Reggie Washington 02
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Spirituals Et Gospel
SPIRITUALS ET GOSPEL un parcours dans les musiques sacrées afro-américaines. Médiathèque François Mitterrand Décembre 2010 1 Histoire des Négro-spirituals Les origines L'origine des Negro Spirituals remonte au temps de l'esclavage. Ces chants, empreints d'espoir et de ferveur religieuse, expriment tout le drame des populations africaines déracinées et vendues pour travailler dans les plantations du sud des Etats-Unis. Le Gospel est une création plus récente née dans les communautés noires américaines des grandes villes du Nord. Tout a commencé en 1619, lorsqu'un navire hollandais débarqua sur les côtes de Virginie les premiers esclaves africains. On trouva que ces hommes s'adaptaient bien au climat et qu'ils pouvaient être d'un excellent profit pour l'économie locale. Aussi d'autres navires négriers suivirent et, année après année, pendant plus de deux siècles, des centaines de milliers d'êtres humains furent arrachés à leur sol natal et transportés, dans des conditions effroyables, vers les rives américaines. Pendant la traversée. Gravure 1840 (Librairie du congrès) 2 L'esclavage fut à son apogée, au début du 19ème siècle, avec le développement du coton. En 1860 on comptait plus de quatre millions d'esclaves aux Etats Unis. La guerre de Sécession et l'influence des mouvements humanistes conduisirent à l'abolition de l'esclavage en 1865. Mais c'est à la même époque qu'apparut le Ku Klux Klan et les réactions ségrégationnistes. La lutte pour une complète et réelle liberté allait encore durer bien des années, jusqu'aux mouvements pour les droits civiques, entre 1960 et 1970, avec l'inoubliable figure de Martin Luther King. -
Downbeat.Com March 2014 U.K. £3.50
£3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene -
Reggie Washington 02
DETAILS DE L’ALBUM SORTIE MONDIALE 7 NOVEMBRE 2018 TRACKLISTING 01. Always Moving (1:13) REGGIE WASHINGTON 02. Fall (7:49) 03. Eleanor Rigby (3:37) 04. Half Position Woody (8:07) 05. Afro Blue (3:10) 06. E.S.P (9:27) « VINTAGE NEW ACOUSTIC » 07. Thoughts of Buckshot (0:58) 08. Footprints (9:29) 09. Moanin‘ (4:28) 10. B3 Blues 4 Leroy (9:44) 11. Always Moving (0:59) (Reprise Ending) PERSONNEL REGGIE WASHINGTON basse acoustique & électrique BOBBY SPARKS piano, Fender Rhodes, claviers & orgue FABRICE ALLEMAN saxophones E.J. STRICKLAND batterie META DATA ARTISTE: Reggie Washington TITRE: Vintage New Acoustic GENRE: Jazz LABEL: Jammin’colorS REF. CATALOGUE: JC18-007-2 UPC: 715235041031 STREET & RADIO ADD DATE: 7 Novembre 2018 AU SUJET DE REGGIE WASHINGTON Reggie est un artiste remarquable qui peut jouer de la basse acoustique et électrique, qui peut chanter, qui peut mélanger le jazz au funk et à la musique du monde tout en combinant la vie de leader et celle de sideman. Reggie Washington a joué un rôle clé dans la révolution du Jazz moderne des années 80 et 90. Il est connu pour ses tournées, ses enregistrements et ses per- formances avec Steve Coleman, Branford Marsalis, Roy Hargrove, Chico Hamil- ton, Oliver Lake, Cassandra Wilson, Don Byron, Jean-Paul Bourelly, Lester Bowie et Meshell Ndegeocello. En 2005, Reggie a commencé à tourner avec succès comme leader. Il a choisi un mélange de musiciens américains et européens tels que Ravi Coltrane, Gene Lake, Stéphane Galland, Jef Lee Johnson, Erwin Vann, Jacques Schwarz-Bart, EJ Strickland, Jozef Dumoulin, Matthew Garrison, Marcus Strickland, Jason Lindner, CONCERTS Poogie Bell et Ronny Drayton. -
The Carroll News
John Carroll University Carroll Collected The aC rroll News Student 3-26-1976 The aC rroll News- Vol. 58, No. 18 John Carroll University Follow this and additional works at: http://collected.jcu.edu/carrollnews Recommended Citation John Carroll University, "The aC rroll News- Vol. 58, No. 18" (1976). The Carroll News. 552. http://collected.jcu.edu/carrollnews/552 This Newspaper is brought to you for free and open access by the Student at Carroll Collected. It has been accepted for inclusion in The aC rroll News by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. St. Pat's Festivities Extend Into Week-long Celebration R~ .\1ary \ nne Garvey serve more than 5000 glasses of A hypnotist in the Rat on The luck of the Irish prevailed beer Thursday and a two band Student as Carroll students celebrated St. High winds and snow flurries Union Mixer on Friday rounded Patrick's Day with a week of forced the cancellation of the out the week. The mixer also festivities The Irish Club United Irish Societies of Greater provided the setting for the 2nd initialed the St. Pat's activities Cleveland's parade downtown, annual IPT chugging contest. with a night of entertainment in but CarroU students remained The lBG's won in the organiza the Rat Bar on March 15th . Linda undaunted bv the weather and tional category, beating the O'Malley. Sean Moore and Gerri the quad supplied the site for a IPT's by an eighth of a glass. The Gunn provided the music, which mini ·parade at 4: 15. -
Eté 2020 Sur La Route Des Festivals
estivals Fici et ailleurs Eté 2020 Sur la route des festivals Renaud Capuçon le 4 août à La Roque d’Antheron © -simon-fowler et des expositions Saint-Paul de Mausole - St-Rémy de Provence © Pierre Aimar Festivals p 29 - Festival du Mas Daudet p 4 - Festival de Lourmarin p 30 - Festival Valloire baroque p 5 - Festival Durance Luberon p 31 - Musique en Pays du Mont-Blanc p 6 - Festival Cuivres en Dombes p 32 - Festival de Lacoste p 6 - Sérénades en Baronnies p 32 - Festival de Soliès-Pont p 7 - Festival de Menton p 33 - Les Suds, à Arles p 8 - Rencontres de Riquer p 33 - Les Baroquiales Sospel p 8 - Nice Jazz Summer Sessions p 34 - Les Musicales du Luberon p 9 - La Balade des Cordes p 35 - Les Instants de Grasse p 10 - Festival de Sylvanès Expositions p 11 - Festival Jazz à Sète p 37 - Saint-Antoine l’Abbaye p 12 - Festival Pablo Casals p 37 - Abbaye de Montmajour p 14 - Festival Liszt en Provence p 38 - Aix Flâneries d’art p 16 - Dialogue au Carmélites p 38 - Annecy trésors romains p 17 - Saou chante Mozart p 39 - Arles Fondation Rivera-Ortiz p 18 - Festival de Bruniquel p 40 - Aubusson 10 ans de création p 19 - Musicales du Parc des Oiseaux p 40 - Avignon Viva Villa p 19 - Festival d’art lyrique de Salon p 41 - Avignon Joaquin Sorolla p 20 - Festival d’Ambronay p 42 - Avignon Jean-Marie Fage p 20 - Promenades musicales La Louvesc p 42 - Entre 4 yeux Villeneuve-Avignon p 21 - Festival des Arcs p 43 - Bonnard et Le Cannet p 21 - Albertville Jazz festival p 44 - Poët-Laval hommage à Y. -
Uptown Conversation : the New Jazz Studies / Edited by Robert G
uptown conversation uptown conver columbia university press new york the new jazz studies sation edited by robert g. o’meally, brent hayes edwards, and farah jasmine griffin Columbia University Press Publishers Since 1893 New York Chichester, West Sussex Copyright © 2004 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin All rights reserved Library of Congress Cataloging-in-Publication Data Uptown conversation : the new jazz studies / edited by Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin. p. cm. Includes index. ISBN 0-231-12350-7 — ISBN 0-231-12351-5 1. Jazz—History and criticism. I. O’Meally, Robert G., 1948– II. Edwards, Brent Hayes. III. Griffin, Farah Jasmine. ML3507.U68 2004 781.65′09—dc22 2003067480 Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 p 10 9 8 7 6 5 4 3 2 1 contents Acknowledgments ix Introductory Notes 1 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin part 1 Songs of the Unsung: The Darby Hicks History of Jazz 9 George Lipsitz “All the Things You Could Be by Now”: Charles Mingus Presents Charles Mingus and the Limits of Avant-Garde Jazz 27 Salim Washington Experimental Music in Black and White: The AACM in New York, 1970–1985 50 George Lewis When Malindy Sings: A Meditation on Black Women’s Vocality 102 Farah Jasmine Griffin Hipsters, Bluebloods, Rebels, and Hooligans: The Cultural Politics of the Newport Jazz Festival, 1954–1960 126 John Gennari Mainstreaming Monk: The Ellington Album 150 Mark Tucker The Man 166 John Szwed part 2 The Real Ambassadors 189 Penny M. -
Wherever They Play, Boney Fields and the Bone's Project Leave Behind Them a Lasting Impression. Like a High Energy Gunpowder T
© Matthieu FAURE – Brenda TURNNIDGE Wherever they play, Boney Fields and The Bone’s Project leave behind them a lasting impression. Like a high energy gunpowder trail, dispensing a cross of blues and funk which unites and rallies the masses in a heavenly musical communion. Fronted by the dynamic, trumpet player, singer/songwriter Boney Fields, the combo has gained a bigger and bigger following. The bowler-hatted musician has come a long way since founding his own band, ten years ago. If he comes from Chicago Blues, he has expanded the contours with an iron willed determination. A lover of soul, groove, jazz, Boney Fields knows, as do certain other musicians of his generation, that the life of blues exists through constant evolution and rejuvenation. With humility and conviction, he follows his own path finding his own originality on the way. A man resolutely of his time, yet also immersed in the heritage of his musical forefathers, Boney Fields proves that the blues still has some great days ahead of it. Romain GROSMAN (Vibrations – Jazz News – Les Inrocks …) CHANGING FOR THE FUTURE BIOGRAPHY Boney Fields hails from the Chicago ghetto, where he was born at the end of the fifties. In his family, some played blues, others gospel. He studied jazz at In 1999 he produced « Hard Work » his college choosing the trumpet, « cause I first self produced album. An loved Louis Armstrong » he recalls. atmosphere « Blaxploitation » soul-blues Amongst his favourite artists : James horns : the musician wrote most of the Brown, Tina Turner and Otis Redding. tracks. Soon after, he started hanging out in the On 2003’s « Red Wolf » released under blues clubs in the « Windy City ». -
20 Years of Progress S Professor of the Year S Mayor Teresa Isaac
TTSpringransylvaniaransylvania 2003 UNIVERSITY MAGAZINE Collaborative Research Students benefit from working with professors 20 Years of Progress ■ Professor of the Year ■ Mayor Teresa Isaac ’76 There are FacesI Remember… Alumni Weekend 2003 April 25-27 There are many faces you remember from your days at Transylvania.Though some have changed, you won’t want to miss the opportunity to renew acquaintances with your classmates, friends, and faculty members during Alumni Weekend 2003. Highlights include a golf outing, an afternoon at Keeneland, the Pioneer Hall of Fame dinner and induction of new members, TGIF kick- off party, alumni luncheon, class reunion receptions and dinners, campus tours, and educational seminars. An invitation with a detailed schedule is being mailed to alumni. This year for the first time, you can register on-line through a secure site using your Visa or MasterCard. Go to www.transy.edu/alumni.html, click on the Reunions/Alumni Weekend link, and then choose Register On-line. Plan now to get together with lots of friendly faces in April. TransylvaniaUNIVERSITY MAGAZINE SPRING/2003 Features 2 20 Years of Progress Transylvania has prospered during the remarkable 20-year tenure of President Charles L. Shearer 5 Beyond the Classroom Students benefit from research projects that help 2 them expand their knowledge, prepare for the future 8 A Rich Learning Experience Kentucky Professor of the Year award recognizes Jack Furlong’s extraordinary teaching abilities 10 Leading Lexington New urban-county mayor Teresa Isaac ’76 draws 5 strength from Transylvania ties and heritage 12 The Realization of a Dream Edward Eckenhoff ’66 is president and CEO of a nationally ranked rehabilitation center Departments 10 14 Around Campus 22 Sports Alumni News and Notes 23 Class Notes 25 Alumni Profile: Julie Dodd ’72 28 Alumni Profile: Jim Parrott ’89 29 Marriages, births, obituaries on the cover Director of Public Relations: Sarah A. -
Tommy Sands Concert, Location to Be Announced
Folk Music Society of New York, Inc. July-August 2007 vol 42, No.7 July 9 Mon FMSNY Exec. Board Meeting; 7:15pm location tba 10 Tue Sea Music: Robbie O'Connell+ NY Packet; 6pm, South Street Seaport 14 Sat Chantey Sing at Seamen’s Church Institute, 8pm 15 Sun Singing Party on Staten Island at Helen Levin’s; 2 pm 17 Tue Sea Music: Anne Price + NY Packet; 6pm, South Street Seaport 29 Sun John Roberts House Concert, 1:30pm in Sparrowbush, NY August 1WedFolk Open Sing 7 pm in Brooklyn 4 Sat Sing and Swim Party at the Cohens’; Queens 11 Sat Chantey Sing at Seamen’s Church Institute, 8pm. 26 Sun Picnic/Sing, noon at Ritchie-Pickow home, Port Washington 29 Wed Newsletter Mailing, 7pm in Jackson Heights ( Queens) September 5WedFolk Open Sing, 7pm in Brooklyn 10 Mon FMSNY Exec. Board Meeting 7:15pm location tba. 14 Fri Sacred Harp Workshop; Plymouth Church, Brooklyn Hts. 15 Sat All Day Singing (Sacred Harp); 9:30am-3:30pm; Plymouth Church, Brooklyn Hts 15 Sat Chantey Sing at Seamen’s Church Institute, 8pm. 16 Sun Sacred Harp Sing at St. Barts: 2:30pm. 23 Sun Tommy Sands concert, location to be announced. 30 Sun Woody Rediscovered, 4 pm, Upper West Side Details next pages; Table of Contents Society Events details ...........2-4 Repeating Events ..................12 From the Editor, ................... 4 Calendar Location Info ...........13 Topical Listing of Events ......... 5 Festival Listings ...................15 Folk Music Society Info .......... 6 Falcon Ridge Ad ..................21 Fall Weekend Reservation ........ 7 Round Robin Songfest Ad .......22 Weekend Help Wanted ........... -
Dossier De Présentation 34Ème Édition Du Festival Jazz Sur Son 31
EME 34 EDITION DU FESTIVAL JAZZ SUR SON 31 - DU 7 AU 18 OCTOBRE 2020 Présentation du festival Après cette période suspendue, il était primordial de renouer avec le plaisir d’être ensemble et de se retrouver. Le Conseil départemental de la Haute-Garonne manifeste une nouvelle fois son soutien indéfectible à la filière culturelle en lançant la 34ème édition du Festival Jazz sur son 31, qui aura lieu du 7 au 18 octobre. Cette nouvelle édition s’accompagne de changements dans la programmation et s’adapte aux mesures sanitaires pour assurer la sécurité du public, des artistes et des équipes. Cette année 36 manifestations sont organisées dans 16 communes, de Toulouse aux salles de spectacles et salles des fêtes du département, dont 28 manifestations gratuites et seulement 8 concerts payants. Au programme de cette édition ; Thomas Dutronc et son dernier projet Frenchy, la soul britanique d’Hanna Williams & The Affirmations, le dernier projet In Odd We Trust des trois compères du RP3 – Rémi Panossian Trio, la saxophoniste française Sophie Alour et le guitariste Lionel Loueke en solo… La programmation 2020 Le Pavillon République – 12 concerts gratuits retransmis en direct Le lieu incontournable, cœur du festival, dans la cour de l’Hôtel du Département, entre afro jazz, soul music, jazz français… Les concerts seront retransmis en direct sur la chaîne YouTube du Conseil départemental. TÖM TOM - mercredi 7 octobre 2020 – 20h30 HANNAH WILLIAMS & THE AFFIRMATIONS - jeudi 8 octobre 2020 - 20h30 CHEICK TIDIANE SECK “TIMBUKTU” - THE MUSIC OF RANDY WESTON -
Oral History Interview with Bill T. Jones, 2018 March 23
Oral history interview with Bill T. Jones, 2018 March 23 Funded by the Keith Haring Foundation. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Bill T. Jones on March 23, 2018. The interview took place in New York, NY, and was conducted by Svetlana Kitto for the Archives of American Art, Smithsonian Institution. This interview is part of the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project. Bill T. Jones and Svetlana Kitto have reviewed the transcript. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview SVETLANA KITTO: Alright. This is Svetlana Kitto interviewing Bill T. Jones in his office at New York Live Arts, in the neighborhood of Chelsea, New York, New York, on March 23, 2018, for the Visual Art and AIDS Epidemic Oral History Project, for the Archives of American Art, Smithsonian Institution. This is card number one. So, we're going to start just by you telling me where and when you were born, and a little bit about your early life. Okay? BILL T. JONES: Yeah. Mm-hmm [affirmative]. SVETLANA KITTO: Okay. BILL T. JONES: Yes. I was born on February 15, in Bunnell, Florida, in 1952. I am 10 of a family of 12. My mother and father were agricultural workers in the South, who then decided, as an entrepreneurial gesture, to do this thing which was big money at that time for African Americans. -
From the Very Beginning of His Musical Career, Michael Magalon Has Been
From the very beginning of his musical career, Four projects on, with his new album, Magalon Michael Magalon has been creating an individual continues to bring classical jazz to modern times. identity in the compositions. A fresh complexity of stretched limits and breathing melodies create the uniqueness of a well-balanced modern and classical harmony of “We want to stop in every jazz club worldwide rhythms and sounds. to share our passion for creative music”. BIOGRAPHY MICHAEL MAGALON: MUSICIAN AND COMPOSER Michael Magalon Antwerp. Soon after, he began to approached the artistic world play the bass influenced by the of music by studying classical modern jazz band Aka Moon and guitar at the age of 12. At 18 the bass player Michel Michael composed the music HATZIGEORGIOU. for the play ‘Couleur de Femmes’ by Jacques During his musical career, Michael HENRARD adapted by Marc has played with leading Belgian GOORIS, as his first jazz musicians such as Jeroen professional job. VAN HERZEELE, Bart DEFOORT, Stephane MERCIER and international musicians from After gaining experience with the rock and funk scene like Rudy LENNERS (Scorpions), Rudy a number of bands, he TROUVÉ (dEUS, Kiss My Jazz, Dead Man Ray) and Nick VAN studied at the Jazz Studio in GELDER (Jamiroquai, Brand New Heavies). Page | 3 Page | 4 MICHAEL MAGALON 4tet: MEET THE MUSICANS Trafalgar Arches is the new album from MICHAEL MAGALON 4tet. This album counts with the collaboration of great musicians. They gather together to materialize the artistic compositions of a meticulous Michael who keeps an eye on every detail. The music is exclusive, yet universal; modern, yet classic, easy to listen, yet structurally complex.