Concept of “Tian” in Confucianism and Mohism”, Ma Zhanming, the Straight Path, Nov
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Religion in China BKGA 85 Religion Inchina and Bernhard Scheid Edited by Max Deeg Major Concepts and Minority Positions MAX DEEG, BERNHARD SCHEID (EDS.)
Religions of foreign origin have shaped Chinese cultural history much stronger than generally assumed and continue to have impact on Chinese society in varying regional degrees. The essays collected in the present volume put a special emphasis on these “foreign” and less familiar aspects of Chinese religion. Apart from an introductory article on Daoism (the BKGA 85 BKGA Religion in China prototypical autochthonous religion of China), the volume reflects China’s encounter with religions of the so-called Western Regions, starting from the adoption of Indian Buddhism to early settlements of religious minorities from the Near East (Islam, Christianity, and Judaism) and the early modern debates between Confucians and Christian missionaries. Contemporary Major Concepts and religious minorities, their specific social problems, and their regional diversities are discussed in the cases of Abrahamitic traditions in China. The volume therefore contributes to our understanding of most recent and Minority Positions potentially violent religio-political phenomena such as, for instance, Islamist movements in the People’s Republic of China. Religion in China Religion ∙ Max DEEG is Professor of Buddhist Studies at the University of Cardiff. His research interests include in particular Buddhist narratives and their roles for the construction of identity in premodern Buddhist communities. Bernhard SCHEID is a senior research fellow at the Austrian Academy of Sciences. His research focuses on the history of Japanese religions and the interaction of Buddhism with local religions, in particular with Japanese Shintō. Max Deeg, Bernhard Scheid (eds.) Deeg, Max Bernhard ISBN 978-3-7001-7759-3 Edited by Max Deeg and Bernhard Scheid Printed and bound in the EU SBph 862 MAX DEEG, BERNHARD SCHEID (EDS.) RELIGION IN CHINA: MAJOR CONCEPTS AND MINORITY POSITIONS ÖSTERREICHISCHE AKADEMIE DER WISSENSCHAFTEN PHILOSOPHISCH-HISTORISCHE KLASSE SITZUNGSBERICHTE, 862. -
The Heritage of Non-Theistic Belief in China
The Heritage of Non-theistic Belief in China Joseph A. Adler Kenyon College Presented to the international conference, "Toward a Reasonable World: The Heritage of Western Humanism, Skepticism, and Freethought" (San Diego, September 2011) Naturalism and humanism have long histories in China, side-by-side with a long history of theistic belief. In this paper I will first sketch the early naturalistic and humanistic traditions in Chinese thought. I will then focus on the synthesis of these perspectives in Neo-Confucian religious thought. I will argue that these forms of non-theistic belief should be considered aspects of Chinese religion, not a separate realm of philosophy. Confucianism, in other words, is a fully religious humanism, not a "secular humanism." The religion of China has traditionally been characterized as having three major strands, the "three religions" (literally "three teachings" or san jiao) of Confucianism, Daoism, and Buddhism. Buddhism, of course, originated in India in the 5th century BCE and first began to take root in China in the 1st century CE, so in terms of early Chinese thought it is something of a latecomer. Confucianism and Daoism began to take shape between the 5th and 3rd centuries BCE. But these traditions developed in the context of Chinese "popular religion" (also called folk religion or local religion), which may be considered a fourth strand of Chinese religion. And until the early 20th century there was yet a fifth: state religion, or the "state cult," which had close relations very early with both Daoism and Confucianism, but after the 2nd century BCE became associated primarily (but loosely) with Confucianism. -
The Significance and Inheritance of Huang Di Culture
ISSN 1799-2591 Theory and Practice in Language Studies, Vol. 8, No. 12, pp. 1698-1703, December 2018 DOI: http://dx.doi.org/10.17507/tpls.0812.17 The Significance and Inheritance of Huang Di Culture Donghui Chen Henan Academy of Social Sciences, Zhengzhou, Henan, China Abstract—Huang Di culture is an important source of Chinese culture. It is not mechanical, still and solidified but melting, extensible, creative, pioneering and vigorous. It is the root of Chinese culture and a cultural system that keeps pace with the times. Its influence is enduring and universal. It has rich connotations including the “Root” Culture, the “Harmony” Culture, the “Golden Mean” Culture, the “Governance” Culture. All these have a great significance for the times and the realization of the Great Chinese Dream, therefore, it is necessary to combine the inheritance of Huang Di culture with its innovation, constantly absorb the fresh blood of the times with a confident, open and creative attitude, give Huang Di culture a rich connotation of the times, tap the factors in Huang Di culture that fit the development of the modern times to advance the progress of the country and society, and make Huang Di culture still full of vitality in the contemporary era. Index Terms—Huang Di, Huang Di culture, Chinese culture I. INTRODUCTION Huang Di, being considered the ancestor of all Han Chinese in Chinese mythology, is a legendary emperor and cultural hero. His victory in the war against Emperor Chi You is viewed as the establishment of the Han Chinese nationality. He has made great many accomplishments in agriculture, medicine, arithmetic, calendar, Chinese characters and arts, among which, his invention of the principles of Traditional Chinese medicine, Huang Di Nei Jing, has been seen as one of the greatest contributions to Chinese medicine. -
Licia Di Giacinto
134 EASTM 23 (2005) Ho Peng Yoke, Chinese Mathematical Astrology: Reaching out to the Stars. London [u.a.]: RoutledgeCurzon, 2003, (Needham Research Institute Se- ries). 201 pp. Licia Di Giacinto [Licia Di Giacinto currently teaches at the Ruhr University Bochum. At the present time, she is working on a Ph.D. thesis on the Han apocryphal texts.] The well-known concern of traditional Chinese culture for divinatory techniques has recently produced a number of interesting and, sometimes, groundbreaking works. Partially fuelled by archaeological discoveries, scholarly interest in the ways in which the ancient Chinese endeavoured to foresee coming events is gradually unveiling obscure facets of mantic practices gathered under the collec- tive noun “calculation and arts” (shushu 數 術).1 Studies by Li Ling 李 零 and Marc Kalinowski, for instance, have shed new light on features and strategies of Warring States (403-221 BC) and Han (206 BC-AD 220) circles dealing with divination. Nor is this effort limited to pre-imperial and early imperial China. Kalinowski’s translation of the medieval treatise Wuxing dayi 五 行 大 義 (The Compendium of the Five Agents) constitutes an outstanding resource for schol- ars approaching the theoretical principles and technical bases of Chinese tradi- tional divination.2 Ho Peng Yoke’s new work Chinese Mathematical Astrology must be understood within this framework. Professor Ho is a well-known scholar in both Chinese and Western sinological circles. His Li, Qi and Shu: An Introduction to Science and Civilization in China remains an insightful entry point into Chinese science. In the same way, his translation of the monograph on astrology (Tianwen zhi 天 文 志) of the Jinshu 晉 書 (Book of Jin) is a very 1 For the translation of shushu, see Donald J. -
Chinese Cultural Values and Chinese Language Pedagogy
CHINESE CULTURAL VALUES AND CHINESE LANGUAGE PEDAGOGY A Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of the Ohio State University By Bo Zhu, M.A. The Ohio State University Master’s Examination Committee Approved by Dr. Galal Walker, Adviser Dr. Mari Noda ________________________________ Adviser Graduate Program in East Asian Languages and Literatures Copyright @ 2008 Bo Zhu ABSTRACT Cultural values hold great control on people’s social behaviors. To become culturally competent, it is important for second language learners to understand primary cultural values in the target culture and to behave in accordance with those values. Cultural themes are the behavioral norms that people share in a society in pursuit of cultural values, which help learners relate what they learn to do with cultural values. The purpose of this study is to identify pedagogical cultural values and cultural themes in Chinese language education and propose a performance-based language curriculum, which integrates cultural values and cultural themes into language pedagogy. There are mainly three research questions discussed. First, what are the primary components in the Chinese cultural value system? Second, how is a cultural value manifest and managed in social behaviors? Third, how can a performance-based language curriculum integrate cultural values and cultural themes? This thesis analyzes the nature of cultural values and the components of Chinese cultural value system, with goals to identify pedagogical cultural values in Chinese language education. Seven cultural values are selected based on proposed criteria as primary pedagogical cultural themes in Chinese language education. -
Handbook of Chinese Mythology TITLES in ABC-CLIO’S Handbooks of World Mythology
Handbook of Chinese Mythology TITLES IN ABC-CLIO’s Handbooks of World Mythology Handbook of Arab Mythology, Hasan El-Shamy Handbook of Celtic Mythology, Joseph Falaky Nagy Handbook of Classical Mythology, William Hansen Handbook of Egyptian Mythology, Geraldine Pinch Handbook of Hindu Mythology, George Williams Handbook of Inca Mythology, Catherine Allen Handbook of Japanese Mythology, Michael Ashkenazi Handbook of Native American Mythology, Dawn Bastian and Judy Mitchell Handbook of Norse Mythology, John Lindow Handbook of Polynesian Mythology, Robert D. Craig HANDBOOKS OF WORLD MYTHOLOGY Handbook of Chinese Mythology Lihui Yang and Deming An, with Jessica Anderson Turner Santa Barbara, California • Denver, Colorado • Oxford, England Copyright © 2005 by Lihui Yang and Deming An All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publishers. Library of Congress Cataloging-in-Publication Data Yang, Lihui. Handbook of Chinese mythology / Lihui Yang and Deming An, with Jessica Anderson Turner. p. cm. — (World mythology) Includes bibliographical references and index. ISBN 1-57607-806-X (hardcover : alk. paper) — ISBN 1-57607-807-8 (eBook) 1. Mythology, Chinese—Handbooks, Manuals, etc. I. An, Deming. II. Title. III. Series. BL1825.Y355 2005 299.5’1113—dc22 2005013851 This book is also available on the World Wide Web as an eBook. Visit abc-clio.com for details. ABC-CLIO, Inc. 130 Cremona Drive, P.O. Box 1911 Santa Barbara, California 93116–1911 This book is printed on acid-free paper. -
Is Allah the Shangdi, the Supreme God?
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Kansai University Repository Is Allah the Shangdi, the Supreme God? 著者 Sato Minoru journal or Cultural Reproduction on its Interface: From publication title the Perspectives of Text, Diplomacy, Otherness, and Tea in East Asia page range 139-164 year 2010-03-31 URL http://hdl.handle.net/10112/3383 Is Allah the Shangdi, the Supreme God? SATO Minoru Translated: UMEKAWA Sumiyo Introduction This paper will investigate the meaning of what could be called “the idea of the equation of Islam with Confucianism”, in which the Islamic thoughts and Confucian ideas were conceived as the same. The investigation will be done through measuring the gap between the Islamic God and tian 天 or Shangdi 上帝, the Supreme God in Confucianism on the basis of the transliterations of God within Islamic manuscripts written in Chinese. By so doing, the paper will also examine the attitudes of Chinese Muslim literati toward the translation. It was Muslims living in Nanjing and Yunnan who were central fi gures during pre-modern periods to cover themselves with the production of Islamic materials in Chinese. They spoke Chinese as their mother tongues and believed Islam. It was certainly Chinese society where they lived, in which Muslim was minority. What sorts of problems they faced when they tried to express their own belief in Chinese amongst such circumstances? How the confrontation of Confu- cianism and Islam within a self evolved? Through this investigation, we will keep these questions in mind, too. -
The Chinese Concept of Tian (Heaven): Part 2 by Yao Jiugang
[AJPS 21.2 (August 2018), pp. 47-58] The Chinese Concept of Tian (Heaven): Part 2 by Yao Jiugang (Stephen) In Part 1 of this paper, we mentioned three differing ways of viewing Tian: as one god among many, as an indifferent creator, or as the approachable God of the Bible. The paper reviewed God’s accessibility, and how He reveals Himself to mankind. In the following pages we will consider the controversy over Tian in depth. On the one hand, both Communism and some Christians posit that Tian is a god/an idol. The author observes that some Christians take Tian as a grandpa god, but neglect the fact that there are no images of Tian. In this part, we will investigate how some communist scholars take Tian as a god who is either superior or inferior to other gods. On the other hand, influenced by animism, some people view Tian as a distant Being from humankind, yet many Christian scholars believe that Tian is the God revealed by the Bible, approachable and accessible. Is Tian distant from humankind or is Tian the Eternal God, approachable and accessible? The author makes his case for a correct understanding of God point-by-point using evidence regarding God’s lordship. The Controversy Over Tian Controversy is not always harmful, for through controversy we may come closer to truth. Thus, by exploring different views of the Chinese concept of Tian, this paper aims to know deeper about Tian as God, rather than as a god, or an indifferent God. Presented first is an overview of the three views of Tian to be followed by a detailed explanation of each one. -
UNDERSTANDING CHINA a Diplomatic and Cultural Monograph of Fairleigh Dickinson University
UNDERSTANDING CHINA a Diplomatic and Cultural Monograph of Fairleigh Dickinson University by Amanuel Ajawin Ahmed Al-Muharraqi Talah Hamad Alyaqoobi Hamad Alzaabi Molor-Erdene Amarsanaa Baya Bensmail Lorena Gimenez Zina Ibrahem Haig Kuplian Jose Mendoza-Nasser Abdelghani Merabet Alice Mungwa Seddiq Rasuli Fabrizio Trezza Editor Ahmad Kamal Published by: Fairleigh Dickinson University 1000 River Road Teaneck, NJ 07666 USA April 2011 ISBN: 978-1-457-6945-7 The opinions expressed in this book are those of the authors alone, and should not be taken as necessarily reflecting the views of Fairleigh Dickinson University, or of any other institution or entity. © All rights reserved by the authors No part of the material in this book may be reproduced without due attribution to its specific author. THE AUTHORS Amanuel Ajawin is a diplomat from Sudan Ahmed Al-Muharraqi is a graduate student from Bahrain Talah Hamad Alyaqoobi is a diplomat from Oman Hamad Alzaabi a diplomat from the UAE Molor Amarsanaa is a graduate student from Mongolia Baya Bensmail is a graduate student from Algeria Lorena Gimenez is a diplomat from Venezuela Zina Ibrahem is a graduate student from Iraq Ahmad Kamal is a Senior Fellow at the United Nations Haig Kuplian is a graduate student from the United States Jose Mendoza-Nasser is a graduate student from Honduras Abdelghani Merabet is a graduate student from Algeria Alice Mungwa is a graduate student from Cameroon Seddiq Rasuli is a graduate student from Afghanistan Fabrizio Trezza is a graduate student from Italy INDEX OF -
Understanding Chinese Culture and Communication: the Yin Yang Approach1
Understanding Chinese Culture and Communication: 1 The Yin Yang Approach Tony Fang Stockholm University INTRODUCTION China is emerging as a world economic superpower in the age of globalization, foreign direct investment (FDI), and Internet. China has been for many years rated as the most attractive destination for FDI by CEOs and CFOs from around the world (see A.T. Kearney Investor Confidence Index for miscellaneous years). Many share the assertion of Charles Browne, President of Du Pont China, that “If you go to our headquarters and ask which region we are concentrating on, the answer is that we are focused on China, China, China” (Fernandez & Underwood, 2006: xiv). With nearly 600,000 foreign-invested companies including over 400 of the Fortune 500 global firms operating on Chinese soil (Fang, Zhao, & Worm, 2008) China is undisputedly one of the world’s most competitive marketplaces. As Schlevogt (2002: 18) observed: “China is the ultimate test ground for leadership skills and a company’s ability to excel in other nonstructured situations… If you can make it here, you can make it anywhere!” Research shows that an in-depth understanding of Chinese culture is key to success in the Chinese market in particular and in the relationships with China in general (Chen, 2001; Child, 1990; Fang, 1999; Tung, Worm, & Fang, 2008; Fernandez & Underwood, 2006). China is one of the world’s oldest civilizations with a splendid culture. But what is the uniqueness of Chinese culture that transcends the Chinese society from its “blue gowns” and “bound -
A New Model in the Study of Chinese Mythology
Journal of chinese humanities 3 (���7) �-�� brill.com/joch A New Model in the Study of Chinese Mythology Liu Yuqing 劉毓慶 Professor of Literature, Shanxi University, China [email protected] Translated by Casey Lee Abstract Chinese mythology [shenhua 神話] does not exist independently as a cultural medium like mythology does in the West but, rather, comprises ideological and narrative forms that emerge according to historical and cultural trends. Not only have myths withstood humanity’s conquest of nature, but they have drawn and continue to draw on the mys- teries of scientific development for new content. It is possible to identify three high- points of creativity in the history of Chinese mythology, each corresponding to shifts in the function and nuance of myths. The first highpoint occurred very early on in China’s ancient history, in the period of the Three Sovereigns and Five Emperors [wudi san- wang 五帝三王], when myths were a way to articulate history—that is, history as myth. The second highpoint occurred in the period from the Qin through Jin dynasties, when mythology mainly expounded on philosophy and theory—that is, philosophy as myth. The third highpoint occurred during the Yuan and Ming dynasties, when the narrative content of mythology turned toward the religious—that is, religion as myth. Keywords ancient Chinese history – The Classic of the Mountains and Seas – myth – mythology Mythology is a Western concept. The study of Chinese mythology dates back only to the broad dissemination of Western learning in early twentieth century China and, for most of the past century, has employed concepts, theories, clas- sifications, and research methods developed by Western scholars. -
8 · Chinese Cosmographical Thought: the High Intellectual Tradition
8 · Chinese Cosmographical Thought: The High Intellectual Tradition JOHN B. HENDERSON Chinese cosmographical thought of premodern times was to establish just what these relationships were. Hence this not as concerned as its counterparts in Western civili chapter must rely largely on verbal descriptions for its zations with the overall shape of the world or structure account of Chinese cosmographical thought in its form of the cosmos. There is no pre-seventeenth-century ative phase in the Han era (206 B.C.-A.D. 220), though Chinese equivalent of the medieval European mappae graphic reconstructions dating from the Song and later mundi or of Western representations of the earth show will be included where they are helpful and relevant. ing its various cosmographical divisions or climatic zones. A glance at these reconstructions reveals that most of The widely held conception that China comprised "all them were patterned on the same model, a square divided under heaven" (tianxia), as well as the geographical iso into nine equal squares resembling the form of a simple lation of Chinese civilization, may have contributed to magic square or three-by-three grid. Cosmographers in Chinese cosmographers' lack of interest in outlining, traditional China applied this plan to the conceptuali either realistically or schematically, the form of the world zation and arrangement of such diverse kinds of space as as a whole. Whatever the explanation, traditional Chinese astronomical, political, agrarian, urban, and architectural. cosmographical charts generally represent structures in Just as Sir Thomas Browne, according to Coleridge, saw such microcosmic dimensions as the architectural, the "Quincunxes [or lozenges] in Heaven above, Quincunxes urban, and the agrarian rather than depicting the shape in Earth below, & Quincunxes in the water beneath the of the earth or the system of the world.