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READING JOHN STEINBECK ^ Jboctor of $Iitldfi
DECONSTRUCTING AMERICA: READING JOHN STEINBECK ABSTRACT OF THE THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF ^ JBoctor of $IitlDfi;opI)p IN ENGLISH \ BY MANISH SINGH UNDER THE SUPERVISION OF DR. MADIHUR REHMAN DEPARTMENT OF ENGLISH ALIGARH MUSLIM UNIVERSITY ALIGARH (INDIA) 2013 Abstract The first chapter of the thesis, "The Path to Doom: America from Idea to Reality;'" takes the journey of America from its conception as an idea to its reality. The country that came into existence as a colony of Great Britain and became a refuge of the exploited and the persecuted on one hand and of the outlaws on other hand, soon transformed into a giant machine of exploitation, persecution and lawlessness, it is surprising to see how the noble ideas of equality, liberty and democracy and pursuit of happiness degenerated into callous profiteering. Individuals insensitive to the needs and happiness of others and arrogance based on a sense of racial superiority even before they take root in the virgin soil of the Newfoundland. The effects cf this degenerate ideology are felt not only by the Non-White races within America and the less privileged countries of the third world, but even by the Whites within America. The concepts of equality, freedom, democracy and pursuit of happiness were manufactured and have been exploited by the American ruling class.The first one to experience the crawling effects of the Great American Dream were original inhabitants of America, the Red Indians and later Blacks who were uprooted from their home and hearth and taken to America as slaves. -
Xerox University Microfilms
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
America and Americans: and Selected Nonfiction Free
FREE AMERICA AND AMERICANS: AND SELECTED NONFICTION PDF John Steinbeck,Jackson J Benson,Susan Shillinglaw | 448 pages | 28 Jul 2004 | Penguin Putnam Inc | 9780142437414 | English | New York, NY, United States America and Americans and Selected Nonfiction by John Steinbeck, Paperback | Barnes & Noble® Goodreads helps you keep track of books you want to America and Americans: And Selected Nonfiction. Want to Read saving…. Want to America and Americans: And Selected Nonfiction Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Jackson J. Benson Editor. Susan Shillinglaw Editor. More than four decades after his death, John Steinbeck remains one of the nation's most beloved authors. Yet few know of his career as a journalist who covered world events from the Great Depression to Vietnam. Now, this distinctive collection offers a portrait of the artist as citizen, deeply engaged in the world around him. In addition to the complete text of Steinbeck's More than four decades after his death, John Steinbeck remains one of the nation's most beloved authors. In addition to the complete text of Steinbeck's last published book, America and Americansthis volume brings together for the America and Americans: And Selected Nonfiction time more than fifty of Steinbeck's finest essays and journalistic pieces on Salinas, Sag Harbor, Arthur Miller, Woody Guthrie, the Vietnam War and more. For more than seventy years, Penguin has been the America and Americans: And Selected Nonfiction publisher of classic literature in the English- speaking world. -
In Dubious Battle (1936, Read in Book Groups), and Consideration of of Mice and Men (1937) and the Grapes of Wrath (1939)
San José State University Humanities and the Arts/ Department of English English 167, Steinbeck, Fall 2017 Instructor: Susan Shillinglaw Office Location: FOB 118 Telephone: 408-924-4487 Email: [email protected] Office Hours: T/TH: 1:30-2:30 Class Days/Time: Tues/Thurs 12:00-1:15 Classroom: BBC 130 Course Description John Steinbeck, Californian, was intimately connected with the region of his birth. Born in Salinas in 1902, he grew up loving the broad Salinas Valley, “Salad Bowl of the Nation.” On the shores of the nearby Pacific his family had a summer retreat, and throughout his life he yearned to be near the sea. At age 14, Steinbeck knew he wanted be a writer, and he spent a lifetime writing about humans living in place-- about the connections between and among human, animals, environment, region. Long after he had left California for the east coast, John Steinbeck admitted that he kept “the tone of Salinas in my head like a remembered symphony.” This class will begin by considering Steinbeck’s finely honed sense of place, considering two books about the Salinas Valley--To a God Unknown (1933) and the short stories collected in The Long Valley (1938)--and one about Monterey, Tortilla Flat (1935). We will then turn to Steinbeck’s stance as socially engaged writer, with class reports on In Dubious Battle (1936, read in book groups), and consideration of Of Mice and Men (1937) and The Grapes of Wrath (1939). Next we will consider Steinbeck’s ecological vision, which was enriched by his friendship with marine biologist Edward F. -
Social Critic and Ecologist
Narrative Section of a Successful Application The attached document contains the grant narrative and selected portions of a previously funded grant application. It is not intended to serve as a model, but to give you a sense of how a successful application may be crafted. Every successful application is different, and each applicant is urged to prepare a proposal that reflects its unique project and aspirations. Prospective applicants should consult the Summer Seminars and Institutes application guidelines at http://www.neh.gov/grants/education/summer-seminars-and-institutes for instructions. Applicants are also strongly encouraged to consult with the NEH Division of Education Programs staff well before a grant deadline. Note: The attachment only contains the grant narrative and selected portions, not the entire funded application. In addition, certain portions may have been redacted to protect the privacy interests of an individual and/or to protect confidential commercial and financial information and/or to protect copyrighted materials. The page limit for the narrative description is now fifteen double-spaced pages. Project Title: John Steinbeck: Social Critic and Ecologist Institution: San Jose State University Research Foundation Project Director: Susan Shillinglaw Grant Program: Summer Seminars and Institutes 400 7th Street, SW, Washington, D.C. 20024 P 202.606.8500 F 202.606.8394 E [email protected] www.neh.gov JOHN STEINBECK: SOCIAL CRITIC AND ECOLOGIST A SUMMER INSTITUTE FOR MIDDLE AND HIGH SCHOOL TEACHERS 1. TABLE OF CONTENTS 2. NARRATIVE DESCRIPTION 1 A. INTELLECTUAL RATIONALE 1 B. PROGRAM OF STUDY 3 Structure 4 1. Themes and Questions 5 2. Core Readings and Approaches 5 3. -
©2013 Casey Shevlin All Rights Reserved
©2013 CASEY SHEVLIN ALL RIGHTS RESERVED A SYSTEM WITH PARTS AND PLAYERS: THE AMERICAN LYNCH MOB IN JOHN STEINBECK’S LABOR TRILOGY A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts Casey Shevlin May, 2013 A SYSTEM WITH PARTS AND PLAYERS: THE AMERICAN LYNCH MOB IN JOHN STEINBECK’S LABOR TRILOGY Casey Shevlin Thesis Approved: Accepted: ______________________________ ______________________________ Advisor Dean of College Dr. Patrick Chura Dr. Chand Midha ______________________________ ______________________________ Committee Member Dean of Graduate School Dr. Hillary Nunn Dr. George R. Newkome ______________________________ ______________________________ Committee Member Date Dr. Julie Drew ______________________________ Department Chair Dr. William Thelin ii TABLE OF CONTENTS Page LIST OF FIGURES………………………………………………………………………iv CHAPTER I. INTRODUCTION………………………………………………………………………1 II. “THEY’RE THE SAME ONES THAT LYNCH NEGROES”: VIGILANTES AND LYNCH MOBS IN STEINBECK’S IN DUBIOUS BATTLE……...…………………....7 III. STEINBECK’S OF MICE AND MEN: A LYNCHING NOVEL……………….….27 IV. STEINBECK’S THE GRAPES OF WRATH: LYNCHING AND RACIAL INSTABILITY IN THE 1930s WEST…………………………………………………..47 V. CONCLUDING THOUGHTS…………………………………..................................67 LITERATURE CITED.………………………………………………………………….71 iii LIST OF FIGURES Figure Page 3.1 Life Magazine Photo………………………..........……………………..………..29 iv CHAPTER I INTRODUCTION This thesis will explore the subject of lynching in John Steinbeck’s work, specifically his 1930s labor trilogy: In Dubious Battle (1936), Of Mice and Men (1937), and The Grapes of Wrath (1939). My interest in John Steinbeck’s work and its connection to lynching was sparked by a particular reading of his 1937 novel, Of Mice and Men. I say particular because I have encountered the novel many times. -
John Steinbeck
John Steinbeck Authors and Artists for Young Adults, 1994 Updated: July 19, 2004 Born: February 27, 1902 in Salinas, California, United States Died: December 20, 1968 in New York, New York, United States Other Names: Steinbeck, John Ernst, Jr.; Glasscock, Amnesia Nationality: American Occupation: Writer Writer. Had been variously employed as a hod carrier, fruit picker, ranch hand, apprentice painter, laboratory assistant, caretaker, surveyor, and reporter. Special writer for the United States Army during World War II. Foreign correspondent in North Africa and Italy for New York Herald Tribune, 1943; correspondent in Vietnam for Newsday, 1966-67. General Literature Gold Medal, Commonwealth Club of California, 1936, for Tortilla Flat, 1937, for novel Of Mice and Men, and 1940, for The Grapes of Wrath; New York Drama Critics Circle Award, 1938, for play Of Mice and Men; Academy Award nomination for best original story, Academy of Motion Picture Arts and Sciences, 1944, for "Lifeboat," and 1945, for "A Medal for Benny"; Nobel Prize for literature, 1962; Paperback of the Year Award, Marketing Bestsellers, 1964, for Travels with Charley: In Search of America. Addresses: Contact: McIntosh & Otis, Inc., 310 Madison Ave., New York, NY 10017. "I hold that a writer who does not passionately believe in the perfectibility of man has no dedication nor any membership in literature." With this declaration, John Steinbeck accepted the Nobel Prize for Literature in 1962, becoming only the fifth American to receive one of the most prestigious awards in writing. In announcing the award, Nobel committee chair Anders Osterling, quoted in the Dictionary of Literary Biography Documentary Series, described Steinbeck as "an independent expounder of the truth with an unbiased instinct for what is genuinely American, be it good or ill." This was a reputation the author had earned in a long and distinguished career that produced some of the twentieth century's most acclaimed and popular novels. -
Cathy Trask, Monstrosity, and Gender-Based Fears in John Steinbeck╎s East of Eden
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2014-06-01 Cathy Trask, Monstrosity, and Gender-Based Fears in John Steinbeck’s East of Eden Claire Warnick Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Classics Commons, and the Comparative Literature Commons BYU ScholarsArchive Citation Warnick, Claire, "Cathy Trask, Monstrosity, and Gender-Based Fears in John Steinbeck’s East of Eden" (2014). Theses and Dissertations. 5282. https://scholarsarchive.byu.edu/etd/5282 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Cathy Trask, Monstrosity, and Gender-Based Fears in John Steinbeck’s East of Eden Claire Warnick A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Carl H. Sederholm, Chair Francesca R. Lawson Kerry D. Soper Department of Humanities, Classics, and Comparative Literature Brigham Young University June 2014 Copyright © 2014 Claire Warnick All Rights Reserved ABSTRACT Cathy Trask, Monstrosity, and Gender-Based Fears in John Steinbeck’s East of Eden Claire Warnick Department of Humanities, Classics, and Comparative Literature, BYU Master of Arts In recent years, the concept of monstrosity has received renewed attention by literary critics. Much of this criticism has focused on horror texts and other texts that depict supernatural monsters. However, the way that monster theory explores the connection between specific cultures and their monsters illuminates not only our understanding of horror texts, but also our understanding of any significant cultural artwork. -
San José State University Humanities and the Arts/ Department of English English 167, Steinbeck, Fall 2013 Instructor: Susan Sh
San José State University Humanities and the Arts/ Department of English English 167, Steinbeck, Fall 2013 Instructor: Susan Shillinglaw Office Location: FOB 118 Telephone: 408-483-4968 Email: [email protected] Office Hours: Tues: 3-3:45; Thurs: 10:30-11:30 Class Days/Time: Tues/Thurs 12:00-1:15 Classroom: Sweeney Hall 348 Course Description John Steinbeck, Californian, was intimately connected with the region of his birth. Born in Salinas in 1902, he grew up loving the broad Salinas Valley, “Salad Bowl of the Nation.” On the shores of the nearby Pacific his family had a summer retreat, and throughout his life he yearned to be near the sea. At age 14, Steinbeck knew he wanted be a writer, and he spent a lifetime writing about humans living in place, about the connections between and among human, animals, environment, region. He wrote in the early 1930s: “Each figure is a population and the stones—the trees the muscled mountains are the world—but not the world apart from man—the world and man— the one inseparable unit man and his environment. Why they should ever have been understood as being separate I do not know. Man is said to come out of his environment. He doesn’t know when.” Steinbeck’s vision of place is holistic: human communities and natural communities intersect. We begin the semester with a book that fully explores the meaning of place, To a God Unknown. In this course we will also consider Steinbeck social vision, how that vision grows out of his sense of place. -
A Story of Repressed Feminism: Exploring Steinbeck’S Women Characters with Special Reference to ‘The Chrysanthemums’
International Journal of English Language and Linguistics Research Vol.5, No.1, pp.1-14, February 2017 ___Published by European Centre for Research Training and Development UK (www.eajournals.org) A STORY OF REPRESSED FEMINISM: EXPLORING STEINBECK’S WOMEN CHARACTERS WITH SPECIAL REFERENCE TO ‘THE CHRYSANTHEMUMS’ Abhik Maiti Pursuing M.A in English, University of Calcutta. M.A in History. P.G. Diploma in Tagore Literature. Diploma in Fine Arts. ABSTRACT: Historically speaking, women have been considered symbolic objects of use in a masculine structure and linguistic tokens, rather than wielders of words in their own right. Deleted or distorted by male-manipulated language, the female's quest for self-respect and fulfillment has been lost from culture and even consciousness for centuries. In the works of a writer like Steinbeck, who had strong confidence in his thorough understanding of "women's heart of hearts,” one might encode indices of a forgotten language, decipherable hieroglyphs. The primary theme of the story The Chrysanthemums is one that appears throughout Steinbeck’s canon, the issue of creative frustration. While The Long Valley is undeniably rich in female portraits, and in the portrayal of husband-and-wife relationships, Elisa’s and Mary’s portraits stand out as two sides of one conception: they seem to have been produced one after the other, if not conjointly, and to corroborate each other in the formulation of a correct relation of humans to their environment. Here understood through Elisa’s constant efforts at establishing herself as a successful planter of chrysanthemums, belittled by her materialistic, practical-minded husband, Henry Allen and betrayed rather robbed emotionally by the stranger with assurances of false dreams finally making her realize that her seeds of creative desire shall always be wasted. -
John Steinbeck's America : America and a Mericans (1966), the Neglected Work
Fac. Ltrs. Rev. (40), Otemon Gakuin Univ., Dec. 30,2004 John Steinbeck's America : America and A mericans (1966), the Neglected Work Tsuyoshi ISHIHARA This essay will examine John Steinbeck's last work, America and Americans (1966), as a cultural product which symbolizes the social milieu of America in the 1960s. First, it will clarify that America and Americans represents both critical and optimistic views on America shared by the public. Second, comparing it with his American travelogue Travels with Charley (1962), we will discuss the transformation of his views on America during the sixties from pessimistic to optimistic. In this discussion, we will pay attention to his involvement to the public sphere in the sixties. Finally, we will consider four main reasons for which America and Americans has been ignored in academia in contrast with its public popularity・ John Steinbeck starts his last work, America and Americans (1966), with the following notice : In text and pictures, this is a book of opinions, unashamed and individual It cannot even pretend to be objective truth. Of course it is opinion, conjecture, and speculation. What else could it be ? But at least it is informed by America, and inspired by curiosity, impatience, some anger, and a passionate love of America and the Americansべ7) It is clear that this book is entirely different from standard scholarly books usually hiding authors' personal feelings respecting "objective truths." However, some scholars measured it by scholarly standard. One of the leading Steinbeck scholar, Warren French, for instance, says in his recent book on Steinbeck's non-fiction writings: ‥.Themore serious structural weakness ...is his concluding with generalized and often stereotyped discussions of trends and tendencies in “American" development, with quite unrepresentative examples drawn from his own -23- JohnSteinbeck's America : America and Americans (1966),the Neglected Work experiencesべ110) The above criticism is true. -
2002 Conference: Steinbeck's Americas (PDF)
HOFSTRA CULTURAL CENTER presents JOHN STEINBECK’S AMERICAS A CENTENNIAL CONFERENCE Thursday, Friday, Saturday March 21, 22, 23, 2002 Registration Program Cooperating Institutions: Center for Steinbeck Studies at San José State University John Steinbeck Society of Japan HEMPSTEAD, NEW YORK 11549 PRE-CONFERENCE EVENT WEDNESDAY, MARCH 20, 2002 7 p.m. Student Center Theater North Campus ROUND-TABLE DISCUSSION: “Reassessing Steinbeck in the 21st Century” Robert J. DeMott Brian E. Railsback Ohio University Western Carolina University Warren G. French Kathleen Hicks Tallahassee, Florida Arizona State University Mimi Gladstein Louis Owens The University of Texas at El Paso University of California-Davis Photograph by Hans Namuth, courtesy of the estate of Hans Namuth. Conference Directors Ruth Prigozy Susan Shillinglaw Professor of English Professor of English and Hofstra University Director of the Center for Steinbeck Studies San José State University Conference Coordinator Natalie Datlof Executive Director Hofstra Cultural Center Hofstra Cultural Center gratefully acknowledges the support of Hofstra University Bookstore A service of BARNES & NOBLE 2 Thursday, March 21, 2002 9 a.m.-5 p.m. CONFERENCE REGISTRATION Student Center Theater Lobby North Campus 10-11 a.m. OPENING CEREMONY Welcome Ruth Prigozy Professor of English Hofstra University Susan Shillinglaw Professor of English and Director of the Center for Steinbeck Studies San José State University Greetings Stuart Rabinowitz President and Andrew M. Boas and Mark L. Claster Distinguished Professor of Law Hofstra University Keynote Address Morris Dickstein Distinguished Professor of English Queens College/CUNY and The Graduate Center/CUNY “Steinbeck and the Great Depression” 11:15 a.m.-12:15 p.m.