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Scherzo Julio-Agosto 2013.Indd REVISTA DE MÚSICA Año XXVIII - Nº 287 - Julio/Agosto 2013 - 7 € Año XXVIII - Nº 287 Julio/Agosto 2013 DOSIER Filosofía y música ENCUENTROS Helen Donath ACTUALIDAD Daniel Catán REFERENCIAS Sinfonía Asrael de Suk NOV EDA 1 CD DE julio S 2 CD 2 CD El compositor argentino, Alberto Ginastera, del que ahora se conmemoran 30 años 1 CD de su muerte, es nuestro personajes del mes. 2 CD 1 CD Te proponemos las mejores novedades para el verano. Madrigales de grandes compositores de finales del renacimiento italiano. La ópera de Massenet, Herodiade, inspirada en una novela de Flaubert. La mejor grabación histórica de la ópera Martha, del alemán Flotow. Las danzas y arias de Milanuzzi. La excepcional grabación de Lucrezia Borgia, con Montserrat Caballé, Alfredo Kraus y Shirley Verret. Dos maravillosos Conciertos de arpa. Uno del romanticismo francés de François-Adrien Boïeldieu y otro del argentino Alberto Ginastera. Este verano disfruta de sensacionales grabaciones, al mejor precio. elcorteingles.es 287-Pliego 1_207-pliego 1 21/06/13 13:19 Página 1 AÑO XXVIII - Nº 287 - Julio-Agosto 2013 - 7 € 2 OPINIÓN Filosofar sobre, con y después de Wagner CON NOMBRE Miguel Salmerón Infante 72 PROPIO George Simmel, la búsqueda 6 Daniel Catán de una tierra no pisada David Rodríguez Cerdán José G. Birlanga Trigueros 76 Repensar con las orejas 8 AGENDA Marina Hervás Muñoz 82 Del Tractatus logico- 14 ACTUALIDAD philosophicus NACIONAL Magda Polo Pujadas 86 32 ACTUALIDAD ENCUENTROS INTERNACIONAL Helen Donath Rafael Banús Irusta 90 38 ENTREVISTA Alberto Martínez Molina EDUCACIÓN Eduardo Torrico Pedro Sarmiento 94 42 Discos del mes JAZZ Pablo Sanz 95 43 SCHERZO DISCOS Sumario CONTRAPUNTO Norman Lebrecht 96 71 DOSIER Filosofía y Música Colaboran en este número: Roberto Andrade, Julio Andrade Malde, Íñigo Arbiza, Rafael Banús Irusta, José G. Birlanga Trigueros, Emili Blasco, Alfredo Brotons Muñoz, José Antonio Cantón, Jacobo Cortines, Pierre Élie Mamou, José Luis Fernández, Fernando Fraga, Germán Gan Quesada, Joaquín García, Manuel García Franco, José Antonio García y García, Juan García-Rico, Fernando Herrero, Marina Hervás Muñoz, Bernd Hoppe, Paul Korenhof, Clauspeter Koscielny, Antonio Lasierra, Norman Lebrecht, Juan Antonio Llorente, Santiago Martín Bermúdez, Joaquín Martín de Sagarmínaga, Enrique Martínez Miura, Blas Matamoro, Erna Metdepenninghen, Juan Carlos Moreno, Andrés Moreno Mengíbar, Antonio Muñoz Molina, Josep Pascual, Enrique Pérez Adrián, Javier Pérez Senz, Paolo Petazzi, Magda Polo Pujades, Xavier Pujol, Francisco Ramos, Elisa Rapado Jambrina, Arturo Reverter, Pablo L. Rodríguez, David Rodríguez Cerdán, Leopoldo Rojas-O’Donnell, Justo Romero, Miguel Salmerón Infante, Pablo Sanz, Pedro Sarmiento, Aurelio M. Seco, Bruno Serrou, Christian Springer, Luis Suñén, José Luis Téllez, Eduardo Torrico, Jesús Trujillo Sevilla, Asier Vallejo Ugarte, Claire Vaquero Willliams, Pablo J. Vayón, José Luis Vidal, Reinmar Wagner. Coordina el Dosier de este número Marcos García Lecuona PRECIO SUSCRIPCIÓN: Esta revista ha recibido una ayuda a la edición del Ministerio de por un año (11 Números) Educación, Cultura y Deporte Esta revista es miembro de ARCE, Asociación de Revistas Culturales de España, y de CEDRO, Centro Español de Derechos Reprográficos. España (incluido Canarias) 70 €. Europa: 105 €. SCHERZO es una publicación de carácter plural y, desde el año 2012, EE.UU y Canadá 120 €. cuenta con la colaboración de la Fundación BBVA, manteniendo su Méjico, América Central Con la colaboración de: carácter de revista no adscrita a ningún organismo público ni privado. y del Sur 125 €. La dirección respeta la libertad de expresión de sus colaboradores. Los textos firmados son de exclusiva responsabilidad de los firmantes, no siendo por tanto opinión oficial de la revista. 1 287-Pliego 1_207-pliego 1 21/06/13 13:19 Página 2 O P I N I ó N EDITORIAL MALAS NOTICIAS PARA LA INDUSTRIA CULTURAL l casi simultáneo cierre de Harmonia Mundi Iberica y de Diverdi es una noticia doblemente mala para la industria cultural española. Y recalca- mos lo de industria y lo de cultural pues la música clásica y, por tanto, sus medios de reproducción, lo son tan de pleno derecho como cual- Equier otra manifestación artística. Parecía inexorable que la crisis llegara a las distribuidoras de discos, ese eslabón entre fabricante y vendedor que cuando no hay vendedor —porque desaparecen esos espacios— ni comprador — porque la crisis aprieta— carece de sentido. Se trataba de dos empresas fun- damentales para el equilibrio del sistema comercial del disco en España. HMI y Diverdi eran, además de distribuidores, vendedores, es decir, ofertaban su producto directamente. HMI era, además, productora, tenía sus propios artis- tas en distintos géneros que en su momento pasaban a la casa madre, como sucedió en los casos del Cuarteto Casals o de Javier Perianes. Ellos salvan su vertiente internacional mientras la parte del catálogo que dependía exclusiva- mente del mercado español deberá buscarse la vida probablemente por su cuenta. En el caso de Diverdi, el valor añadido —la enorme variedad de pro- puestas, la información sobre el producto, la edición mensual de un atractivo boletín promocional y la venta por correo— no ha resultado suficiente: el posible cliente se informaba en su página web y compraba en otro sitio más OPINIÓN barato. El mercado es así, no cabe duda, y en tiempos de crisis el precio puro y duro reina sobre cualquier otra consideración, incluido lo que podríamos llamar la afinidad del comprador con un catálogo o con una filosofía empre- sarial. Pero ese mismo mercado en el que se reúnen vendedor y comprador se estrecha peligrosamente con ausencias como las de HM o Diverdi en España y otras en el panorama internacional. Y lo hace tendiendo peligrosa- mente hacia una situación de desequilibrio en la oferta con dos grandes gigantes ocupando un espacio cada vez mayor: la poderosísima Naxos como distribuidora y la no menos potente Amazon como vendedora —recientes están las declaraciones alertando de ese peligro de los responsables de cultu- ra de Francia y Reino Unido. En España se producirán, necesariamente, movimientos importantes. Incluso habrá que esperar a saber cómo HM reor- ganiza su promoción y su distribución en un mercado que, con menos gastos generales como empresa, debiera seguir interesándole —la otra alternativa es fiar información y venta exclusivamente a la red. O a comprobar si una parte de Diverdi —una empresa imaginativa y creadora— resurge de sus cenizas todavía calientes. O qué hará Ferysa —sin competencia en el segmento— ante la oportunidad con la que, sin querer, se ha encontrado. De ello depen- derá el futuro de la distribución convencional de discos en España. El resto pasará por una reflexión muy seria sobre la realidad que irá desde la posibili- dad o no de refundar un punto de venta de verdadera cercanía con el consu- midor y de hacer de internet una herramienta capaz de dar algo más que un producto barato. Si no, sólo Amazon sobrevivirá y el mercado, en su libertad, habrá decidido rendirse a una posibilidad única. Todo pareciera juntarse hoy en contra de la cultura. Y de todo eso, en el fondo, lo menos censurable es precisamente ese mercado al que se culpa de todos los males pero que no hace sino seguir sus reglas sin que nadie le proponga pautas mejores. Y para mala pauta, ahí está el descenso brutal de la asistencia a espectáculos a causa del incremento del IVA. Tan cierto y tan peligroso que el ministro Wert, siempre seguro de sí y orgulloso de crecerse con el castigo, ha llegado a alarmarse seriamente con lo que eso puede suponer para un sector del que, en la medida que le corresponde, que es mucha, también es responsable. Y, en ese contexto, naturalmente, volver a recordar las calamidades que acechan a la Orquesta Sinfónica de la Radio Televisión Española en forma de cambios en la contratación de sus miem- bros, víctimas ellos y sus oyentes de una situación que amenaza con dejar la cultura española como uno de esos eriales en los que no vuelve a crecer la hierba. La cultura y otras cosas más. 2 287-Pliego 1_207-pliego 1 21/06/13 13:19 Página 3 O P I N I ó N La música extremada CULTURA UNDERGROUND Diseño de portada Argonauta Foto portada: Noah Shaye Edita: SCHERZO EDITORIAL S.L. C/Cartagena, 10. 1º C 28028 MADRID Teléfono: 913 567 622 FAX: 917 261 864 Internet: www.scherzo.es E mail: Redacción: [email protected] Administración: [email protected] Presidente: Santiago Martín Bermúdez REVISTA DE MÚSICA Director: Luis Suñén in que casi nadie preste mucha los minutos escasos de información cul- atención y desde luego sin que tural la música clásica simplemente no Redactor Jefe: Enrique Martínez Miura se levanten voces disidentes en existe. Supongo que seguirá habiendo Edición: Arantza Quintanilla los últimos años se está comple- transmisiones de conciertos en horarios Stando el proceso de casi desaparición difíciles, que seguirán en exclusiva los Maquetación: Iván Pascual de la música clásica y de cualquier otra más aficionados, igual que somos los Secciones forma de música que no sea el pop aficionados veteranos los que mantene- Discos: Luis Suñén más comercial de los medios informati- mos invariable en la radio la sintonía de vos generales. Hasta su gran reforma Radio Clásica. Pero negarle a la música Educación: Pedro Sarmiento y Joan-Albert Serra de diseño y contenido de 2007, El País un lugar en la gran plaza pública de la Jazz: Pablo Sanz ofrecía casi a diario la crítica de algún información general es eliminarla del Libros: Enrique Martínez Miura
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