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Teatro Colón —Temporada 2020 2806 40 62 Ópera Ballet Conciertos Festival Beethoven Guía 7868 84 90 Grandes Intérpretes Conexión Bach Contemporáneo Colón para Chicos de temporada Internacionales Beethoven 98 108 114 118 Experimentación Intérpretes Argentinos Recitales en el Dorado Instituto Superior de Arte del Teatro Colón 128 Agenda 2 — Índice Índice — 3 Teatro Colón —Temporada 2020 Nabucco Barroco, verismo, belcanto, romanticismo, contemporáneo: como ya es característico, diversos estilos musicales confuyen en la temporada lírica, El Cónsul que en 2020 ofrecerá nuevas producciones. Verdi, Puccini, Donizetti, Bizet, Ópera Los pescadores de perlas Händel, De Falla y Menotti conforman un mosaico de creadores que se completa con el inicio de la monumental tetralogía del anillo wagneriano. Se suman tres Tosca títulos de cámara, que conjugan creaciones contemporáneas: los estrenos El oro del Rin sudamericanos de obras del mexicano Daniel Catán, el irlandés Donnacha Dennehy y una reposición del argentino Tomás Bordalejo. Lucia di Lammermoor Xerxes La vida breve El segundo violinisa La hija de Rappaccini Ofcina 470 GA Gran Abono ANT Abono Nocturno Tradicional AV Abono Vespertino ANN Abono Nocturno Nuevo FE Función Extraordinaria Nabucco Giuseppe Verdi DIRECCIÓN DE ESCENA, ESCENOGRAFÍA, PRINCIPALES INTÉRPRETES ISMAEL VESTUARIO E ILUMINACIÓN NABUCCO Sergio Escobar Stefano Poda Sebastián Catana Darío Schmunck Orquesta Estable del Teatro Colón Leonardo López Linares FENENA DIRECTOR MUSICAL ABIGAÍL Guadalupe Barrientos Renato Palumbo Rebeka Lokar Florencia Machado Mónica Ferracani Coro Estable del Teatro Colón ZACCARIA DIRECTOR Miguel Martínez Abramo Rosalen Christian Peregrino Mar La historia del exilio del pueblo hebreo y su cautiverio en Babilonia, atravesada por las pasiones del amor y de la fe, son el núcleo de esta pieza, tercera ópera MAR | H | GA y primer gran éxito de Verdi. El estreno americano de Nabucco se produjo en MIÉ | H | FE el Teatro Colón, en 1914, con dirección de Tullio Serafín. Se volvió a representar VIE | H | ANT sólo en cuatro temporadas y vuelve en una nueva producción del reconocido SÁB | H | FE director italiano Stefano Poda. DOM | H | AV MIÉ | H | FE ÓPERA EN CUATRO ACTOS () VIE | H | ANN Libreto en italiano de Temistocle Solera, basado en el Antiguo Testamento SÁB | H | FE y la obra teatral francesa Nabuchodonosor de Francis Cornue y Anicète Bourgeois Nueva producción del Teatro Colón 8 — Ópera Ópera — 9 El Cónsul Gian Carlo Menotti DIRECTOR DE ESCENA PRINCIPALES INTÉRPRETES AGENTE SECRETO Ruben Szuchmacher JOHN SOREL Héctor Guedes ESCENOGRAFÍA Y VESTUARIO Leonardo Neiva NIKA MAGADOFF Jorge Ferrari MAGDA SOREL Carlos Ullán ILUMINACIÓN Carla Filipcic Holm MUJER EXTRANJERA Gonzalo Córdova SECRETARIA DEL CONSULADO Marisú Pavón Orquesta Estable del Teatro Colón Adriana Mastrángelo ANNA GOMEZ DIRECTOR MUSICAL LA MADRE Marina Silva Justin Brown Alejandra Malvino May El cónsul cuenta las desventuras de un perseguido político y las kafkianas gestiones de su esposa en una sede diplomática para huir a un país libre. MAR | H | GA Humanista y dramaturgo de raigambre popular, gran parte de la obra JUE | H | ANT de Menotti (1911-2007) interroga sobre la relación del hombre con el poder DOM | H | AV en todas sus manifestaciones. MAR | H | ANN En 1999, a sus 88 años, el compositor ítalo norteamericano vino a la Argentina MIÉ ^^ | H | FE por primera vez para hacerse cargo de la régie de este título en el Teatro Colón que, entre 1953 y 1967, ya lo había ofrecido en cuatro temporadas, tras su estreno Nueva producción mundial en Filadelfa. Por este trabajo, Menotti obtuvo el Premio Pulitzer del Teatro Colón de Música y el del Círculo de Críticos de Teatro de Nueva York. ÓPERA EN TRES ACTOS () Libreto en inglés de Gian Carlo Menotti ^^ Programa de Jóvenes Artistas / ISATC 10 — Ópera Ópera — 11 Los pescadores de perlas Georges Bizet DIRECTOR DE ESCENA PRINCIPALES INTÉRPRETES Orquesta Estable del Teatro Colón DIRECTOR MUSICAL Michal Znaniecki ZURGA Srba Dinić ESCENOGRAFÍA Fabián Veloz Luigi Scoglio NADIR Coro Estable del Teatro Colón VESTUARIO Lawrence Brownlee DIRECTOR Mini Zuccheri Sergey RomanovskY Miguel Martínez ILUMINACIÓN LEÏLA José Luis Fiorruccio Hasmik TorosYan Jaquelina Livieri May Junto con Carmen, es la ópera más popular de Bizet. La trama argumental gira alrededor de temas como el amor, la lealtad, la amistad y el sacrifcio individual MAR | H | GA en pos del bienestar general. Su gran dúo de fraternidad, Au fond du temple MIÉ | H | FE saint, resulta uno de los fragmentos más famosos de la lírica francesa VIE | H | ANT y el aria Je crois entendre encore es reconocida por su triste evocación DOM | H | AV nostálgica. Aunque se trata de uno de los títulos del repertorio habitual de las principales casas de ópera, en el Teatro Colón fue representada por única vez en la temporada de 1913. Jun ÓPERA EN TRES ACTOS () MAR | H | FE Libreto en francés de Eugène Cormon y Michel Carré MIÉ | H | ANN 12 — Ópera Ópera — 13 Tosca Giacomo Puccini PRODUCCIÓN PRINCIPALES INTÉRPRETES BARÓN SCARPIA Orquesta Estable Roberto Oswald FLORIA TOSCA Erwin Schrott del Teatro Colón Hernán Iturralde DIRECTORA MUSICAL DIRECTOR DE ESCENA María José Siri Aníbal Lápiz Virginia Tola Ricardo Seguel Keri-LYnn Wilson Mónica Ferracani SACRISTÁN ESCENOGRAFÍA Coro Estable Luis Gaeta Roberto Oswald MARIO CAVARADOSSI del Teatro Colón Gustavo Gibert DIRECTOR VESTUARIO Marcelo Puente Aníbal Lápiz Jonathan Tetelmann CESARE ANGELOTTI Miguel Martínez Gustavo López Manzitti Mario de Salvo ILUMINACIÓN Emiliano Bulacios Coro de Niños Rubén Conde del Teatro Colón DIRECTOR César Bustamante Amor, celos, asesinato, traición y venganza componen este drama que tiene Jun como telón de fondo los enfrentamientos entre republicanos y monárquicos en la península itálica a fnes del siglo XVIII. Este clásico está ligado al Teatro Colón VIE | H | GA desde el año de la inauguración de su edifcio en y, desde entonces, se ha DOM | H | AV representado a lo largo de todas las décadas durante 110 años. La producción MAR | H | ANT de Roberto Oswald (1933-2013), uno de los más importantes directores de escena MIÉ | H | FE de la casa -que, además, sumaba el diseño de escenografía e iluminación- se VIE | H | FE presentó por primera vez en 1992 y volvió a verse en las temporadas 1993, 1998, SÁB | H | ANN 2003 y 2016. DOM | H | FE MAR | H | FE ÓPERA EN TRES ACTOS () Libreto en italiano de Luigi Illica y Giuseppe Giacosa Jul Basado en la obra teatral La Tosca del francés Vitorien Sardou MIÉ | H | FE Producción Teatro Colón 14 — Ópera Ópera — 15 El oro del Rin Richard Wagner DIRECTOR DE ESCENA PRINCIPALES INTÉRPRETES FASOLT Orquesta Estable Arnaud Bernard WOTAN Fernando Radó del Teatro Colón DIRECTOR MUSICAL ESCENOGRAFÍA Greer GrimsleY FAFNER Enrique Arturo Diemecke Virgile Koering MIME Lucas Debevec MaYer VESTUARIO Sergio Spina DONNER Carla Ricotti FRICKA Andrew Cummings ILUMINACIÓN Guadalupe Barrientos FROH José Luis Fiorruccio ERDA Gustavo López Manzitti DRAMATURGIA DenYce Graves FREIA Anna Borondina Carla Filipcic Holm Ago Prólogo de la tetralogía de Richard Wagner, El anillo del nibelungo. Con este título da comienzo la narración de los acontecimientos que terminarán con la muerte MAR | H | GA de Siegfried y el inicio de una nueva etapa para la humanidad, ya que en suma, VIE | H | ANT lo que la monumental obra narra, en base a la mitología germana, es la caída DOM | H | AV de los dioses antiguos y el umbral de una nueva era. MAR | H | ANN A través de esta primera producción, el Teatro Colón reanuda una modalidad ya transitada en sus temporadas ofciales: brindar, en años sucesivos, las otras Nueva producción tres óperas restantes completas: La valquiria, Sigfrido y El ocaso de los dioses. del Teatro Colón ÓPERA EN UN ACTO () Libreto en alemán de Richard Wagner 16 — Ópera Ópera — 17 Lucia di Lammermoor Gaetano Donizetti DIRECTOR DE ESCENA PRINCIPALES INTÉRPRETES RAIMONDO Orquesta Estable Nicola Berloffa LUCIA George Andguladze del Teatro Colón Andrei Nicoara DIRECTOR MUSICAL ESCENOGRAFÍA Y VESTUARIO Albina Schagimuratova Evelino Pidò Justin Arienti Jaquelina Livieri LORD ARTURO David Astorga ILUMINACIÓN SIR EDGARDO Coro Estable Valerio Tiberi Saimir Pirgu Santiago Martínez del Teatro Colón Alejandro del Cerro DIRECTOR LORD ENRICO Miguel Martínez Andrei KYmach Alfredo Daza Sep Es considerada la obra maestra de la carrera musical del maestro de Bergamo, así como un hito para el melodrama romántico italiano. Bastan como ejemplos MAR | H | GA de su enorme fama las citas que la mencionan en las icónicas novelas Madame MIÉ | H | FE Bovary de Gustave Flaubert y Anna Karénina de León Tolstói. Lucía, su protagonista, encarna el ideal de la época: la unión imposible entre dos amantes, la adversidad y el destino, la lucha entre dos familias que desemboca Oct en la locura y en un trágico desenlace durante la noche de bodas de un matrimonio de conveniencia. Regresa al escenario del Teatro Colón luego VIE | H | ANT de su última presentación en la Temporada 2005. SÁB | H | FE DOM | H | AV ÓPERA EN TRES ACTOS () MIÉ | H | FE Libreto en italiano de Salvatore Cammarano JUE | H | ANN Basado en la novela The Bride of Lammermoor de Sir Walter Scott VIE | H | FE Coproducción con Ópera de Tenerife y Ópera de Oviedo 18 — Ópera Ópera — 19 Xerxes Georg Friedrich Händel DIRECTOR DE ESCENA PRINCIPALES INTÉRPRETES Ensemble Diderot DIRECTOR MUSICAL Alejandro Tantanian XERXES Iñaki Encina ESCENOGRAFÍA Y VESTUARIO Raffaele Pe Oria Puppo ATALANTA ILUMINACIÓN Constanza Díaz Falú Rubén Conde ROMILDA Verónica Cangemi AMASTRE Paola Gardina ARSAMENE Nidia Palacios ARIODATE Luigi De Donato Nov Ambientada en Persia, su excéntrico rey está más preocupado por las conquistas amorosas que por aumentar sus dominios. La música de Händel logra un VIE | H | GA equilibrio entre lo serio, lo cómico y lo galante por medio de una cuidada DOM | H | AV profundización en los caracteres y bellas melodías. Entre ellas, una de sus más MAR | H | ANT famosas arias, la célebre Ombra mai fu. En el Teatro Colón se la pudo apreciar MIÉ | H | ANN únicamente en la temporada ofcial de .
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    O p e r a B o x Teacher’s Guide table of contents Welcome Letter . .1 Lesson Plan Unit Overview and Academic Standards . .2 Opera Box Content Checklist . .9 Reference/Tracking Guide . .10 Lesson Plans . .12 Synopsis and Musical Excerpts . .44 Flow Charts . .49 Gaetano Donizetti – a biography .............................56 Catalogue of Donizetti’s Operas . .58 Background Notes . .64 Salvadore Cammarano and the Romantic Libretto . .67 World Events in 1835 ....................................73 2011–2012 SEASON History of Opera ........................................76 History of Minnesota Opera, Repertoire . .87 così fan tutte WOLFGANG AMADEUS MOZART The Standard Repertory ...................................91 SEPTEMBER 25 –OCTOBER 2, 2011 Elements of Opera .......................................92 Glossary of Opera Terms ..................................96 silent night KEVIN PUTS Glossary of Musical Terms . .101 NOVEMBER 12 – 20, 2011 Bibliography, Discography, Videography . .105 werther Evaluation . .108 JULES MASSENET JANUARY 28 –FEBRUARY 5, 2012 Acknowledgements . .109 lucia di lammermoor GAETANO DONIZETTI MARCH 3 – 11, 2012 madame butterfly mnopera.org GIACOMO PUCCINI APRIL 14 – 22, 2012 FOR SEASON TICKETS, CALL 612.333.6669 620 North First Street, Minneapolis, MN 55401 Kevin Ramach, PRESIDENT AND GENERAL DIRECTOR Dale Johnson, ARTISTIC DIRECTOR Dear Educator, Thank you for using a Minnesota Opera Opera Box. This collection of material has been designed to help any educator to teach students about the beauty of opera. This collection of material includes audio and video recordings, scores, reference books and a Teacher’s Guide. The Teacher’s Guide includes Lesson Plans that have been designed around the materials found in the box and other easily obtained items. In addition, Lesson Plans have been aligned with State and National Standards.
  • AM ABT Featured Film Interviewees and Dances FINAL

    AM ABT Featured Film Interviewees and Dances FINAL

    Press Contact: Natasha Padilla, WNET, 212.560.8824, [email protected] Press Materials: http://pbs.org/pressroom or http://thirteen.org/pressroom Websites: http://pbs.org/americanmasters , http://facebook.com/americanmasters , @PBSAmerMasters , http://pbsamericanmasters.tumblr.com , http://youtube.com/AmericanMastersPBS , http://instagram.com/pbsamericanmasters , #ABTonPBS #AmericanMasters American Masters American Ballet Theatre: A History Premieres nationwide Friday, May 15, 2015 at 9 p.m. on PBS (check local listings) Film Interviewees and Featured Dances Film Interviewees (in alphabetical order) Alicia Alonso , dancer, ABT (1940-1960) Clive Barnes , dance critic, The New York Times (1965-1977); now deceased Mikhail Baryshnikov , principal dancer (1974-1978) & artistic director (1980-1989), ABT (archival) Lucia Chase , founding member & co-director (1945-1980), ABT; now deceased (archival) Misty Copeland , dancer, ABT (2001-present); third African-American female soloist and first in two decades at ABT Herman Cornejo , dancer, ABT (1999-present) Agnes de Mille , choreographer, charter member, ABT; now deceased (archival) Frederic Franklin , stager & guest artist, ABT (1997-2012); dancer; co-founder, Slavenska- Franklin Ballet; founding director, National Ballet of Washington, D.C.; now deceased Marcelo Gomes , dancer, ABT (1997-present) Jennifer Homans , author, Apollo’s Angels: A History of Ballet; founder and director, The Center for Ballet and the Arts at New York University Susan Jaffe , dancer (1980-2002) & ballet master (2010-2012),
  • A Discography by Claus Nyvang Kristensen - Cds and Dvds Cnk.Dk Latest Update: 10 April 2021 Label and ID-Number Available; Not Shown

    A Discography by Claus Nyvang Kristensen - Cds and Dvds Cnk.Dk Latest Update: 10 April 2021 Label and ID-Number Available; Not Shown

    A discography by Claus Nyvang Kristensen - CDs and DVDs cnk.dk Latest update: 10 April 2021 Label and ID-number available; not shown Alain, Jean (1911-1940) Deuxième Fantaisie Marie-Claire Alain (1972) Intermezzo Marie-Claire Alain (1972) Le jardin suspendu Marie-Claire Alain (1972) Litanies Marie-Claire Alain (1972) Suite pour orgue Marie-Claire Alain (1972) Trois danses Marie-Claire Alain (1972) Variations sur un thème de Janequin Marie-Claire Alain (1972) Albéniz, Isaac (1860-1909) España, op. 165: No. 2 Tango in D major Leopold Godowsky (1920) España, op. 165: No. 2 Tango in D major (Godowsky arrangement) Carlo Crante (2011) Emanuele Delucchi (2015) Marc-André Hamelin (1987) Wilhelm Backhaus (1928) Iberia, Book 2: No. 3 Triana (Godowsky arrangement) Carlo Crante (2011) David Saperton (1957) Albinoni, Tomaso (1671-1751) Adagio in G minor (Giazotto completion) (transcription for trumpet and organ) Maurice André, Jane Parker-Smith (1977) Violin Sonata in A minor, op. 6/6: 3rd movement, Adagio (transcription for trumpet and organ) Maurice André, Hedwig Bilgram (1980) Alkan, Charles-Valentin (1813-1888) 11 Grands Préludes et 1 Transcription du Messie de Hændel, op. 66 Kevin Bowyer (2005) 11 Grands Préludes et 1 Transcription du Messie de Hændel, op. 66: No. 1 Andantino Nicholas King (1992) 11 Grands Préludes et 1 Transcription du Messie de Hændel, op. 66: Nos. 2, 3, 4, 5, 6, 7, 8, 9, 11 (da Motta transcription for piano four hands) Vincenzo Maltempo, Emanuele Delucchi (2013) 11 Pièces dans le Style Religieux et 1 Transcription du Messie de Hændel, op. 72 Kevin Bowyer (2005) 13 Prières pour Orgue, op.