07 The Chairmanship of the BBC Report with Evidence Ordered to be printed 25 July 2007 and published 3 August 2007 Published by the Authority of the House of Lords London : The Stationery Office Limited £14.50 HL Paper 171 The Select Committee on Communications The Select Committee on Communications was appointed by the House of Lords on 23 April 2007 with the orders of reference “to consider communications”. Current Membership Baroness Bonham Carter of Yarnbury Lord Corbett of Castle Vale Baroness Eccles of Moulton Lord Fowler (Chairman) Lord Hastings of Scarisbrick Baroness Howe of Idlicote Lord Inglewood Lord King of Bridgwater Baroness McIntosh of Hudnall Bishop of Manchester Lord Maxton Baroness Scott of Needham Market Baroness Thornton Publications The report and evidence of the Committee are published by The Stationery Office by Order of the House. All publications of the Committee are available on the intranet at: http://www.parliament.uk/parliamentary_committees/communications.cfm General Information General information about the House of Lords and its Committees, including guidance to witnesses, details of current inquiries and forthcoming meetings is on the internet at: http://www.parliament.uk/parliamentary_committees/ parliamentary_committees26.cfm Contact details All correspondence should be addressed to the Clerk of the Select Committee on Communications, Committee Office, House of Lords, London SW1A 0PW The telephone number for general enquiries