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3.0 ADELAIDE PARK LANDS and SQUARES 3.1 25 Tarndanya
3.0 ADELAIDE PARK LANDS AND SQUARES 3.0 ADELAIDE PARK LANDS AND SQUARES 3.1 25 Tarndanya Womma/Park 26 Report TARNDANYA WOMMA: 384 3.0 ADELAIDE PARK LANDS AND SQUARES Park 26: Tarndaya Womma function and edge extent of the lake, and structures and components erected and planted thereupon is the primary focus of this cultural landscape assessment. Overview: Site Context Arising from Light’s plan, Tarndanya Womma/Park 26 consists of all areas to the north and Along the River Torrens/Karrawirra Parri much of the area was simply called the ‘River south of the River Torrens/Karrawirra Parri, between North Terrace, King William Road, Torrens/Karrawirra Parri riverside’ or ‘river edge’. It was complicated because prior to the Pennington Terrace and Montifiore Road (Victoria Bridge Road and Montefiore Hill Road). It 1870s this area hosted the original ford across the River Torrens/Karrawirra Parri so the term includes the Adelaide Oval leasehold, Lawn Tennis Association of South Australian leasehold, ‘ford’ or ‘crossing’ is also applied. It also hosted the ‘Government Garden’ within the together with Pennington Gardens West, Pinky Flat, Light’s Vision, Creswell Gardens, Elder ‘Government Domain’ or ‘Domain’ and the ‘Survey Paddock’. Progressively the latter names Park and the middle portion of Lake Torrens. These spatial segments have remained consistent disappeared as also use of the ‘ford and ‘crossing’ nomenclature once Lake Torrens was created. to the original plan. Tarndanya Womma/Park 26 has carried several names over the years. Formally it is today known as Tarndanya Womma/Park 26 but colloquially it is known as the ‘Adelaide Oval park’ north of Lake Torrens or ‘Elder Park’ south off Lake Torrens. -
Newsletter Week 7 Term 1 Friday 13 March 2020
Newsletter Week 7 Term 1 Friday 13 March 2020 GPS Swimming Championships | Friday 6 March In this issue BGSPink Newsletter Stumps Day | Lead Article Fusing Science and Art Year 5s at Moogerah Headmaster Anthony Micallef It is an important period on the GPS calendar with the GPS Swimming Championships held last Friday and the Rowing Head of the River on tomorrow. I congratulate the BGS Swimming team for claiming second-place in the GPS Swimming Championships on Friday. It was another excellent team performance and ensured BGS has finished first or second for six straight years. This consistency is a testament to the excellent coaching of the team under Director of Swim Coaching David Lush. Together with Mr Lush, MiC Swimming Matt Logan, Assistant Coach Bobby Jovanovich and all the support staff they provide a great experience for our swimmers. The School’s focus turns to the Head of the River at Wyaralong Dam tomorrow. Matt Marden has led the program superbly. He has been expertly supported by First VIII coach Sean Carolan and all of the BGS coaches. Our First VIII will be aiming to continue their success this season. I wish everyone involved tomorrow good luck and commend the students, coaches and parents for their dedication. The past two weeks have also been significant academically, particularly for our Year 12 students who completed their IA1 assessments. I was thrilled to observe the high levels of energy, dedication and resilience shown by our seniors. We have established a cultural norm where our Years 11 and 12 students attend campus and engage in study and revision between their examinations and submission of assignments. -
The Creation of the Torrens : a History of Adelaide's River to 1881
The Creation of the Torrens: A History of Adelaide's River to 1881 by Sharyn Clarke This is submitted for the degree of Master of Arts in History School of Social Sciences University of Adelaide CONTENTS List of Paintings and Maps Introduction 1 Chapter One: Conceiving the Torrens t4 Chapter Two: Black and White 4t Chapter Three: The Destruction of the Torrens 76 Chapter Four: Meeting the Demand for Progress 105 Chapter Five: The Torrens Lake 130 Conclusion 157 Bilbiography ABSTRACT The River Torrens in Adelaide is a fragile watercourse with variable seasonal flows which was transformed in the nineteenth century into an artificial lake on a European scale. This thesis presents the reasons behind the changes which took place. The creation of the Torrens covers both physical changes and altering conceptions of the river from a society which, on the whole, desired a European river and acted as though the Torrens was one. The period of study ranges from the Kaurna people's life, which adapted around the river they called Karrawirraparri, to the damming of the river in 1881, Being the major river forthe city, the relatively higher population density meant huge environmental pressure, an inability to assess its limits lead to it being heavily polluted and degraded only a decade after white settlement. Distinct stages in the use of the river can be observed and a variety of both positive and negative responses towards it were recorded. By studying the interactions with, and attitudes towards, the River Torrens, and the changes it has undergone, we learn much about the societies that inhabited the river and their values towards a specific and crucial part of the natural environment. -
STONE MASONRY in SOUTH AUSTRALIA I DEPARTMENT of ENVIRONMENT and NATURAL RESOUCES Published By
RITAG HE E CP ONSERVATION RACTICE NOTES TECHNICAL NOTE 3.6 STONE MASONRY IN SOUTH AUSTRALIA i DEPARTMENT OF ENVIRONMENT AND NATURAL RESOUCES Published by DEPARTMENT OF ENVIRONMENT AND NATURAL RESOURCES October 1993 ©October Department 1993 of Environment and Natural Resources and David Young © Department of Environment and NovemberNatural Resources; 2007 and David Young Published online without revision DepartmentSeptember 2008 for Environment and Heritage Published online without revision ISSNDepartment 1035-5138 for Environment and Heritage Prepared by State Heritage Branch DesignISSN 1035-5138 by Technical Services Branch TPreparedext and byphotographs State Heritage by BranchDavid Young Design by Technical Services Branch TextDEH andInformation photographs Line by(08) David 8204 Young 1910 Website: www.environment.sa.gov.au DEHEmail: Information [email protected] Line (08) 8204 1910 u Website www.environment.sa.gov.au Email [email protected] Disclaimer WhileCover reasonablephoto: Carved efforts panel have in been Sydney made sandstone. to ensure the contents of this publication are factually correct, Former Marine and Harbours Building, 1884, the Department for Environment and Heritage makes no representations and accepts no responsibility for Victoria Square. the accuracy or completeness of the contents, and shall not be liable for any loss or damage that may be occasioned directly or indirectly through the use of or reliance on the contents of this publication. Printed on recycled paper Cover photo: Carved -
Transformation of Adelaide Oval Begins (See Page 11)
dpti.sa.gov.au/newconnections twitter.com/dpti_sa facebook.com/dptisa ISSUE 10 AUTUMN 2012 Metrocard trial expands 3 Gawler upgrade nears 5 completion Top deck of superway slots into 7 place Duplication of the Southern Expressway 8 home ground begins New Royal Adelaide Hospital live 13 advantage on camera Transformation of Adelaide Oval begins (see page 11). by Hook contents N rail revitalisation 5 gawler 14 roxby downs indoor pool ceduna gp plus 14 and hospital rail 4 electrification Adelaide metro’s 3 metrocard Colonel Light’s vision for Adelaide is immortalised in a statue atop 7 south road superway Montefiore Hill, but I’m quite sure our founding father wouldn’t have wanted the design of our fair city to be similarly set in stone. bowden renewal begins 14 adelaide oval 11 An evolving capital city is crucial to redevelopment the prosperity of our State, so making convention 12 sure Adelaide is the best possible centre expands riverbank W 10 E place to live, work and do business is precinct new royal now at the top of our agenda. 13 adelaide hospital Urban Renewal 12 While it sounds obvious, Adelaide Authority can’t exist without people — people to live in the city, people to socialise in Amy Gillet the city and people to work in the city. 14 bikeway And so Adelaide is evolving again into a place for people. Our record investment in public southern expressway transport is part of the solution, where 8-9 duplication additional buses will connect to faster and more frequent train and tram services and reduce our reliance on cars, in turn making the CBD a more 6 mcLaren vale pedestrian-friendly environment. -
A Biodiversity Survey of the Adelaide Park Lands South Australia in 2003
A BIODIVERSITY SURVEY OF THE ADELAIDE PARK LANDS SOUTH AUSTRALIA IN 2003 By M. Long Biological Survey and Monitoring Science and Conservation Directorate Department for Environment and Heritage, South Australia 2003 The Biodiversity Survey of the Adelaide Park Lands, South Australia was carried out with funds made available by the Adelaide City Council. The views and opinions expressed in this report are those of the author and do not necessarily represent the views or policies of the Adelaide City Council or the State Government of South Australia. This report may be cited as: Long, M. (2003). A Biodiversity Survey of the Adelaide Park Lands, South Australia in 2003 (Department for Environment and Heritage, South Australia). Copies of the report may be accessed in the library: Department for Human Services, Housing, Environment and Planning Library 1st Floor, Roma Mitchell House 136 North Terrace, ADELAIDE SA 5000 AUTHOR M. Long Biological Survey and Monitoring Section, Science and Conservation Directorate, Department for Environment and Heritage, GPO Box 1047 ADELAIDE SA 5001 GEOGRAPHIC INFORMATION SYSTEMS (GIS) ANALYSIS AND PRODUCT DEVELOPMENT Maps: Environmental Analysis and Research Unit, Department for Environment and Heritage COVER DESIGN Public Communications and Visitor Services, Department for Environment and Heritage. PRINTED BY © Department for Environment and Heritage 2003. ISBN 0759010536 Cover Photograph: North Terrace and the River Torrens northwards to North Adelaide from the air showing some of the surrounding Adelaide Park Lands Photo: Department for Environment and Heritage ii Adelaide Park Lands Biodiversity Survey PREFACE The importance of this biodiversity survey of the Adelaide Park Lands cannot be overstated. Our Adelaide Park Lands are a unique and invaluable ‘natural’ asset. -
Creating Queensland: Creative Communities Partnership-Brisbane
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Gattenhof, Sandra& Hadley, Bree (2011) Creating Queensland: Creative communities partnership - Brisbane Fes- tival and Australia Council for the Arts 2010. Queensland University of Technology, Australia. This file was downloaded from: https://eprints.qut.edu.au/54833/ c Consult author(s) regarding copyright matters This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. 1 Executive Summary In March 2010, Brisbane Festival The Final Report finds that the Creating commissioned a Research Team, led by Queensland events concentrate on Dr Bree Hadley and Dr Sandra Gattenhof, developing specific experiences for those Creative Industries Faculty, Queensland involved – usually associated with University of Technology, to conduct an storytelling, showcasing, and the evaluation of the Creating Queensland valorisation or re-valorisation of program, a new Creative Communities neglected or forgotten cultural forms – in partnership between Brisbane Festival order to give communities a voice. -
FINAL Adelaide Park Lands Heritage Assessment 190122
Heritage Assessment – Adelaide Park Lands and City Squares Issue Date: 17-May-2018 HERITAGE ASSESSMENT REPORT NAME: Adelaide Park Lands, Squares and PLACE: 13717 City Layout ADDRESS: Park Lands, Adelaide, South Australia APPROACH DASH Architects was engaged by the State Heritage Unit of the Department of Environment, Water and Natural Resources (DEWNR) to undertake a Heritage Assessment of the ‘Adelaide Park Lands and City Squares’ for the consideration of the South Australian Heritage Council. Two nominations were received for the Adelaide Park Lands and City Squares in 2009: • ‘Adelaide Park Lands and City Squares’; and • ‘Adelaide Park Lands, City Squares and Gardens’. This Heritage Assessment (report) has considered to the two State heritage nominations, as well as the 2008 National Heritage Listing for the ‘Adelaide Park Lands and City Layout’. There are many individual places that have already been identified as being of State Heritage significance in their own right within the study area of this report. The scope of this assessment is not to review these, encompass them in a single listing or identify potential additional places. Rather, the scope of this assessment is to consider the nominations ‘as a whole of place’, rather than a collection of elements. DRAFT The Authors of this report have determined that it is not possible to consider the potential heritage significance of the Adelaide Park Lands and Squares without considering their historical and physical context within both Edward Wakefield’s theories for the colonial settlement of the State of South Australia, and Colonel William Light’s subsequent plan for its capital. For this reason, this Heritage Assessment has been extended beyond the nominations to consider the potential heritage significance of the City Layout, as represented in Light’s 1837 plan. -
COMMENTARY Hello Everyone
COMMENTARY Hello everyone. Welcome to The Popeye. We will be departing here from Elder Park, travelling down to the Torrens Weir where we will turn around and travel back up towards to Adelaide Zoo and then back to Elder Park. The trip should take approximately 45 minutes. We are now travelling along the Torrens river or Karrawirra Parri. The Popeye Launches acknowledges that the land and the river on which its site is located is the Traditional lands for the Kaurna people and that we respect their spiritual relationship with their country. We also acknowledge the Kaurna people as the custodians of the greater Adelaide region and that their cultural and heritage beliefs are still as important to the living Kaurna people today. At its 1836 discovery an inland bend was chosen as the site of the Adelaide city centre and North Adelaide. The river is named after Colonel Robert Torrens, chairman of the colonial commissioners and a significant figure in the city's founding. We are now passing the Adelaide Festival Centre which is undergoing a $90 million upgrade and celebrated it’s 40th anniversary in 2014. Built in 1973 under the Dunstan government, 3 months before the Sydney Opera House, it is Australia’s first capital city arts venue and hosts more than one million people annually. It is home to world class arts companies and festivals such as the Adelaide Festival, the Adelaide Fringe and the famous Adelaide Cabaret festival. To our left we are now passing the Adelaide Convention Centre, the 1st purpose built in Australia and opened in June 1987. -
A Church on Every Hill Religion in Brisbane in the 1950S
242 A Church on Every Hill Religion in Brisbane in the 1950s by David HiUiard The religious culture of Brisbane in the post-war years had characteristics which distinguished it from other Australian capital cities.' Each of the four main branches of British Christianity — Anglican, Roman Catholic, Presbyterian and Methodist — coexisted in a position of some strength, which almost exactly mirrored the national average. In Sydney, Hobart and Perth, by contrast, the Church of England was, in nominal adherents, by far the largest religious body. In Adelaide the proportion of Methodists was much higher and the proportions of Roman CathoUcs and Presbyterians were lower than elsewhere. The pattern of religious adherence in Brisbane did not differ significantly from most other regions in Queensland. The adherents of the major denominations, with the exception of the Lutherans, were urbanised in approximately the same proportion as the state's total population (Table 1). After the Second World War Brisbane received a much smaUer number of migrants from Europe than other Australian capital cities and the proportion of overseas-born people in the city's population was much lower than the national average. Its growth was mainly a result of natural increase and the inward migration of Australian-born people from rural Queensland and other parts of Australia.^ It was a culturally homogeneous environment which favoured religious stabiUty, in which religious bodies retained their traditional ethos and predominant social composition. The shape of organised religion in Brisbane in the 1950s and early 1960s had altered very little since the 1890s. Unlike Adelaide, Brisbane made no particular claim to being a 'city of churches', but it provided a hospitable atmosphere for churches and religious organisations. -
BSAF TEAM ACKNOWLEDGEMENT of COUNTRY Brisbane Street Art Festival Acknowledges the Traditional Owners of the Lands on Which Our Artists and Audiences Meet
THE BSAF TEAM ACKNOWLEDGEMENT OF COUNTRY Brisbane Street Art Festival acknowledges the Traditional Owners of the lands on which our artists and audiences meet. We pay our respect to their past, present and emerging Elders. We acknowledge the important role that art has played on these lands for thousands of years and feel privileged to work alongside artists continuing the creative practice of one of the oldest surviving cultures in the world. Lincoln Savage Quinty Pinxit-Gregg Alethea Beetson Carlia Fuller Festival Director Festival Coordinator Indigenous Consultant Marketing Manager WELCOME TO BSAF 2018 A WORD FROM OUR DIRECTOR Carly Packer Kaya Tominaga Sarah Laird Luke Smitheram The Brisbane Street Art Festival (BSAF) has program will offer a unique experience for all Exhibition Manager Wall Manager Events Manager Volunteer Manager played an important role in contributing to our audiences to explore the hidden corners, and city’s creative sector, connecting with 100’s of connect with some of the world’s most celebrated creatives, in all forms of creativity, since the bare and iconic artists. This year we are extremely foundation three years ago. excited to host international artists from countries around the world including Mexico, Colombia, Firstly, to the dedicated and passionate Hong Kong, Indonesia, Malaysia and the United participating artists, partners, arts workers, Kingdom. For most of these artists, it will be their volunteers and residents of this city, a massive first time visiting and painting in Australia. thank you for helping us achieve our three-year milestone. BSAF expresses this as a testament to Over the past three years we have connected Emma O’Brien Mitch Ison Nicole Snook Campbell Harris the love and incredible support we have received with many forms of artists, organisations and Content Manager Video Manager Graphic Designer Video Editor so far. -
Conservation Strategy St Peter's Cathedral North Adelaide
CONSERVATION STRATEGY ST PETER'S CATHEDRAL NORTH ADELAIDE March 2014 McDougall & Vines Conservation and Heritage Consultants 27 Sydenham Road, Norwood, South Australia, 5067 Ph (08) 8362 6399 Fax (08) 8363 0121 Email: [email protected] CONSERVATION STRATEGY FOR ST PETER'S CATHEDRAL CONTENTS Page 1.0 INTRODUCTION 1 1.1 Background 1.2 Objectives of Conservation Strategy Document 1.3 Existing Heritage Listings 1.4 Location of Site 1.5 Current Ownership and Management of the Cathedral 1.6 Acknowledgements 1.7 Authors of this Report 2.0 HISTORICAL OUTLINE AND ARCHITECTURAL ANALYSIS 5 2.1 Historical Development of St Peter’s Cathedral 2.1.1 Planning for the Cathedral 1847-1862 2.1.2 Stage One – 1869-1878 (Sanctuary, Choir, Transepts and One Bay of the Nave) 2.1.3 Stage Two – 1890-1894 Lower Section of Three Bays of the Nave 2.1.4 Stage Three – 1899-1901 Upper Section of Three Bays of the Nave 2.1.5 Stage Four – Towers & Spires 2.1.6 Stage Five – 1902-1904 Lady Chapel 2.1.7 Other Works 2.1.8 Setting 2.2 Architectural Description and Analysis 2.3 Walter Bagot’s Descriptions 1907-1945 2.4 Summary Time Line - Including Recent Works 2.5 Early Drawings of the Cathedral, Stages 1 – 5 2.6 Early Photographs of the Cathedral 3.0 STATEMENT OF CULTURAL SIGNIFICANCE OF ST PETER'S CATHEDRAL 19 3.1 Cultural Significance 3.2 Delineation of Significant Fabric and Components 3.2.1 Site Elements 3.2.2 External Elements 3.2.3 Internal Elements 4.0 CURRENT CONDITION ASSESSMENT AND RECOMMENDATIONS 21 4.1 Site Analysis and Recommendations 4.2 External Analysis