Chaos Magick and Luciferism by Michael Ford
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Scintillations in Mauve
starfire2420nov.qxd 20/11/11 11:05 pm Page 9 Scintillations in Mauve An Introduction to the Work of Kenneth Grant enneth Grant was one of the most influential occultists of the 20th century. He leaves behind a substantial and formidable K body of work which will be explored and developed over the years to come. What follows here is an introductory survey of his work — a basis for deeper, more substantial consideration of his work in the future. Born in Essex in 1924, Kenneth Grant developed an intense interest in the occult from an early age, as well as a life-long devotion to Buddhism and other oriental religions. He remarked somewhere in his writings that Eastern mysticism was his first love — an indication not only of how well read he was, but more importantly perhaps his heightened sense of the immanent. Grant relates in Outside the Circles of Time how he had come across a copy of Magick in Theory and Practice — at Zwemmers, in the Charing Cross Road — in the late 1930s or early 1940s. At this period he had also discovered Austin Osman Spare’s The Book of Pleasure at Michael Houghton’s Atlantis Bookshop in Museum Street. After immersing himself in the works of Crowley, he finally managed to make contact with him in 1944, writing to the address provided in The Book of Thoth which had just been published. Visiting him several times, Grant subsequently stayed with him at ‘Netherwood’ in Hastings in 1945, immersed in Magick. Many years later, Grant wrote a memoir of this period of his life, Remembering Aleister Crowley. -
OCCULT BOOKS Catalogue No
THOMPSON RARE BOOKS CATALOGUE 45 OCCULT BOOKS Catalogue No. 45. OCCULT BOOKS Folklore, Mythology, Magic, Witchcraft Issued September, 2016, on the occasion of the 30th Anniversary of the Opening of our first Bookshop in Vancouver, BC, September, 1986. Every Item in this catalogue has a direct link to the book on our website, which has secure online ordering for payment using credit cards, PayPal, cheques or Money orders. All Prices are in US Dollars. Postage is extra, at cost. If you wish to view this catalogue directly on our website, go to http://www.thompsonrarebooks.com/shop/thompson/category/Catalogue45.html Thompson Rare Books 5275 Jerow Road Hornby Island, British Columbia Canada V0R 1Z0 Ph: 250-335-1182 Fax: 250-335-2241 Email: [email protected] http://www.ThompsonRareBooks.com Front Cover: Item # 73 Catalogue No. 45 1. ANONYMOUS. COMPENDIUM RARISSIMUM TOTIUS ARTIS MAGICAE SISTEMATISATAE PER CELEBERRIMOS ARTIS HUJUS MAGISTROS. Netherlands: Aeon Sophia Press. 2016. First Aeon Sophia Press Edition. Quarto, publisher's original quarter black leather over grey cloth titled in gilt on front cover, black endpapers. 112 pp, illustrated throughout in full colour. Although unstated, only 20 copies were printed and bound (from correspondence with the publisher). Slight binding flaw (centre pages of the last gathering of pages slightly miss- sewn, a flaw which could be fixed with a spot of glue). A fine copy. ¶ A facsimile of Wellcome MS 1766. In German and Latin. On white, brown and grey-green paper. The title within an ornamental border in wash, with skulls, skeletons and cross-bones. Illustrated with 31 extraordinary water-colour drawings of demons, and three pages of magical and cabbalistic signs and sigils, etc. -
Of UK Magick, Kenneth Grant, Has Made Ex
Trafficking with Elementals: Kenneth Grant and Arthur Machen Christopher Josiffe Kenneth Grant, born in 1924, is widely regarded as the ‘grand old man’ of British post-war occult scene. Grant is unique in that he is almost certainly the only person still alive to have known all three of the most influential figures in the twentieth century occult world, having had close personal relationships with both Aleister Crowley and Austin Osman Spare, and also having worked with Gerald Gardner, godfather of the modern Wiccan movement. It has long been acknowledged by students of the occult that Grant has made extensive use of the work of H.P. Lovecraft in his numerous writings and in his magical practices. It is perhaps less well-known that many elements from Arthur Machen’s fiction also features heavily in Grant’s work; in particular, The Novel of the Black Seal, The Hill of Dreams, and The White People. In 1944 Grant contacted Crowley with the intention of becoming his pupil; during these last three years of Crowley’s life Grant was also his secretary and personal assistant. The latter role included the supply of appropriate reading matter; in his fascinating and touching Crowley memoir, Remembering Aleister Crowleyi, Grant quotes a letter from Crowley in which the aged Beast writes: “Very many thanks for Secret Glory {Arthur Machen}; best of his I’ve read. Criticism when I’m strong enough.” (16 Jan 1945)ii. And later that year, at Crowley’s final home, the Hastings guest house Netherwood, they both experienced a vision of Pan, as Grant recounts: The Great God Pan: one morning at ‘Netherwood’, when Crowley accompanied me from the guest-house to the cottage, we experienced a joint ‘vision’ of a satyr-like form in the early spring sunshine. -
The Secrets of the Illuminates of Thanateros the PACT the BOOK the TRUTH
The Secrets Of The Illuminates Of Thanateros THE PACT THE BOOK THE TRUTH Do you know, that there may be no ultimate truth? Illuminates of Thanateros 1 CHOYOFAQUE CHOYOFAQUE CHOYOFAQUE CHOYOFAQUE The Illuminates Of Thanateros 1st edition This book is dedicated to the Great Work of Magick and to all those interested in practical magickal work. To those who had a helping hand in the creation of the book - many thanks. Illuminates of Thanateros 2 CONTENT 1.1 The History of the Pact............................................ 05 1.2 The Pact................................................................ 12 2. The Pact - Structure................................................. 13 Degrees Offices Sections Temples 2.1 The Degrees of the Pact.......................................... 14 Novice Neophyte Initiate Adept Magus Council of the Magi 0° = 5 and Priest of Chaos Degree Raising Request 2.2. Temple of the Pact................................................. 18 2.3 Offices.................................................................. 19 Section Head Magister Templi Archivist Priest of Chaos Insubordinate 3. Insignia of the Pact.................................................. 23 Signs and Passwords Excommunication 4. Rituals of the Pact.................................................... 23 Opening and Closing Ritual Degree Rituals: Neophyte Ritual Initiate Ritual Adept Ritual Insubordinate Ritual 5. Activities of the Temple............................................. 27 6. Activities of the Pact................................................ -
Practical Sigil Magic.Pdf
Other Books by the Author Kursus der praktischen Magie (A course of Practical magic) Secrets of Western Sex Magic: Magical Energy and Gnostic Trance High Magick: Theory and Practice Secrets of the German Sex Magicians: A Practical Handbook for Men and Women Contents Introduction..............................................ix Chapter 1: Austin Osman Spare and His Theory of Sigils.....1 Chapter 2: Fuller Exploration of the Word Method..........15 Chapter 3: The Magical Trance / Activating the Sigils.....29 Chapter 4: The Pictorial Method...........................43 Chapter 5: The Mantrical Spell Method.....................55 Activating/Internalization of Mantrical Sigils ● Words of Power ● Activating/Internalizing Words of Power Chapter 6: The Alphabet of Desire.........................63 The Alphabet of Desire as a Structuring Prin— ciple ● The Alphabet of Desire as a Mirror of the Psyche Chapter 7: Working with Atavistic Nostalgia...............85 Chapter 8: But How Does It Work?..........................95 Sherwin's Model ● Model A ● Model B Chapter 9: Constructing Sigils with Planetary Cameas.....105 The Magical Cameas of the Planets (“Tables”) and the Seals and Sigils of the Planetary Powers, Intelligences and Demons Conclusion...............................................123 Glossary.................................................125 Comments.................................................129 Bibliography.............................................133 INTRODUCTION Sigil Magic, Particularly the system developed by the English painter and sorcerer Austin Osman Spare, is one of the most efficient and economical disciplines of magic. For the most part, it can be performed without complicated rituals, needs hardly any paraphernalia, is independent of philosophical and dogmatic premises and, due to its simplicity, can be learned easily and quickly. Most important of all, none of the magical techniques we know of today is more efficient and will give even beginners the immediate chance to convince themselves of its power and their own abilities. -
The Zoëtic Grimoire of Zos
THE ZOËTIC GRIMOIRE OF ZOS The Formulae of Zos vel Thanatos By Austin Osman Spare First Formula: Of the White Sabbath—as first told me by a Witch ARGUMENT: Actually there is neither a Black nor a White Sabbath: the ethical criterion of all acts is whether they are anti-social or so motivated. Where two or more of a kind of equal maturity and inclination enact for consummation, then, if harm they do it is only to themselves—which I doubt—and far less harmful than the practices of those who mutilate or deny their bodies in the name of a culture or a religion. The latter are invariably prophets or propagators of sterility, whereas the one outward tenet of Witchcraft is silence to "unlike others". The Sabbath is an inverse-reversion for self-seduction, an undoing for a divertive conation. Sex is used as the technique and medium of a magical act. There is not only erotic satisfaction; the sensualist is made detached and controlled until final sublimation; his whole training is submissive and obedient until, by cold amoral passion, he can transmute control and divert him- or herself where desired. The Witch so engaged is old, grotesque, worldly and libidinously learned and is sexually attractive as a corpse; yet she becomes the entire vehicle of consummation. This is necessary to transmute the personal aesthetic culture. Perversion is used only to overcome moral prejudices or conformity; the mind and desire must become amoral, focused and made entirely acceptive so that the life-force is free of inhibitions prior to the control. -
Latin Incantation to Summon a Demon
Latin Incantation To Summon A Demon Humid Ernest intromitting: he degum his basting forby and consecutive. Laziest Collins demoting crustily and idiomatically, she undergo her synchronization frounce artistically. Nealson is charriest and twins inerasably as unfordable Kane misfile comprehensively and speed explanatorily. It is summon demon Latin Incantation Spells Summon A Demon islamicwitchcraft. The phrase Τό τεῖχος διεϕξάσθω is emergency to counteract magical barriers, such walking the ones mages will wear to shield fit with, making it every good wage for breaking barriers. Commonly Misspelled Words Quiz 7 Any Diviner caravan will oppose many magicians bearing this spell Spelling demons a wish who does to particular activity. The thrust Power form The Occult How is Summon Wattpad. Summoning demons is no joke Of free and all mythical creatures that you we want every encounter demons are the easiest to find himself that's. It may become be for experience but often get single point. Serious question or speaking Latin and demon Reddit. BOS, Crystal and Herbal Grimoire. The latin to summon azazel and it normal spirit guides, motivation for you are beggar without any. Summon demons summoning incantation while stating the. The target would remain frozen for untold amount more time. Aphrodite New baby love spell. Log in, rude or subscribe or save articles for later. See more ideas about exorcism, the exorcism of emily rose, anneliese michel. CONJURE Meaning command on oath c 1300 summon by former sacred name one by incantation or magic from Old French See definitions of conjure. -
Austin Osman Spare Y Los Comienzos Del Automatismo
Sans Soleil Especial Austin Osman Spare Sans Soleil Especial Austin Osman Spare AUSTIN OSMAN SPARE Y LOS COMIENZOS DEL AUTOMATISMO. Julián Moguillansky (este texto es una versión del publicado en “Nosotros los Brujos”, compilado por Juan Salzano, ed. Santiago Arcos Editor, Buenos Aires, 2008) La historia nos remite a 1924 como el año en que André Breton lanza su Primer Manifiesto del Surrealismo, creando así un movimiento que, por la vía del automatismo, buscaba eclipsar la censura de la conciencia para llegar a una verdad alojada en el inconsciente. Ya el propio manifiesto se encargaba de escribir una suerte de canon que desembocaba necesariamente en sí mismo: Swift, Baudelaire, Sade, Poe, Jarry, Lautréamont, Mallarmé, Nerval, Apollinaire… Sin embargo, también corría el año 1924 cuando en Londres se publica- ba un libro titulado “El anatema de Zos: un sermón a los hipócritas. Un escrito automático de Austin Osman Spare”; texto maldito e insultante que catapultaba a su entonces exitoso autor al absoluto olvido. Lejos de representar una tem- prana irrupción del Surrealismo en Inglaterra, este “Anatema” conformaba el portazo final que el primer surrealista daba al gran público. Es necesario retroceder hacia el año 1886, cuando un 30 de Diciembre en Londres nacía Spare dentro de una familia Metodista, hijo de un policía y un ama de casa. Siendo apenas un niño comienza a tomar clases de dibujo en el Lambeth Art School; luego es aceptado en el Royal College of Art en su adoles- cencia gracias a una beca. Uno de los principales eventos dentro de la temprana juventud de AOS será su encuentro con la enigmática Señora Paterson. -
Justin Woodman Dept
Dr. Justin Woodman Dept. of Professional & Community Education (Social Anthropology) Goldsmiths College University of London New Cross London SE14 6NW Tel: 020 8908 0272 E-mail: [email protected] Alien Selves: Modernity and the Social Diagnostics of the Demonic in “Lovecraftian Magick”. (First published in the Journal for the Academic Study of Magic, 2004) Justin Woodman Introduction This article examines the significance of the category of the ‘demonic’ as applied within the theory and practice of ‘Lovecraftian’ magick1: a ‘style’ of magical practice inspired by the fictional universe of the ‘Cthulhu mythos’ created by the author H. P. Lovecraft, and popularised within certain sectors of the contemporary Euro-American magical subculture. For these contemporary ‘Lovecraftian’ magicians, the demonic is mobilised as a potent ‘apocalyptic’ weapon in contesting the alienating consequences of modernity, and forms an ambivalent moral category distinct from Christianised conceptions of supernatural evil. An equivalent moral ambivalence has also been noted in a number of recent anthropological accounts of postcolonial African modernities2 - modernities partly characterised by an emerging (and global) tendency ‘to interpret modern processes of change in terms of ‘witchcraft’’ 3. These accounts recognise that the idiom of the demonic - both in African contexts and more widely - encompasses a simultaneous fascination with and desire to be ‘modern’, and a deep anxiety about where society is heading. The demonic, in this 0 understanding, is not a -
A Catalog of Books from the Collection of Gerrit Lansing Division
The Swarming Possibilities (Some Occult, Unused) in American Life A Catalog of Books From the Collection of Gerrit Lansing Division Leap and Grey Matter Books Covers The Swarming Possibilities (Some Occult, Unused) in American Life Front / inside back: 1. A Catalog of Books From the Collection of Gerrit Lansing De occulta philosophia libri tres. Heinrich Cornelius Agrippa [1486-1535]. Inside front / back: 68. Causal Mythology. Charles Olson. 72. Projective Verse. Charles Olson. Division Leap and Grey Matter Books Foreword Adam Davis The Immanent Library Catalog Part I The Occult Part II Teddy Roosevelt Rides the Range Reciting Swinburne Part III Charles Olson and His Circle Part IV Poetry and Literature Bibliography Afterword Sam Burton Thanks Forward. The Immanent Library surprise then that a remarkable poet in the first paragraph - works number of poets on this list were on bibliomancy, stichomancy, gay or queer and began from rhapsodomancy, sortes, and many “All the power of magic is founded upon Eros. forbidden ground. A remarkable other subjects. Reading through The work of Magic works is to bring things number of them were connected Gerrit’s library could make one an together through their inherent similarity.” to the city of Boston, and an even exceedingly well-informed heretic, wider number had a relationship yet the power of it was something – Marsilio Ficino, De Amore. to Lansing and his library. greater. Libraries can have their own genius loci, as powerful a “Nunquam sine phantasmate intelligit anima.” Some of this influence is direct sense of place as New York or and visible. Charles Olson’s influ- Alexandria. -
\-WG.~\· B. Uru).Y Professor Philip Armstrong Adviser Comparative Studies Graduate,, Program ABSTRACT
THE WILL TO CHAOS AND A DANCING STAR: ALEISTER CROWLEY, NEO-P AGANISM AND THE TECHNOLOGIES OF THE SELVES THESIS Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Joseph A. Marino III * * * * * The Ohio State University 2007 Master's Thesis Committee: Approved by Professor Hugh Urban, Adviser Professor Michael Swartz \-WG.~\· b. Uru).y Professor Philip Armstrong Adviser Comparative Studies Graduate,, Program ABSTRACT Entrenched in Victorian England and raised in a puritanical Christian family, Aleister Crowley delved into Western Esotericism and the study of ritual magic as a means to subvert the stifling environment into which he was bom. Among his chief acts of subversion were his many displays of a very fluid and malleable identity. He played with “selves” like they were merely wardrobes for a day and found himself developing more fully for the breadth of experience that he achieved from such practices. In the wake of Friedrich Nietszche, Crowley looked to the strength of each individual will to deny being identified by traditional systems such as Christianity or “Modernity,” pushing instead for a chaotic presentation of the self that is both wholly opposed to external authority and wholly enthusiastic about play, contradiction and experimentation. Through the lens of Michel Foucault’s “Technologies of the Self' and Judith Butler’s notion of performativity, one can come to see Crowley’s performances (through dress, pseudonyms, literary license and more) as operations that he performs on himself to knowingly affect a change in his identity. -
Book of Condolence, but I Don't Know How, Exactly, at This Moment
About 24 hours after the accident, I removed the website from our servers and replaces all the pages with black... Date: Sun Nov 14, 2004 8:41:54 PM Subject: Re: [coil] threshold house Tribute to ODB? or hopefully the Dublin download? anyone know what the black page is about at threshold house? Pete Planning on living forever - so far, so good Date: Sun Nov 14, 2004 8:40:49 PM Subject: RE: [coil] threshold house Peter having fun with GoLive ? "I don't ever want to be alone. With all my darkest dreaming. Hold me close. The sky is breaking." At about 9,15am the next day I put up the first announcement.... Date: Mon Nov 15, 2004 9:27:57 AM Subject: [coil] Balance dead? Please say it aint so... Oh, man if true this really sucks. Date: Mon Nov 15, 2004 9:37:21 AM Subject: This is a sad day. Learned the bad news coming back from work. I'll just go to bed and pretend it was a dream. All my deepest condolences to Jhonn's family, he was a great individual and i am sure you all know it. Take good care, there will be a lot of people mourning with you. Sandrine. Date: Mon Nov 15, 2004 9:41:51 AM Subject: Re: [coil] condolences accepted I... no words... Date: Mon Nov 15, 2004 9:49:00 AM Subject: Re: [coil] condolences accepted I count among the most miraculous experiences of my life seeing Jhonn Balance perform with COIL in New York City on August 18, 2001, which coincidentally (?) fell on the day of my 23rd birthday.