Religion and the Paranormal Spring 2021 REL 3938 (Writing Rule 4) Prof
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Urban Myths Mythical Cryptids
Ziptales Advanced Library Worksheet 2 Urban Myths Mythical Cryptids ‘What is a myth? It is a story that pretends to be real, but is in fact unbelievable. Like many urban myths it has been passed around (usually by word of mouth), acquiring variations and embellishments as it goes. It is a close cousin of the tall tale. There are mythical stories about almost any aspect of life’. What do we get when urban myths meet the animal kingdom? We find a branch of pseudoscience called cryptozoology. Cryptozoology refers to the study of and search for creatures whose existence has not been proven. These creatures (or crytpids as they are known) appear in myths and legends or alleged sightings. Some examples include: sea serpents, phantom cats, unicorns, bunyips, giant anacondas, yowies and thunderbirds. Some have even been given actual names you may have heard of – do Yeti, Owlman, Mothman, Cyclops, Bigfoot and the Loch Ness Monster sound familiar? Task 1: Choose one of the cryptids from the list above (or perhaps one that you may already know of) and write an informative text identifying the following aspects of this mythical creature: ◊ Description ◊ Features ◊ Location ◊ First Sighting ◊ Subsequent Sightings ◊ Interesting Facts (e.g. how is it used in popular culture? Has it been featured in written or visual texts?) Task 2: Cryptozoologists claim there have been cases where species now accepted by the scientific community were initially considered urban myths. Can you locate any examples of creatures whose existence has now been proven but formerly thought to be cryptids? Extension Activities: • Cryptozoology is called a ‘pseudoscience’ because it relies solely on anecdotes and reported sightings rather than actual evidence. -
The Enf Ield 'Poltergeist' This Morning's Revisit of the Classic Case Provokes Further Thoughts
The Enf ield 'Poltergeist' This Morning's revisit of the classic case provokes further thoughts AT THE BEGINNING OF FEBRUARY, I appeared on This Morning to talk highly resistant to disbelieving witnesses. Playfair himself wrote that"... about the Enfield 'poltergeist' with Guy Lyon Playfair (writer of This paranormal events only took place in the presence of people who House is Haunted) and Janet Winter. The producers were very pleased believed them to be possible"3 In fact, it's hard to avoid wondering that they had an appearance by the woman who had been the eleven- whether the agents of the peculiar occurrences at Enfield were simply year-old at the centre of the events in the late 70s, but were extremely refusing to play to tough crowds. concerned about her resilience and sought an assurance from me that In her piece, Ms. Barrington makes the point that "Janet has consis- I could keep it generalised and unconfrontational, which I was happy to tently resisted the fame and fortune that would certainly come her way do. When I met Janet in the Green Room, I have to say I found her if she were now to claim that she had faked all her phenomena." While extremely likeable and every bit as nervous as I had been warned. She true, that carries the implicit assumption that fame and fortune are the has previously been quite publicity-averse and, fair enough, most peo- objects of Janet's desire. Having been a witness to her demeanour at a ple would find going on the telly very nerve-wracking indeed. -
Between Static and Slime in Poltergeist
Page 3 The Fall of the House of Meaning: Between Static and Slime in Poltergeist Murray Leeder A good portion of the writing on Poltergeist (1982) has been devoted to trying to untangle the issues of its authorship. Though the film bears a directorial credit from Tobe Hooper, there has been a persistent claim that Steven Spielberg (credited as writer and producer) informally dismissed Hooper early in the process and directed the film himself. Dennis Giles says plainly, “Tobe Hooper is the director of record, but Poltergeist is clearly controlled by Steven Spielberg,” (1) though his only evidence is the motif of white light. The most concerted analysis of the film’s authorship has been by Warren Buckland, who does a staggeringly precise formal analysis of the film against two other Spielberg films and two other Hooper films, ultimately concluding that the official story bears out: Hooper directed the film, and Spielberg took over in postproduction. (2) Andrew M. Gordon, however, argues that Poltergeist deserves a place within Spielberg’s canon because so many of his trademarks are present, and because Spielberg himself has talked about it as a complementary piece for E .T.: The ExtraTerrestrial (1982). (3) A similar argument can be made on behalf of Hooper, however, with respect to certain narrative devices and even visual motifs like the perverse clown from The Funhouse (1981). Other scholars have envisioned the film as more of a contested space, caught between different authorial impulses. Tony Williams, for examples, speaks of Spielberg “oppressing any of the differences Tobe Hooper intended,” (4) which is pure speculation, though perhaps one could be forgiven to expect a different view of family life from the director of The Texas Chain Saw Massacre (1974) than that of E.T. -
Reptilians Are a Race of Lizard People of Unknown Origin
[title page, cover goes here] CREDITS Special thanks to Brian Williamson for being a great conversation partner and friend. Without you, this game would not be nearly as good. Concept, Design, and Writing: Stirling Joyner Editing: Caroline Harbour and Morgan Rawlinson Layout: John Fischer Aesthetic Advice: Morgan Rawlinson Cover Art: Stirling Joyner & Morgan Rawlinson Playtesting: Josie Joyner, Darcy Joyner, Brian Williamson, Garrett Gaunch, Elizabeth Williamson, Jeff Seitz, Dan Schaeffer Third-Party Images Used in Cover: Public Domain: Five dollar bill, Crop circles (Jabberocky), UFO CC BY-SA 3.0: Lizard (Ksenija Putilin) Fair Use: Newspaper clippings (Chicago Tribune), Warning lable, Reptilian secret service agent (YouTuber Reptillian Resistance), Google Earth image of Area 51 (DigitalGlobe, Google) CC BY 4.0: CC BY-SA button License: This roleplaying game and its cover art are licensed under the Creative Commons Attribution- ShareAlike 4.0 International License. To view a copy of this license, visit: creativecommons.org/licenses/by-sa/4.0/ Under this license, you are free to copy, share, and remix all the content in this book for any purpose, even commercially. Under the following conditions: 1. You attribute Stirling Joyner. 2. You license any derivative works under the same license. Support Me: I released this game for free. If you like it and want to help me make more, please become a supporter on Patreon or send me a donation on PayPal. You can also pay what you want for this game on DriveThruRPG. • Patreon Link: patreon.com/sjrpgdesign • PayPal Link: paypal.me/sjrpgdesign • DriveThruRPG Link: drivethrurpg.com/browse.php?keywords=stirling+joyner Thank you Dan Shauer (DrLeaf), Johnathan & Jenn Madera, Austin Farrow, and Keller Scholl for supporting me on Patreon already! 1 I stumbled out of the crashed alien spacecraft and toward the secret government bunker that housed the real Statue of Liberty. -
Hellish Love: an Exhibition of Objects from the Swedenborg Collection
FROM THE SWEDENBORG COLLECTION Hellish Love: an exhibition of objects from the swedenborg collection STEPHANIE BROWN | LOUISE CAMU MOLLY COLDICOTT | GREER DALE-FOULKES | MENGYANG FAN GERTRUDE GIBBONS | LYDIA GRANGER | MALVINA JANASIK SARAH KHAN | WESLEY KNOWLER | CHENYUAN LIANG BINYAO LIU | YUZU ONO | SICILY SCARLET MAXIMILIAN SCHUCH | HARALD SMART | JOHN VAUGHAN 19-23 OCTOBER 2020 Swedenborg House | Free Admission The Swedenborg Society Swedenborg House 20-21 Bloomsbury Way London WC1A 2TH in association with the Royal College of Art School of Arts & Humanities, Writing MA programme 2019/20 2020 1 HELLISH LOVE: AN EXHIBITION OF OBJECTS 2 FROM THE SWEDENBORG COLLECTION Table of Contents Introduction Sally O’Reilly..........................................................................................5 FRAGMENT OF BARK 1 A Piece of Swedenborg’s Poplar Tree Bark Gertrude Gibbons...............................9 2 Ward and Ballast Wesley Knowler..........................................................................12 3 Found Harald Smart........................................................................................15 SPIRIT PHOTOS 4 A Little Imagination Louise Camu.........................................................................17 5 Spirit Cards Molly Coldicott.................................................................................20 6 Lady Divinity Sarah Roselle Khan........................................................................22 7 When the Veil is Lifted, No One Shall Giggle in Front of the Spirit -
A Field Guide to Critical Thinking
A Field Guide to Critical Thinking Get back issues, subscriptions, and merchandise at the CSI store. Feature James Lett Volume 14.4, Fall 1990 CSI is not responsible for the content of these advertisements CSI is not responsible for the content of these advertisements There are many reasons for the popularity of paranormal beliefs in the United States today, including: 1. the irresponsibility of the mass media, who exploit the public taste for nonsense, 2. the irrationality of the American world-view, which supports such unsupportable claims as life after death and the efficacy of the polygraph, and 3. the ineffectiveness of public education, which generally fails to teach students the essential skills of critical thinking. As a college professor, I am especially concerned with this third problem. Most of the freshman and sophomore students in my classes simply do not know how to draw reasonable conclusions from the evidence. At most, they've been taught in high school what to think; few of them know how to think. In an attempt to remedy this problem at my college, I've developed an elective course called “Anthropology and the Paranormal.” The course examines the complete range of paranormal beliefs in contemporary American culture, from precognition and psychokinesis to channeling and cryptozoology and everything between and beyond, including astrology, UFOs, and creationism. I teach the students very little about anthropological theories and even less about anthropological terminology. Instead, I try to communicate the essence of the anthropological perspective, by teaching them, indirectly, what the scientific method is all about. I do so by teaching them how to evaluate evidence. -
LEASK-DISSERTATION-2020.Pdf (1.565Mb)
WRAITHS AND WHITE MEN: THE IMPACT OF PRIVILEGE ON PARANORMAL REALITY TELEVISION by ANTARES RUSSELL LEASK DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at The University of Texas at Arlington August, 2020 Arlington, Texas Supervising Committee: Timothy Morris, Supervising Professor Neill Matheson Timothy Richardson Copyright by Antares Russell Leask 2020 Leask iii ACKNOWLEDGEMENTS • I thank my Supervising Committee for being patient on this journey which took much more time than expected. • I thank Dr. Tim Morris, my Supervising Professor, for always answering my emails, no matter how many years apart, with kindness and understanding. I would also like to thank his demon kitten for providing the proper haunted atmosphere at my defense. • I thank Dr. Neill Matheson for the ghostly inspiration of his Gothic Literature class and for helping me return to the program. • I thank Dr. Tim Richardson for using his class to teach us how to write a conference proposal and deliver a conference paper – knowledge I have put to good use! • I thank my high school senior English teacher, Dr. Nancy Myers. It’s probably an urban legend of my own creating that you told us “when you have a Ph.D. in English you can talk to me,” but it has been a lifetime motivating force. • I thank Dr. Susan Hekman, who told me my talent was being able to use pop culture to explain philosophy. It continues to be my superpower. • I thank Rebecca Stone Gordon for the many motivating and inspiring conversations and collaborations. • I thank Tiffany A. -
Monster Hunters Gather at Salt Fork State Park for Creature Weekend Conference
NEWS RELEASE FOR IMMEDIATE RELEASE 627 Wheeling Ave | Cambridge, OH 800‐933‐5480 | www.VisitGuernseyCounty.com CONTACT: Debbie Robinson ____________________________________________________________________________ MONSTER HUNTERS GATHER AT SALT FORK STATE PARK FOR CREATURE WEEKEND CONFERENCE The 6th annual Creature Weekend Conference being held at Salt Fork Lodge is scheduled for October 21, 2017 from 9:00AM to 6:30PM and features Adam Davies, Todd Neiss, Scott Mardis, Tom Sewid and Jeff Wamsley. Presentations will include discussions about Bigfoot, Lake Monsters, Mothman and other monsters mentioned in the tribal legends of the Pacific Northwest. The event also hosts Arts and Crafts vendors. Tickets are available at the door. Adults $30/Children 12 and under $10. Cambridge, Ohio, 10/18/2017: Creature Weekend is proud to announce that it will be holding its 2017 Cryptozoology Conference at Salt Fork State Park in Ohio on October 21, 2017 From 9:00AM to 10:00PM. This year’s speakers include Internationally reknown Adam Davies whose adventures can be seen on the show, “Finding Bigfoot : The Sumatra Expedition” and several episodes of “MonsterQuest”. He will be joined by longtime Bigfoot Researcher, Todd Neiss, Lake Monster expert Scott Mardis, Mothman Historian Jeff Wamsley and First Nations Bigfoot Researcher, Tom Sewid. Adam Davies will be talking about his two expeditions to Nepal in search of the Yeti, and will include insights into the T.V. programs he made there, History Channels' Abominable Snowman, and Josh Gates' Expedition Unknown on the Travel Channel. He will then move onto his current Bigfoot research in the U.S. Todd Neiss will be doing a presentation on his recent expedition into the Sasquatch Islands of the Broughton Archipelago in British Columbia. -
The Third Secret of Fatima
Fatima Apparitional Experiences Dr James Paul Pandarakalam An apparition may provide evidence of the authenticity of its manifestation at a physical site by offering predictions that are to be fulfilled at a later date. One of the distinctive features of the events at Fatima in Portugal in 1917 is the fulfilment in our own time of the predictions made. Ever since the occurrence of these famous visionary experiences, among observers and believers there has been an exponential interest in the third secret. Voice phenomena observed during Marian apparitions such as those at Fatima have analogies with externally controlled recurrent spontaneous psychokinetic (RSPK) activity, and visionary experiences involving RSPK or RSPK-like activity may be instances of apparitions at a physical site. The voice extinction and sensory disconnection demonstrated in the Fatima percipients could be explained as psychokinetic-like activity on the part of the apparition. True apparitional experiences prove the existence of psi-like phenomena and discarnate survival. In general, paranormal phenomena involve non-physical, physical and social events. Only physical events are accessible to scientific study. Marian apparitional experiences may be subjected to scientific analysis, but Marian apparition is beyond the scientific realm. The Fatima apparitional events inform research into post-mortem existence and offer a complementary insight into our current knowledge of the discarnate realm. Marian apparitions may be regarded as an antidote to the afflictions of the present century. Introduction Several hundreds of apparitional experiences have been claimed to have occurred in the twentieth century. Marian apparitional experiences have been reported in nearly all the continents of the world in the later half of that century. -
Guide to the Mandeville Collection in the Occult Sciences
GUIDE TO THE MANDEVILLE COLLECTION IN THE OCCULT SCIENCES in the Social Sciences, Health, and Education Library University of Illinois at Urbana-Champaign http://www.library.illinois.edu/sshel/specialcollections/mandeville/mandgui.html TABLE OF CONENTS About the Collection ............................................................................................................ 1 Location of Materials ........................................................................................................... 2 Call Numbers ...................................................................................................................... 2 Astrology ............................................................................................................................. 3 Cereology ............................................................................................................................ 4 Cryptogeography ................................................................................................................. 5 Cryptozoology ..................................................................................................................... 5 Divination ............................................................................................................................ 6 Dreams ................................................................................................................................ 7 Esoteric Religion and Mysticism ........................................................................................ -
N: a Sea Monster of a Research Project
Utah State University DigitalCommons@USU Undergraduate Honors Capstone Projects Honors Program 5-2019 N: A Sea Monster of a Research Project Adrian Jay Thomson Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/honors Part of the English Language and Literature Commons Recommended Citation Thomson, Adrian Jay, "N: A Sea Monster of a Research Project" (2019). Undergraduate Honors Capstone Projects. 424. https://digitalcommons.usu.edu/honors/424 This Thesis is brought to you for free and open access by the Honors Program at DigitalCommons@USU. It has been accepted for inclusion in Undergraduate Honors Capstone Projects by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. N: A SEA MONSTER OF A RESEARCH PROJECT by Adrian Jay Thomson Capstone submitted in partial fulfillment of the requirements for graduation with UNIVERSITY HONORS with a major in English- Creative Writing in the Department of English Approved: UTAH STATE UNIVERSITY Logan, UT SPRING2019 Abstract Ever since time and the world began, dwarves have always fought cranes. Ever since ships set out on the northern sea, great sea monsters have risen to prey upon them. Such are the basics of life in medieval and Renaissance Scandinavia , Iceland, Scotland and Greenland, as detailed by Olaus Magnus' Description of the Northern Peoples (1555) , its sea monster -heavy map , the Carta Marina (1539), and Abraham Ortelius' later map of Iceland, Islandia (1590). I first learned of Olaus and Ortelius in the summer of 2013 , and while drawing my own version of their sea monster maps a thought hit me: write a book series , with teenage characters similar to those in How to Train Your Dragon , but set it amongst the lands described by Olaus , in a frozen world badgered by the sea monsters of Ortelius. -
Science and Pseudo-Science Class Survey Form
Science and Pseudo-Science Survey (anonymous)- please do not sign your name Chem 199, Fall/2004 True Probably Probably Not True Not True True Acupuncture (Chi energy manipulation) Alligators in New York City sewers Alien abductions Astrology (personality prediction by birth date) Bad luck (black cats, broken mirrors, etc) Bermuda triangle effects Biorhythms (predictable personality cycles) Body memories (memory without the brain) Body-typing and personality Chiropractic Cryptozoology (e.g., Loch Ness, Big Foot) Crystal ball and tarot card reading Clairvoyance (prediction of the future) Demon possession Déjà vu experiences of another life Dowsing (for water, gold, etc.) ESP in animals ESP in twins Faith healing Fire walking (requires special mental state) Glossolalia (speaking in tongues) Ghosts, spirits, demons Graphology (handwriting analysis) Healing power of religious icons Homeopathy Hypnosis, Mesmerism Iridology (personality from eye colors, etc) Intelligent design/creation science/ Raelianism Kirlian auras Lie detector tests (Polygraph) Lourdes, etc (Religious Miracles) Mind reading/telepathy Mental imagery for improving sports performance Near-death experiences (NDEs) New Age therapies - crystals, orgone boxes, etc. Numerology / Kabalarian name analysis Out of body experiences Placebo effects Psychokinesis (movement by mental power) Pyramid power, healing powers, construction by aliens Reincarnation, existence of past lives Quantum basis for consciousness Recovered memories, hypnotic regression therapy Palm-reading, and tea leaves Poltergeists Repressed memory syndrome (hypnotic regression) Therapeutic touch Time travel Trancendental Meditation feats – floating on air UFO sightings as alien spacecraft Vampires, zombies Voodoo death, curses Witchcraft, spells, talking to the dead/spirits Yogi feats –stopping the heart, survive being buried alive.