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Portrayals of Religious Studies in Popular Culture Brian Collins Ohio University
John Carroll University Carroll Collected 2018 Faculty Bibliography Faculty Bibliographies Community Homepage 6-2018 From Middlemarch to The aD Vinci Code: Portrayals of Religious Studies in Popular Culture Brian Collins Ohio University Kristen Tobey John Carroll University, [email protected] Follow this and additional works at: https://collected.jcu.edu/fac_bib_2018 Part of the Religion Commons, and the Television Commons Recommended Citation Collins, Brian and Tobey, Kristen, "From Middlemarch to The aD Vinci Code: Portrayals of Religious Studies in Popular Culture" (2018). 2018 Faculty Bibliography. 55. https://collected.jcu.edu/fac_bib_2018/55 This Article is brought to you for free and open access by the Faculty Bibliographies Community Homepage at Carroll Collected. It has been accepted for inclusion in 2018 Faculty Bibliography by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. From Middlemarch to The Da Vinci Code: Portrayals of Religious Studies in Popular Culture TEMPLE MIDDLEMARCH Directed by Michael Barrett Television serial Screen Media, 2017. 78 minutes Directed by Anthony Page BBC, 1994 DEXTER. SEASON SIX Created by James Manos Jr. MIDDLEMARCH: THE SERIES Showtime, 2011 Directed by Rebecca Shoptaw DEATH DU JOUR YouTube, 2017 By Kathy Reichs New York: Pocket Books, 1999 ANGELS & DEMONS Pp. 480. $17.19 By Dan Brown New York: Washington Square Press, 2006 [2000] THE BLACK TAPES Pp. 496. $17.00 Podcast. Created by Paul Bae and Terry Miles 2015–2017 THE DA VINCI CODE By Dan Brown. THE REAPING New York: Anchor Books, 2009 [2003] Directed by Stephen Hopkins Pp. 597. $9.99 Warner Brothers, 2007. 99 minutes THE LOST SYMBOL SINISTER By Dan Brown Directed by Scott Derickson New York: Anchor Books, 2012 [2009] Blumhouse Productions, 2012. -
The Enf Ield 'Poltergeist' This Morning's Revisit of the Classic Case Provokes Further Thoughts
The Enf ield 'Poltergeist' This Morning's revisit of the classic case provokes further thoughts AT THE BEGINNING OF FEBRUARY, I appeared on This Morning to talk highly resistant to disbelieving witnesses. Playfair himself wrote that"... about the Enfield 'poltergeist' with Guy Lyon Playfair (writer of This paranormal events only took place in the presence of people who House is Haunted) and Janet Winter. The producers were very pleased believed them to be possible"3 In fact, it's hard to avoid wondering that they had an appearance by the woman who had been the eleven- whether the agents of the peculiar occurrences at Enfield were simply year-old at the centre of the events in the late 70s, but were extremely refusing to play to tough crowds. concerned about her resilience and sought an assurance from me that In her piece, Ms. Barrington makes the point that "Janet has consis- I could keep it generalised and unconfrontational, which I was happy to tently resisted the fame and fortune that would certainly come her way do. When I met Janet in the Green Room, I have to say I found her if she were now to claim that she had faked all her phenomena." While extremely likeable and every bit as nervous as I had been warned. She true, that carries the implicit assumption that fame and fortune are the has previously been quite publicity-averse and, fair enough, most peo- objects of Janet's desire. Having been a witness to her demeanour at a ple would find going on the telly very nerve-wracking indeed. -
Fortean Times 338
THE X-FILES car-crash politics jg ballard versus ronald reagan cave of the witches south america's magical murders they're back: is the truth still out there? phantom fares japan's ghostly cab passengers THE WORLD’S THE WORLD OF STRANGE PHENOMENA WWW.FORTEANTiMES.cOM FORTEAN TiMES 338 chimaera cats • death by meteorite • flat earth rapper • ancient greek laptop WEIRDES NEWS T THE WORLD OF STRANGE PHENOMENA www.forteantimes.com ft338 march 2016 £4.25 THE SEcRET HiSTORy OF DAviD bOWiE • RETuRN OF THE x-FiLES • cAvE OF THE WiTcHES • AuTOMATic LEPREcHAuNSP • jAPAN'S GHOST ACE ODDITY from aliens to the occult: the strange fascinations of daVid b0Wie FA RES bogey beasts the shape-shifting monsters of british folklore mystery moggies on the trail of alien big MAR 2016 cats in deepest suffolk Fortean Times 338 strange days Japan’s phantom taxi fares, John Dee’s lost library, Indian claims death by meteorite, cretinous criminals, curious cats, Harry Price traduced, ancient Greek laptop, Flat Earth rapper, CONTENTS ghostly photobombs, bogey beasts – and much more. 05 THE CONSPIRASPHERE 23 MYTHCONCEPTIONS 05 EXTRA! EXTRA! 24 NECROLOG the world of strange phenomena 15 ALIEN ZOO 25 FAIRIES & FORTEANA 16 GHOSTWATCH 26 THE UFO FILES features COVER STORY 28 THE MAGE WHO SOLD THE WORLD From an early interest in UFOs and Aleister Crowley to fl irtations with Kabbalah and Nazi mysticism, David Bowie cultivated a number of esoteric interests over the years and embraced alien and occult imagery in his costumes, songs and videos. DEAN BALLINGER explores the fortean aspects and influences of the late musician’s career. -
Between Static and Slime in Poltergeist
Page 3 The Fall of the House of Meaning: Between Static and Slime in Poltergeist Murray Leeder A good portion of the writing on Poltergeist (1982) has been devoted to trying to untangle the issues of its authorship. Though the film bears a directorial credit from Tobe Hooper, there has been a persistent claim that Steven Spielberg (credited as writer and producer) informally dismissed Hooper early in the process and directed the film himself. Dennis Giles says plainly, “Tobe Hooper is the director of record, but Poltergeist is clearly controlled by Steven Spielberg,” (1) though his only evidence is the motif of white light. The most concerted analysis of the film’s authorship has been by Warren Buckland, who does a staggeringly precise formal analysis of the film against two other Spielberg films and two other Hooper films, ultimately concluding that the official story bears out: Hooper directed the film, and Spielberg took over in postproduction. (2) Andrew M. Gordon, however, argues that Poltergeist deserves a place within Spielberg’s canon because so many of his trademarks are present, and because Spielberg himself has talked about it as a complementary piece for E .T.: The ExtraTerrestrial (1982). (3) A similar argument can be made on behalf of Hooper, however, with respect to certain narrative devices and even visual motifs like the perverse clown from The Funhouse (1981). Other scholars have envisioned the film as more of a contested space, caught between different authorial impulses. Tony Williams, for examples, speaks of Spielberg “oppressing any of the differences Tobe Hooper intended,” (4) which is pure speculation, though perhaps one could be forgiven to expect a different view of family life from the director of The Texas Chain Saw Massacre (1974) than that of E.T. -
Hellish Love: an Exhibition of Objects from the Swedenborg Collection
FROM THE SWEDENBORG COLLECTION Hellish Love: an exhibition of objects from the swedenborg collection STEPHANIE BROWN | LOUISE CAMU MOLLY COLDICOTT | GREER DALE-FOULKES | MENGYANG FAN GERTRUDE GIBBONS | LYDIA GRANGER | MALVINA JANASIK SARAH KHAN | WESLEY KNOWLER | CHENYUAN LIANG BINYAO LIU | YUZU ONO | SICILY SCARLET MAXIMILIAN SCHUCH | HARALD SMART | JOHN VAUGHAN 19-23 OCTOBER 2020 Swedenborg House | Free Admission The Swedenborg Society Swedenborg House 20-21 Bloomsbury Way London WC1A 2TH in association with the Royal College of Art School of Arts & Humanities, Writing MA programme 2019/20 2020 1 HELLISH LOVE: AN EXHIBITION OF OBJECTS 2 FROM THE SWEDENBORG COLLECTION Table of Contents Introduction Sally O’Reilly..........................................................................................5 FRAGMENT OF BARK 1 A Piece of Swedenborg’s Poplar Tree Bark Gertrude Gibbons...............................9 2 Ward and Ballast Wesley Knowler..........................................................................12 3 Found Harald Smart........................................................................................15 SPIRIT PHOTOS 4 A Little Imagination Louise Camu.........................................................................17 5 Spirit Cards Molly Coldicott.................................................................................20 6 Lady Divinity Sarah Roselle Khan........................................................................22 7 When the Veil is Lifted, No One Shall Giggle in Front of the Spirit -
In New York State
SATURDAY, OCTOBER 8, 2016 SECTION T ON ON3 MARKET VALUE Start the holiday festivities with a tour of some of Germany’s best Christmas markets, T6 TRAVEL Ghost hunting in New York State The Rolling Hills Asylum in rural East Bethany is straight out of central casting. AMITY PHOTO JENNIFER BAIN TRAVEL EDITOR ACROSS NEW YORK STATE—Casper Cop chucks coins across the darkened Treasureland arcade at the Sylvan Beach Amusement Park and lets them ricochet on the ancient wooden floor. “It’s James. I’ve got a friend here who’d like to meet you. I’ve got recorders going. You gonna do something for us? We’d really love to meet you.” Casper Cop is private investigator James Pendell by profession and ghost hunter by passion. He has a seasonal gig leading the Park After Dark Ghost Tours. “I’ve got a penny,” Pendell says cajolingly to the darkness. “Will you throw it back to me? Where’s my little girl?” A prankster spirit child sometimes tosses the coins back or jingles them. She’s one of the many ghosts said to roam this paranormal paradise in a vintage amusement park. Pendell’s tours start just as the park is closing and contin- ue when he has the place to himself for several spooky hours, making for a “high freakout factor.” He has earned one of 65 spots on the Haunted History Trail of New York State, which launched three years ago and keeps adding places such as creepy inns, parks, thea- tres, museums, restaurants and cemeteries, offering ghost stories, tours and hunts. -
Glen Ridge High School 1 Page Oct 20, 2020 at 11:39 Am Weeding List
GLEN - Glen Ridge High School Oct 20, 2020 at 11:39 am 1Page Weeding List (164) by Copy Call Number Alexandria 6.23.1 Selected:All Copies Call # Title Year Barcode LTD Use Last Use Bloom's guide to Khaled Hosseini's The kite ru... 2009 57820000588429 0 None Chromebook charger NONE 57820000297351 3 03/09/2020 Medicine, health, and bioethics : essential prim... 2006 57820000538013 0 None NO TITLE NONE EEUFET8I 0 None NO TITLE NONE ETU 0 None NO TITLE NONE AUCIEZEU 0 None NO TITLE NONE ENA1GCAL 0 None NO TITLE NONE OIAIQA8CNH5 0 None NO TITLE NONE UAADCEGLZU 0 None NO TITLE NONE EVECA 0 None NO TITLE NONE ZEIOHUAAA 0 None NO TITLE NONE CUOCEZMPE 0 None NO TITLE NONE KEAOUADNA 0 None NO TITLE NONE ED8ERHZU 0 None NO TITLE NONE ESEU 0 None NO TITLE NONE RAIQGCCOAU 0 None NO TITLE NONE AEZJEHSSSPU 0 None NO TITLE NONE CPNARECOE 0 None NO TITLE NONE SON 0 None NO TITLE NONE EEHBVNEUERZO 0 None NO TITLE NONE ENODBOAII 0 None NO TITLE NONE IHBDIIH 0 None NO TITLE NONE HTVUQZUKEEE 0 None NO TITLE NONE BBACCNZNU 0 None NO TITLE NONE 1301309 0 None Famous military trials 1980 57820000517881 0 None Geis 2016 5782000058211 0 None A Christmas carol 2008 57820000587959 0 None Recipes from the Chateaux of the Loire 1998 57820000169873 0 None The burning bridge 2005 57820000520174 7 12/07/2015 Winning in the game of life : self-coaching secr... 1999 57820000157423 0 None The scarlet letter 2006 57820000587991 0 None 20s & '30s style 1989 57820000079437 2 01/31/2013 The kite runner 2008 57820000585433 0 None The Hudson River and its painters 1983 57820000283815 0 None Literary criticism - French writers, other Europea...1984 57820000080427 0 None Napoleon's glands : and other ventures in bioh.. -
LEASK-DISSERTATION-2020.Pdf (1.565Mb)
WRAITHS AND WHITE MEN: THE IMPACT OF PRIVILEGE ON PARANORMAL REALITY TELEVISION by ANTARES RUSSELL LEASK DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at The University of Texas at Arlington August, 2020 Arlington, Texas Supervising Committee: Timothy Morris, Supervising Professor Neill Matheson Timothy Richardson Copyright by Antares Russell Leask 2020 Leask iii ACKNOWLEDGEMENTS • I thank my Supervising Committee for being patient on this journey which took much more time than expected. • I thank Dr. Tim Morris, my Supervising Professor, for always answering my emails, no matter how many years apart, with kindness and understanding. I would also like to thank his demon kitten for providing the proper haunted atmosphere at my defense. • I thank Dr. Neill Matheson for the ghostly inspiration of his Gothic Literature class and for helping me return to the program. • I thank Dr. Tim Richardson for using his class to teach us how to write a conference proposal and deliver a conference paper – knowledge I have put to good use! • I thank my high school senior English teacher, Dr. Nancy Myers. It’s probably an urban legend of my own creating that you told us “when you have a Ph.D. in English you can talk to me,” but it has been a lifetime motivating force. • I thank Dr. Susan Hekman, who told me my talent was being able to use pop culture to explain philosophy. It continues to be my superpower. • I thank Rebecca Stone Gordon for the many motivating and inspiring conversations and collaborations. • I thank Tiffany A. -
The Third Secret of Fatima
Fatima Apparitional Experiences Dr James Paul Pandarakalam An apparition may provide evidence of the authenticity of its manifestation at a physical site by offering predictions that are to be fulfilled at a later date. One of the distinctive features of the events at Fatima in Portugal in 1917 is the fulfilment in our own time of the predictions made. Ever since the occurrence of these famous visionary experiences, among observers and believers there has been an exponential interest in the third secret. Voice phenomena observed during Marian apparitions such as those at Fatima have analogies with externally controlled recurrent spontaneous psychokinetic (RSPK) activity, and visionary experiences involving RSPK or RSPK-like activity may be instances of apparitions at a physical site. The voice extinction and sensory disconnection demonstrated in the Fatima percipients could be explained as psychokinetic-like activity on the part of the apparition. True apparitional experiences prove the existence of psi-like phenomena and discarnate survival. In general, paranormal phenomena involve non-physical, physical and social events. Only physical events are accessible to scientific study. Marian apparitional experiences may be subjected to scientific analysis, but Marian apparition is beyond the scientific realm. The Fatima apparitional events inform research into post-mortem existence and offer a complementary insight into our current knowledge of the discarnate realm. Marian apparitions may be regarded as an antidote to the afflictions of the present century. Introduction Several hundreds of apparitional experiences have been claimed to have occurred in the twentieth century. Marian apparitional experiences have been reported in nearly all the continents of the world in the later half of that century. -
Reasoning, Science, and the Ghost Hunt
200 AIDAN KESTIGIAN Tcad1i11g Philo.mpl,y 40: 2, J1111c 20 I 7 DOI: I0.5840/teacl,pl,i/201771869 Aidan Kes1igiw1 is a PhD .wulc111 i11 lhe Dt:/1'lrlmclll of Philo.wphy,11 C,m,egie Md/rm U11frersi1y. Her 1'C.rel1rd1 mu/ lt•(lc/1i11g illlerc.Hs i11cl11dc democratic theory, resee1rcl1 cth· ics, mu/ mti11g theory. E-mail: [email protected],/11 Reasoning, Science, and The Ghost Hunt W. JOHN KOOLAGE Ea,wcm Michig,111 Unil-crsity TIMOTHY HANSEL Edgewood Colle1fe Alwmct: This paperdelails how ghosl hunling. as a se1 of learning activities. can he used to enhance critical thinking and philo�ophy of science classes. We describe in some delail our own work with ghost hunting, and reflecton both intended and uninlcnded consequences of lhis pedagogical choice. This choice was partly molivatcd by s1uden1s· lack of familiaritywith science and philo�ophic questions ahout it. We offerreflections on our lhree different implcmenlalions of the ghosl hunting activities. In addition. we discuss the practical nuances of implementing these activities, as well the relation of ghost hunting lo our course content. including informal fallacies and some models for scientilic inference. We conclude that employing ghost hunting along-side tmdilional activities and contcnl of critical lhinking and philosophy of science offersa number of henelits, including being fun, increasing studenl altendance, enhancing sludent leaming, and providing a platform forcampus wide dialogues about philosophy. Introduction In pursuit of deep learning, it is helpful to ask what sludents can do, in order to get a better handle on sometimes foreign and abstract ideas. -
Ghost Hunting
Haunted house in Toledo Ghost Hunting GHOST HUNTING 101 This course is designed to give you a deeper insight into the world of paranormal investigation. Essential characteristics of a paranormal investigation require a cautious approach backed up with scientific methodology. Learn best practices for ghost hunting, investigating, reviewing evidence and presenting evidence to your client. Learn from veteran paranormal investigator Harold St. John, founder of Toledo Ohio Ghost Hunters Society. We will study the different types of hauntings, a typical case study of a "Haunting", the essential investigating equipment, the investigation process and how to deal with the aftermath of an investigation. Students will learn by hands-on use of equipment, proper investigation documentation and safety protocols. The class will end with a field trip to hone the skills you have learned. 56073 Thu 10/3 – 10/24 6 – 8 p.m. Perrysburg $89 GHOST HUNTING 102 This course is an extended version of Ghost Hunting 101. While it is advised that Ghost hunting 101 be taken as a prerequisite, it is not necessary. This class will expand on topics of paranormal investigations covered in the first class. It will also cover a variety of topics of interest to more experienced investigators, as well as, exploring actual techniques for using equipment in ghost hunting, types of hauntings, case scenarios, identifying the Harold St. John more obscure spirits and how to deal with them along with advanced self-protection. Learn from veteran paranormal investigator, Harold St. John, founder of the Toledo Ohio Ghost Hunters Society. If you have taken Ghost Hunting 101 and have had an investigation, you might want to bring your documented evidence such as pictures, EVP’s or video to share with your classmates. -
Twenty-First Century American Ghost Hunting: a Late Modern Enchantment
Twenty-First Century American Ghost Hunting: A Late Modern Enchantment Daniel S. Wise New Haven, CT Bachelor oF Arts, Florida State University, 2010 Master oF Arts, Florida State University, 2012 A Dissertation presented to the Graduate Faculty oF the University oF Virginia in Candidacy For the Degree oF Doctor oF Philosophy Department oF Religious Studies University oF Virginia November, 2020 Committee Members: Erik Braun Jack Hamilton Matthew S. Hedstrom Heather A. Warren Contents Acknowledgments 3 Chapter 1 Introduction 5 Chapter 2 From Spiritualism to Ghost Hunting 27 Chapter 3 Ghost Hunting and Scientism 64 Chapter 4 Ghost Hunters and Demonic Enchantment 96 Chapter 5 Ghost Hunters and Media 123 Chapter 6 Ghost Hunting and Spirituality 156 Chapter 7 Conclusion 188 Bibliography 196 Acknowledgments The journey toward competing this dissertation was longer than I had planned and sometimes bumpy. In the end, I Feel like I have a lot to be thankFul For. I received graduate student Funding From the University oF Virginia along with a travel grant that allowed me to attend a ghost hunt and a paranormal convention out oF state. The Skinner Scholarship administered by St. Paul’s Memorial Church in Charlottesville also supported me For many years. I would like to thank the members oF my committee For their support and For taking the time to comb through this dissertation. Thank you Heather Warren, Erik Braun, and Jack Hamilton. I especially want to thank my advisor Matthew Hedstrom. He accepted me on board even though I took the unconventional path oF being admitted to UVA to study Judaism and Christianity in antiquity.