Conservation Strategy St Peter's Cathedral North Adelaide
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
BRG 18 Preliminary Inventory ______
_____________________________________________________________________ WOODS BAGOT ARCHITECTS PTY. LTD BRG 18 Preliminary Inventory __________________________________________________________________ Edward Woods (1837-1913) arrived in South Australia during 1860 and began working for the architect Edmund Wright. He helped design the GPO and Town Hall before starting out on his own in 1869; his first commission being St. Peter's Cathedral. By 1884, he had been appointed the colony's Architect-in-chief, and was an inaugural member of the S.A. Institute of Architects formed in 1886. Walter Bagot (1880-1963), a grandson of Henry Ayers and a student of St. Peter's College, became articled to Woods in 1899. He later studied architecture in London before entering into partnership with Woods in 1905. The following year, Bagot assisted with the formation of the first school of architecture in Adelaide, under the auspices of the School of Mines. Herbert Jory, James Irwin and Louis Laybourne-Smith joined the practice as partners in ensuing years; Laybourne-Smith (1880-1965) was also Head of the School of Architecture for 40 years and instrumental in its foundation. Woods Bagot have been a very influential in South Australia, with early emphasis on traditional styles and in ecclesiastical architecture. The firm designed Elder House, the Trustee Building, Bonython Hall, Barr Smith Library, the War Memorial, Carrick Hill and a number of churches in Adelaide and the country. Later commissions included John Martins, the Bank of NSW, CML and Da Costa Buildings, ANZ Bank and the Elizabeth City Centre, while more recent examples include Standard Chartered, Commonwealth Bank, Telecom and Mutual Health buildings. -
The Dual Language of Geometry in Gothic Architecture: the Symbolic Message of Euclidian Geometry Versus the Visual Dialogue of Fractal Geometry
Peregrinations: Journal of Medieval Art and Architecture Volume 5 Issue 2 135-172 2015 The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry Nelly Shafik Ramzy Sinai University Follow this and additional works at: https://digital.kenyon.edu/perejournal Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Ramzy, Nelly Shafik. "The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry." Peregrinations: Journal of Medieval Art and Architecture 5, 2 (2015): 135-172. https://digital.kenyon.edu/perejournal/vol5/iss2/7 This Feature Article is brought to you for free and open access by the Art History at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Peregrinations: Journal of Medieval Art and Architecture by an authorized editor of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. Ramzy The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry By Nelly Shafik Ramzy, Department of Architectural Engineering, Faculty of Engineering Sciences, Sinai University, El Masaeed, El Arish City, Egypt 1. Introduction When performing geometrical analysis of historical buildings, it is important to keep in mind what were the intentions -
Laon Cathedral • Early Gothic Example with a Plan That Resembles Romanesque
Gothic Art • The Gothic period dates from the 12th and 13th century. • The term Gothic was a negative term first used by historians because it was believed that the barbaric Goths were responsible for the style of this period. Gothic Architecture The Gothic period began with the construction of the choir at St. Denis by the Abbot Suger. • Pointed arch allowed for added height. • Ribbed vaulting added skeletal structure and allowed for the use of larger stained glass windows. • The exterior walls are no longer so thick and massive. Terms: • Pointed Arches • Ribbed Vaulting • Flying Buttresses • Rose Windows Video - Birth of the Gothic: Abbot Suger and St. Denis Laon Cathedral • Early Gothic example with a plan that resembles Romanesque. • The interior goes from three to four levels. • The stone portals seem to jut forward from the façade. • Added stone pierced by arcades and arched and rose windows. • Filigree-like bell towers. Interior of Laon Cathedral, view facing east (begun c. 1190 CE). Exterior of Laon Cathedral, west facade (begun c. 1190 CE). Chartres Cathedral • Generally considered to be the first High Gothic church. • The three-part wall structure allowed for large clerestory and stained-glass windows. • New developments in the flying buttresses. • In the High Gothic period, there is a change from square to the new rectangular bay system. Khan Academy Video: Chartres West Facade of Chartres Cathedral, Chartres, France (begun 1134 CE, rebuilt after 1194 CE). Royal Portals of Chartres Cathedral, Chartres, France (begun 1134 CE, rebuilt after 1194 CE). Nave, Chartres Cathedral, Chartres, France (begun 1134 CE, rebuilt after 1194 CE). -
3.0 ADELAIDE PARK LANDS and SQUARES 3.1 25 Tarndanya
3.0 ADELAIDE PARK LANDS AND SQUARES 3.0 ADELAIDE PARK LANDS AND SQUARES 3.1 25 Tarndanya Womma/Park 26 Report TARNDANYA WOMMA: 384 3.0 ADELAIDE PARK LANDS AND SQUARES Park 26: Tarndaya Womma function and edge extent of the lake, and structures and components erected and planted thereupon is the primary focus of this cultural landscape assessment. Overview: Site Context Arising from Light’s plan, Tarndanya Womma/Park 26 consists of all areas to the north and Along the River Torrens/Karrawirra Parri much of the area was simply called the ‘River south of the River Torrens/Karrawirra Parri, between North Terrace, King William Road, Torrens/Karrawirra Parri riverside’ or ‘river edge’. It was complicated because prior to the Pennington Terrace and Montifiore Road (Victoria Bridge Road and Montefiore Hill Road). It 1870s this area hosted the original ford across the River Torrens/Karrawirra Parri so the term includes the Adelaide Oval leasehold, Lawn Tennis Association of South Australian leasehold, ‘ford’ or ‘crossing’ is also applied. It also hosted the ‘Government Garden’ within the together with Pennington Gardens West, Pinky Flat, Light’s Vision, Creswell Gardens, Elder ‘Government Domain’ or ‘Domain’ and the ‘Survey Paddock’. Progressively the latter names Park and the middle portion of Lake Torrens. These spatial segments have remained consistent disappeared as also use of the ‘ford and ‘crossing’ nomenclature once Lake Torrens was created. to the original plan. Tarndanya Womma/Park 26 has carried several names over the years. Formally it is today known as Tarndanya Womma/Park 26 but colloquially it is known as the ‘Adelaide Oval park’ north of Lake Torrens or ‘Elder Park’ south off Lake Torrens. -
Pages 114- 129 Great Architecture of the World Readings
Readings Pages 114- 129 Great Architecture of the World ARCH 1121 HISTORY OF ARCHITECTURAL TECHNOLOGY Photo: Alexander Aptekar © 2009 Gothic Architecture 1140-1500 Influenced by Romanesque Architecture While Romanesque remained solid and massive – Gothic: 1) opened up to walls with enormous windows and 2) replaced semicircular arch with the pointed arch. Style emerged in France Support: Piers and Flying Buttresses Décor: Sculpture and stained glass Effect: Soaring, vertical and skeleton-like Inspiration: Heavenly light Goal: To lift our everyday life up to the heavens Gothic Architecture 1140-1500 Dominant Art during this time was Architecture Growth of towns – more prosperous They wanted their own churches – Symbol of civic Pride More confident and optimistic Appreciation of Nature Church/Cathedral was the outlet for creativity Few people could read and write Clergy directed the operations of new churches- built by laymen Gothic Architecture 1140-1420 Began soon after the first Crusaders returned from Constantinople Brought new technology: Winches to hoist heavy stones New Translation of Euclid’s Elements – Geometry Gothic Architecture was the integration of Structure and Ornament – Interior Unity Elaborate Entrances covered with Sculpture and pronounced vertical emphasis, thin walls pierced by stained-glass Gothic Architecture Characteristics: Emphasis on verticality Skeletal Stone Structure Great Showing of Glass: Containers of light Sharply pointed Spires Clustered Columns Flying Buttresses Pointed Arches Ogive Shape Ribbed Vaults Inventive Sculpture Detail Sharply Pointed Spires Gothic Architecture 1140-1500 Abbot Suger had the vision that started Gothic Architecture Enlargement due to crowded churches, and larger windows Imagined the interior without partitions, flowing free Used of the Pointed Arch and Rib Vault St. -
AUSTRALIAN ROMANESQUE a History of Romanesque-Inspired Architecture in Australia by John W. East 2016
AUSTRALIAN ROMANESQUE A History of Romanesque-Inspired Architecture in Australia by John W. East 2016 CONTENTS 1. Introduction . 1 2. The Romanesque Style . 4 3. Australian Romanesque: An Overview . 25 4. New South Wales and the Australian Capital Territory . 52 5. Victoria . 92 6. Queensland . 122 7. Western Australia . 138 8. South Australia . 156 9. Tasmania . 170 Chapter 1: Introduction In Australia there are four Catholic cathedrals designed in the Romanesque style (Canberra, Newcastle, Port Pirie and Geraldton) and one Anglican cathedral (Parramatta). These buildings are significant in their local communities, but the numbers of people who visit them each year are minuscule when compared with the numbers visiting Australia's most famous Romanesque building, the large Sydney retail complex known as the Queen Victoria Building. God and Mammon, and the Romanesque serves them both. Do those who come to pray in the cathedrals, and those who come to shop in the galleries of the QVB, take much notice of the architecture? Probably not, and yet the Romanesque is a style of considerable character, with a history stretching back to Antiquity. It was never extensively used in Australia, but there are nonetheless hundreds of buildings in the Romanesque style still standing in Australia's towns and cities. Perhaps it is time to start looking more closely at these buildings? They will not disappoint. The heyday of the Australian Romanesque occurred in the fifty years between 1890 and 1940, and it was largely a brick-based style. As it happens, those years also marked the zenith of craft brickwork in Australia, because it was only in the late nineteenth century that Australia began to produce high-quality, durable bricks in a wide range of colours. -
Circle Patterns in Gothic Architecture
Bridges 2012: Mathematics, Music, Art, Architecture, Culture Circle patterns in Gothic architecture Tiffany C. Inglis and Craig S. Kaplan David R. Cheriton School of Computer Science University of Waterloo [email protected] Abstract Inspired by Gothic-influenced architectural styles, we analyze some of the circle patterns found in rose windows and semi-circular arches. We introduce a recursive circular ring structure that can be represented using a set-like notation, and determine which structures satisfy a set of tangency requirements. To fill in the gaps between tangent circles, we add Appollonian circles to each triplet of pairwise tangent circles. These ring structures provide the underlying structure for many designs, including rose windows, Celtic knots and spirals, and Islamic star patterns. 1 Introduction Gothic architecture, a style of architecture seen in many great cathedrals and castles, developed in France in the late medieval period [1, 3]. This majestic style is often applied to ecclesiastical buildings to emphasize their grandeur and solemnity. Two key features of Gothic architecture are height and light. Gothic buildings are usually taller than they are wide, and the verticality is further emphasized through towers, pointed arches, and columns. In cathedrals, the walls are often lined with large stained glass windows to introduce light and colour into the buildings. In the mid-18th century, an architectural movement known as Gothic Revival began in England and quickly spread throughout Europe. The Neo-Manueline, or Portuguese Final Gothic, developed under the influence of traditional Gothic architecture and the Spanish Plateresque style [10]. The Palace Hotel of Bussaco, designed by Italian architect Luigi Manini and built between 1888 and 1907, is a well-known example of Neo-Manueline architecture (Figure 2). -
Anglican Church of Australia SRG 94/107 Diocese of Adelaide Series List Bishops of Adelaide
___________________________________________________________________ Anglican Church of Australia SRG 94/107 Diocese of Adelaide Series List Bishops of Adelaide Bishop Augustus Short was consecrated ‘Lord Bishop of Adelaide’ at Westminster Abbey on 29 June 1847. His See enbraced the colonies of South Australia and Western Australia. He was enthroned as the first Bishop of Adelaide on 30 December 1847 at Trinity Church, Adelaide. Bishops of Adelaide : Augustus Short 1847-1881 George Wyndham Kennion 1882 -1894 John Reginald Harmer 1895 -1905 Arthur Nutter Thomas 1906 -1940 Bryan Percival Robin 1941-1956 Thomas Thornton Reed 1957-1974 Keith Rayner 1975-1990 Ian George 1991-2004 Jeffrey Driver 2005- The Province of South Australia came into being in 1973 after a third diocese, The Murray was approved in 1969. The Diocese of Willochra was formed in 1915. Bishop T. T. Reed of Adelaide became its first Archbishop. ___________________________________________________________________ ACCESS: Access to entries in baptismal registers after 1974 restricted for 75 years; access to entries in marriage registers after 1974 restricted for 60 years; access to entries in burial registers after 1974 restricted for 25 years. Access to later entries is restricted to the individuals named in the records or their authorised representative, and requires written permission from the Anglican Church Archivist or the Executive Officer, Anglican Church Office, Adelaide. COPYING: 1. Published and publicly available records (scrapbooks, programs, newsletters, pew sheets, histories and photographs) may be copied for private research and study. 2. Records more than 30 years old, and not subject to a specific restriction may be copied for private research and study. 3. Records less than 30 years old, and not subject to a specific restriction can be copied only with written permission from the Anglican Church Archivist or the Executive Officer, Anglican Church Office, Adelaide. -
4.1 Attachment a Forest Lodge Heritage Survey (2008) Recommendation : State Heritage Place
4.1 Attachment A Forest Lodge Heritage Survey (2008) Recommendation : State Heritage Place NAME: Forest Lodge house, outbuildings, garden and garden components PLACE NO.: 16242 Address: 19 Pine Street, Aldgate SUMMARY OF HERITAGE VALUE: Description: 'Forest Lodge' is an extensive Victorian era property comprising a 'hill-station' residence and intricate parterred garden within a pinetum, located between Stirling and Aldgate in the Adelaide Hills. The pinetum is the largest conifer collection in South Australia, and one of the largest and most mature in Australia. The austere Victorian Baronial-style residence was constructed by Walter C Torode to a design by architect Ernest Henry Bayer creating a grand two-storey freestone structure characterised by a three-storey castellated tower, terra cotta chimney pots, with associated bathhouse and water tower. Later additions maintained this architectural style. Changes to the landscape design between the 1890s to the 1930s ·introduced a northern Italian design style under architect Walter Bagot but did not compromise the original Victorian character and plantings. These components include: Main Residence: a grand Victorian Baronial style two storey residence constructed by prominent builder Walter Torode to a design by Ernest Bayer, largely constructed while the Bagot's were on their 'grand tour', featuring a castellated lookout tower and aspects to the east and south offering views over the newly established and now mature gardens. Woodland I Arboretum: an extensive open woodland arboretum, -
BARR SMITH LIBRARY University of Adelaide
Heritage of the City of Adelaide BARR SMITH LIBRARY University of Adelaide Off North Terrace This classically derived building is in stark contrast to Walter Hervey Bagot's other university building, the Bonython Hall, which was built in the mediaeval Gothic style. The library, of red-brick, stone dressings and freestone portico, is reminiscent of Georgian England, imposing, but elegant. It has also been likened to similar buildings at Harvard University. The original library complex dominates the main university lawns opposite the Victoria Drive Gates, enhanced by mature trees, and blends with the various other buildings also in red-brick and of this century. The Barr Smith Library is a memorial to Robert Barr Smith who from 1892 bequeathed large sums of money to purchase books for the university library. After his death in 1915 the family made the maintenance of the Library its concern. Following his father, Thomas Elder Barr Smith became a member of the council in 1924 and offered £20 000 for a new library to relieve the congested state of the one in the Mitchell Building. He increased his gift to cover the expected building cost of £34 000. Walter Bagot chose a classic style for the proposed library. The pamphlet describing the official opening of the Barr Smith Library stated that: The tradition that the mediaeval styles are appropriate to educational buildings dies hard; but it is dying. Climate is the dominant factor, and a mediterranean climate such as this should predispose us to a mediterranean, that is to say, a classic form of architecture . -
2-A-07-10-Not13-Instructions- Build a Cathedral-HS.Docx
ART 2-07 lnstructions to Build Your Cathedral 1. Print out all six pages on cardstock. 2. Cut out on all solid lines. Dotted lines are fold lines. 3. Page one: The Crossing. This should look familiar. We used it on the squinches and pendentive lesson. a. Cut down the center of the paper, to separate the pointed pieces (piece A) from the large piece (piece B) that has four folds. b. Take piece A and carefully cut all the dark areas away. Throw these dark pieces away. c. Glue section C under section D. C and D are parts of a point. When glued they make a whole point. d. Glue or tape the fold down areas of the dome. There are two ways to do this. i. First way: start on the C/D point and put a very tiny bit of glue on the back of the fold down section. Then bring point E over to the C/D point. C/D should be under the E point. Continue putting glue on the back of the glued down section and bringing the next point over. You may have overlap. That is okay. Just glue all the points to the center. ii. Second way: put tape on the inside of the C/D point and then bring all the points up and stick to the tape. e. The four triangles on the bottom of the dome are the squinches or pendentives. Fold them out. Carefully crease this fold. f. Set dome aside. Piece B is the nave. This is where the people sit. -
Hybrid Beauty and Vigour All of Its Own and Which Will Blossom Abundantly in the Waste Places of New Guinea’
an architect,Hybrid a missionary, and their Beauty improbable desires Newell Platten Contents Introduction viii Part one ....................................................................... 1 Marnoo to Modernism 3 2 The grand tour 14 3 Settling down 37 4 Dickson and Platten: the early years 51 5 Greece 62 6 Dickson and Platten: the later years 91 7 Town planning, citizens’ campaign – and Monarto 107 8 The South Australian Housing Trust 117 9 Interlude 129 Part two ....................................................................... 1 Ancestors 135 2 The Jewel of the Pacific 143 3 Land of childhood dreaming 169 4 Southern sojourn 197 5 Volcano bride 204 6 Prelude to war 220 7 Rabaul: a town no more 233 8 Last music 253 Part three ..................................................................... Epilogue 270 Acknowledgments, bibliography and photographs 282 Index 287 Map of Bismarck Archipelago Introduction y father’s final moments in a church before a handful of mourners, none of whom had prepared a eulogy, left me with a profound Msense of anti-climax, almost distress that a life that had been lived in exotic places, had been idealistic, adventurous, selfless and in many ways exemplary should pass so unremarked. On retiring from my own professional career I wanted to make good the omission and give voice to his silence, so I have spent many hours tapping out the story of his life. Perhaps not wanting to suffer a similar if more appropriate exit, I wrote my own memoir. Kind people read them, making various suggestions. One friend told me everyone was writing schoolday stories; no one wanted to read about missionaries nowadays, but perhaps, a document on my years as an architect, and his in the mission field, might work if I identified the necessary unifying themes.