Biblical Significance of Colors & Color Combinations
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Public Swimming Pools List of Director Approved Colors
Public Swimming Pools List of Director approved colors In accordance with the Ohio Administrative Code (OAC) rules 3701-31-02(G)(2) and (3) and 5.1(C)(1)(b) "the interior surfaces of pools and spas shall be painted white, unless the color is approved by the director." This requirement became effective Jan. 1, 1999 and was revised effective April 1, 2011; and applies to new pools and spas as well as existing pools/spas that will be repainted or will receive a new finish. The colors listed below were submitted to the Ohio Department of Health (ODH) and have been approved. This list does not apply to primer colors. This list also applies to other colored finishes such as tile and pool/spa liners. This list may be periodically revised to add or delete colors. If you have any questions, please call the Public Swimming Pool Program at 614-644-7438. This is not a comprehensive list: any color may be submitted by the manufacturer and be evaluated on a case by case basis. Black or dark lane markers and target marks are exempted from this requirement provided that they meet the standards of the appropriate governing body. Submittals may be sent to: Ohio Department of Health Bureau of Environmental Health and Radiation Protection 246 North High Street Columbus, OH 43215 Attn: Public Swimming Pool Program Any logos or other unique artwork proposed for the pool/spa bottom must be submitted to and approved by ODH. Contact the Public Swimming Pool Program for additional information about logo submissions. -
COMPLETE WARDROBE of SHADES. for BEST RESULTS, Dr.’S REMEDY SHADE COLLECTION SHOULD BE USED TOGETHER with BASIC BASE COAT and CALMING CLEAR SEALING TOP COAT
COMPLETE WARDROBE OF SHADES. FOR BEST RESULTS, Dr.’s REMEDY SHADE COLLECTION SHOULD BE USED TOGETHER WITH BASIC BASE COAT AND CALMING CLEAR SEALING TOP COAT. ALTRUISTIC AMITY BALANCE NEW BOUNTIFUL BRAVE CHEERFUL CLARITY COZY Auburn Amethyst Brick Red BELOVED Blue Berry Cherry Coral Cafe A playful burnt A moderately A deep Blush A tranquil, Bright, fresh and A bold, juicy and Bright pinky A cafe au lait orange with bright, smokey modern Cool cotton candy cornflower blue undeniably feminine; upbeat shimmer- orangey and with hints of earthy, autumn purple. maroon. crème with a flecked with a the perfect blend of flecked candy red. matte. pinkish grey undertones. high-gloss finish. hint of shimmer. romance and fun. and a splash of lilac. DEFENSE FOCUS GLEE HOPEFUL KINETIC LOVEABLE LOYAL MELLOW MINDFUL Deep Red Fuchsia Gold Hot Pink Khaki Lavender Linen Mauve Mulberry A rich A hot pink Rich, The perfect Versatile warm A lilac An ultimate A delicate This renewed bordeaux with classic with shimmery and ultra bright taupe—enhanced that lends everyday shade of juicy berry shade a luxurious rich, romantic luxurious. pink, almost with cool tinges of sophistication sheer nude. eggplant, with is stylishly tart matte finish. allure. neon and green and gray. to springs a subtle pink yet playful sweet perfectly matte. flirty frocks. undertone. & classic. MOTIVATING NOBLE NURTURE PASSION PEACEFUL PLAYFUL PLEASING POISED POSITIVE Mink Navy Nude Pink Purple Pink Coral Pink Peach Pink Champagne Pastel Pink A muted mink, A sea-at-dusk Barely there A subtle, A poppy, A cheerful A pale, peachy- A high-shine, Baby girl pink spiked with subtle shade that beautiful with sparkly fresh bubble- candy pink with coral creme shimmering soft with swirls of purple and cocoa reflects light a hint of boysenberry. -
Trees for Good Fall Color
Selecting Trees for Good Fall Color he fall or spring of the year is an excellent time to plant deciduous trees. Although weather conditions can affect the intensity and actual fall color that will develop on T the leaves from year to year, much of it has to do with the type of tree you plant and its genetic makeup. If you are looking for trees to add to your landscape that produce consistent good fall color from year to year, please refer to the list of some recommended shade and ornamental trees below. This list contains trees that will, in most years, turn a variety of brilliant shades of red, orange, scarlet, and/or purplish-red in autumn. Large trees American Sweetgum Black Gum (Nyssa (Liquidambar styraciflua)- sylvatica)- Yellow to Yellowish-purple-red; orange to scarlet to purple select seedless cultivars. shades. Gingko or Maidenhair Red Maple (Acer rubrum)- (Gingko biloba)- Excellent Colors will vary from red- clear yellow. orange red depending on specific cultivar. Sugar Maple (Acer Katsura Tree (Cercidi- saccharum)- Brilliant phyllum japonicum)- yellow, burnt orange to Yellow-soft apricot-orange. reds. White Oak (Quercus alba)- Common Baldcypress Brown to a rich red to wine (Taxodium distichum)- Soft color. brown to orangish-brown. Linden (Tilia)- Yellow-green American Yellowwood to yellowish. (Cladrastis kentuckea)- Yellow tones. Japanese Zelkova (Zelkova serrata)- Yellow-orange- bronze to deep reddish purples depending on cultivar. Medium Trees American Hornbeam Persian Parrotia or Persian (Carpinus caroliniana)- Ironwood (Parrotia Yellow, orange, red to persica)- Brilliant yellow to reddish-purple: varies orange to scarlet-red. according to cultivar. -
Red, Crimson, Scarlet) a Word Study By: Jonathan Machtemes (Results from KJV Word Search)
Determining Correct Colors in the Early Scriptures (Red, Crimson, Scarlet) a word study by: Jonathan Machtemes (results from KJV word search) Red H119 adm pass appears: 10x translated as: dyed red, red, ruddy related modern words ?: Lat. adamantem "iron" (produces red), many Euro etymologies on "adam/adem" words are in dispute, damage (in the sense of injury, bloodletting) related obry words: H122 adm- red, ruddy H125 admdm- reddish H132 admny- red, ruddy H1818 dm- blood (of living beings, or of grapes) H120 adm- man, "Adam" of gn odn "garden of Eden" H121 adm- "Adam" of gn odn "garden of Eden", city in knon "Canaan" H124 adm- sardius (stone, gem) H123 adum, adm- owu "Esau", due to Gen 25:30. Also related: H130 admy/ adumym- of adum="Edomite", or adumym="Edomites" pl. H127 adme- ground, or perhaps "Adamkind" (Gen 12:3) and so on passed based, in large part, on dm being the root. dm is blood. Blood is a familiar, naturally occurring substance. d, as bizarrely simplistic as it seems to me at times, seems to often draw one's attention specifically to the fact that it appears as a pointed tip. It's used in ahd- one, unity, bd- apart, or dd- nipple, teat, (also dud- beloved, as in "between the teats" or the emotions). a, on the other hand, seems to act most frequently as an augmentative or giver of strength. Perhaps it is a glyph of a bull, or something with horns. Additionally, the d can be seen in words with the meaning or idea of cutting: H1843 do, H1856 dqr, H1417 gdud, or in directional words od, qdm, H1864 drum. -
Pressure Ulcer Staging Cards and Skin Inspection Opportunities.Indd
Pressure Ulcer Staging Pressure Ulcer Staging Suspected Deep Tissue Injury (sDTI): Purple or maroon localized area of discolored Suspected Deep Tissue Injury (sDTI): Purple or maroon localized area of discolored intact skin or blood-fi lled blister due to damage of underlying soft tissue from pressure intact skin or blood-fi lled blister due to damage of underlying soft tissue from pressure and/or shear. The area may be preceded by tissue that is painful, fi rm, mushy, boggy, and/or shear. The area may be preceded by tissue that is painful, fi rm, mushy, boggy, warmer or cooler as compared to adjacent tissue. warmer or cooler as compared to adjacent tissue. Stage 1: Intact skin with non- Stage 1: Intact skin with non- blanchable redness of a localized blanchable redness of a localized area usually over a bony prominence. area usually over a bony prominence. Darkly pigmented skin may not have Darkly pigmented skin may not have visible blanching; its color may differ visible blanching; its color may differ from surrounding area. from surrounding area. Stage 2: Partial thickness loss of Stage 2: Partial thickness loss of dermis presenting as a shallow open dermis presenting as a shallow open ulcer with a red pink wound bed, ulcer with a red pink wound bed, without slough. May also present as without slough. May also present as an intact or open/ruptured serum- an intact or open/ruptured serum- fi lled blister. fi lled blister. Stage 3: Full thickness tissue loss. Stage 3: Full thickness tissue loss. Subcutaneous fat may be visible but Subcutaneous fat may be visible but bone, tendon or muscle are not exposed. -
Lititz Borough Shade Tree List Growth Habit Key Columnar Vase Shaped
Lititz Borough Shade Tree List Growth Habit Key Columnar Vase Shaped Pyramidal Rounded Spreading Small Trees – Mature Height Less Than Thirty Feet (30’) Species Common Name Growth Habit Form Description Crategus Winter King Hawthorn 20-35’ Broad, round head Multi- viridis colored ‘Winter bark, King’ ornamental fruit Prunus x incam Okame Cherry 15-25’ Vase-shaped, Attractive bark; ‘Okame’ becoming rounded with pink flowers in age early spring Syringa reticulata Ivory Silk Tree Lilac 20-25’ Uniform rounded White flowers ‘Ivory Silk’ shape in mid- Summer Medium Trees – Approximate Mature Height of Thirty to Fifty Feet (30-50’) Species Common Name Growth habit Form Description Carpinus American Hornbeam 20-30’ Round spreading, caroliniana native, fall color, to compaction tolerant Gleditsia Thornless Honeylocust 30-40’ Pyramidal Small, lightweight triancanthos var. leaves; Golden yellow inermis fall color; Produces ‘Imperial’ , light shade ‘Skyline’, or ‘Moraine’ Nyssa sylvatica Blackgum 20-30’ Fall foliage includes many shades of yellow, orange, red, purple and scarlet Ostrya American Hophornbeam 25-40’ Pyramidal in youth Attractive bark and virginiana becoming broad hop- like fruit; native to Quercus Sawtooth Oak 35-40’ Pyramidal in youth, Yellow fall color; acutissima becoming rounded attractive bark; to acorns Large Trees – Mature Height Greater Than Fifty Feet (50’) Species Common Name Form Growth Habit Description Acer rubrum Columnar Red Maples 50-60’ Columnar Red flowers, fruit, and ‘Bowhall’ or fall color; native Armstrong Acer rubrum -
RAL COLOR CHART ***** This Chart Is to Be Used As a Guide Only. Colors May Appear Slightly Different ***** Green Beige Purple V
RAL COLOR CHART ***** This Chart is to be used as a guide only. Colors May Appear Slightly Different ***** RAL 1000 Green Beige RAL 4007 Purple Violet RAL 7008 Khaki Grey RAL 4008 RAL 7009 RAL 1001 Beige Signal Violet Green Grey Tarpaulin RAL 1002 Sand Yellow RAL 4009 Pastel Violet RAL 7010 Grey RAL 1003 Signal Yellow RAL 5000 Violet Blue RAL 7011 Iron Grey RAL 1004 Golden Yellow RAL 5001 Green Blue RAL 7012 Basalt Grey Ultramarine RAL 1005 Honey Yellow RAL 5002 RAL 7013 Brown Grey Blue RAL 1006 Maize Yellow RAL 5003 Saphire Blue RAL 7015 Slate Grey Anthracite RAL 1007 Chrome Yellow RAL 5004 Black Blue RAL 7016 Grey RAL 1011 Brown Beige RAL 5005 Signal Blue RAL 7021 Black Grey RAL 1012 Lemon Yellow RAL 5007 Brillant Blue RAL 7022 Umbra Grey Concrete RAL 1013 Oyster White RAL 5008 Grey Blue RAL 7023 Grey Graphite RAL 1014 Ivory RAL 5009 Azure Blue RAL 7024 Grey Granite RAL 1015 Light Ivory RAL 5010 Gentian Blue RAL 7026 Grey RAL 1016 Sulfer Yellow RAL 5011 Steel Blue RAL 7030 Stone Grey RAL 1017 Saffron Yellow RAL 5012 Light Blue RAL 7031 Blue Grey RAL 1018 Zinc Yellow RAL 5013 Cobolt Blue RAL 7032 Pebble Grey Cement RAL 1019 Grey Beige RAL 5014 Pigieon Blue RAL 7033 Grey RAL 1020 Olive Yellow RAL 5015 Sky Blue RAL 7034 Yellow Grey RAL 1021 Rape Yellow RAL 5017 Traffic Blue RAL 7035 Light Grey Platinum RAL 1023 Traffic Yellow RAL 5018 Turquiose Blue RAL 7036 Grey RAL 1024 Ochre Yellow RAL 5019 Capri Blue RAL 7037 Dusty Grey RAL 1027 Curry RAL 5020 Ocean Blue RAL 7038 Agate Grey RAL 1028 Melon Yellow RAL 5021 Water Blue RAL 7039 Quartz Grey -
Close-Out List February 2014 Quantities Are Limited
Close-Out List February 2014 Quantities are limited. All freight charges are to be paid by purchaser. ALL SHIPMENTS ARE TO BE PAID C.O.D. or Credit Card New Additions for 2014! PM Coat Trouser MFR# Description Color Lapel # Price Price 915 4831 Jean Yves White Parisian Stripe Two Button Notch White Notch 913 4829 Jean Yves Chocolate Parisian Stripe Two Button Notch Chocolate Notch 905 7322C Joseph Abboud Black Chalk Pin Stripe Two Button Notch Black Notch 904 7340C Joseph Abboud Black Two Button Notch Black Notch 521 100TCNA Raffinati White Bari Notch Full Dress White Notch Plain Black Fabric Coats 835 41910 Perry Ellis Evening Black Astaire Three Button Cardigan Black None 531 T565 Imp Black Eton Gaberdine (Coat & Pant Set) Black None 899 722RAZ32 After Six Black Razor Stand-Up Collar (32”) Black Fashion 851 8642C FCGI Black Matisse Diagonal Three Button Mandarin Overlap (33”) Black Fashion 849 A7800 Andrew Fezza Black Jupiter Ten Button Mandarin (38”) Black Fashion 904 7340C Joseph Abboud Black Two Button Notch Black Notch 862 88802 Ecko II Black Dream Lay Down Collar (32”) Black Notch 818 81116 Claiborne Black Sparkle Citi-Nites Three Button Notch Black Notch 817 81117 Claiborne Black Vertigo Four Button Notch w/Fly Front Black Notch 807 7102C Calvin Klein Black Three Button Notch Black Notch 799 311121 Chaps Ralph Lauren Black Barrington Four Button Notch Black Notch 789 F7852 Andrew Fezza Captain in Black Three Button Notch Black Notch 747 81112 Claiborne for Men Black Five Button Notch Long Coat Black Notch 525 9650C FCGI Black -
Pink-To-Red Coral: a Guide to Determining Origin of Color
PINK-TO-RED CORAL: AGUIDE TO DETERMINING ORIGIN OF COLOR Christopher P. Smith, Shane F. McClure, Sally Eaton-Magaña, and David M. Kondo Pink-to-red coral has a long history as an ornamental gem material in jewelry, carvings, and sculptures. However, due to a variety of environmental and legal factors, the supply of high- quality, natural-color coral in this color range has dramatically decreased in recent years— and the quantity of dyed coral on the market has increased. From a study of more than 1,000 natural- and treated-color samples, this article summarizes the procedures that are useful to identify the color origin of pink-to-red coral. A variety of techniques—including magnifica- tion, exposure to acetone, and Raman analysis—can determine if the color of a piece of such coral is dyed. Although there are limitations to the use of magnification and acetone, Raman analysis can establish conclusively that the color is natural. oral is an organic gem material that has been This limitation has led to the practice of dyeing used for ornamental purposes (figure 1) for pale-colored and white coral into the more highly C several thousand years (see, e.g., Walton, valued shades of pink to red. Commonly, the coral 1959). Amulets of red coral dating back to 8000 BC is bleached prior to the dyeing process so that better were uncovered in Neolithic graves in Switzerland, penetration and more homogeneous coloration may coral jewelry was made in Sumeria and Egypt around be achieved (figure 3). Additionally, polymer 3000 BC, and Chinese cultures have valued coral high- impregnation—with or without a coloring agent— ly since about 1000 BC (Liverino, 1989). -
Powder Denim Sky Teal Midnight Cerulean Navy Turquoise Cornflower Periwinkle Royal Opal Cmg 08458 Cmg 1 26 27 3 4 6 29 30 31 2 32 33
MARCH 2010 House Beautiful sp ring ALL COLO | A BOUT issue BLUE POWDER DENIM SKY TEAL MIDNIGHT CERULEAN NAVY TURQUOISE CORNFLOWER PERIWINKLE ROYAL OPAL CMG 08458 1 26 27 3 4 6 29 30 31 2 32 33 5 28 34 7 8 36 10 11 9 50 BLUE FABRICS 35 14 12 13 15 37 38 41 40 19 39 47 17 43 44 45 18 46 16 20 42 23 24 25 49 21 48 22 50 1 CLOQUE DE COTON 6 ARIPEKA 10 STRIATE IN AQUA. KaTE 14 CHRISSY IN DENIM. ViCTOria 18 FORMIA 22 DJEBEL 26 GASTAAD PLAID IN CaPri. 31 LA GAROUPE 35 LUCE 39 JUPON BOUQUET 43 OcELOT IN AZUL. KaT BURKI 47 KHAN CASHMERE IN COLOR 8. DOMINIQUE KIEffER IN HYdraNGEA. ROGERS GabriEL THROUGH STUdiO HaGAN HOME COLLECTION: IN RUSCELLO. DECORTEX IN GaLET. LELIEVRE THROUGH EriC COHLER FOR LEE JOfa: IN INdiGO. RALPH LaUREN IN NaVY. MadELINE WEINrib IN AZURE BLUE COLLECTION FOR IN BLUE MIX. HOLLAND BY RUBELLI THROUGH & GOffiGON: 203-532-8068. FOUR NYC: 212-475-4414. 212-888-3241. THROUGH BRUNSCHWIG STarK fabriC: 212-355-7186. 800-453-3563. HOME : 888-743-7470. ATELIER: 212-473-3000, X780. AND WarM WHITE. FORTUNY: STarK fabriC: 212-355-7186. & SHErrY: 212-355-6241. BERGAMO: 914-665-0800. & FILS: 914-684-5800. 212-753-7153. 7 MYRSINI 11 SIERRA MADRE 15 TANZANIA IN BLUE. CHarLES 23 CHEVRON BAR 27 VIOLETTA N IN MOONLIGHT. 32 WOOL SATEEN 36 AlTAI IN BLUETTE. 44 HINSON SUEDE 48 BARODA II IN INdiGO ON 2 FIORI IN ATLANTIC ON SEA MIST. -
Mandevilla Bella.Pdf
New Mandevilla Bella Series Varieties 2020: Bella™ Deep Red This plant makes a big impact at retail and in the garden. Our biggest Bella in the series, this variety is well suited to larger containers and retails best on a trellis. The intense red color makes an impressive display and does not fade as the flowers age. This is a strong vining variety. Bella™ Grande Pink An impressive variety with very large, rosy pink flowers. Bella Grande Pink is well suited to larger containers such as gallons and patio pots. Plants will bloom continuously throughout the summer heat. Bella Grade Pink is colder sensitive and should be kept above 54ºF (12ºC) to avoid leaf drop. Bella™ Grande Red This variety has an improved deep red color, but performs very similar to the original Bella Red. This variety flowers later than others in the series but makes a great season extender item at retail. The growth habit is compact with dense branching, making a solid rounded plant that does not split in production or shipping, ensuring a great retail presentation. Bella™ Hot Pink Well suited for 6-inch or larger containers, Bella Hot Pink is one of the strongest, most dependable varieties in the series. In the first year, Bella Hot Pink has a strong, upright mounded habit perfect for pot production, but will start vining in year two if trellised plants are desired. A European favorite due to its tight well branched structure that does not fall apart as plants gain volume. Bella™ Pink Bella Pink produces a much higher flower count than the other standard pink varieties on the market. -
Purple Martin Project Our Vision
New York PurPle Martin Purple Martin P r o j e c t Project New York PHOTO JIM WILLIAMS Female and male parents share in building the nest to raise their young Adult female on the left shown with two of its young IN NEW YORK STATE, PURPLE MARTINS Check out these websites HAVE DECLINED BY 39% since 1985. for more information on purple martins: Help Reverse the Trend! www.friendsofiroquoisnwr.org/ The National Audubon Society suggests the purplemartins/media.html following ways that you can help to conserve newyorkwild.org/martin/martin_video.htm Purple Martins: purplemartin.org ■ Purchase or construct and install appropriate birds.audubon.org/species/purmar martin housing, including predator proofing. Project Partners Housing standards can be found at New York State Ornithological Association www.purplemartin.org Buffalo Audubon Society ■ Protect martin colonies from European Buffalo Ornithological Society Starlings and House Sparrows by trapping or Purple Martin Conservation Association otherwise removing these non-native nest Friends of Iroquois NWR site competitors. New York State Bluebird Society ■ Plant native trees, shrubs, flowers and Orleans Bluebird Society grasses which attract more insects than non- If you have questions about caring for a natives. In fact, they support almost 30 times Purple Martin colony, please contact: more insect diversity than introduced plants. FINWR c/o Carl Zenger ■ Avoid applying pesticides that kill or poison 1101 Casey Road flying insects that martins eat. Basom, NY 14013 Carl Zenger: [email protected] 716-434-7568 ■ Create a dragonfly pond to attract and breed these and other insects preferred by martins. Celeste Morien : [email protected] 585-721-8202 ■ Maintain a pile of small gravel or sand in an Pat Lynch: [email protected] open area for grit.