The Creation of Anne Boleyn
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Bring up the Bodies
BRING UP THE BODIES BY HILARY MANTEL ADAPTED FOR THE STAGE BY MIKE POULTON DRAMATISTS PLAY SERVICE INC. BRING UP THE BODIES Copyright © 2016, Mike Poulton and Tertius Enterprises Ltd Copyright © 2014, Mike Poulton and Tertius Enterprises Ltd Bring Up the Bodies Copyright © 2012, Tertius Enterprises Ltd All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of BRING UP THE BODIES is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for BRING UP THE BODIES are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. -
The Six Wives of King Henry Viii
THE SIX WIVES OF KING HENRY VIII Divorced, beheaded, died, divorced, beheaded, survived! Ready for a trip back in time? Here at Nat Geo Kids, we’re travelling back to Tudor England in our Henry VIII wives feature. Hold onto your hats – and your heads! Henry VIII wives… 1. Catherine of Aragon Henry VIII’s first wife was Catherine of Aragon, daughter of King Ferdinand and Queen Isabella of Spain. Eight years before her marriage to Henry in 1509, Catherine was in fact married to Henry’s older brother, Arthur, who died of sickness at just 15 years old. Together, Henry and Catherine had a daughter, Mary – but it was a son that Henry wanted. Frustrated that Catherine seemed unable to produce a male heir to the throne, Henry had their marriage annulled (cancelled) in 1533. But there’s more to the story – towards the end of their marriage, Henry fell in love with one of Catherine’s ladies-in-waiting (woman who assisted the queen) – Anne Boleyn… 2. Anne Boleyn Anne Boleyn became Henry’s second wife after the pair married secretly in January 1533. By this time, Anne was pregnant with her first child to Henry, and by June 1533 she was crowned Queen of England. Together they had a daughter, Elizabeth – the future Queen Elizabeth I. But, still, it was a son – and future king of England – that Henry wanted. Frustrated, he believed his marriage was cursed and that Anne was to blame. And so, he turned his affections to one of Anne’s ladies-in-waiting, Jane Seymour. -
Anna Bolena Opera by Gaetano Donizetti
ANNA BOLENA OPERA BY GAETANO DONIZETTI Presentation by George Kurti Plohn Anna Bolena, an opera in two acts by Gaetano Donizetti, is recounting the tragedy of Anne Boleyn, the second wife of England's King Henry VIII. Along with Gioachino Rossini and Vincenzo Bellini, Donizetti was a leading composer of the bel canto opera style, meaning beauty and evenness of tone, legato phrasing, and skill in executing highly florid passages, prevalent during the first half of the nineteenth century. He was born in 1797 and died in 1848, at only 51 years of age, of syphilis for which he was institutionalized at the end of his life. Over the course of is short career, Donizetti was able to compose 70 operas. Anna Bolena is the second of four operas by Donizetti dealing with the Tudor period in English history, followed by Maria Stuarda (named for Mary, Queen of Scots), and Roberto Devereux (named for a putative lover of Queen Elizabeth I of England). The leading female characters of these three operas are often referred to as "the Three Donizetti Queens." Anna Bolena premiered in 1830 in Milan, to overwhelming success so much so that from then on, Donizetti's teacher addressed his former pupil as Maestro. The opera got a new impetus later at La Scala in 1957, thanks to a spectacular performance by 1 Maria Callas in the title role. Since then, it has been heard frequently, attracting such superstar sopranos as Joan Sutherland, Beverly Sills and Montserrat Caballe. Anna Bolena is based on the historical episode of the fall from favor and death of England’s Queen Anne Boleyn, second wife of Henry VIII. -
Patriarchal Dynamics in Politics: How Anne Boleyn's Femininity Brought Her Power and Death
John Carroll University Carroll Collected Senior Honors Projects Theses, Essays, and Senior Honors Projects Spring 2018 Patriarchal Dynamics in Politics: How Anne Boleyn’s Femininity Brought her Power and Death Rebecca Ries-Roncalli John Carroll University, [email protected] Follow this and additional works at: https://collected.jcu.edu/honorspapers Part of the European History Commons Recommended Citation Ries-Roncalli, Rebecca, "Patriarchal Dynamics in Politics: How Anne Boleyn’s Femininity Brought her Power and Death" (2018). Senior Honors Projects. 111. https://collected.jcu.edu/honorspapers/111 This Honors Paper/Project is brought to you for free and open access by the Theses, Essays, and Senior Honors Projects at Carroll Collected. It has been accepted for inclusion in Senior Honors Projects by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. Patriarchal Dynamics in Politics: How Anne Boleyn’s Femininity Brought her Power and Death Rebecca Ries-Roncalli Senior Honors Project May 2, 2018 Ries-Roncalli 1 I. Adding Dimension to an Elusive Character The figure of Anne Boleyn is one that looms large in history, controversial in her time and today. The second wife of King Henry VIII, she is most well-known for precipitating his break with the Catholic Church in order to marry her. Despite the tremendous efforts King Henry went to in order to marry Anne, a mere three years into their marriage, he sentenced her to death and immediately married another woman. Popular representations of her continue to exist, though most Anne Boleyns in modern depictions are figments of a cultural imagination.1 What is most telling about the way Anne is seen is not that there are so many opinions, but that throughout over 400 years of study, she remains an elusive character to pin down. -
The Northern Clergy and the Pilgrimage of Grace Keith Altazin Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2011 The northern clergy and the Pilgrimage of Grace Keith Altazin Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Altazin, Keith, "The northern clergy and the Pilgrimage of Grace" (2011). LSU Doctoral Dissertations. 543. https://digitalcommons.lsu.edu/gradschool_dissertations/543 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE NORTHERN CLERGY AND THE PILGRIMAGE OF GRACE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Keith Altazin B.S., Louisiana State University, 1978 M.A., Southeastern Louisiana University, 2003 August 2011 Acknowledgments The completion of this dissertation would have not been possible without the support, assistance, and encouragement of a number of people. First, I would like to thank the members of my doctoral committee who offered me great encouragement and support throughout the six years I spent in the graduate program. I would especially like thank Dr. Victor Stater for his support throughout my journey in the PhD program at LSU. From the moment I approached him with my ideas on the Pilgrimage of Grace, he has offered extremely helpful advice and constructive criticism. -
Anne of Cleves
Anne of Cleves Anne of Cleves was Henry VIII’s fourth wife and Queen of England for six months in 1540. Early Life Anne was born in 1515 in Düsseldorf in the Holy Roman Empire, in what is now Germany. She was the second daughter of John III, Duke of Cleves, and his wife, Maria. She had two sisters, Sibylle and Amalia, and a brother, William. While not very well educated, Anne was skilled at needlework and enjoyed playing card games. She could read and write but only in her native German. Marriage to Henry VIII After the death of Henry VIII’s third Despite this, Henry and Anne were wife in 1537, Henry’s advisors began married on 6th January 1540 at the asking him to consider marrying again. Palace of Placentia in London. His chief minister, Thomas Cromwell, The marriage was not a happy one suggested Henry consider marrying a from the start, with Henry saying to lady from Cleves, a growing power in Cromwell the day after their wedding, Europe. He suggested either Anne or ‘I liked her before not well, but now I her younger sister, Amalia. In order like her much worse.’ Despite Henry’s to persuade Henry, the artist Hans dislike of Anne, she always praised Holbein the Younger was sent to their him as a kind husband to those she home to paint portraits of both ladies. spoke with. Henry found Anne’s portrait to be pleasing and gave permission for a marriage contract to be drawn up. Henry first met Anne in person privately on New Year’s Day 1540 at Rochester Abbey. -
Anne Boleyn: Whore Or Martyr?
Muhareb 1 Anne Boleyn: Whore or Martyr? An Individual’s Religious Beliefs Shaping the Perception of the Queen of England By Samia Muhareb Senior Thesis in History California State Polytechnic University, Pomona 9 June 2010 Grade: Advisor: Dr. Amanda Podany Muhareb 2 One of the most famous and influential English queen’s who altered society both politically and religiously was Anne Boleyn. The influence Anne Boleyn had on English society in the sixteenth century was summed up by historian Charles Beem, “our biggest enemy is terrorism…theirs was the Reformation. You can't overestimate how traumatic the changes in the church would have been. You might get close if you imagined that Monica Lewinsky had been a radical Islamist and Bill Clinton married her and made everyone convert.”1 Anne Boleyn was not the typical English Rose;2 she had an intense tempting quality that greatly attracted King Henry VIII. She was said to possess a delicate and attractive appearance, a vivacious personality, and exotic features since she was not brought up in the English court but rather the French to serve Queen Claude of France. To Henry, Anne symbolized the sophistication and charm of the French court he so earnestly desired.3 Anne Boleyn was the second wife of Henry VIII after his divorce from Katherine, a divorce that would revolutionize England as the country broke free from the Catholic Church and established the Church of England. Before King Henry VIII married Katherine of Aragon, Katherine was wedded to his elder brother Arthur in 1501. A year after their marriage, Arthur died; but the cause of death remains unknown. -
Eleanor and the Angevin Empire
Eleanor and the Angevin Empire History Lesson 2 of an enquiry of 4 lessons Enquiry: What can the life of Eleanor of Aquitaine tell us about who held power in the Middle Ages? Ms Barnett Mr Arscott 1152 Eleanor’s marriage to King Louis VII of France ended in 1152. Once the couple had separated Eleanor returned to Aquitaine to rule as Duchess. Aged 28, Eleanor once again became a desired bride in Europe. She was single, young enough to have more children and in charge of a powerful and rich area of southern France. Eleanor was so desirable as a bride that two men tried to kidnap her on her journey from Paris to Aquitaine. Eleanor managed to avoid capture. Instead she focused on entering into marriage in a more traditional way. 8 weeks and 2 days after her separation from Louis, Eleanor married once again. Eleanor and Henry Eleanor’s second husband was 19 year old Henry. He was Duke of Normandy as well as the Count of Anjou and Maine. This marriage was controversial at the time. Firstly Henry was 9 years younger than Eleanor. Traditionally in the Middle Ages older men married younger women, not the other way round! Also, Eleanor’s second marriage happened only 8 weeks after her separation from King Louis. A chronicle from the time said that Eleanor and Henry married “without the pomp and ceremony that befitted their rank.” It wasn’t a big ceremony and didn’t reflect their wealth and importance. Why was this wedding arranged so quickly? Increased territories It is possible the wedding took place quickly because Henry was seen as a controversial choice. -
The Love Letters of Henry VIII to Anne Boleyn Sources of the Love That Changed England Forever
Corso di Laurea Magistrale in Scienze del Linguaggio [LM5-08] Tesi di Laurea The Love Letters of Henry VIII to Anne Boleyn Sources of the Love that changed England Forever Relatore Prof.ssa Marina Buzzoni Correlatore Prof. Marco Infurna Laureando Susi Bellinello Matricola 829025 Anno Accademico 2016 / 2017 Ai miei genitori: senza di loro tutto ciò non sarebbe stato possibile. A Denis, che continua ad essere il raggio di sole che in mezzo alla pioggia crea l’arcobaleno. A Valentina che, nonostante la distanza, mi è sempre stata vicina. A tutti quelli che non hanno mai creduto che questo giorno arrivasse. Questa è la mia vittoria. 2 CONTENTS INTRODUCTION ...................................................................................................................... 7 CHAPTER I: HENRY AND ANNE: THE MOST HAPPY LOVE STORY THAT CHANGED HISTORY ............................................................................................................................... 12 I.1 Anne Boleyn: the woman who bewitched the heart of Henry VIII .............................. 12 I.1.2 Return to the English Court .................................................................................... 14 I.2 1527 - 1528: The Love Letters and the Great Matter .................................................... 17 I.3 1529: Two Queens for a Throne ................................................................................... 21 I.4 1530: Ainsi Sera, Groigne qui Groigne ........................................................................ 23 I.5 -
Eleanor of Aquitaine and 12Th Century Anglo-Norman Literary Milieu
THE QUEEN OF TROUBADOURS GOES TO ENGLAND: ELEANOR OF AQUITAINE AND 12TH CENTURY ANGLO-NORMAN LITERARY MILIEU EUGENIO M. OLIVARES MERINO Universidad de Jaén The purpose of the present paper is to cast some light on the role played by Eleanor of Aquitaine in the development of Anglo-Norman literature at the time when she was Queen of England (1155-1204). Although her importance in the growth of courtly love literature in France has been sufficiently stated, little attention has been paid to her patronising activities in England. My contribution provides a new portrait of the Queen of Troubadours, also as a promoter of Anglo-Norman literature: many were the authors, both French and English, who might have written under her royal patronage during the second half of the 12th century. Starting with Rita Lejeune’s seminal work (1954) on the Queen’s literary role, I have gathered scattered information from different sources: approaches to Anglo-Norman literature, Eleanor’s biographies and studies in Arthurian Romance. Nevertheless, mine is not a mere systematization of available data, for both in the light of new discoveries and by contrasting existing information, I have enlarged agreed conclusions and proposed new topics for research and discussion. The year 2004 marked the 800th anniversary of Eleanor of Aquitaine’s death. An exhibition was held at the Abbey of Fontevraud (France), and a long list of books has been published (or re-edited) about the most famous queen of the Middle Ages during these last six years. 1 Starting with R. Lejeune’s seminal work (1954) on 1. -
Mickey Mayhew Phd Final2018.Pdf
‘Skewed intimacies and subcultural identities: Anne Boleyn and the expression of fealty in a social media forum’ Mickey Mayhew A Thesis submitted in fulfilment of the requirements for the degree of Doctor of Sociology at London South Bank University Supervisors: Doctor Shaminder Takhar (Director of Studies) and Doctor Jenny Owen Faculty of Arts and Human Sciences, Department of Social Sciences & Department of Media and Cultural Studies, London South Bank University 1 Abstract The aim of this research project was the investigation of a subculture surrounding the famous Tudor queen Anne Boleyn; what that possible subculture means for those involved, and if it constituted part of a new phenomenon of female orientated online subcultures; cybersubcultures. Through the analysis of film, TV, historical literature and fiction, the research illustrates how subcultures are perpetuated through generations cyclically. The research then documents the transition from the traditional or ‘classic’ subcultural model of the 60s to the 21st century cybersubculture and fandom, suggesting a new way of thinking about subcultures in a post-subcultural age. The research suggests that the positioning of Anne Boleyn as a feminist icon/role model, based mainly on a media-mediated image, has formed a subculture which thrives on disjointed imagery and discourse in order to form a subculture of peculiarly subtle resistance. This new cybersubculture reflects the ways in which women are now able to use social media to form communities and to communicate, sharing concerns over men and marriage, all whilst percolating around the media-mediated image of Anne Boleyn as their starting point. These interactions – and the similarities they shared with the ‘classic’ subcultural style - form the data for this research project. -
The Answers Are All Kings Or Queens of All Or Part of What Is Now England, Or Their Consorts
With two exceptions, 2 and 29 (who was a different kind of King), the answers are all Kings or Queens of all or part of what is now England, or their consorts. Some questions have more than one correct answer; a point for each. Some of the attributes are either fictional or mythical. The quiz raised £53.50 which all went to the Cafod Africa Appeal, as the prizes were donated anonymously. However, only six sets of answers were supplied. The number of entrants answering each question correctly is given in curly brackets{}. As several questions had multiple correct answers, tha maximumm possible score was 58. Scores were: Mason 47 Pat Markham 41 Marie Ziecker 40 Sue Invernizzi 37 Delia Bull 36 John Gulliver 17 (Without reference to books, Internet or others) 1. According to '1066 and all That', who succeeded King Richard II ? Henry IV, Part I No mark unless 'Part I' included {2} 2. How many Henrys were crowned King of England ? Nine. Henry II's son was crowned in his father's lifetime, but pre-deceased him.{3} 3. In Macbeth, there is a reference to King Edward of England; which Edward ? Edward the Confessor Macbeth, III, vi {5} 4. 'The Catte, the Ratte, and Lovell our dogge Rulyth all England under a Hog' Who was the Hog ? Richard III {5} 5. Which of Henry VIII's wives died during or immediately following childbirth ? Jane Seymour {6}, Catherine Parr {1}. Catherine Parr married Lord Thomas Seymour soon after Henry VIII's death 6. Which of Henry VIII's wives fell victim to the Tower axe ? Catherine Howard.