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The Enf Ield 'Poltergeist' This Morning's Revisit of the Classic Case Provokes Further Thoughts
The Enf ield 'Poltergeist' This Morning's revisit of the classic case provokes further thoughts AT THE BEGINNING OF FEBRUARY, I appeared on This Morning to talk highly resistant to disbelieving witnesses. Playfair himself wrote that"... about the Enfield 'poltergeist' with Guy Lyon Playfair (writer of This paranormal events only took place in the presence of people who House is Haunted) and Janet Winter. The producers were very pleased believed them to be possible"3 In fact, it's hard to avoid wondering that they had an appearance by the woman who had been the eleven- whether the agents of the peculiar occurrences at Enfield were simply year-old at the centre of the events in the late 70s, but were extremely refusing to play to tough crowds. concerned about her resilience and sought an assurance from me that In her piece, Ms. Barrington makes the point that "Janet has consis- I could keep it generalised and unconfrontational, which I was happy to tently resisted the fame and fortune that would certainly come her way do. When I met Janet in the Green Room, I have to say I found her if she were now to claim that she had faked all her phenomena." While extremely likeable and every bit as nervous as I had been warned. She true, that carries the implicit assumption that fame and fortune are the has previously been quite publicity-averse and, fair enough, most peo- objects of Janet's desire. Having been a witness to her demeanour at a ple would find going on the telly very nerve-wracking indeed. -
Between Static and Slime in Poltergeist
Page 3 The Fall of the House of Meaning: Between Static and Slime in Poltergeist Murray Leeder A good portion of the writing on Poltergeist (1982) has been devoted to trying to untangle the issues of its authorship. Though the film bears a directorial credit from Tobe Hooper, there has been a persistent claim that Steven Spielberg (credited as writer and producer) informally dismissed Hooper early in the process and directed the film himself. Dennis Giles says plainly, “Tobe Hooper is the director of record, but Poltergeist is clearly controlled by Steven Spielberg,” (1) though his only evidence is the motif of white light. The most concerted analysis of the film’s authorship has been by Warren Buckland, who does a staggeringly precise formal analysis of the film against two other Spielberg films and two other Hooper films, ultimately concluding that the official story bears out: Hooper directed the film, and Spielberg took over in postproduction. (2) Andrew M. Gordon, however, argues that Poltergeist deserves a place within Spielberg’s canon because so many of his trademarks are present, and because Spielberg himself has talked about it as a complementary piece for E .T.: The ExtraTerrestrial (1982). (3) A similar argument can be made on behalf of Hooper, however, with respect to certain narrative devices and even visual motifs like the perverse clown from The Funhouse (1981). Other scholars have envisioned the film as more of a contested space, caught between different authorial impulses. Tony Williams, for examples, speaks of Spielberg “oppressing any of the differences Tobe Hooper intended,” (4) which is pure speculation, though perhaps one could be forgiven to expect a different view of family life from the director of The Texas Chain Saw Massacre (1974) than that of E.T. -
Hellish Love: an Exhibition of Objects from the Swedenborg Collection
FROM THE SWEDENBORG COLLECTION Hellish Love: an exhibition of objects from the swedenborg collection STEPHANIE BROWN | LOUISE CAMU MOLLY COLDICOTT | GREER DALE-FOULKES | MENGYANG FAN GERTRUDE GIBBONS | LYDIA GRANGER | MALVINA JANASIK SARAH KHAN | WESLEY KNOWLER | CHENYUAN LIANG BINYAO LIU | YUZU ONO | SICILY SCARLET MAXIMILIAN SCHUCH | HARALD SMART | JOHN VAUGHAN 19-23 OCTOBER 2020 Swedenborg House | Free Admission The Swedenborg Society Swedenborg House 20-21 Bloomsbury Way London WC1A 2TH in association with the Royal College of Art School of Arts & Humanities, Writing MA programme 2019/20 2020 1 HELLISH LOVE: AN EXHIBITION OF OBJECTS 2 FROM THE SWEDENBORG COLLECTION Table of Contents Introduction Sally O’Reilly..........................................................................................5 FRAGMENT OF BARK 1 A Piece of Swedenborg’s Poplar Tree Bark Gertrude Gibbons...............................9 2 Ward and Ballast Wesley Knowler..........................................................................12 3 Found Harald Smart........................................................................................15 SPIRIT PHOTOS 4 A Little Imagination Louise Camu.........................................................................17 5 Spirit Cards Molly Coldicott.................................................................................20 6 Lady Divinity Sarah Roselle Khan........................................................................22 7 When the Veil is Lifted, No One Shall Giggle in Front of the Spirit -
LEASK-DISSERTATION-2020.Pdf (1.565Mb)
WRAITHS AND WHITE MEN: THE IMPACT OF PRIVILEGE ON PARANORMAL REALITY TELEVISION by ANTARES RUSSELL LEASK DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at The University of Texas at Arlington August, 2020 Arlington, Texas Supervising Committee: Timothy Morris, Supervising Professor Neill Matheson Timothy Richardson Copyright by Antares Russell Leask 2020 Leask iii ACKNOWLEDGEMENTS • I thank my Supervising Committee for being patient on this journey which took much more time than expected. • I thank Dr. Tim Morris, my Supervising Professor, for always answering my emails, no matter how many years apart, with kindness and understanding. I would also like to thank his demon kitten for providing the proper haunted atmosphere at my defense. • I thank Dr. Neill Matheson for the ghostly inspiration of his Gothic Literature class and for helping me return to the program. • I thank Dr. Tim Richardson for using his class to teach us how to write a conference proposal and deliver a conference paper – knowledge I have put to good use! • I thank my high school senior English teacher, Dr. Nancy Myers. It’s probably an urban legend of my own creating that you told us “when you have a Ph.D. in English you can talk to me,” but it has been a lifetime motivating force. • I thank Dr. Susan Hekman, who told me my talent was being able to use pop culture to explain philosophy. It continues to be my superpower. • I thank Rebecca Stone Gordon for the many motivating and inspiring conversations and collaborations. • I thank Tiffany A. -
The Third Secret of Fatima
Fatima Apparitional Experiences Dr James Paul Pandarakalam An apparition may provide evidence of the authenticity of its manifestation at a physical site by offering predictions that are to be fulfilled at a later date. One of the distinctive features of the events at Fatima in Portugal in 1917 is the fulfilment in our own time of the predictions made. Ever since the occurrence of these famous visionary experiences, among observers and believers there has been an exponential interest in the third secret. Voice phenomena observed during Marian apparitions such as those at Fatima have analogies with externally controlled recurrent spontaneous psychokinetic (RSPK) activity, and visionary experiences involving RSPK or RSPK-like activity may be instances of apparitions at a physical site. The voice extinction and sensory disconnection demonstrated in the Fatima percipients could be explained as psychokinetic-like activity on the part of the apparition. True apparitional experiences prove the existence of psi-like phenomena and discarnate survival. In general, paranormal phenomena involve non-physical, physical and social events. Only physical events are accessible to scientific study. Marian apparitional experiences may be subjected to scientific analysis, but Marian apparition is beyond the scientific realm. The Fatima apparitional events inform research into post-mortem existence and offer a complementary insight into our current knowledge of the discarnate realm. Marian apparitions may be regarded as an antidote to the afflictions of the present century. Introduction Several hundreds of apparitional experiences have been claimed to have occurred in the twentieth century. Marian apparitional experiences have been reported in nearly all the continents of the world in the later half of that century. -
Religion and the Paranormal Spring 2021 REL 3938 (Writing Rule 4) Prof
Religion and the Paranormal Spring 2021 REL 3938 (Writing Rule 4) Prof. Erin Prophet • [email protected] Class Time: MWF. 7 (1:55-2:45 p.m.) Class location: MAT 103 and online via Zoom Office Hours: Mon: 12:30 pm -1:30 pm; Wed: 12:30-1:30 pm. Fri. 12:30-1:30 p.m. Location: Anderson Hall 130 or online The supernatural seems to force us toward religion, while the paranormal merely forces us to say, “I don’t know.” —Steve Volk1 Pseudoscience speaks to powerful emotional needs that science often leaves unfulfilled….Pseudoscience is embraced, it might be argued, in exact proportion as real science is misunderstood…Religions are often the state-protected nurseries of pseudoscience. —Carl Sagan2 Psi, the paranormal, and the supernatural are fundamentally linked to destructuring, change, transition, disorder, marginality, the ephemeral, fluidity, ambiguity, and blurring of boundaries. —George P. Hansen3 1 Fringe-ology 2011, p. 4 2 The Demon-Haunted World 1996, pp. 14-15. 3 The Trickster and the Paranormal 2001, 22. Syllabus: Religion and the Paranormal 2 Prof. Erin Prophet Course Overview As many as three-quarters of Americans hold at least one paranormal belief. What does this tell us about the future of religion? We will examine the paranormal as an “other” category for both religion and science. Organized religion uses it to distinguish the miraculous from unsanctioned activities like witchcraft and the occult. Science frames itself as the opposite of superstition. And yet in a “disenchanted” world, it’s important to ask why we continue to be fascinated with the paranormal, as seen in the explosion of the topic in film (horror, superheroes), television, gaming and manga. -
“Haunted” Room by Manipulating Complex Electromagnetic Fields
The “Haunt” Project: An attempt to build a “haunted” room by manipulating complex electromagnetic fields and infrasound Christopher C. French1, Usman Haque2, Rosie Bunton-Stasyshyn1 & Rob Davis1 1Anomalistic Psychology Research Unit Department of Psychology Goldsmiths College 2Haque Design + Research Running title: The “Haunt” Project Corresponding author: Professor Christopher C. French, Anomalistic Psychology Research Unit, Department of Psychology, Goldsmiths College, University of London, New Cross, London SE14 6NW. Email: [email protected]. Tel: 020 7919 7882. Fax: 020 7919 7873. 1 Abstract: Recent research has suggested that a number of environmental factors may be associated with a tendency for susceptible individuals to report mildly anomalous sensations typically associated with “haunted” locations, including a sense of presence, feeling dizzy, inexplicable smells, and so on. Factors that may be associated with such sensations include fluctuations in the electromagnetic field and the presence of infrasound. A review of such work is presented, followed by the results of the “Haunt” project in which an attempt was made to construct an artificial “haunted” room by systematically varying such environmental factors. Participants (N = 79) were required to spend 50 minutes in a specially constructed chamber, within which they were exposed to infrasound, complex electromagnetic fields, both or neither. They were informed in advance that during this period they might experience anomalous sensations and asked to record on a floor-plan their location at the time occurrence of any such sensations, along with a note of the time of occurrence and a brief description of the sensation. Upon completing the session in the experimental chamber, they were asked to complete three questionnaires. -
Cia-Rdp96-00792R0007
.', • AP~o~~~~~~~~Pr1tW~~e~£I~;B.I~U~~~1oi2ROQQ~~ phenomena occurred. I a religious environment. POLTERGEIST IN BRAZTI. AND ARGENTINA • 'i'he third case developed in 1918 at a small village of COVllnCO J.~(Neuquen Ice)in a very poor home where L.B.a boy aged 12,lived with his grand:parents.He Prof. Lic. NOVlLLO PA!J1I, ENRIQUE .ver met his father and his mother had left him there lI'hen he _s very little. umstances were as usual:pieces of furniture moving by thelllBelves,mattresses INSTITUTE FOR PARAPSYCHOLOGY CATH.UNTV.OF C ankets falling, stones thro>m by nOb~,hand.1ulS.Of soil hitting them on the~ These events aroused fears in the faml.ly and nel.ghbours.The Priest of the re CORDOBA, ARGENTDrA ~Santiago Sarriegui,and the Psychologist Alberto Arias,calmed. them down and. the ' na disappeared. There were no hallucinations of any kind like seeing demons Fits or dead people. ~ The cases presented blf some investigators in Tokyo sholl' almost identical ph~ Abstraot I Various streams of interpretation of the poltergeist are analysed~,1but they are given a different interpretation. This interpretation reveals the holl' the pressure exerted by the environment can lead to vicious conclusions 1ian atmosphere,fear of magic,witchcraft,occult powers.Offerings to the devil ing evidence. b observed in public places on Fri~ night;there are thousands of Umbanda. 0B!! In the First Part I will present three cases of poltergeist u. Argentina.:t, meetings(Brazilian spiritism,a mixture of primitive african religions,~l:ri.! which I was asked to intervene.In the Second Part I will analyse the cases spiritism-superstitions).There are stalls displaying ooloured oandles,rl.bbns ted in the Third International Congress on Psychotronic Research,held in To es,soils,waters and so forth,at every body's hand.These objects are supposed effective to dominate the forces of nature and spirits.Once they have been d~ 1 0 The three cases in Argentina developed in environments sooially and eeL: their power can be used at will in rituals which are believed to be and ac cally different. -
Failure to Replicate Electronic Voice Phenomenon Imants Barušs King's University College, [email protected]
Western University Scholarship@Western Psychology Psychology 2001 Failure to Replicate Electronic Voice Phenomenon Imants Barušs King's University College, [email protected] Follow this and additional works at: https://ir.lib.uwo.ca/kingspsychologypub Part of the Psychology Commons Citation of this paper: Barušs, Imants, "Failure to Replicate Electronic Voice Phenomenon" (2001). Psychology. 22. https://ir.lib.uwo.ca/kingspsychologypub/22 Journal of Scientific Exploration, Vol. 15, No. 3, pp. 355–367, 2001 0892-3310/01 ©2001 Society for Scientific Exploration Failure to Replicate Electronic Voice Phenomenon IMANTS BARUSSÆ Department of Psychology King’s College, University of Western Ontario, London, Ontario, Canada N6A 2M3 Abstract—Electronic voice phenomenon (EVP) refers to the purported man- ifestation of voices of the dead and other discarnate entities through electron- ic means. This has typically involved tuning radios between stations and recording the output on audiotape, although more recently anomalous voices, visual images and text have purportedly been found using telephones, televi- sion sets and computers in a phenomenon known as instrumental transcom- munication. Given the lack of documentation of EVP in mainstream scientif- ic journals, a review of its history is given based on English language information found in psychical research and parapsychology periodicals and various trade publications and newsletters. An effort was made to replicate EVP by having research assistants simulate interaction with discarnate enti- ties while taping the output from two radios tuned between stations onto audio cassettes. There were 81 sessions with an average of approximately 45 minutes per session for a total of about 60 hours and 11 minutes of recording. -
11 the Substantiality of Spontaneous Cases1
11 The Substantiality of Spontaneous Cases1 IAN STEVENSON INTRODUCTION IN CONSIDERING A topic for this Presidential Address I was sorely tempted to discuss what might be called the political situation of parapsychology in relation to the field of science as a whole. Yet I have set aside this inclination because I believe that our political difficulties result from the general scientific immaturity of our field-yes, one can still say this after ninety years-and they will be removed or at least diminish only after further advances in our scientific work. I decided therefore to talk with you about my favorite topic within parapsychology, which is also the subject about which I can claim to know most from personal experience, the study of spontaneous cases. Other authors have already said so much 1 Presidential Address, Eleventh Annual Convention of the Para psychological Association, Freiburg/Breisgau, West Germany, September 5-7, 1968. Thanks are due to the Parapsychology Foundation, Eileen J. Garrett, President, for grants in support of my investigations in parapsychology. I am also grateful to Dr. J. G. Pratt, Dr. Rex Stanford, and Mrs. Laura A. Dale for their careful reading of this article and helpful suggestions for its improvement. The Substantiality ef Spontaneous Cases 93 92 Proceedings-Parapsychological Association e a a he e a s a s on this subject (3, 5, 9,. 26, 35, 38, 40, 49, 52, 64, 65) that I xpl nation. In m ny of t more evid nti l3 pont neou es a he a ch ce a r as a am not confident of bemg able to say anything new. -
Ghost Club the New Kid
GHOST CLUB THE NEW KID DEBORAH ABELA A novel for independent readers (ages 8–11) TEACHING SUPPORT KIT by Deborah Abela www.deborahabela.com GHOST CLUB Teaching Support Kit CONTENTS 1. Plot summary 2. Historical background 3. About the author 4. Pre-reading discussion: the book’s cover 5. Characters 6. Activities Black-line masters Readers' theatre Ghost Club quiz Storyboard for a Ghost Club book trailer Book report These notes may be reproduced free of charge for use and study within schools but they may not be reproduced (either in whole or in part) and offered for commercial sale. Visit www.randomhouse.com.au/teachers for information on other Random House Australia teaching support kits and reading guides. Copyright © Deborah Abela 2012 www.deborahabela.com TEACHING SUPPORT KIT Ghost Club 2 1. PLOT SUMMARY Ghost Club is about the oldest paranormal investigation organisation in the world and two of its youngest members are eleven-year-old Angeline and Edgar Usher. After atomising a pesky ghost doing his best to destroy a luxury mansion, Angeline, Edgar and their family attend a Ghost Club meeting. It’s here the Grandmaster introduces a new member, Dylan Fleischmann, also a kid, and announces that Angeline and Edgar are to teach him everything they know about ghost-catching. During a tour of the Ghost Club headquarters, they visit the Depository, where the archives and museum are kept, and the Spectorium, which houses the ghost-catching equipment. It is during this visit that they are called to a haunted castle. Castle Koszmar is famous for ghost tours and sightings, but the owner, Mr Griswold, admits they’ve all been a fake – only now, the castle is haunted by a real ghost. -
The Ashgate Research Companion to Paranormal Cultures the Ghost In
This article was downloaded by: 10.3.98.104 On: 26 Sep 2021 Access details: subscription number Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: 5 Howick Place, London SW1P 1WG, UK The Ashgate Research Companion to Paranormal Cultures Olu Jenzen, Sally R. Munt The Ghost in the Machine: Spirit and Technology Publication details https://www.routledgehandbooks.com/doi/10.4324/9781315613383.ch2 John Harvey Published online on: 28 Nov 2013 How to cite :- John Harvey. 28 Nov 2013, The Ghost in the Machine: Spirit and Technology from: The Ashgate Research Companion to Paranormal Cultures Routledge Accessed on: 26 Sep 2021 https://www.routledgehandbooks.com/doi/10.4324/9781315613383.ch2 PLEASE SCROLL DOWN FOR DOCUMENT Full terms and conditions of use: https://www.routledgehandbooks.com/legal-notices/terms This Document PDF may be used for research, teaching and private study purposes. Any substantial or systematic reproductions, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The publisher shall not be liable for an loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. 2 The Ghost in the Machine: Spirit and Technology John Harvey At Hampton Court Palace, London, in 2003, several days before Christmas, security guards noticed that the fire doors of an exhibition area kept moving, apparently unaided.