Kamigata Declaration of Corporate Social Contributions
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Table of Contents/AFLAC's Mission
Table of Contents Message From Management . 2 Selected Financial Data . 32 1999 marked the 10th consecutive year in which AFLAC Summary statements of earnings and balance sheets, stock Incorporated achieved its earnings objective. AFLAC Japan price ranges, price/earnings ratios and exchange rates for and AFLAC U.S. both contributed to make 1999 another the past 11 years. record year. Consolidated Financial Statements . 34 Interview With the CEO . 6 Statements of earnings, shareholders’ equity, cash flows, President and CEO Dan Amos discusses the importance of comprehensive income and balance sheets for AFLAC earnings objectives, deregulation in Japan and the market Incorporated and subsidiaries. for supplemental insurance. Notes to the Consolidated Financial Statements . 38 AFLAC Japan . 8 Additional information about the company’s Consolidated Despite a difficult economy, AFLAC Japan produced record Financial Statements and accounting policies. sales, increased its distribution system and continued preparation for a deregulated market. Glossary . 57 Definitions of terms used by AFLAC and the insurance AFLAC U.S.. 14 industry. AFLAC U.S. had its best year ever, with revenues, pretax operating earnings and new sales growing rapidly and Investor Information . 58 reaching record levels in 1999. AFLAC’s shares significantly outperformed other insurance stocks, although they did not keep up with the market as a Management’s Discussion and Analysis . 19 whole in 1999. An overview of AFLAC’s financial and operational performance in Japan and the United States during the last Directors and Management . 60 three years and an analysis of the company’s overall Biographical information on the company’s leadership. financial condition. -
Takashimaya / 8233
Takashimaya / 8233 COVERAGE INITIATED ON: 2012.06.21 LAST UPDATE: 2020.12.25 Shared Research Inc. has produced this report by request from the company discussed in the report. The aim is to provide an “owner’s manual” to investors. We at Shared Research Inc. make every effort to provide an accurate, objective, and neutral analysis. In order to highlight any biases, we clearly attribute our data and findings. We will always present opinions from company management as such. Our views are ours where stated. We do not try to convince or influence, only inform. We appreciate your suggestions and feedback. Write to us at [email protected] or find us on Bloomberg. Research Coverage Report by Shared Research Inc. Takashimaya / 8233 RCoverage LAST UPDATE: 2020.12.25 Research Coverage Report by Shared Research Inc. | www.sharedresearch.jp INDEX How to read a Shared Research report: This report begins with the trends and outlook section, which discusses the company’s most recent earnings. First-time readers should start at the business section later in the report. Executive summary ----------------------------------------------------------------------------------------------------------------------------------- 3 Key financial data ------------------------------------------------------------------------------------------------------------------------------------- 5 Recent updates ---------------------------------------------------------------------------------------------------------------------------------------- 6 Highlights ------------------------------------------------------------------------------------------------------------------------------------------------------------ -
Publisbing Culture in Eighteentb-Century Japan: the Case of the Edo Publisher Tsutaya Jqzaburô (1751-97)
Publisbing Culture in Eighteentb-Century Japan: The Case of the Edo Publisher Tsutaya JQzaburô (1751-97) Yu Chang A thesis submitted in conformity with the requirements for the degree of Master of Arts Graduate Department of East Asian Studies University of Toronto 0 Copyright by Yu Chang 1997 National Library Bibliothèque nationale 1*1 of Canada du Canada Acquisitions and Acquisitions et Bibliogtaphic Services services bibliographiques 395 Wellington Street 395. rue Wellingtm Ottawa ON K1A ON4 OnawaOFJ KlAW Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence diowing the exclusive permettant à la National Librq of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or seil reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or othenvise de celle-ci ne doivent être imprimés reproduced without the author' s ou autrement reproduits sans son permission. autorisation. ABSTRACT Publishing Culture in Eighteentb-Century Japan: The Case of the Edo Pubüsher Tsutaya Jûzaburô (1750-97) Master of Arts, March 1997 Yu Chang Department of East Asian Studies During the ideologicai program of the Senior Councillor Mitsudaira Sadanobu of the Tokugawa bah@[ governrnent, Tsutaya JÛzaburÔ's aggressive publishing venture found itseif on a collision course with Sadanobu's book censorship policy. -
(Ex Controversies and CW) Index Equity Fund
Report and Financial Statements For the year ended 31st December 2020 State Street AUT Japan Screened (ex Controversies and CW) Index Equity Fund (formerly State Street Japan Equity Tracker Fund) State Street AUT Japan Screened (ex Controversies and CW) Index Equity Fund Contents Page Manager's Report* 1 Portfolio Statement* 5 Director's Report to Unitholders* 25 Manager's Statement of Responsibilities 26 Statement of the Depositary’s Responsibilities 27 Report of the Depositary to the Unitholders 27 Independent Auditors’ Report 28 Comparative Table* 31 Financial statements: 32 Statement of Total Return 32 Statement of Change in Net Assets Attributable to Unitholders 32 Balance Sheet 33 Notes to the Financial Statements 34 Distribution Tables 45 Directory* 46 Appendix I – Remuneration Policy (Unaudited) 47 Appendix II – Assessment of Value (Unaudited) 49 * These collectively comprise the Manager’s Report. State Street AUT Japan Screened (ex Controversies and CW) Index Equity Fund Manager’s Report For the year ended 31st December 2020 Authorised Status The State Street AUT Japan Screened (ex Controversies and CW) Index Equity Fund (the “Fund”) is an Authorised Unit Trust Scheme as defined in section 243 of the Financial Services and Markets Act 2000 and it is a UCITS Retail Scheme within the meaning of the FCA Collective Investment Schemes sourcebook. The unitholders are not liable for the debts of the Fund. The Fund's name was changed to State Street AUT Japan Screened (ex Controversies and CW) Index Equity Fund on 18th December 2020 (formerly State Street Japan Equity Tracker Fund). Investment Objective and Policy The objective of the Fund is to replicate, as closely as possible, and on a “gross of fees” basis, the return of the Japan equity market as represented by the FTSE Japan ex Controversies ex CW Index (the “Index”) net of unavoidable withholding taxes. -
Whither the Keiretsu, Japan's Business Networks? How Were They Structured? What Did They Do? Why Are They Gone?
IRLE IRLE WORKING PAPER #188-09 September 2009 Whither the Keiretsu, Japan's Business Networks? How Were They Structured? What Did They Do? Why Are They Gone? James R. Lincoln, Masahiro Shimotani Cite as: James R. Lincoln, Masahiro Shimotani. (2009). “Whither the Keiretsu, Japan's Business Networks? How Were They Structured? What Did They Do? Why Are They Gone?” IRLE Working Paper No. 188-09. http://irle.berkeley.edu/workingpapers/188-09.pdf irle.berkeley.edu/workingpapers Institute for Research on Labor and Employment Institute for Research on Labor and Employment Working Paper Series (University of California, Berkeley) Year Paper iirwps-- Whither the Keiretsu, Japan’s Business Networks? How Were They Structured? What Did They Do? Why Are They Gone? James R. Lincoln Masahiro Shimotani University of California, Berkeley Fukui Prefectural University This paper is posted at the eScholarship Repository, University of California. http://repositories.cdlib.org/iir/iirwps/iirwps-188-09 Copyright c 2009 by the authors. WHITHER THE KEIRETSU, JAPAN’S BUSINESS NETWORKS? How were they structured? What did they do? Why are they gone? James R. Lincoln Walter A. Haas School of Business University of California, Berkeley Berkeley, CA 94720 USA ([email protected]) Masahiro Shimotani Faculty of Economics Fukui Prefectural University Fukui City, Japan ([email protected]) 1 INTRODUCTION The title of this volume and the papers that fill it concern business “groups,” a term suggesting an identifiable collection of actors (here, firms) within a clear-cut boundary. The Japanese keiretsu have been described in similar terms, yet compared to business groups in other countries the postwar keiretsu warrant the “group” label least. -
Sony Financial Group Corporate Strategy Meeting for Fiscal Year 2018
Sony Financial Group Corporate Strategy Meeting for Fiscal Year 2018 Sony Financial Holdings Inc. May 31, 2018 AGENDA Sony Financial Group Review of Financial Results Market Overview and Medium-term Issues Background/Theme/Points of New Medium-term Plan Medium-term Plan of Each Group Company Sony Life Sony Assurance Sony Bank Sony Lifecare Sony Financial Group Growth Strategy Group Governance Medium-term Target for FY20 Shareholder Returns/Dividend Policy *Unless otherwise indicated, in these materials figures less than the indicated unit have been truncated, while ratios and percentage changes have been rounded * “Lifeplanner” is a registered trademark of Sony Life Review of Financial Results -Each of the Group’s Major KPI- Each of the Groupʼs three core businesses expanded their operations as we planned Sony Life Sony Assurance Sony Bank Policy amount in force Direct premiums written Retail balance*2 Mid-term target *1 Latest Mid-term target *1 Latest Approx. ¥110 bn outlook Mid-term target *1 Latest Over ¥49 tn outlook ¥110 bn ¥4.2 tn outlook ¥50 tn 107.0 99.0 ¥4.2 tn 47.2 3.9 45.3 3.7 CAGR CAGR CAGR Approx. Approx. Approx. 5% 5% 6% FY16 FY17 FY18 FY16 FY17 FY18 FY16 FY17 FY18 *1 Mid-term target announced on June 1, 2016(Retail balance of Sony Bank is adjusted in line with change in a part of definition) *2 Sum of yen deposits, foreign currency deposits, investment trusts, securities brokerage, mediate discretionary investment contracts and personal loans Copyright © Sony Financial Holdings Inc. All rights reserved. 3 Review of Financial Results -Consolidated- FY18 FY18 Review Latest Mid-term target*1 on outlook Outlook Ordinary revenues ¥1.65 tn ¥1.57 tn Ordinary profit ¥80 bn ¥83 bn Profit attributable to ¥51 bn ¥55 bn owners of parent Operating income under US-GAAP ¥160 bn ¥170 bn Consolidated 4~5%*2 Approx. -
Profile History of the Takashimaya Group
2017 TAKASHIMAYA PROFILE HISTORY OF THE TAKASHIMAYA GROUP 1831 1959 2000 Founding Spirit Licensing Agreement with JR Nagoya Takashimaya Our founder, Iida Shinshichi, Pierre Cardin Opened opened a clothing and cotton cloth With this agreement, Takashimaya Conveniently located inside the JR store in Kyoto with the trading became the first Japanese company Central Towers, a newly built name “Takashimaya.” to enter into an agreement with landmark next to Nagoya Station, a foreign designer. this was the first full-size depart- ment store to open in Nagoya City 1969 for 20 years. Tamagawa Takashimaya S.C. Opened 2009 The Tamagawa Takashimaya S.C. Nihombashi Takashimaya 1889 was Japan’s first large-scale declared an Important Takashimaya Wins Prize at the suburban shop-ping mall. Cultural Property World Exhibition in Paris This masterpiece of Showa-era In the 19th century, Takashimaya 1993 architecture displays at every turn won several prizes at overseas Singapore’s Biggest a stately sense of Western historic- exhibitions. Department Store Opened ity together with Japanese design. The Takashimaya branch in 1896 Singa-pore set a new standard in 2012 Kyoto Store Unveils Innovative luxury shopping in Asia. Shanghai Takashimaya opened Show Window A department store for quality Known as the mihonba (show 1996 lifestyle goods, located in place), this window became the Takashimaya Times Square Shanghai’s affluent Gubei residen- prototype for show windows in Opened tial district. modern department stores. Located in Tokyo’s Shinjuku district and designed to be barrier- 2016 1938 free, this store was the first retail Saigon Centre (Ho Chi Minh Establishment of Biggest store approved under the Tokyo City Takashimaya) opened Department Store Restaurant Metropolitan Govern-ment’s Heart Ho Chi Minh City Takashimaya is in the Far East Building Law*. -
Case Studies from South Africa, Russia and Japanpdf
Working Paper No. 4 International Labour Office (ILO) DIALOGUE 4, route des Morillons CH -1211 Geneva 22 Switzerland Signing International Framework Agreements: Tel.: (+41 22) 799 70 35 Fax: (+41 22) 799 87 49 Case studies E-mail: [email protected] Web site: http://www.ilo.org/dial from South Africa, Russia and Japan Konstantinos Papadakis September 2009 Industrial and Employment Relations Department DIALOGUE (DIALOGUE) Working Paper No. 4 Signing International Framework Agreements: Case studies from South Africa, Russia and Japan Konstantinos Papadakis Industrial and Employment Relations Department (DIALOGUE) International Labour Office • Geneva September 2009 Copyright © International Labour Organization 2009 First published 2009 Publications of the International Labour Office enjoy copyright under Protocol 2 of the Universal Copyright Convention. Nevertheless, short excerpts from them may be reproduced without authorization, on condition that the source is indicated. For rights of reproduction or translation, application should be made to ILO Publications (Rights and Permissions), International Labour Office, CH-1211 Geneva 22, Switzerland, or by email: [email protected]. The International Labour Office welcomes such applications. Libraries, institutions and other users registered in the United Kingdom with the Copyright Licensing Agency, 90 Tottenham Court Road, London W1T 4LP [Fax: (+44) (0)20 7631 5500; email: [email protected]], in the United States with the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923 [Fax: (+1) -
Extreme Japan
Extreme Japan At its roots, Japan has two deities who represent opposite extremes – Amaterasu, a Nigitama (peaceful spirit), and Susanoo, an Aratama (wrathful spirit). The dichotomy can be seen reflected in various areas of the culture. There is Kinkaku-ji (the Golden Pavilion) to represent the Kitayama culture, and Ginkaku-ji (the Silver Pavilion) to represent the Higashiyama culture. Kabuki has its wagoto (gentle style) and aragoto (bravura style). There are the thatched huts of wabicha (frugal tea ceremony) as opposed to the golden tea ceremony houses. Japan can be punk – flashy and noisy. Or, it can be bluesy – deep and tranquil. Add to flash, the kabuki way. Subtract to refine, the wabi way. Just don’t hold back - go to the extreme.Either way, it’s Japan. Japan Concept 5 Kabuku Japan Concept 6 wabi If we awaken and recapture the basic human passions that are today being lost in each moment, new Japanese traditions will be passed on with a bold, triumphant face. Taro Okamoto, Nihon no Dento (Japanese Tradition) 20 kabuku Extreme Japan ① Photograph: Satoshi Takase ③ ② Eccentrics at the Cutting Edge of Fashion ① Lavish preferences of truck drivers are reflected in vehicles decorated like illuminated floats. ② The crazy KAWAII of Kyary Pamyu Pamyu. ③ The band KISHIDAN. Yankii style, characterized by tsuppari hairstyles and customized high ⑤ school uniforms. ④ Kabuki-style cosmetic face masks made by Imabari Towel. Kabuki’s Kumadori is a powerful makeup for warding off evil spirits. ⑤ Making lavish use of combs and hairpins, oiran were the fashion leaders of Edo. The “face-showing” event is a glimpse into the sleepless world of night. -
The Automobile in Japan
International and Japanese Studies Symposium The Automobile in Japan Stewart Lone, Associate Professor of East Asian History, Australian Defence Force Academy, Canberra Japan and the Age of Speed: Urban Society and the Automobile, 1925-30 p.1 Christopher Madeley, Chaucer College, Canterbury Kaishinsha, DAT, Nissan and the British Motor Vehicle Industry p.15 The Suntory Centre Suntory and Toyota International Centres for Economics and Related Disciplines London School of Economics and Political Science Discussion Paper Houghton Street No. IS/05/494 London WC2A 2AE July 2005 Tel: 020-7955-6699 Preface A symposium was held in the Michio Morishima room at STICERD on 7 April 2005 to discuss aspects of the motor industry in Japan. Stewart Lone discussed the impact which the introduction of the motor car had on Japan’s urban society in the 1920s, especially in the neighbourhood of the city of Kyoto. By way of contrast, Christopher Madeley traced the relationship between Nissan (and its predecessors) and the British motor industry, starting with the construction of the first cars in 1912 by the Kaishinsha Company, using chassis imported from Swift of Coventry. July 2005 Abstracts Lone: The 1920s saw the emergence in Kansai of modern industrial urban living with the development of the underground, air services; wireless telephones, super express trains etc. Automobiles dominated major streets from the early 1920s in the new Age of Speed. Using Kyoto city as an example, the article covers automobile advertising, procedures for taxis, buses and cars and traffic safety and regulation. Madeley: Nissan Motor Company had a longer connection with the British industry than any other Japanese vehicle manufacturer. -
Analyzing the Outrageous: Takehara Shunchōsai’S Shunga Book Makura Dōji Nukisashi Manben Tamaguki (Pillow Book for the Young, 1776)
Japan Review 26 Special Issue Shunga (2013): 169–93 Analyzing the Outrageous: Takehara Shunchōsai’s Shunga Book Makura dōji nukisashi manben tamaguki (Pillow Book for the Young, 1776) C. Andrew GERSTLE This article examines the book Makura dōji nukisashi manben tamaguki (1776) with illustrations by Takehara Shunchōsai in the context of a sub-genre of shunga books—erotic parodies of educational textbooks (ōrai- mono)—produced in Kyoto and Osaka in the second half of the eighteenth century. A key question is whether we should read this irreverent parody as subversive to the political/social order, and if so in what way. Different from the erotic parodies by Tsukioka Settei, which focused mostly on women’s conduct books, this work is a burlesque parody of a popular educational anthology textbook used more for boys. It depicts iconic historical figures, men and women, courtiers, samurai and clerics all as ob- sessed with lust, from Shōtoku Taishi, through Empresses and Kōbō Daishi to Minamoto no Yoshitsune. The article considers whether recent research on Western parody as polemic is relevant to an analysis of this and other Edo period parodies. The article also considers the view, within Japanese scholarship, on the significance of parody (mojiri, yatsushi, mitate) in Edo period arts. The generation of scholars during and immediately after World War II, such as Asō Isoji (1896–1979) and Teruoka Yasutaka (1908–2001) tended to view parody and humor as a means to attack the Tokugawa sys- tem, but more recent research has tended to eschew such interpretations. The article concludes by placing this work among other irreverent writing/art of the 1760s–1780s, in both Edo and Kyoto/Osaka, which was provocative and challenged the Tokugawa system. -
Participant List Name Organization Aiki Konno Mitsubishi Heavy Industries, Ltd
Participant List Name Organization Aiki Konno Mitsubishi Heavy Industries, Ltd. Eriko Takahashi TOTO LTD. Kazue Kosugi Nippon Yusen Kabushiki Kaisha Kiichiro Yokoyama Nomura Research Institute, Ltd. Hidemi Nakamura TAIHEIYO CEMENT CORPORATION Hirohisa Minakawa NIPPON EXPRESS CO., LTD. Masahiro Sato MIZUNO Corporation Makoto Okawa TOPPAN PRINTING CO., LTD. Miho Arai Olympus Corporation Minoru Matsuzaki Olympus Corporation Tatsuo Hakamada Seikei University Tetsuo Higuchi NIPPON STEEL & SUMIKIN ENGINEERING CO., Tomoko Abe Nippon Yusen Kabushiki Kaisha Yoshimi Ichikawa Marubeni Corporation Hiroshi Kobayashi TDK Corporation Yoichiro Nakata NIPPON PAPER INDUSTRIES CO., LTD. Takashi Kamikubo Japan Business Art K. K. Yoriyuki Numakura Japan Business Art K. K. Hidenori Imazu TOPPAN PRINTING CO., LTD. Takashi Goto Sustainability Communication Hub Co., Ltd. Miho Hosoya Sustainability Communication Hub Co., Ltd. Yukiko Murakami Sustainability Communication Hub Co., Ltd. Yukari Watanabe Cetus & General Press Inc. Hideyo Aratani Cetus & General Press Inc. Naomi Miyakawa Cetus & General Press Inc. Arata Sato Universal Combo Shinpei Tokou Nomura Research Institute, Ltd. Chiaki Ui Cetus & General Press Inc. Rie Tamura NOMURA REAL ESTATE HOLDINGS, INC. Shuichi Odakiri Neo Planning Sohei Motoyama Sanofi K.K. Tomoko Nakamura Satoru Arima DAIICHI SANKYO COMPANY, LIMITED. Noriko Takita Sanofi K.K. Yusaku Akutsu Japan Business Art K. K. Yuki Chihara Japan Business Art K. K. Keita Maeda TOPPAN PRINTING CO., LTD. Kengo Sato NIPPON EXPRESS CO., LTD. Sugito Ichikawa TOPPAN PRINTING CO., LTD. Koji Maeda ADVANTEST CORPORATION Ryoichi Shimamura West Japan Railway Company Hiroyuki Suzuki Hiroki Wada Seiko Inoue ASICS Corporation Setsuko Kubota Mazda Motor Corporation Katsumi Knanno Kewpie Corporation Shinichiro Uryu Mitsubishi Heavy Industries, Ltd. Azumi Nishizawa Mitsubishi Heavy Industries, Ltd.