RPSY304 – Paranormal Psychology
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The Enf Ield 'Poltergeist' This Morning's Revisit of the Classic Case Provokes Further Thoughts
The Enf ield 'Poltergeist' This Morning's revisit of the classic case provokes further thoughts AT THE BEGINNING OF FEBRUARY, I appeared on This Morning to talk highly resistant to disbelieving witnesses. Playfair himself wrote that"... about the Enfield 'poltergeist' with Guy Lyon Playfair (writer of This paranormal events only took place in the presence of people who House is Haunted) and Janet Winter. The producers were very pleased believed them to be possible"3 In fact, it's hard to avoid wondering that they had an appearance by the woman who had been the eleven- whether the agents of the peculiar occurrences at Enfield were simply year-old at the centre of the events in the late 70s, but were extremely refusing to play to tough crowds. concerned about her resilience and sought an assurance from me that In her piece, Ms. Barrington makes the point that "Janet has consis- I could keep it generalised and unconfrontational, which I was happy to tently resisted the fame and fortune that would certainly come her way do. When I met Janet in the Green Room, I have to say I found her if she were now to claim that she had faked all her phenomena." While extremely likeable and every bit as nervous as I had been warned. She true, that carries the implicit assumption that fame and fortune are the has previously been quite publicity-averse and, fair enough, most peo- objects of Janet's desire. Having been a witness to her demeanour at a ple would find going on the telly very nerve-wracking indeed. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
Shamanic Wisdom, Parapsychological Research and a Transpersonal View: a Cross-Cultural Perspective Larissa Vilenskaya Psi Research
International Journal of Transpersonal Studies Volume 15 | Issue 3 Article 5 9-1-1996 Shamanic Wisdom, Parapsychological Research and a Transpersonal View: A Cross-Cultural Perspective Larissa Vilenskaya Psi Research Follow this and additional works at: http://digitalcommons.ciis.edu/ijts-transpersonalstudies Part of the Philosophy Commons, Psychology Commons, and the Religion Commons Recommended Citation Vilenskaya, L. (1996). Vilenskaya, L. (1996). Shamanic wisdom, parapsychological research and a transpersonal view: A cross-cultural perspective. International Journal of Transpersonal Studies, 15(3), 30–55.. International Journal of Transpersonal Studies, 15 (3). Retrieved from http://digitalcommons.ciis.edu/ijts-transpersonalstudies/vol15/iss3/5 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the Journals and Newsletters at Digital Commons @ CIIS. It has been accepted for inclusion in International Journal of Transpersonal Studies by an authorized administrator of Digital Commons @ CIIS. For more information, please contact [email protected]. SHAMANIC WISDOM, PARAPSYCHOLOGICAL RESEARCH AND A TRANSPERSONAL VIEW: A CROSS-CULTURAL ' PERSPECTIVE LARISSA VILENSKAYA PSI RESEARCH MENLO PARK, CALIFORNIA, USA There in the unbiased ether our essences balance against star weights hurled at the just now trembling scales. The ecstasy of life lives at this edge the body's memory of its immutable homeland. -Osip Mandelstam (1967, p. 124) PART I. THE LIGHT OF KNOWLEDGE: IN PURSUIT OF SLAVIC WISDOM TEACHINGS Upon the shores of afar sea A mighty green oak grows, And day and night a learned cat Walks round it on a golden chain. -
Between Static and Slime in Poltergeist
Page 3 The Fall of the House of Meaning: Between Static and Slime in Poltergeist Murray Leeder A good portion of the writing on Poltergeist (1982) has been devoted to trying to untangle the issues of its authorship. Though the film bears a directorial credit from Tobe Hooper, there has been a persistent claim that Steven Spielberg (credited as writer and producer) informally dismissed Hooper early in the process and directed the film himself. Dennis Giles says plainly, “Tobe Hooper is the director of record, but Poltergeist is clearly controlled by Steven Spielberg,” (1) though his only evidence is the motif of white light. The most concerted analysis of the film’s authorship has been by Warren Buckland, who does a staggeringly precise formal analysis of the film against two other Spielberg films and two other Hooper films, ultimately concluding that the official story bears out: Hooper directed the film, and Spielberg took over in postproduction. (2) Andrew M. Gordon, however, argues that Poltergeist deserves a place within Spielberg’s canon because so many of his trademarks are present, and because Spielberg himself has talked about it as a complementary piece for E .T.: The ExtraTerrestrial (1982). (3) A similar argument can be made on behalf of Hooper, however, with respect to certain narrative devices and even visual motifs like the perverse clown from The Funhouse (1981). Other scholars have envisioned the film as more of a contested space, caught between different authorial impulses. Tony Williams, for examples, speaks of Spielberg “oppressing any of the differences Tobe Hooper intended,” (4) which is pure speculation, though perhaps one could be forgiven to expect a different view of family life from the director of The Texas Chain Saw Massacre (1974) than that of E.T. -
A Handbook for Practicing the Original Reiki of Usui and Hay Pdf, Epub, Ebook
LIGHT ON THE ORIGINS OF REIKI: A HANDBOOK FOR PRACTICING THE ORIGINAL REIKI OF USUI AND HAY PDF, EPUB, EBOOK Tadao Yamaguchi | 195 pages | 01 Jan 2008 | LOTUS PRESS | 9780914955658 | English | Wisconsin, United States Light on the Origins of Reiki: A Handbook for Practicing the Original Reiki of Usui and Hay PDF Book Transcriptions Revised Romanization yeonggi. Read an excerpt of this book! Parapsychology Death and culture Parapsychology Scientific literacy. Adrenal fatigue Aerotoxic syndrome Candida hypersensitivity Chronic Lyme disease Electromagnetic hypersensitivity Heavy legs Leaky gut syndrome Multiple chemical sensitivity Wilson's temperature syndrome. Learn the basics, get attuned, and develop a solid self-care and meditation practice. Reiki is a Spiritual Discipline. Melissa Fotheringham rated it it was amazing Feb 10, Invest in Yourself. Four Faces is an adventurous survey of a universe that is deeper than science can measure. Learn how to enable JavaScript on your browser. Reiki is a powerful healing energy. Level I and II required. None of these have any counterpart in the physical world. None of the studies in the review provided a rationale for the treatment duration and no study reported adverse effects. More filters. Jack Tips. By spreading the course over 8 or more lessons, you get the time to incorporate the Reiki energy into daily life. Members for A. Master Level. Pseudoscientific healing technique. To see what your friends thought of this book, please sign up. The existence of qi has not been established by medical research. Kathia Munoz rated it really liked it Jan 28, You can learn Reiki so that you can become a conduit for helping others, or you can learn it for your own spiritual development. -
Pseudoscience and Science Fiction Science and Fiction
Andrew May Pseudoscience and Science Fiction Science and Fiction Editorial Board Mark Alpert Philip Ball Gregory Benford Michael Brotherton Victor Callaghan Amnon H Eden Nick Kanas Geoffrey Landis Rudi Rucker Dirk Schulze-Makuch Ru€diger Vaas Ulrich Walter Stephen Webb Science and Fiction – A Springer Series This collection of entertaining and thought-provoking books will appeal equally to science buffs, scientists and science-fiction fans. It was born out of the recognition that scientific discovery and the creation of plausible fictional scenarios are often two sides of the same coin. Each relies on an understanding of the way the world works, coupled with the imaginative ability to invent new or alternative explanations—and even other worlds. Authored by practicing scientists as well as writers of hard science fiction, these books explore and exploit the borderlands between accepted science and its fictional counterpart. Uncovering mutual influences, promoting fruitful interaction, narrating and analyzing fictional scenarios, together they serve as a reaction vessel for inspired new ideas in science, technology, and beyond. Whether fiction, fact, or forever undecidable: the Springer Series “Science and Fiction” intends to go where no one has gone before! Its largely non-technical books take several different approaches. Journey with their authors as they • Indulge in science speculation—describing intriguing, plausible yet unproven ideas; • Exploit science fiction for educational purposes and as a means of promoting critical thinking; • Explore the interplay of science and science fiction—throughout the history of the genre and looking ahead; • Delve into related topics including, but not limited to: science as a creative process, the limits of science, interplay of literature and knowledge; • Tell fictional short stories built around well-defined scientific ideas, with a supplement summarizing the science underlying the plot. -
Poltergeist Ii
POLTERGEIST II: THE OTHER SIDE Diane Freling’s mother, Grandma Jess (played material from the first film, but mostly compos - “THEY’RE BACK …” by the wonderful Geraldine Fitzgerald). All is ing new material. In 1982, Steven Spielberg gave the movie peaceful and calm – but obviously not for long. world a one-two punch – Poltergeist , which he There is a shaman (Will Sampson) who knows Goldsmith uses his usual orchestral forces co-wrote and produced, and a little movie bad things are coming, and a dead, rather in - with some electronics and choir mixed in to called E.T. , which he directed. Both films had sane preacher named Kane (Julian Beck), good effect. The “Carol Anne” theme occurs approximately the same budget, about $10.5 who is determined to get Carol Anne and every now and then and is, of course, one of million, which was low compared to the then- wreak havoc. The rest, as they say, is the tale the most memorable and beautiful themes he average film budget. Just sticking with Spiel - and in case there are those who haven’t seen ever wrote. The music for Poltergeist II: The berg, his recent films of that era had cost $19 it, the tale shall not be told here. Other Side is ethereal, majestic, suspenseful, million (Close Encounters of the Third Kind) , heart pounding, and tender. It is also its own $32 million (1941) and $18 million (Raiders of But the film was beset with a major problem distinct thing – it’s not Poltergeist because the the Lost Ark) . -
Tracking the Research Trope in Supernatural Horror Film Franchises
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2020 Legend Has It: Tracking the Research Trope in Supernatural Horror Film Franchises Deirdre M. Flood The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3574 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] LEGEND HAS IT: TRACKING THE RESEARCH TROPE IN SUPERNATURAL HORROR FILM FRANCHISES by DEIRDRE FLOOD A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2020 © 2020 DEIRDRE FLOOD All Rights Reserved ii Legend Has It: Tracking the Research Trope in Supernatural Horror Film Franchises by Deirdre Flood This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the thesis requirement for the degree of Master of Arts. Date Leah Anderst Thesis Advisor Date Elizabeth Macaulay-Lewis Executive Officer THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Legend Has It: Tracking the Research Trope in Supernatural Horror Film Franchises by Deirdre Flood Advisor: Leah Anderst This study will analyze how information about monsters is conveyed in three horror franchises: Poltergeist (1982-2015), A Nightmare on Elm Street (1984-2010), and The Ring (2002- 2018). My analysis centers on the changing role of libraries and research, and how this affects the ways that monsters are portrayed differently across the time periods represented in these films. -
Hellish Love: an Exhibition of Objects from the Swedenborg Collection
FROM THE SWEDENBORG COLLECTION Hellish Love: an exhibition of objects from the swedenborg collection STEPHANIE BROWN | LOUISE CAMU MOLLY COLDICOTT | GREER DALE-FOULKES | MENGYANG FAN GERTRUDE GIBBONS | LYDIA GRANGER | MALVINA JANASIK SARAH KHAN | WESLEY KNOWLER | CHENYUAN LIANG BINYAO LIU | YUZU ONO | SICILY SCARLET MAXIMILIAN SCHUCH | HARALD SMART | JOHN VAUGHAN 19-23 OCTOBER 2020 Swedenborg House | Free Admission The Swedenborg Society Swedenborg House 20-21 Bloomsbury Way London WC1A 2TH in association with the Royal College of Art School of Arts & Humanities, Writing MA programme 2019/20 2020 1 HELLISH LOVE: AN EXHIBITION OF OBJECTS 2 FROM THE SWEDENBORG COLLECTION Table of Contents Introduction Sally O’Reilly..........................................................................................5 FRAGMENT OF BARK 1 A Piece of Swedenborg’s Poplar Tree Bark Gertrude Gibbons...............................9 2 Ward and Ballast Wesley Knowler..........................................................................12 3 Found Harald Smart........................................................................................15 SPIRIT PHOTOS 4 A Little Imagination Louise Camu.........................................................................17 5 Spirit Cards Molly Coldicott.................................................................................20 6 Lady Divinity Sarah Roselle Khan........................................................................22 7 When the Veil is Lifted, No One Shall Giggle in Front of the Spirit -
CONTACT THERAPEUTIC TOUCH on the HEALING RATE of FULL Tmckness DERMAL WOUNDS
Experilllelltal THE EFFECT OF NON· CONTACT THERAPEUTIC TOUCH ON THE HEALING RATE OF FULL TmCKNESS DERMAL WOUNDS Daniel P. Wirth, M.S., J.D. ABSTRACf The effect of Noncontact Therapeutic Touch (NClD on the rate ofsurgical wound healing was examined ina double-blind study. Full-thickness dermal wounds were incised on the lateral deltoid region using a skin punch biopsy instrument, on healthy subjects randomly assigned to treatment or control groups. Subjects were blinded both to group assignment and to the true nature of the active treatment modality in order to control placebo and expectation effects. Incisions were dressed with gas-permeable dressings, and wound surface areas were measured on Days 0, 8, and 16 using a direct tracing method and digitization system. Active and control treatments were comprised ofdaily sessions offive minutes of exposure to a hidden Therapeutic Touch practitioner or to sham exposure. Results showed that treated subjects experienced a significant acceleration in the rate of wound healing as compared to non-treated subjects at day8 (Mann-Whitney Ui Z =-5.675; n =44; p<.OOI; 2 tailed), and at day 16 (X2 =16.847, df =1; p<.OOI). Statistical comparisons are dominated bythe complete healing of13 of 23 treated subjectsvs. Oof21 controlsubjects by day 16. Placebo effects and the possible influences of suggestion and expectation of healing were eliminated byisolating the subjects from the Therapeutic Touch practitioner, by blinding them to the nature of the therapy during the study, and by the use of an independent experimenter who was blinded to the nature ofthe therapy. The findings of this study demonstrate, at least, the potential for NCIT in the healing of full-thickness human dermal wounds. -
Psychic Development Course Page 2
Psychic Development Course Manual compiled by Dr Gaynor du Perez Copyright © 2016 All Rights Reserved No part of this book may be reproduced or distributed in any form or by any means without the written permission of the author. TABLE OF CONTENTS Introduction 3 The Chakras and the Aura are covered in separate manuals included with this course What does psychic even mean? 5 The difference between a psychic and a medium 6 History 6 What is Intuition? 8 The difference between intuition and imagination 11 The difference between intuition and psychic abilities 13 Exploring and connecting to your higher-self 13 Meet your Spirit Guide 20 Meditation and Visualisation 23 Grounding and Balancing 31 Psychic development 33 How to develop clairvoyance 38 How to develop clairaudience 41 How to develop clairsentience 42 How to develop claircognizance 43 Clairtangency / Psychometry 45 Discover which is your strongest intuitive gift 47 Empathy 49 Channelling & Mediumship 56 Automatic Writing 58 Telepathy 67 Precognition 84 The Akashic Records and how to access them 86 More exercises to develop your abilities 93 Psychic Self-Defence 95 Work you can do as a psychic 100 Defects in the Aura and Chakras 100 Psychic Development Course Page 2 INTRODUCTION Look beneath the surface of the world – the world that includes your clothes, skin, material possessions and everything you can see - and you will discover a universe of swirling and subtle energies. These are the energies that underlie physical reality – they form you and everything you see. Many scientific studies have been done on subtle energies, as well as the human subtle energy system, in an attempt to verify and understand how everything fits together. -
The Search for the "Manchurian Candidate" the Cia and Mind Control
THE SEARCH FOR THE "MANCHURIAN CANDIDATE" THE CIA AND MIND CONTROL John Marks Allen Lane Allen Lane Penguin Books Ltd 17 Grosvenor Gardens London SW1 OBD First published in the U.S.A. by Times Books, a division of Quadrangle/The New York Times Book Co., Inc., and simultaneously in Canada by Fitzhenry & Whiteside Ltd, 1979 First published in Great Britain by Allen Lane 1979 Copyright <£> John Marks, 1979 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner ISBN 07139 12790 jj Printed in Great Britain by f Thomson Litho Ltd, East Kilbride, Scotland J For Barbara and Daniel AUTHOR'S NOTE This book has grown out of the 16,000 pages of documents that the CIA released to me under the Freedom of Information Act. Without these documents, the best investigative reporting in the world could not have produced a book, and the secrets of CIA mind-control work would have remained buried forever, as the men who knew them had always intended. From the documentary base, I was able to expand my knowledge through interviews and readings in the behavioral sciences. Neverthe- less, the final result is not the whole story of the CIA's attack on the mind. Only a few insiders could have written that, and they choose to remain silent. I have done the best I can to make the book as accurate as possible, but I have been hampered by the refusal of most of the principal characters to be interviewed and by the CIA's destruction in 1973 of many of the key docu- ments.