United Nations Holocaust Memorial Ceremony and Concert

Total Page:16

File Type:pdf, Size:1020Kb

United Nations Holocaust Memorial Ceremony and Concert United Nations Holocaust Memorial Ceremony and Concert 27 January 2010 2010 Holocaust Remembrance Activities United Nations Headquarters, New York The 2010 observance of the International Day of Commemoration in memory of the victims of the Holocaust will focus on a central theme that emphasizes the legacy that survivors will pass International Day of Commemoration on to succeeding generations. The theme “Holocaust Remembrance: the Legacy of Survival” highlights the moral messages expressed by those who have suffered from Nazi persecution and the denial of basic human rights. As there are fewer survivors to tell their stories today, it is in Memory of the of primary importance that these universal lessons be shared with all fellow human beings. Only this will ensure that their legacy will continue to promote respect for diversity and human rights Victims of the Holocaust for generations to come. Holocaust remembrance activities will also be organized by the global network of United Nations Information Centres. The week-long observance at United Nations Memorial Ceremony and Concert Headquarters in New York will include the following events and partners: 25 January Exhibit Opening: “Generations: Survival and the Legacy of Hope” Conscience Display; UK Holocaust Centre; USC Shoah Foundation Institute for Visual History and Education; San Diego Jewish Cultural Centre United Nations Public Lobby 6:00 p.m. 26 January Exhibit Opening: “Architecture of Murder: The Auschwitz-Birkenau Blueprints” American & International Societies for Yad Vashem; Yad Vashem - The Holocaust Martyrs’ and Heroes’ Remembrance Authority, United Nations Public Lobby Nürnberg Philharmonic 6:00 p.m. 27 January – Holocaust Remembrance Day Bayreuth Zamir Choir Panel Discussion: “Interreligious Responses to the Holocaust: 65 Years after Liberation” B’nai B’rith International, Permanent Mission of the Czech Republic to the United Nations Temporary North Lawn Building, Conference Room 2 Jerusalem Oratorio Chamber Choir 3:30 p.m. - 5:30 p.m. Holocaust Memorial Ceremony and Concert Issak Tavior, Conductor General Assembly Hall Government of Germany, Staatstheater Nürnberg 7:00 p.m. Professor Nechama Tec, Keynote Speaker 28 January DPI-NGO briefing on the legacy of the Jews in Morocco Temporary North Lawn Building, Conference Room 3 10:00 a.m. - 12:30 p.m. 27 January 2010 . United Nations General Assembly Hall Film screening of “Defiance” Paramount Pictures, Permanent Mission of the United States to the United Nations 7:00 p.m. Temporary North Lawn Building, Conference Room 3 6:00 p.m. - 8:30 p.m. For more details please visit: www.un.org/holocaustremembrance Programme Mr. Kiyotaka Akasaka Professor Nechama Tec, Keynote Speaker United Nations Under-Secretary-General for Communications and Professor Emerita of Sociology, University of Connecticut, Stamford; Public Information Holocaust survivor and scholar; author of eight books, including Defiance Message from Mr. Ban Ki-moon United Nations Secretary-General Mr. Roland Tec Co-producer of the film Defiance Message from the President of the sixty-fourth session of the General Assembly Mount Sinai Cantata delivered by the Vice President III. Shabbat Kodesh V. See the Voices H.E. Ambassador Peter Wittig VI. And Obey We Shall Permanent Representative of Germany to the United Nations Issak Tavior Barbara Baier, soprano The Vision of the Dry Bones Christine Hübner-Hart, alto Issak Tavior (b. 1943) James Clark, tenor Mr. Andrzej Mirga Senior Adviser on Roma and Sinti Issues H.E. Yuli-Yoel Edelstein Office for Democratic Institutions and Human Rights Minister of Information and Diaspora, Israel Organization for Security and Co-operation in Europe Ein deutsches Requiem, Op. 45 Overture to the Tragedy, Egmont, Op. 84 V. Ihr habt nun Traurigkeit Ludwig Van Beethoven (1770-1827) Johannes Brahms (1833-1897) Barbara Baier, soprano Mr. Zev Salomon Muller Chief Cantor of the West Side Institutional Synagogue Suite modale Ani Ma’amin (“I Believe”) No. 1 Moderato El Maleh Rachamim (“Merciful God”) No. 2 L’istesso tempo No. 3 Allegro giocoso The Last Days To Come* Ernst Bloch (1880-1959) Issak Tavior H.E. Ambassador Martin Ney, flute Barbara Baier, soprano Deputy Permanent Representative of Germany to the United Nations Christine Hübner-Hart, alto James Clark, tenor Haggi Goren, speaker * World premiere performance. 2 3 The Holocaust and the United Nations Outreach Programme Outreach Division, United Nations Department of Public Information experiences of the survivors, the Programme shows that the failure of mankind to prevent the Holocaust has direct relevance to the dangers of genocide that persist today. The International Day is also widely ob- On 1 November 2005, the United Nations (UN) General Assembly served with ceremonies and activities at UN offices around the world. adopted resolution 60/7 designating 27 January as the annual In- ternational Day of Commemoration in memory of the victims of the Educational Materials Holocaust. The General Assembly also requested the Secretary- The Holocaust and the United Nations Outreach Programme sup- General to establish a programme of outreach on the subject of the ports the development of educational curricula by Member States “Holocaust and the United Nations” to mobilize civil society for on the lessons of the Holocaust in a number of ways. In co-operation Holocaust remembrance and education, and tohelp prevent future acts with leading institutions on Holocaust studies, the Programme has of genocide. Since its establishment in January 2006, the Department developed a wide variety of educational tools. Its latest publication, the of Public Information’s (DPI) Holocaust and the United Nations Discussion Papers Journal, provides a forum for scholars and experts on Outreach Programme has developed a multi-faceted programme, built an Holocaust and genocide from around the world to raise issues for international network of civil society groups, collaborated with world- debate and further study amongst secondary and university students. renowned institutions and garnered the support of expertsin the field of The Programme has also developed the Footprints for Hope initiative, Holocaust and genocide studies. which includes a short educational film title “Footprints: Discover- ing the Holocaust through Historical Artefacts”, a power-point pre- These partnerships have resulted in the increase of multiple redissemi- sentation and a lesson plan. These tools are designed for educators nators of the programme’s key messages: honour the memory of the to introduce and explore the history of the Holocaust with younger victims; respect the dignity and worth of each individual; celebrate students (age 10 and up) through a discussion about an historical arte- diversity; protect human rights; combat Holocaust denial; and learn from fact, a child’s shoe found at Auschwitz-Birkenau. In addition, the Pro- the circumstances that led to and perpetuated the Holocaust, which gramme’s gateway website (www.un.org/holocaustrememberence) remain valuable lessons for the prevention of genocide. The Holocaust also offers a number of innovative online information products and serves as a warning of the consequences of anti-Semitism and other teaching resources on the Holocaust and prevention of genocide such forms of discrimination today. as: teachers guidelines, events webcasts, the Electronic Notes for Speakers (an online pedagogical tool that provides concise, detailed Through the Programme, DPI is also a permanent observer to the information on the history and human experience of the Holo- Task Force for International Cooperation on Holocaust Education, caust), etc. Some of these tools are also available through Youtube Remembrance and Research, which was commended by the General and Wikipedia. Assembly for its work. Panel discussions The International Day of Commemoration in memory of the victims Since 2006, the Holocaust and the United Nations Outreach Programme of the Holocaust has organized five interactive roundtable discussions designed to The International Day of Commemoration in memory of the victims promote awareness of the lessons of the Holocaust and their of the Holocaust is observed each year on 27 January in the General implications for combating genocide today. By examining best Assembly Hall at United Nations Headquarters with a memorial practices to fight hatred, racism and Holocaust denial, the discussions ceremony on the theme “Remembrance and Beyond”, which serves aimed to mobilize civil society and the international community to help to highlight and connect the main two elements of the Programme – prevent mass violence. Held at United Nations Headquarters in New remembering the victims of the Holcaust and helping to prevent future York, the seminars are attended by members of the diplomatic commu- acts of genocide. As a counterpoint to Nazi ideology, which sought to strip nity, non-governmental organizations, students, educators and United victims of their humanness, remembrance focuses on the individual Nations staff members. These evetns are also webcast and available and works to give each person a face, a name and a story. Through the on the Programme’s website. recollection of the journeys of those who perished and by sharing the 4 5 Performer Biographies United Nations Information Centres Issak Tavior, conductor and composer The Holocaust and the United Nations Outreach Programme provides the The European press has described Issak Tavior’s music as lyrical and global network of United
Recommended publications
  • INFORMATION to USERS This Manuscript Has Been Reproduced
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 THE COMPLETED SYMPHONIC COMPOSITIONS OF ALEXANDER ZEMLINSKY DISSERTATION Volume I Presented in Partial Fulfillment of the Requirement for the Degree Doctor of Philosophy In the Graduate School of The Ohio State University By Robert L.
    [Show full text]
  • Isang Yun Maderna, Heinz Holliger, Hans Zender, Zubin Mehta, Jesús López-Cobos, Myung-Whun Chung, and Many More
    _Bara_ in Berlin in 1962. The conductors of Yun’s works have included Bruno Isang Yun Maderna, Heinz Holliger, Hans Zender, Zubin Mehta, Jesús López-Cobos, Myung-Whun Chung, and many more. It is hardly possible to list all the soloists who have mastered his very demanding scores. The connection to the tradition of Chinese-Korean court music is very clear in _Loyang_ for chamber ensemble (1962). Yun’s individual style, which is indeed obliged to Eastern-Asian idioms, emerged in _Gasa_ for violin and piano (1963) and in _Garak_ for flute and piano (1963). In _Gasa_ and _Garak_, he overlaid twelve-tone sound fields with a second, melodically dominated layer of (long sustained) main or central tones. Yun recognized Isang Yun photo © Booseyprints this long sustained tone (or sound), which "is already life itself" and – flexible within itself – contains beats, colorings, dynamic nuances, and also The Dragon from Korea ornaments (accentuated attacks, sub-beats, likewise emphasized decays), as _by Walter-Wolfgang Sparrer an essential characteristic of the East-Asian tradition. _ Isang Yun was the first composer from Eastern Asia to succeed in That he meticulously indicated in his scores the course of every individual establishing an international career based in Germany. With the Seoul tone center – Yun spoke of "main tones" – like the articulation of a word, was Cultural Prize in 1955, he received the most prestigious award conferred by new in the history of music and created certain difficulties in the execution of his South Korean homeland. He used the prize money to travel the following his imaginatively delicate, and yet in no way merely playfully demanding year, in June 1956, to Paris, where he wanted to get to know the at that time ornamental music.
    [Show full text]
  • Luigi Nono Prometeo, Tragedia Dell'ascolto LUIGI NONO (1924–1990)
    contemporary Luigi Nono Prometeo, Tragedia dell'ascolto LUIGI NONO (1924–1990) PROMETEO, TRAGEDIA DELL’ascOLTO (1981/1985) for singers, speakers, chorus, solo strings, solo winds, glasses, orchestral groups, and live electronics Arrangement of texts by Massimo Cacciari SACD 1 1 I. PROLOGO 20:07 2 II. ISOLA 1° 23:06 3 III. ISOLA 2° a) IO–PROMETEO 18:03 4 b) HÖLDERLIN 08:10 total time 69:38 SACD 2 1 c) STASIMO 1° 07:48 2 IV. INTERLUDIO 1° 06:41 3 V. TRE VOCI a 12:05 4 VI. ISOLA 3°– 4°– 5° 17:10 5 VII. TRE VOCI b 06:48 6 VIII. INTERLUDIO 2° 05:01 7 IX. STASIMO 2° 08:56 Peter Hirsch, Luigi Nono (May 1986, Köln) total time 64:54 3 Petra Hoffmann, Monika Bair-Ivenz, soprano Solistenensemble des Philharmonischen Orchesters Freiburg Susanne Otto, Noa Frenkel, alto Hubert Mayer, tenor Sigrun Schell, Gregor Dalal, speakers Solistenensemble des SWR Sinfonieorchesters Baden-Baden und Freiburg Solistenchor Freiburg electronic realization: EXPERIMENTALSTUDIO für akustische Kunst e. V., Monika Wiech, Elisabeth Rave, Svea Schildknecht, soprano former EXPERIMENTALSTUDIO der Heinrich-Strobel-Stiftung Birgitta Schork, Evelyn Lang, Judith Ritter, alto des Südwestrundfunks e. V. Thomas Gremmelspacher, Klaus Michael von Bibra, Martin Ohm, tenor Uli Rausch, Matthias Schadock, Philipp Heizmann, bass André Richard, director, chorus master, artistic coordination, spatial sound conception, sound director ensemble recherche Reinhold Braig, Joachim Haas, Michael Acker, sound directors Bernd Noll, sound technician Martin Fahlenbock, flutes Shizuyo Oka, clarinets Barbara Maurer, viola Peter Hirsch, 1st conductor Lucas Fels, violoncello Kwamé Ryan, 2nd conductor Mike Svoboda, alto trombone, euphonium, tuba Ulrich Schneider, contrabass Christian Dierstein, Klaus Motzet, Jochen Schorer, glasses 4 5 PRÄAMBEL ANSPRUCH (UND) BESCHEIDENHEIT Luigi Nonos »Prometeo« im Aufbruch zu neuen Verhältnissen D Luigi Nono hat fast sein gesamtes Spätwerk in Zusammenarbeit mit dem EXPERI- MENTALSTUDio des SWR realisiert.
    [Show full text]
  • Scherzo Julio-Agosto 2013.Indd
    REVISTA DE MÚSICA Año XXVIII - Nº 287 - Julio/Agosto 2013 - 7 € Año XXVIII - Nº 287 Julio/Agosto 2013 DOSIER Filosofía y música ENCUENTROS Helen Donath ACTUALIDAD Daniel Catán REFERENCIAS Sinfonía Asrael de Suk NOV EDA 1 CD DE julio S 2 CD 2 CD El compositor argentino, Alberto Ginastera, del que ahora se conmemoran 30 años 1 CD de su muerte, es nuestro personajes del mes. 2 CD 1 CD Te proponemos las mejores novedades para el verano. Madrigales de grandes compositores de finales del renacimiento italiano. La ópera de Massenet, Herodiade, inspirada en una novela de Flaubert. La mejor grabación histórica de la ópera Martha, del alemán Flotow. Las danzas y arias de Milanuzzi. La excepcional grabación de Lucrezia Borgia, con Montserrat Caballé, Alfredo Kraus y Shirley Verret. Dos maravillosos Conciertos de arpa. Uno del romanticismo francés de François-Adrien Boïeldieu y otro del argentino Alberto Ginastera. Este verano disfruta de sensacionales grabaciones, al mejor precio. elcorteingles.es 287-Pliego 1_207-pliego 1 21/06/13 13:19 Página 1 AÑO XXVIII - Nº 287 - Julio-Agosto 2013 - 7 € 2 OPINIÓN Filosofar sobre, con y después de Wagner CON NOMBRE Miguel Salmerón Infante 72 PROPIO George Simmel, la búsqueda 6 Daniel Catán de una tierra no pisada David Rodríguez Cerdán José G. Birlanga Trigueros 76 Repensar con las orejas 8 AGENDA Marina Hervás Muñoz 82 Del Tractatus logico- 14 ACTUALIDAD philosophicus NACIONAL Magda Polo Pujadas 86 32 ACTUALIDAD ENCUENTROS INTERNACIONAL Helen Donath Rafael Banús Irusta 90 38 ENTREVISTA Alberto Martínez Molina EDUCACIÓN Eduardo Torrico Pedro Sarmiento 94 42 Discos del mes JAZZ Pablo Sanz 95 43 SCHERZO DISCOS Sumario CONTRAPUNTO Norman Lebrecht 96 71 DOSIER Filosofía y Música Colaboran en este número: Roberto Andrade, Julio Andrade Malde, Íñigo Arbiza, Rafael Banús Irusta, José G.
    [Show full text]
  • ACTIEN-VOLKSTHEATER Repertoire Der Spielzeiten 1865
    ACTIEN-VOLKSTHEATER Repertoire der Spielzeiten 1865 –1872/73 KÖNIGLICHES THEATER AM GÄRTNERPLATZ Repertoire der Spielzeiten 1873/74 – 1917/18 GÄRTNERPLATZTHEATER Repertoire der Spielzeiten 1918/19 – 1930/31 Eine chronologische Dokumentation Redaktion: Dr. Thomas Siedhoff unter Verwendung der von Elke Schöninger zusammengestellten Daten Zur Benutzung Der Katalog des Gesamtrepertoires folgt den Ankündigungen auf den Theaterzetteln, den Programmheften mit ihren Besetzungszetteln sowie der Tagespresse. Diese Daten enthalten nicht selten Fehler und/oder sind unvollständig. Den die wissenschftliche Brücke zwischen täglichem Theaterbetrieb und dokumentarischem Ehrgeiz und forschungsverbundener Annäherung an den Spielplan und dessen Profil bauenden Dramaturgen gab es frühestens zu Beginn des 20. Jahrhunderts. Daher wird/wurde der Gesamtkatalog möglichst eingehend bibliographiert und ergänzt. Diese Angaben stehen in [eckigen Klammern]. Die in KAPITÄLCHEN gesetzten TITEL fogen der Schreibweise der Ankündigung, die Schreibweise der Gattungbezeichnungen wurden behutsam den heutigen Usancen angeglichen. Die Datierungen der Enstehung möglichst aller aufgeführten Werke sollen über die jeweilige Aktualität die des Spielplans informieren. Diese Daten folgen nach Möglichkeit dem Jahr der Uraufführung, ansonsten jenem der ersten Drucklegung – entweder als Bühnenmanuskript oder als öffentliche Buchausgabe. Die eingerückten Datensätze und rot markierten bezeichnen Gastspiele ohne Mitwirkung des Gärtnerplatztheater-Ensembles; nicht eingerückte Datensätze bezeichnen
    [Show full text]