11 the Substantiality of Spontaneous Cases1
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What They Don╎t Want You to Know About Planet X: Surviving 2012
University of Rhode Island DigitalCommons@URI Communication Studies Faculty Publications Communication Studies 7-25-2014 What They Don’t Want You to Know About Planet X: Surviving 2012 and the Aesthetics of Conspiracy Rhetoric Ian Reyes University of Rhode Island, [email protected] Jason K. Smith Follow this and additional works at: https://digitalcommons.uri.edu/com_facpubs The University of Rhode Island Faculty have made this article openly available. Please let us know how Open Access to this research benefits you. This is a pre-publication author manuscript of the final, published article. Terms of Use This article is made available under the terms and conditions applicable towards Open Access Policy Articles, as set forth in our Terms of Use. Citation/Publisher Attribution Reyes, Ian and Jason K. Smith. "What They Don't Want You to Know About Planet X: Surviving 2012 and the Aesthetics of Conspiracy Rhetoric." Communication Quarterly, vol. 62, no. 4, 2014, pp. 399-415. http://dx.doi.org/10.1080/01463373.2014.922483. Available: http://dx.doi.org/10.1080/01463373.2014.922483 This Article is brought to you for free and open access by the Communication Studies at DigitalCommons@URI. It has been accepted for inclusion in Communication Studies Faculty Publications by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. “What They Don’t Want You to Know About Planet X: Surviving 2012 and the Aesthetics of Conspiracy Rhetoric” Ian Reyes Department of Communication Studies Harrington School of Communication and Media University of Rhode Island Davis Hall Kingston, RI 02881 [email protected] Jason K. -
The Enf Ield 'Poltergeist' This Morning's Revisit of the Classic Case Provokes Further Thoughts
The Enf ield 'Poltergeist' This Morning's revisit of the classic case provokes further thoughts AT THE BEGINNING OF FEBRUARY, I appeared on This Morning to talk highly resistant to disbelieving witnesses. Playfair himself wrote that"... about the Enfield 'poltergeist' with Guy Lyon Playfair (writer of This paranormal events only took place in the presence of people who House is Haunted) and Janet Winter. The producers were very pleased believed them to be possible"3 In fact, it's hard to avoid wondering that they had an appearance by the woman who had been the eleven- whether the agents of the peculiar occurrences at Enfield were simply year-old at the centre of the events in the late 70s, but were extremely refusing to play to tough crowds. concerned about her resilience and sought an assurance from me that In her piece, Ms. Barrington makes the point that "Janet has consis- I could keep it generalised and unconfrontational, which I was happy to tently resisted the fame and fortune that would certainly come her way do. When I met Janet in the Green Room, I have to say I found her if she were now to claim that she had faked all her phenomena." While extremely likeable and every bit as nervous as I had been warned. She true, that carries the implicit assumption that fame and fortune are the has previously been quite publicity-averse and, fair enough, most peo- objects of Janet's desire. Having been a witness to her demeanour at a ple would find going on the telly very nerve-wracking indeed. -
Paranormal Beliefs: Using Survey Trends from the USA to Suggest a New Area of Research in Asia
Asian Journal for Public Opinion Research - ISSN 2288-6168 (Online) 279 Vol. 2 No.4 August 2015: 279-306 http://dx.doi.org/10.15206/ajpor.2015.2.4.279 Paranormal Beliefs: Using Survey Trends from the USA to Suggest a New Area of Research in Asia Jibum Kim1 Sungkyunkwan University, Republic of Korea Cory Wang Nick Nuñez NORC at the University of Chicago, USA Sori Kim Sungkyunkwan University, Republic of Korea Tom W. Smith NORC at the University of Chicago, USA Neha Sahgal Pew Research Center, USA Abstract Americans continue to have beliefs in the paranormal, for example in UFOs, ghosts, haunted houses, and clairvoyance. Yet, to date there has not been a systematic gathering of data on popular beliefs about the paranormal, and the question of whether or not there is a convincing trend in beliefs about the paranormal remains to be explored. Public opinion polling on paranormal beliefs shows that these beliefs have remained stable over time, and in some cases have in fact increased. Beliefs in ghosts (25% in 1990 to 32% in 2005) and haunted houses (29% in 1990, 37% in 2001) have all increased while beliefs in clairvoyance (26% in 1990 and 2005) and astrology as scientific (31% in 2006, 32% in 2014) have remained stable. Belief in UFOs (50%) is highest among all paranormal beliefs. Our findings show that people continue to hold beliefs about the paranormal despite their lack of grounding in science or religion. Key Words: Paranormal beliefs, ghosts, astrology, UFOs, clairvoyance 1 All correspondence concerning this article should be addressed to Jibum Kim at Department of Sociology, Sungkyunkwan University, 25-2 Sungkyunkwan-ro, Jongno-gu, Seoul, 110-745, Republic of Korea or by email at [email protected]. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
Between Static and Slime in Poltergeist
Page 3 The Fall of the House of Meaning: Between Static and Slime in Poltergeist Murray Leeder A good portion of the writing on Poltergeist (1982) has been devoted to trying to untangle the issues of its authorship. Though the film bears a directorial credit from Tobe Hooper, there has been a persistent claim that Steven Spielberg (credited as writer and producer) informally dismissed Hooper early in the process and directed the film himself. Dennis Giles says plainly, “Tobe Hooper is the director of record, but Poltergeist is clearly controlled by Steven Spielberg,” (1) though his only evidence is the motif of white light. The most concerted analysis of the film’s authorship has been by Warren Buckland, who does a staggeringly precise formal analysis of the film against two other Spielberg films and two other Hooper films, ultimately concluding that the official story bears out: Hooper directed the film, and Spielberg took over in postproduction. (2) Andrew M. Gordon, however, argues that Poltergeist deserves a place within Spielberg’s canon because so many of his trademarks are present, and because Spielberg himself has talked about it as a complementary piece for E .T.: The ExtraTerrestrial (1982). (3) A similar argument can be made on behalf of Hooper, however, with respect to certain narrative devices and even visual motifs like the perverse clown from The Funhouse (1981). Other scholars have envisioned the film as more of a contested space, caught between different authorial impulses. Tony Williams, for examples, speaks of Spielberg “oppressing any of the differences Tobe Hooper intended,” (4) which is pure speculation, though perhaps one could be forgiven to expect a different view of family life from the director of The Texas Chain Saw Massacre (1974) than that of E.T. -
Poltergeist Ii
POLTERGEIST II: THE OTHER SIDE Diane Freling’s mother, Grandma Jess (played material from the first film, but mostly compos - “THEY’RE BACK …” by the wonderful Geraldine Fitzgerald). All is ing new material. In 1982, Steven Spielberg gave the movie peaceful and calm – but obviously not for long. world a one-two punch – Poltergeist , which he There is a shaman (Will Sampson) who knows Goldsmith uses his usual orchestral forces co-wrote and produced, and a little movie bad things are coming, and a dead, rather in - with some electronics and choir mixed in to called E.T. , which he directed. Both films had sane preacher named Kane (Julian Beck), good effect. The “Carol Anne” theme occurs approximately the same budget, about $10.5 who is determined to get Carol Anne and every now and then and is, of course, one of million, which was low compared to the then- wreak havoc. The rest, as they say, is the tale the most memorable and beautiful themes he average film budget. Just sticking with Spiel - and in case there are those who haven’t seen ever wrote. The music for Poltergeist II: The berg, his recent films of that era had cost $19 it, the tale shall not be told here. Other Side is ethereal, majestic, suspenseful, million (Close Encounters of the Third Kind) , heart pounding, and tender. It is also its own $32 million (1941) and $18 million (Raiders of But the film was beset with a major problem distinct thing – it’s not Poltergeist because the the Lost Ark) . -
Tracking the Research Trope in Supernatural Horror Film Franchises
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2020 Legend Has It: Tracking the Research Trope in Supernatural Horror Film Franchises Deirdre M. Flood The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3574 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] LEGEND HAS IT: TRACKING THE RESEARCH TROPE IN SUPERNATURAL HORROR FILM FRANCHISES by DEIRDRE FLOOD A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2020 © 2020 DEIRDRE FLOOD All Rights Reserved ii Legend Has It: Tracking the Research Trope in Supernatural Horror Film Franchises by Deirdre Flood This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the thesis requirement for the degree of Master of Arts. Date Leah Anderst Thesis Advisor Date Elizabeth Macaulay-Lewis Executive Officer THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Legend Has It: Tracking the Research Trope in Supernatural Horror Film Franchises by Deirdre Flood Advisor: Leah Anderst This study will analyze how information about monsters is conveyed in three horror franchises: Poltergeist (1982-2015), A Nightmare on Elm Street (1984-2010), and The Ring (2002- 2018). My analysis centers on the changing role of libraries and research, and how this affects the ways that monsters are portrayed differently across the time periods represented in these films. -
Hellish Love: an Exhibition of Objects from the Swedenborg Collection
FROM THE SWEDENBORG COLLECTION Hellish Love: an exhibition of objects from the swedenborg collection STEPHANIE BROWN | LOUISE CAMU MOLLY COLDICOTT | GREER DALE-FOULKES | MENGYANG FAN GERTRUDE GIBBONS | LYDIA GRANGER | MALVINA JANASIK SARAH KHAN | WESLEY KNOWLER | CHENYUAN LIANG BINYAO LIU | YUZU ONO | SICILY SCARLET MAXIMILIAN SCHUCH | HARALD SMART | JOHN VAUGHAN 19-23 OCTOBER 2020 Swedenborg House | Free Admission The Swedenborg Society Swedenborg House 20-21 Bloomsbury Way London WC1A 2TH in association with the Royal College of Art School of Arts & Humanities, Writing MA programme 2019/20 2020 1 HELLISH LOVE: AN EXHIBITION OF OBJECTS 2 FROM THE SWEDENBORG COLLECTION Table of Contents Introduction Sally O’Reilly..........................................................................................5 FRAGMENT OF BARK 1 A Piece of Swedenborg’s Poplar Tree Bark Gertrude Gibbons...............................9 2 Ward and Ballast Wesley Knowler..........................................................................12 3 Found Harald Smart........................................................................................15 SPIRIT PHOTOS 4 A Little Imagination Louise Camu.........................................................................17 5 Spirit Cards Molly Coldicott.................................................................................20 6 Lady Divinity Sarah Roselle Khan........................................................................22 7 When the Veil is Lifted, No One Shall Giggle in Front of the Spirit -
LEASK-DISSERTATION-2020.Pdf (1.565Mb)
WRAITHS AND WHITE MEN: THE IMPACT OF PRIVILEGE ON PARANORMAL REALITY TELEVISION by ANTARES RUSSELL LEASK DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at The University of Texas at Arlington August, 2020 Arlington, Texas Supervising Committee: Timothy Morris, Supervising Professor Neill Matheson Timothy Richardson Copyright by Antares Russell Leask 2020 Leask iii ACKNOWLEDGEMENTS • I thank my Supervising Committee for being patient on this journey which took much more time than expected. • I thank Dr. Tim Morris, my Supervising Professor, for always answering my emails, no matter how many years apart, with kindness and understanding. I would also like to thank his demon kitten for providing the proper haunted atmosphere at my defense. • I thank Dr. Neill Matheson for the ghostly inspiration of his Gothic Literature class and for helping me return to the program. • I thank Dr. Tim Richardson for using his class to teach us how to write a conference proposal and deliver a conference paper – knowledge I have put to good use! • I thank my high school senior English teacher, Dr. Nancy Myers. It’s probably an urban legend of my own creating that you told us “when you have a Ph.D. in English you can talk to me,” but it has been a lifetime motivating force. • I thank Dr. Susan Hekman, who told me my talent was being able to use pop culture to explain philosophy. It continues to be my superpower. • I thank Rebecca Stone Gordon for the many motivating and inspiring conversations and collaborations. • I thank Tiffany A. -
The Third Secret of Fatima
Fatima Apparitional Experiences Dr James Paul Pandarakalam An apparition may provide evidence of the authenticity of its manifestation at a physical site by offering predictions that are to be fulfilled at a later date. One of the distinctive features of the events at Fatima in Portugal in 1917 is the fulfilment in our own time of the predictions made. Ever since the occurrence of these famous visionary experiences, among observers and believers there has been an exponential interest in the third secret. Voice phenomena observed during Marian apparitions such as those at Fatima have analogies with externally controlled recurrent spontaneous psychokinetic (RSPK) activity, and visionary experiences involving RSPK or RSPK-like activity may be instances of apparitions at a physical site. The voice extinction and sensory disconnection demonstrated in the Fatima percipients could be explained as psychokinetic-like activity on the part of the apparition. True apparitional experiences prove the existence of psi-like phenomena and discarnate survival. In general, paranormal phenomena involve non-physical, physical and social events. Only physical events are accessible to scientific study. Marian apparitional experiences may be subjected to scientific analysis, but Marian apparition is beyond the scientific realm. The Fatima apparitional events inform research into post-mortem existence and offer a complementary insight into our current knowledge of the discarnate realm. Marian apparitions may be regarded as an antidote to the afflictions of the present century. Introduction Several hundreds of apparitional experiences have been claimed to have occurred in the twentieth century. Marian apparitional experiences have been reported in nearly all the continents of the world in the later half of that century. -
Twenty-First Century American Ghost Hunting: a Late Modern Enchantment
Twenty-First Century American Ghost Hunting: A Late Modern Enchantment Daniel S. Wise New Haven, CT Bachelor oF Arts, Florida State University, 2010 Master oF Arts, Florida State University, 2012 A Dissertation presented to the Graduate Faculty oF the University oF Virginia in Candidacy For the Degree oF Doctor oF Philosophy Department oF Religious Studies University oF Virginia November, 2020 Committee Members: Erik Braun Jack Hamilton Matthew S. Hedstrom Heather A. Warren Contents Acknowledgments 3 Chapter 1 Introduction 5 Chapter 2 From Spiritualism to Ghost Hunting 27 Chapter 3 Ghost Hunting and Scientism 64 Chapter 4 Ghost Hunters and Demonic Enchantment 96 Chapter 5 Ghost Hunters and Media 123 Chapter 6 Ghost Hunting and Spirituality 156 Chapter 7 Conclusion 188 Bibliography 196 Acknowledgments The journey toward competing this dissertation was longer than I had planned and sometimes bumpy. In the end, I Feel like I have a lot to be thankFul For. I received graduate student Funding From the University oF Virginia along with a travel grant that allowed me to attend a ghost hunt and a paranormal convention out oF state. The Skinner Scholarship administered by St. Paul’s Memorial Church in Charlottesville also supported me For many years. I would like to thank the members oF my committee For their support and For taking the time to comb through this dissertation. Thank you Heather Warren, Erik Braun, and Jack Hamilton. I especially want to thank my advisor Matthew Hedstrom. He accepted me on board even though I took the unconventional path oF being admitted to UVA to study Judaism and Christianity in antiquity. -
The Case of Astrology –
The relation between paranormal beliefs and psychological traits: The case of Astrology – Brief report Antonis Koutsoumpis Department of Behavioral and Social Sciences, Vrije Universiteit Amsterdam Author Note Antonis Koutsoumpis ORCID: https://orcid.org/0000-0001-9242-4959 OSF data: https://osf.io/62yfj/?view_only=c6bf948a5f3e4f5a89ab9bdd8976a1e2 I have no conflicts of interest to disclose Correspondence concerning this article should be addressed to: De Boelelaan 1105, 1081HV Amsterdam, The Netherlands. Email: [email protected] The present manuscript briefly reports and makes public data collected in the spring of 2016 as part of my b-thesis at the University of Crete, Greece. The raw data, syntax, and the Greek translation of scales and tasks are publicly available at the OSF page of the project. An extended version of the manuscript (in Greek), is available upon request. To the best of my knowledge, this is the first public dataset on the astrological and paranormal beliefs in Greek population. Introduction The main goal of this work was to test the relation between Astrological Belief (AB) to a plethora of psychological constructs. To avoid a very long task, the study was divided into three separate studies independently (but simultaneously) released. Study 1 explored the relation between AB, Locus of Control, Optimism, and Openness to Experience. Study 2 tested two astrological hypotheses (the sun-sign and water-sign effects), and explored the relation between personality, AB, and zodiac signs. Study 3 explored the relation between AB and paranormal beliefs. Recruitment followed both a snowball procedure and it was also posted in social media groups of various Greek university departments.