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Gloria Naylor: a Selected Bibliography Author(S): Tracy Butts Source: Callaloo , Autumn, 2000, Vol Gloria Naylor: A Selected Bibliography Author(s): Tracy Butts Source: Callaloo , Autumn, 2000, Vol. 23, No. 4 (Autumn, 2000), pp. 1497-1512 Published by: The Johns Hopkins University Press Stable URL: http://www.jstor.com/stable/3300094 JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms The Johns Hopkins University Press is collaborating with JSTOR to digitize, preserve and extend access to Callaloo This content downloaded from 64.121.99.5 on Mon, 22 Jun 2020 17:52:58 UTC All use subject to https://about.jstor.org/terms GLORIA NAYLOR A Selected Bibliography by Tracy Butts Primary Works (A Chronological Listing) Novels The Women of Brewster Place: A Novel in Seven Stories. New York: Viking, 1982. Paperback reprint, New York: Penguin, 1983. Linden Hills. New York: Ticknor & Fields, 1985. Paperback reprint, New York: Penguin, 1986. Mama Day. New York: Ticknor & Fields, 1988. Paperback reprint, New York: Vintage, 1989. Bailey's Cafe. New York: Harcourt, Brace, Jovanich, 1992. Paperback reprint, New York: Vintage/Random House, 1993. The Men of Brewster Place. New York: Hyperion, 1998. Articles, Essays, & Notes "A Life on Beekman Place." Essence 9 (March 1979): 84-96. "When Mama Comes to Call." Essence 13 (August 1982): 78-81. "A Message to Winston: To Black Men Who Are Gay." Essence 13 (November 1982): 79-85. "Famous First Words." New York Times Book Review (June 2, 1985): 52. "Reflections." Centennial. Ed. Michael Rosenthal. New York: Pindar Press, 1986. 68- 71. [Untitled "Hers" column]. New York Times (February 20, 1986): C2. "Power: Rx for Good Health." Ms. (May 1986): 58-60. "The Myth of the Matriarch." Life 11 (Spring 1988): 65. "Love and Sex in the Afro-American Novel." Yale Review 78 (1988): 19-31. "Sexual Ease." Essence (December 1988): 108. "African-American or Black: What's in a Name?" Ebony (July 1989): 80. Callaloo 23.4 (2000) 1497-1512 This content downloaded from 64.121.99.5 on Mon, 22 Jun 2020 17:52:58 UTC All use subject to https://about.jstor.org/terms CALLALOO "Graceful Passages." Essence (May 1990): 134. Staging a Novel: Bailey's Cafe. New York City, Mitzi Newhouse Theater. 27 October 1992. [Untitled]. Writers Dreaming. Ed. Naomi Epel. New York: Carol Southern Books, 1993. 167-77. "Of Fathers and Sons: A Daughter Remembers." In Their Footsteps. Ed. Henry Chase. New York: Henry Holt, 1994. 5-7. "Telling Tales and Mississippi Sunsets." Grand Mothers: Poems, Reminisces, and Short Stories about the Keepers of Our Traditions. Ed. Nikki Giovanni. New York: Henry Holt, 1994. 59-62. [Untitled]. I Know What the Red Clay Looks Like: The Voices and Vision of Black Women Writers. Ed. Rebecca Carroll. New York: Crown Trade Paperbacks, 1994.160-65. Interviews & Conversations An Evening with Gloria Naylor. (Minneapolis: Minneapolis Public Library and Infor- mation Center, 1991). Bellinelli, Mateo, dir. A Conversation with Gloria Naylor (videotape). Produced by RTSJ-Swiss Television. California Newsreel, 1992. Bonnetti, Kay. "An Interview with Gloria Naylor" (audiotape). New York: American Prose Library, 1988. Carabis, Angel. [Interview with Gloria Naylor]. Belles Lettres 7 (Spring 1992): 36-42. Fowler, Virginia. Appendix. "A Conversation with Gloria Naylor." Gloria Naylor: In Search of Sanctuary. Twayne United States Authors Series, #660. New York: Simon and Schuster Macmillan, 1996. 143-57. "Gloria Naylor and Toni Morrison: A Conversation." Southern Review 21 (1985): 567-93. Loris, Michelle C., and Sharon Felton. "The Human Spirit is a Kick-Ass Thing." The Critical Response to Gloria Naylor. Ed. Sharon Felton and Michelle C. Loris. Connecticut: Greenwood, 1997. 253-64. Pearlman, Mickey. "An Interview with Gloria Naylor." High Plains Literary Review 5 (Spring 1990): 98-107. Perry, Donna. "Gloria Naylor." Backtalk: Women Writers Speak Out. New Brunswick: Rutgers University Press, 1993. 217-44. ,and Katherine Usher Henderson. "Gloria Naylor." A Voice of One's Own: Conversations with American's Writing Women. Boston: Houghton Mifflin, 1990. 27-34. Rowell, Charles. "An Interview with Gloria Naylor." Callaloo: A Journal of African- American and African Arts and Letters 20.1 (Winter 1997): 179-92. 1498 This content downloaded from 64.121.99.5 on Mon, 22 Jun 2020 17:52:58 UTC All use subject to https://about.jstor.org/terms CALLALOO Other "Hidden Wealth?" First Words: Earliest Writingfrom Favorite Contemporary Authors. Ed. Paul Mandelbaum. Chapel Hill, N.C.: Algonquin Books, 1993. 364. Children of the Night: The Best Short Stories by Black Writers, 1967 to Present. Ed. Gloria Naylor. Boston: Little, Brown, 1995. Secondary Sources Andrews, Larry. "Black Sisterhood in Gloria Naylor's Novels." CLA Journal 33.1 (1989): 1-25. Analysis of Naylor's progression toward a "more complex vision of sister- hood" from her first novel to her third. Awkward, Michael. "Authorial Dreams of Wholeness: (Dis)Unity, (Literary) Parent- age, and The Women of Brewster Place." Inspiriting Influences: Tradition, Revision, and Afro-American Women's Novels. New York: Columbia University Press, 1989. 97-134. Reprinted in Gates and Appiah, Gloria Naylor, 37-70. Reads The Women of Brewster Place as a revision of Jean Toomer's Cane and Toni Morrison's The Bluest Eye. Bande, Usha. "Murder as Social Revenge in The Street and The Women of Brewster Place." Notes on Contemporary Literature 23.1 (1993): 4-5. Reads the "extreme violence" in the two texts as black women's reactions to society's failure to recognize them as human beings. Berg, Christine G. "'giving sound to the bruised places in their hearts': Gloria Naylor and Walt Whitman." Felton and Loris, Critical Response to Gloria Naylor, 98-111. Analysis of David's recitation of Whitman's poem "Whoever You are Holding Me Now in Hand" at his male lover's wedding in Linden Hills. Argues that Naylor's incorporation of Whitman's poetry "reveals... a connection be- tween writers of different races and a continuum of American literature as a whole...." Bobo, Jacqueline, and Ellen Seiter. "Black Feminism and Media Criticism: The Women of Brewster Place." Screen 32 (Autumn 1991): 286-302. Reprinted in Vision/Revi- sion: Adapting Contemporary American Fiction Women to Film, ed. Barbara Lupack, Ohio: Popular, 1996, 145-57. Also Reprinted in Felton and Loris, Critical Response to Gloria Naylor, 27-41. Discussion of the reception of the television adaptation of The Women of Brewster Place by African-American feminist critics. 1499 This content downloaded from 64.121.99.5 on Mon, 22 Jun 2020 17:52:58 UTC All use subject to https://about.jstor.org/terms CALLALOO Bouvier, Luke. "Reading in Black and White: Space and Race in Linden Hills." Gates and Appiah, Gloria Naylor, 140-51. Analysis of the relationship between language, race, gender, and geographi- cal space in Linden Hills. Boyd, Nellie. "Dominion and Proprietorship in Gloria Naylor's Mama Day and Linden Hills." MAWA-Review 5.2 (Dec. 1990): 56-68. Reprinted in Felton and Loris, Critical Response to Gloria Naylor, 76-80. Analysis of Naylor's use of propriety in her first two novels. Brantley, Jenny. "Women's Screams and Women's Laughter: Connections and Cre- ations in Gloria Naylor's Novels." Kelley, Gloria Naylor's Early Novels, 21-38. Examines how Naylor's use of screams and laughter in her first four novels creates stories of human grace and salvation. The screams result in "the creation of the narrative, of a story to be shared," whereas laughter "opens a place to begin the healing, and the healing leads to salvation." Brown, Amy Benson. "Writing Home: The Bible and Gloria Naylor's Bailey's Cafe." Homemaking: Women Writers and the Politics and Poetics of Home. Ed. Catherine Wiley and Fiona Barnes. New York: Garland, 1996. 23-42. Analysis of Naylor's use of biblical allusion in the novel. Asserts that the Bible serves as a "mythical home" which defines and builds women's sexual- ity and identity. Chavanelle, Sylvie. "Gloria Naylor's Bailey's Cafe': The Blues and Beyond." American Studies International 36.2 (1998): 58-73. Uses Ellison's definition of the blues "as an autobiographical chronicle of personal catastrophe expressed lyrically" to argue that Bailey's Cafe is a blues text. Christian, Barbara. "Naylor's Geography: Community, Class, and Patriarchy in The Women of Brewster Place and Linden Hills." Reading Black, Reading Feminist. Ed. Henry Louis Gates, Jr. New York: Meridian/Penguin, 1990. 348-73. Reprinted in Gates and Appiah, Gloria Naylor, 106-25. Exploration of the way in which setting affects gender and class in Naylor's first two novels. "No More Buried Lives: The Theme of Lesbianism in Audre Lorde's Zami, Gloria Naylor's The Women of Brewster Place, Ntozake Shange's Sassafras, Cypress, and Indigo, and Alice Walker's The Color Purple." Black Feminist Criticism. New York: Pergammon Press, 1985. 187-204. Argues that the treatment of lesbianism in the texts of African-American women writers shows a growing respectability. 1500 This content downloaded from 64.121.99.5 on Mon, 22 Jun 2020 17:52:58 UTC All use subject to https://about.jstor.org/terms CALLALOO Christol, Helene. "Reconstructing American History: Land and Genealogy in Gloria Naylor's Mama Day." The Black Columbiad: Defining Moments in African American Literature and Culture. Ed. Werner Sollors and Maria Diedrich. Cambridge: Harvard University Press, 1994. Reprinted in Felton and Loris, Critical Response to Gloria Naylor, 159-65. Explores the themes of topography, genealogy, and narrative voices in Mama Day and Linden Hills and shows how they "allow Naylor to reconstruct a parallel black history." Collins, Grace E.
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