DOCSLIB.ORG

The Book of Results.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Book of Results.Pdf THE BOOK OF RESULTS by RAY SHERWIN TABLE OF CONTENTS FOREWORD CHAPTER ONE THE BOOK OF RESULTS CHAPTER TWO CHAPTER THREE AN EXAMPLE RITUAL CHAPTER FOUR ACTION SIGILS THE DRUID’S KNOT OR THE CRIME BEFORE TIME BY THESSALONIUS LOYOLA FOREWORD This interesting contribution to the practise and theory of sigils certainly deserves a fourth publication. In it you will find some ingenious refinements of the practices and principles developed by the great English Mage Austin Osman Spare. This book is basically a practical extension kit to the now classic sigil technique which also helpfully resumes the original in plain language. With a refreshing severity Sherwin reminds us that demons are very real personal blindspots which the aspiring magician can and should overcome with a daily regime of willed magical and material activity. On the non-reductionist side of the coin he shows how the basic sleight of mind techniques of sigilisation can be expanded into full rituals complete with banishing techniques, mantras and dervish whirling, to create longer and more powerful rites. Sherwin discusses the theory of sigils and presents the basic mechanism, uncovered by Spare, explaining the entire range of seemingly bizarre analogical procedures of the old spell books at a stroke. This insight is a landmark in the history of magical thought. One can always tell the difference between those magicians who have understood it and those who have not. The Caltrop of Chaos banishing ritual is a useful addition to the chaoist’s magical repertoire despite its reference to the now contentious big-bang theory. Similarly, the apparent singularity of Self in Sherwin’s model may well raise a chaoist eyebrow or two and provoke more debate and research on this topic. The group ritual for a collective abstract sigil attracts my attention as it seems to transcend the limitation to a single operator of the classical sigil technique. It will doubtless form the basis for some challenging experiments amongst groups of many persuasions. This is, above all, a book of accessible, practical technique. Buy it, study it, and use it. The ratio of practising magicians to collectors of magical books is probably 1:100. Hopefully this book will help to rectify the situation. Pete Carroll. CHAPTER ONE Since the Book of Results was first issued in 1978 sigilisation has become a popular, if somewhat underrated, approach to certain types of sorcery. Within my personal attitude towards magick sigilisation figures very largely but hardly at all in isolation since its success relies heavily on other aspects of the art magical. It is perhaps best, at the outset of this short book, to assume an overview in order to appreciate the relative importance of sigils (from my point of view) before examining their construction and use in detail. I have always been suspicious of the guru system and of magical hierarchies. To avoid entering into a lengthy argumentation on this point suffice it to say that in my experience magical orders which have a tendency towards this type of heresy, for whatever given reasons, always militate against the individual in favour of the order, especially when conflict arises but also, insidiously, as a matter of course. Since magick is an individualist pursuit the individual must always be of paramount importance and anyone who denies this is looking for profit or power or does not know any better. It is always wise to listen to what other people have to say but decisions must be made and action taken according to comfort, pleasure and effectiveness after individual experimentation has taken place. Keeping oneself at the centre of one’s magical activity, rather than following the peculiarities which someone else has found to be useful, also helps to keep one wary of picking up dogmas accidentally and treating them as personal truths. This is the only way to realise that beliefs are not permanent concepts but changeable commodities which can be managed by the magician (and others) and manipulated to his benefit. When asked “What do you believe?”, the magician, speaking from the central stillness of himself, should be able to reply, in all honesty, “I believe nothing”. With such a blank slate at his disposal the magician can then adopt and discard beliefs as he sees fit. I worked many of the techniques useful for attaining this condition into my translation of The Golden Verses of Pythagoras which was included in The Theatre of Magic. The basis of the scheme is autopsy or strict and systematic self-enquiry. There are two basic types of magical technique, one which gets you into your head and the other which gets you out of it. In some cases, whirling for example, either effect can be achieved according to the magician’s intention. Drumming, drug-induced trance and some forms of mantra are gnostic techniques which also come into this category. Those techniques which inhibit the body, asana, sensory deprivation and so on, are best suited for looking inwards while those which tend to excite the body are most useful for projecting dynamically outwards. The mystic might have a great deal to say about the evident duality of this. I have nothing further to add except that the individual should experiment with as many techniques as he can find or invent in order to immediately discard those which are obviously not suitable, for whatever reason. He can then concentrate his attention on the mastery of the remaining techniques. Daily excercises in technique need not be performed in magical mood and there is something to be said for treating such excercises as one might treat callisthenics or the more practical forms of body yoga. Once a technique has been mastered it can then be used confidently during ritual magick as such. The magician who attempts to use unperfected technique during ritual work does so at his peril. At best his ritual will be ineffective. Less optimistically, he may leave the temple feeling more foolish than when he entered, a positive regression, in his development best avoided. I would recommend anyone who is just starting to use methods of this sort to set up a daily regime, a programme combining strictness and pleasure. A detailed written record helps to keep perspective and is an invaluable aid in helping to bridge the gap between performance and capacity, that is, between present ability and personal expectation. In other disciplines, yoga for example, one practices every day and with each practice the body responds by becoming more flexible. One’s mind, however, is more subtle than one’s body. The only reasons for not being able to adopt a yoga posture are inherant physical inability or the stiffness of joint which can, with practice, be relaxed. But there are all kinds of reasons for not achieving good results in other areas of one’s life and it is the conquest of these which is called ‘Magick’. There are no new methods in magick, merely rearrangements and refinements of old ones. The self-integration process of driving out neuroses through meditation and abreaction is the same method in essence as would be used to drive the self on to greater things. The word ‘evolution’ has been ‘new-aged’ to death in this context but it remains the best word that we have. Man is a lazy creature of habit. Laziness may indeed have been one of the major reasons for his evolution so far, encouraging him, as it must have done, to find easier ways for survival than the conditions in which he found himself allowed. Habit, even in complex activities, reduces the amount of concentration required for the execution of a task. The simple expedient of the grasping thumb would have necessitated a great deal of concentration at the time when such a facility began to develop, as would the development of three- dimensional vision and the beginnings of coherent thought and language. In ancient times it would have been the individuals most capable of using these new developments who would have been looked upon as magicians - the ones who could run quickly, produce tools with greater precision or bring together their observation and skill to produce ideographs - yet they would be quickly emulated by those whose faculties were only slightly less developed. The ones who were not physically and mentally capable did not survive. On the grand scale activities like grasping with the thumb and seeing three-dimensionally became habitual. We certainly do not need to think about them and in the latter case it is supremely difficult to reverse the process and see everything on a flat plane. Habit reduces the degree of concentration necessary for the performance of any task and in so doing releases the faculty of concentration for application in other areas and it is this, now almost unused faculty, unused because it is no longer called upon for the maintenance of the organism, which provides the key to the scheme of magick which I have found most useful. Here we have a reservoir of potential concentration which is not being used. Because he is a lazy creature of habit man prefers comfort to adventure, stasis to motion in both the physical and mental sense. Only the greatest minds break out of this stasis to produce something new, vital and essential. For the vast majority, who can only see their own capabilities during rare moments of unusual lucidity, life goes on as normal, the supreme being rejected in favour of the habitual. Traditionally the magician forced himself to do those things which his personality decreed would wait until tomorrow. This method failed because it relied on the imposition of new habits, albeit self-imposed rather than arbitrary ones, without stating its aims.
Load more

Recommended publications
  • Scintillations in Mauve
    starfire2420nov.qxd 20/11/11 11:05 pm Page 9 Scintillations in Mauve An Introduction to the Work of Kenneth Grant enneth Grant was one of the most influential occultists of the 20th century. He leaves behind a substantial and formidable K body of work which will be explored and developed over the years to come. What follows here is an introductory survey of his work — a basis for deeper, more substantial consideration of his work in the future. Born in Essex in 1924, Kenneth Grant developed an intense interest in the occult from an early age, as well as a life-long devotion to Buddhism and other oriental religions. He remarked somewhere in his writings that Eastern mysticism was his first love — an indication not only of how well read he was, but more importantly perhaps his heightened sense of the immanent. Grant relates in Outside the Circles of Time how he had come across a copy of Magick in Theory and Practice — at Zwemmers, in the Charing Cross Road — in the late 1930s or early 1940s. At this period he had also discovered Austin Osman Spare’s The Book of Pleasure at Michael Houghton’s Atlantis Bookshop in Museum Street. After immersing himself in the works of Crowley, he finally managed to make contact with him in 1944, writing to the address provided in The Book of Thoth which had just been published. Visiting him several times, Grant subsequently stayed with him at ‘Netherwood’ in Hastings in 1945, immersed in Magick. Many years later, Grant wrote a memoir of this period of his life, Remembering Aleister Crowley.
    [Show full text]
  • OCCULT BOOKS Catalogue No
    THOMPSON RARE BOOKS CATALOGUE 45 OCCULT BOOKS Catalogue No. 45. OCCULT BOOKS Folklore, Mythology, Magic, Witchcraft Issued September, 2016, on the occasion of the 30th Anniversary of the Opening of our first Bookshop in Vancouver, BC, September, 1986. Every Item in this catalogue has a direct link to the book on our website, which has secure online ordering for payment using credit cards, PayPal, cheques or Money orders. All Prices are in US Dollars. Postage is extra, at cost. If you wish to view this catalogue directly on our website, go to http://www.thompsonrarebooks.com/shop/thompson/category/Catalogue45.html Thompson Rare Books 5275 Jerow Road Hornby Island, British Columbia Canada V0R 1Z0 Ph: 250-335-1182 Fax: 250-335-2241 Email: [email protected] http://www.ThompsonRareBooks.com Front Cover: Item # 73 Catalogue No. 45 1. ANONYMOUS. COMPENDIUM RARISSIMUM TOTIUS ARTIS MAGICAE SISTEMATISATAE PER CELEBERRIMOS ARTIS HUJUS MAGISTROS. Netherlands: Aeon Sophia Press. 2016. First Aeon Sophia Press Edition. Quarto, publisher's original quarter black leather over grey cloth titled in gilt on front cover, black endpapers. 112 pp, illustrated throughout in full colour. Although unstated, only 20 copies were printed and bound (from correspondence with the publisher). Slight binding flaw (centre pages of the last gathering of pages slightly miss- sewn, a flaw which could be fixed with a spot of glue). A fine copy. ¶ A facsimile of Wellcome MS 1766. In German and Latin. On white, brown and grey-green paper. The title within an ornamental border in wash, with skulls, skeletons and cross-bones. Illustrated with 31 extraordinary water-colour drawings of demons, and three pages of magical and cabbalistic signs and sigils, etc.
    [Show full text]
  • Of UK Magick, Kenneth Grant, Has Made Ex
    Trafficking with Elementals: Kenneth Grant and Arthur Machen Christopher Josiffe Kenneth Grant, born in 1924, is widely regarded as the ‘grand old man’ of British post-war occult scene. Grant is unique in that he is almost certainly the only person still alive to have known all three of the most influential figures in the twentieth century occult world, having had close personal relationships with both Aleister Crowley and Austin Osman Spare, and also having worked with Gerald Gardner, godfather of the modern Wiccan movement. It has long been acknowledged by students of the occult that Grant has made extensive use of the work of H.P. Lovecraft in his numerous writings and in his magical practices. It is perhaps less well-known that many elements from Arthur Machen’s fiction also features heavily in Grant’s work; in particular, The Novel of the Black Seal, The Hill of Dreams, and The White People. In 1944 Grant contacted Crowley with the intention of becoming his pupil; during these last three years of Crowley’s life Grant was also his secretary and personal assistant. The latter role included the supply of appropriate reading matter; in his fascinating and touching Crowley memoir, Remembering Aleister Crowleyi, Grant quotes a letter from Crowley in which the aged Beast writes: “Very many thanks for Secret Glory {Arthur Machen}; best of his I’ve read. Criticism when I’m strong enough.” (16 Jan 1945)ii. And later that year, at Crowley’s final home, the Hastings guest house Netherwood, they both experienced a vision of Pan, as Grant recounts: The Great God Pan: one morning at ‘Netherwood’, when Crowley accompanied me from the guest-house to the cottage, we experienced a joint ‘vision’ of a satyr-like form in the early spring sunshine.
    [Show full text]
  • Practical Sigil Magic.Pdf
    Other Books by the Author Kursus der praktischen Magie (A course of Practical magic) Secrets of Western Sex Magic: Magical Energy and Gnostic Trance High Magick: Theory and Practice Secrets of the German Sex Magicians: A Practical Handbook for Men and Women Contents Introduction..............................................ix Chapter 1: Austin Osman Spare and His Theory of Sigils.....1 Chapter 2: Fuller Exploration of the Word Method..........15 Chapter 3: The Magical Trance / Activating the Sigils.....29 Chapter 4: The Pictorial Method...........................43 Chapter 5: The Mantrical Spell Method.....................55 Activating/Internalization of Mantrical Sigils ● Words of Power ● Activating/Internalizing Words of Power Chapter 6: The Alphabet of Desire.........................63 The Alphabet of Desire as a Structuring Prin— ciple ● The Alphabet of Desire as a Mirror of the Psyche Chapter 7: Working with Atavistic Nostalgia...............85 Chapter 8: But How Does It Work?..........................95 Sherwin's Model ● Model A ● Model B Chapter 9: Constructing Sigils with Planetary Cameas.....105 The Magical Cameas of the Planets (“Tables”) and the Seals and Sigils of the Planetary Powers, Intelligences and Demons Conclusion...............................................123 Glossary.................................................125 Comments.................................................129 Bibliography.............................................133 INTRODUCTION Sigil Magic, Particularly the system developed by the English painter and sorcerer Austin Osman Spare, is one of the most efficient and economical disciplines of magic. For the most part, it can be performed without complicated rituals, needs hardly any paraphernalia, is independent of philosophical and dogmatic premises and, due to its simplicity, can be learned easily and quickly. Most important of all, none of the magical techniques we know of today is more efficient and will give even beginners the immediate chance to convince themselves of its power and their own abilities.
    [Show full text]
  • Justin Woodman Dept
    Dr. Justin Woodman Dept. of Professional & Community Education (Social Anthropology) Goldsmiths College University of London New Cross London SE14 6NW Tel: 020 8908 0272 E-mail: [email protected] Alien Selves: Modernity and the Social Diagnostics of the Demonic in “Lovecraftian Magick”. (First published in the Journal for the Academic Study of Magic, 2004) Justin Woodman Introduction This article examines the significance of the category of the ‘demonic’ as applied within the theory and practice of ‘Lovecraftian’ magick1: a ‘style’ of magical practice inspired by the fictional universe of the ‘Cthulhu mythos’ created by the author H. P. Lovecraft, and popularised within certain sectors of the contemporary Euro-American magical subculture. For these contemporary ‘Lovecraftian’ magicians, the demonic is mobilised as a potent ‘apocalyptic’ weapon in contesting the alienating consequences of modernity, and forms an ambivalent moral category distinct from Christianised conceptions of supernatural evil. An equivalent moral ambivalence has also been noted in a number of recent anthropological accounts of postcolonial African modernities2 - modernities partly characterised by an emerging (and global) tendency ‘to interpret modern processes of change in terms of ‘witchcraft’’ 3. These accounts recognise that the idiom of the demonic - both in African contexts and more widely - encompasses a simultaneous fascination with and desire to be ‘modern’, and a deep anxiety about where society is heading. The demonic, in this 0 understanding, is not a
    [Show full text]
  • \-WG.~\· B. Uru).Y Professor Philip Armstrong Adviser Comparative Studies Graduate,, Program ABSTRACT
    THE WILL TO CHAOS AND A DANCING STAR: ALEISTER CROWLEY, NEO-P AGANISM AND THE TECHNOLOGIES OF THE SELVES THESIS Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Joseph A. Marino III * * * * * The Ohio State University 2007 Master's Thesis Committee: Approved by Professor Hugh Urban, Adviser Professor Michael Swartz \-WG.~\· b. Uru).y Professor Philip Armstrong Adviser Comparative Studies Graduate,, Program ABSTRACT Entrenched in Victorian England and raised in a puritanical Christian family, Aleister Crowley delved into Western Esotericism and the study of ritual magic as a means to subvert the stifling environment into which he was bom. Among his chief acts of subversion were his many displays of a very fluid and malleable identity. He played with “selves” like they were merely wardrobes for a day and found himself developing more fully for the breadth of experience that he achieved from such practices. In the wake of Friedrich Nietszche, Crowley looked to the strength of each individual will to deny being identified by traditional systems such as Christianity or “Modernity,” pushing instead for a chaotic presentation of the self that is both wholly opposed to external authority and wholly enthusiastic about play, contradiction and experimentation. Through the lens of Michel Foucault’s “Technologies of the Self' and Judith Butler’s notion of performativity, one can come to see Crowley’s performances (through dress, pseudonyms, literary license and more) as operations that he performs on himself to knowingly affect a change in his identity.
    [Show full text]
  • After the Philosopher's Stone : Aesthetic Interrogations And
    Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. Nik Sala After the Philosopher’s Stone: Aesthetic Interrogations and Navigations An exegesis presented in partial fulfilment of the requirements for the degree of Masters of Fine Arts at Massey University, Wellington, New Zealand 2017 Abstract “One becomes two, two becomes three, and out of the third comes the One as the fourth.” Maria Prophetessai The axiom of Maria is an alchemical percept illustrating a processual procedure across time that accords with the Jungian concept of individuation (from undifferentiated unconsciousness to unique individualised wholeness). The process concerns transformations of materialities and psychological state as movement in time. My research project is situated at a nexus between three simultaneous aims and procedures which relate to this precept; One: Art as magick, (magickal operations, in this case sigil constructions, aimed at altering psychological and material conditions under intentional application of imagination and will); Two: Art as spiritual practice and religious devotion, (a devotional orientation through art practiced on a relational line of enquiry and association via ‘theophanic’ and ‘active’ imagination’); Three: Art as a psychotherapeutic vehicle (oblique means for mending disturbed subjective conditions, generating processes and affects of
    [Show full text]
  • Outer Gateways
    1. Invocation by Hamsa OUTER GATEWAYS Kenneth Grant SCOOB BOOKS PUBLISHING LONDON Copyright © Kenneth Grant 1994 First Published in 1994 by SKOOB BOOKS PUBLISHING Skoob esoterica series lla-17 Sicilian Avenue Southampton Row London WC1A 2QH Series editor: Christopher Johnson All rights reserved ISBN 1 871438 12 8 Printed by Hillman Printers (Frome) Ltd Contents Introduction 1 The Primal Grimoire 2 Tutulu 3 The Unfamiliar Spirit 4 The Double Voice Behind Liber AL 5 The Madhyamaka & Crowley 6 The Fourth Power of the Sphinx 7 Magical Significance of Yezidic Symbolism 8 The Mirroracle 9 Ufologicks & the Rite of Mithra 10 Typhonian Implicits of Arunachala 11 Apects of Dream Control 12 Creative Gematria 13 Wisdom of S'lba 14 Mystical Gnosis of S'lba 15 Magical Formulae of S'lba 16 Qabalahs of S'lba - I 17 Qabalahs of S'lba - II Glossary Bibliography Index Illustrations Plate 1 Invocation by Hamsa frontispiece 2 Cthulhu by H.A.McNeill II 3 The Magician (Frieda Harris / Aleister Crowley) 4 The Chariot (Frieda Harris / Aleister Crowley) 5 The Sabbatic Candlesticks and Satyr 6 Black Eagle by Austin Osman Spare 7 Seal of Zos Kia Cultus by Steffi Grant 8 Desmodus by Kenneth Grant 9 “Thirst” (Steffi Grant / Aleister Crowley) 10 Horus byy H.A.McNeill II 11 Yantra of Kali 12 Formula of Arrivism by Austin Osman Spare 13 The Self’s Vision of Enlightenment by Austin Osman Spare 14 The Arms of Dunwich The Eye of Set The Seal of Aossic 15 Ilyarun by Steffi Grant 16 Evocation by Hamsa 17 Astral Marginalia (Shades of S’lba), by Kenneth Grant Line Illustrations 18 The Yantra of 31 note music (William Coates) 19 The Tree of Life To the memory of RUDOLF FRIEDMANN I can tell you how to find those who will show you the secret gateway that leads inward only, and closes fast behind the neophyte for evermore.
    [Show full text]
  • SYMONDS RARE BOOKS Catalogue of Magic and Occult Books And
    SYMONDS RARE BOOKS Catalogue of Magic and Occult Books and Drawings Foreword Please, take a moment to look at our new catalogue of books and artworks of magic and the occult. The catalogue is divided in three parts: Printed books from the sixteenth to nineteenth centuries, here you will find a variety of rare and fine books on witchcraft and witch-trials, Satanic possession and magic, including works by Ficino, Iamblichus, Sinclair, Mather and Hutchinson; Modern editions, including the Golden Hind signed by the editors Clifford Bax and Austin Osman Spare and a rich and varied selection of books by Aleister Crowley and John Symonds; Drawings by Aleister Crowley, Austin Osman Spare and James Boswell. Thomas J. Symonds June 2020 Symonds Rare Books, Ltd. Phone: +44 (0)7984062299 Email: [email protected] Website: https://symondsrarebooks.co.uk/ Instagram: @symonds_rare_books 2 SIXTEENTH TO NINETEENTH CENTURIES 3 1. FICINO, Marsilio. De Vita Libri tres, quorum Primus, de studiosorum Sanitate tuenda. Secundus, de Vita producenda. Tertius, de Vita coelitus comparanda. Lyon, Gulielmum Rouillium, 1560. £2,000 16mo, pp. 461 (iii), a-z A-F8. Three works in one volume. Roman letter, some Italic. Title page with woodcut vignette of an eagle standing on a globe placed on a plinth and sided by two snakes; motto: “in virtute, / et fortuna.” Floriated initials, meanders, head- and tailpieces. Early ms. autograph in capital letters on front cover, twice, and in cursive on t-p: “Laurens Viguier”,who is probably the same person who underlined and wrote marginalia throughout the book. Stamp of the library of Saint Peter ad Vincula (Rome) on t-p and library shelf-mark label on front pastedown.
    [Show full text]
  • Of UK Magick, Kenneth Grant, Has Made Ex
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by SAS-SPACE Trafficking with Elementals: Kenneth Grant and Arthur Machen Christopher Josiffe Published in: Faunus: the Journal of the Friends of Arthur Machen; no.20 (Summer 2009) http://www.arthurmachen.org.uk/ Kenneth Grant, born in 1924, is widely regarded as the ‘grand old man’ of British post-war occult scene. Grant is unique in that he is almost certainly the only person still alive to have known all three of the most influential figures in the twentieth century occult world, having had close personal relationships with both Aleister Crowley and Austin Osman Spare, and also having worked with Gerald Gardner, godfather of the modern Wiccan movement. It has long been acknowledged by students of the occult that Grant has made extensive use of the work of H.P. Lovecraft in his numerous writings and in his magical practices. It is perhaps less well-known that many elements from Arthur Machen’s fiction also features heavily in Grant’s work; in particular, The Novel of the Black Seal, The Hill of Dreams, and The White People. In 1944 Grant contacted Crowley with the intention of becoming his pupil; during these last three years of Crowley’s life Grant was also his secretary and personal assistant. The latter role included the supply of appropriate reading matter; in his fascinating and touching Crowley memoir, Remembering Aleister Crowleyi, Grant quotes a letter from Crowley in which the aged Beast writes: “Very many thanks for Secret Glory {Arthur Machen}; best of his I’ve read.
    [Show full text]
  • Chapter Five ROSALEEN NORTON's MAGICAL PRACTICE
    Chapter Five ROSALEEN NORTON’S MAGICAL PRACTICE Details of Norton’s approach to ritual magic can be gleaned from a range of magazine articles published, for the most part, during the 1950s and 1960s, several of them autobiographical, others written by journalists fascinated by Norton’s persona as ‘the Witch of Kings Cross’.1 There is also data from court hearings and police interviews associated with controversial photographs seized by NSW Vice Squad police in 1955 which showed Norton and Greenlees engaged in what were claimed to be ceremonial rites dedicated to Pan. In addition, there is a small amount of television documentary material2 and photographic documentation (both published and unpublished) to supplement the data provided by Norton herself, both in interviews and autobiographical articles.3 Finally, and not insignificantly, copies of extant unpublished letters written by the distinguished musician Eugene Goossens to Rosaleen Norton describe their shared interest in sex magic and paganism and provide important insights into the activities of Norton’s inner magical circle. The various aspects of Norton’s magical practice can be summarised as follows: a) Individual trance-magic episodes during which Norton sought to venture forth on the ‘astral planes’ in a state of mental dissociation induced by self- hypnosis. It was while on these trance journeys that Norton claimed to encounter the ‘god-forms’ of the principal deities in her magical pantheon. b) Sex magic activities with members of her magical coven, based substantially on practices derived from the magical writings of Aleister Crowley. c) Ritual magic invocations and other ceremonial activities which included improvised elements from Kundalini Yoga, Left-Hand Path Tantra and voodoo.
    [Show full text]
  • The Secrets of the Illuminates of Thanateros
    The Secrets of the Illuminates of Thanateros Do you know, that there may be no Ultimate Truth? The Illuminates of Thanateros This book is dedicated to the Great Work of Magic and to all those interested in practical magical work. The Book of the Pact represents the most recent record of how we arrange ourselves and our activities in this group. As a living Work in progress, it is most probable that it will evolve. To those who had a helping hand in the creation of the book – many thanks. Area of Application The rules and procedures described in this Book are valid on a global level throughout all Sections. All Sections are otherwise autonomous. Every Section may add rules and procedures as it is considered necessary by the Section. Section rules which contradict the rules defined in this document are void. The Book may be translated into any language to allow for easier understanding. The English language version will be used as the basic standard reference (as this is the lingua franca of the Pact at present). The Book is accepted by all Sections and all Pact members as valid. Contents The Magical Pact of the Illuminates of Thanateros....................................................................3 A brief history of the Illuminates of Thanateros.........................................................................4 Structure of the Pact....................................................................................................................6 Insignia of the Pact....................................................................................................................11
    [Show full text]