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Legislative Assembly Hansard 1963
Queensland Parliamentary Debates [Hansard] Legislative Assembly TUESDAY, 15 OCTOBER 1963 Electronic reproduction of original hardcopy 654 Questions [ASSEMBLY] Questions TUESDAY, 15 OCTOBER, 1963 Answer:- "Australia relies for its existence in the Mr. SPEAKER (Hon. D. E. Nicholson, world free sugar market on being economi Murrumba) read prayers and took the chair cally efficient. To this end, major economies in cost are derived by using at 11 a.m. megasse as fuel. Whilst present export prices are high, very recent history shows QUESTIONS a different position, and it would be unrealistic to assume the present high level NEW T.A.B. AGENCIES.-Mr. Dean, of prices will last indefinitely. I would pursuant to notice, asked The Treasurer,- add that every care is taken to reduce to ( 1) Did he see the newspaper statement an absolute minimum any nuisance arising made by the chairman of the Totalisator from the use of megasse as fuel during the Administration Board in The Courier-Mail crushing season." of October 7, that new Totalisator Administration Board Shops would always SEPTIC SYSTEMS AT MURARRIE AND be opening in Queensland? MAYFIELD STATE SCHOOLS.-Mr. Houston, pursuant to notice, asked The Minister for (2) If so, will he give serious con Works,- sideration to curtailing this fast-developing monster which is causing hardship in many When will septic systems be installed homes and also having a detrimental effect at the Murarrie and Mayfield State on many local business concerns, because Schools? money so spent in these shops is directed into an unproductive channel? Answer:- "No indication can be given as to when Answer:- septic systems will be installed at the (1 and 2.) "I know of no such news Murarrie and Mayfield State Schools. -
Fiona Tan Coming Home
Fiona Tan Sherman Art Foundation Contemporary Coming Home Fiona Tan Coming Home Sherman Contemporary Art Foundation Contents in association with the National Art School 12 Preface Anita Taylor Fiona Tan 14 Introduction Gene Sherman Coming Home 19 Colour Plates A Lapse of Memory 47 Disorient 74 Essay Infinite Crossroads Juliana Engberg 82 Production Credits 84 Artist Biography 88 Artist Bibliography 92 Contributors 94 Acknowledgements 13 It is with enormous pleasure that the National The extension of the project to include the Preface Art School (NAS) joins with Sherman NAS Gallery is a direct outcome of discussions Contemporary Art Foundation (SCAF) to involving the Deans/Directors of the three present ‘Fiona Tan: Coming Home’. The major art schools in Sydney in May 2009, held proposal to extend the project – commissioned at the invitation of Dr Gene Sherman, in which Anita Taylor by SCAF – across our two venues represents a Gene and her team at SCAF proposed an Director significant new partnership for NAS. I believe ongoing dialogue to explore opportunities to National Art School the opportunity afforded by this collaboration engage more extensively with the art students establishes an exciting new direction for both of Sydney. Most importantly, SCAF and NAS our organisations. share a commitment to supporting outstanding The two Sydney venues are each hosting a exhibitions that underscore the value of art and separate body of work: Disorient, 2009, first culture in our society. shown to great acclaim in the Dutch Pavilion at The hard work, commitment and dedication the 53rd Venice Biennale, is screening at SCAF in of a number of individuals are required to Paddington, and A Lapse of Memory, 2007, is deliver an exhibition of this scope. -
2009 Annual Report MUSEUM and GALLERY SERVICES QUEENSLAND OUR FIRST FIVE YEARS: 2005–2009
2009 ANNUAL REPORT MUSEUM AND GALLERY SERVICES QUEENSLAND LIMITED Level 3, 381 Brunswick Street Fortitude Valley Qld 4006 ABN 32 109 874 811 ACN 109 874 811 M&GSQ 2009 Annual Report MUSEUM AND GALLERY SERVICES QUEENSLAND OUR FIRST FIVE YEARS: 2005–2009 Museum and Gallery Services Queensland Limited (M&GSQ) commenced trading in late 2004. 2009 marks the end of our first five years, so here is a snapshot of our achievements over that time. INDUSTRY DEVELOPMENT M&GSQ staff has responded to 37 organisations from more than 4,200 enquiries from Queensland’s museum and constituents and stakeholders. gallery sector have participated in M&GSQ’s Standards Program. TOURING EXHIBITIONS M&GSQ, in partnership with Museums Australia (RTO 2001– 08), issued 11 Certificates IV in Museum Practice; 1 Certificate III in Museum Practice; and 191 Statements of attainment. 293 organisations have participated in Museums Alight!, STATE-WIDE DELIVERY M&GSQ’s annual week-long State-wide celebration of International Museum Day. M&GSQ has managed 54 touring exhibitions to 219 venues across Queensland and Australia. These exhibitions have shown the work of 1,166 artists and 48 curators. 57 Gallery and Museum Achievement Awards (GAMAA) An audience of 728,121 has have been presented: visited exhibitions toured by • 18 organisational Winners M&GSQ. • 11 individual Winners M&GSQ’s programs and activities • 18 organisational Special have been delivered in every Commendations TRAINING & PROFESSIONAL region of Queensland: DEVELOPMENT 8.3% in Far North Queensland • 10 individual -
JAVIER TÉLLEZ Born in 1969, in Valencia, Venezuela Lives and Works in Long Island City, Queens, NY
JAVIER TÉLLEZ Born in 1969, in Valencia, Venezuela Lives and works in Long Island City, Queens, NY EDUCATION Arturo Michelena School of Fine Arts, Venezuela SELECTED SOLO EXHBITIONS 2016 To Have Done with the Judgment of God, Koenig & Clinton, New York 2014 Shadow Play, curated by Mirjam Varanidis, Kunsthaus Zürich, Switzerland Games are forbidden in the labyrinth, Walter and McBean Galleries, San Francisco Art Institute, CA Games are forbidden in the labyrinth, REDCAT Gallery, co-produced with Kadist Art Foundation, Los Angeles, CA 2013 Praise of Folly, Stedelijk Museum voor Actuele Kunst, Ghent, Belgium The Conquest of Mexico, Figge von Rosen Galerie, Cologne, Germany 2012 Ungesehen und unerhört II: Javier Téllez, Museum Sammlung Prinzhorn, Heidelberg, Germany Rotations, Galerie Peter Kilchmann, Zürich, Switzerland 2011 Letter on the Blind for the Use of Those Who See, Arthouse at the Jones Center, Austin, TX O Rinoceronte de Dürer, Fruits, Flowers, and Clouds, Museum for Applied Arts, Vienna, Austria Letter on the Blind for the Use of Those Who See, Museum of Contemporary Art Cleveland, OH O Rinoceronte de Dürer, Galerie Arratia Beer, Berlin, Germany 2010 Vasco Araújo/Javier Téllez - Larger than Life, curated by Isabel Carlos, Museo de Arte Contemporánea, Vigo, Spain Vasco Araujo/Javier Téllez - Larger than Life, Museu Calouste Gulbenkian, Lisbon, Portugal 2009 41⁄2, curated by Hilke Wagner, Kunstverein Braunschweig, Germany Mind The Gap, curated by Sabine Schaschl, Kunsthaus Baselland, Switzerland Javier Téllez: International Artist -
Annual Report 2011–12 Annual Report 2011–12 the National Gallery of Australia Is a Commonwealth (Cover) Authority Established Under the National Gallery Act 1975
ANNUAL REPORT 2011–12 ANNUAL REPORT 2011–12 The National Gallery of Australia is a Commonwealth (cover) authority established under the National Gallery Act 1975. Henri Matisse Oceania, the sea (Océanie, la mer) 1946 The vision of the National Gallery of Australia is the screenprint on linen cultural enrichment of all Australians through access 172 x 385.4 cm to their national art gallery, the quality of the national National Gallery of Australia, Canberra collection, the exceptional displays, exhibitions and gift of Tim Fairfax AM, 2012 programs, and the professionalism of our staff. The Gallery’s governing body, the Council of the National Gallery of Australia, has expertise in arts administration, corporate governance, administration and financial and business management. In 2011–12, the National Gallery of Australia received an appropriation from the Australian Government totalling $48.828 million (including an equity injection of $16.219 million for development of the national collection), raised $13.811 million, and employed 250 full-time equivalent staff. © National Gallery of Australia 2012 ISSN 1323 5192 All rights reserved. No part of this publication can be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without permission in writing from the publisher. Produced by the Publishing Department of the National Gallery of Australia Edited by Eric Meredith Designed by Susannah Luddy Printed by New Millennium National Gallery of Australia GPO Box 1150 Canberra ACT 2601 nga.gov.au/AboutUs/Reports 30 September 2012 The Hon Simon Crean MP Minister for the Arts Parliament House CANBERRA ACT 2600 Dear Minister On behalf of the Council of the National Gallery of Australia, I have pleasure in submitting to you, for presentation to each House of Parliament, the National Gallery of Australia’s Annual Report covering the period 1 July 2011 to 30 June 2012. -
Annual Report 0 5 Tasmanian Regional Arts
Annual Report 0 5 Tasmanian Regional Arts CONTENTS: PRESIDENT'S REPORT 2 EXECUTIVE DIRECTOR'S REPORT 4 ORGANISATIONAL OVERVIEW 5 2005 ACTIVITIES SUMMARY 7 TRA PEOPLE 8 2005 IN REVIEW 11 PROGRAMS 14 ARTS PLUS Youth 14 Wellbeing 16 Community 19 ARTS 2U Performing Arts 26 Visual Arts 30 ARTS ASSIST Creative Volunteering 32 Regional Arts Fund 33 TRA ROLL OF HONOUR 41 LIST OF PARTNERSHIPS 42 LIST OF ARTISTS 45 Tasmanian Regional Arts receives program funding from the Australian Government through the Australia Council, its arts funding and advisory body and from the Tasmanian Government through Arts Tasmania. CONTACT: Lucy Kenneth Executive Director, Tasmanian Regional Arts PO Box 172 Latrobe 7307 Ph: 03 6426 2344 Fax: 03 6426 2889 Email: [email protected] Web: www.tasregionalarts.org.au COVER IMAGE: Choices Lindi Gee from Art Ability Exhibition 2005. PRESIDENT'S REPORT ordinated and managed by Cultural / conclusion during 2005. Initiated by Touring Officer Teresa Beck-Swindale in former Executive Director, Siobhan conjunction with Pip Stanley and Arts Reid, it has generated many successful Deloraine. The mountain of organisation arts projects and we thank her required for such a successful weekend most sincerely for her strategic was enormous and tribute must be paid concept development and inaugural to everyone involved. implementation. Another highlight of the year was the Branch activity has again been visit of the Board of Regional Arts inspirational and one only has to Australia, the thirteen members of refer to the statistics later in this which came from all states to attend a report to appreciate the commitment, springtime meeting in Launceston. -
Highways Byways
Highways AND Byways THE ORIGIN OF TOWNSVILLE STREET NAMES Compiled by John Mathew Townsville Library Service 1995 Revised edition 2008 Acknowledgements Australian War Memorial John Oxley Library Queensland Archives Lands Department James Cook University Library Family History Library Townsville City Council, Planning and Development Services Front Cover Photograph Queensland 1897. Flinders Street Townsville Local History Collection, Citilibraries Townsville Copyright Townsville Library Service 2008 ISBN 0 9578987 54 Page 2 Introduction How many visitors to our City have seen a street sign bearing their family name and wondered who the street was named after? How many students have come to the Library seeking the origin of their street or suburb name? We at the Townsville Library Service were not always able to find the answers and so the idea for Highways and Byways was born. Mr. John Mathew, local historian, retired Town Planner and long time Library supporter, was pressed into service to carry out the research. Since 1988 he has been steadily following leads, discarding red herrings and confirming how our streets got their names. Some remain a mystery and we would love to hear from anyone who has information to share. Where did your street get its name? Originally streets were named by the Council to honour a public figure. As the City grew, street names were and are proposed by developers, checked for duplication and approved by Department of Planning and Development Services. Many suburbs have a theme. For example the City and North Ward areas celebrate famous explorers. The streets of Hyde Park and part of Gulliver are named after London streets and English cities and counties. -
Hans Haacke Biography
P A U L A C O O P E R G A L L E R Y Hans Haacke Biography 1936 Born Cologne, Germany 1956-60 Staatliche Werkakademie (State Art Academy), Kassel, Staatsexamen (equivalent of M.F.A.) 1960-61 Stanley William Hayter's Atelier 17, Paris 1961 Tyler School of Fine Arts, Temple University, Philadelphia 1962 Moves to New York 1963-65 Return to Cologne. Teaches at Pädagogische Hochschule, Kettwig, and other institutions 1966-67 Teaches at University of Washington, Seattle; Douglas College, Rutgers University, New Jersey; Philadelphia College of Art 1967 - 2002 Teaches at Cooper Union, New York (Professor of Art Emeritus) 1973 Guest Professorship, Hochschule für Bildende Künste, Hamburg 1979 Guest Professorship, Gesamthochschule, Essen 1994 Guest Professorship, Hochschule für Bildende Künste, Hamburg 1997 Regents Lecturer, University of California, Berkeley Lives in New York (since 1965) Awards 1960 Deutscher Akademischer Austauschdienst (DAAD) 1961 Fulbright Fellowship 1973 John Simon Guggenheim Foundation Fellowship 1978 National Endowment for the Arts 1991 College Art Association Distinguished Artist Award for Lifetime Achievement Deutscher Kritikerpreis for 1990 Honorary Doctorate in Fine Arts, Oberlin College 1993 Golden Lion (shared with Nam June Paik), Venice Biennale 1997 Kurt-Eisner-Foundation, Munich Honorary Doctorate Bauhaus-Universität Weimar 2001 Prize of Helmut-Kraft-Stiftung, Stuttgart 2002 College Art Association Distinguished Teaching of Art Award 2004 Peter-Weiss-Preis, Bochum 2008 Honorary Doctorate, San Francisco Art Institute -
Annual Report 98-99.Qxd
annual report 1998–99 annual report 1998–99 national gallery of australia Annual Report 1998–99 © National Gallery of Australia 1999 ISSN 1323-5192 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without permission in writing from the publisher. Produced by the Publications Department of the National Gallery of Australia, Canberra. Printed in Australia by Goanna Print, Canberra. National Gallery of Australia GPO Box 1150, Canberra ACT 2601 Telephone (02) 6240 6411 Facsimile (02) 6240 6529 Website: www.nga.gov.au Cover: Arthur Boyd Reflected Bride I 1958 Purchased with funds from the Nerissa Johnson Bequest 1999 Reproduced with the permission of Bundanon Trust 17 September 1999 The Honourable Peter McGauran MP Minister for the Arts and the Centenary of Federation Parliament House CANBERRA ACT 2600 Dear Minister I have pleasure in providing to you the Annual Report of the National Gallery of Australia for 1998–99, as required under the National Gallery Act 1975 and the Commonwealth Authorities and Companies Act 1997. The report follows the Guidelines for the Content, Preparation and Presentation of Annual Reports by Statutory Authorities (1982) and the Commonwealth Authorities and Companies Orders for Report of Operations (August 1998). Kerry Stokes AO Chairman of Council iii annual report 1998–99 Contents Letter of Transmission iii Chairman’s Foreword 1 Director’s Report 2 Corporate Overview 6 Performance 1998–99 Developing the Collection 11 Maintaining the Collection 16 Providing Access and Information 18 Managing Resources 26 Appendixes 1. -
All Our Relations: the 18Th Biennale of Sydney Connects Continents Mcmaster, Gerald
OCAD University Open Research Repository Faculty of Liberal Arts & Sciences 2012 All our relations: The 18th Biennale of Sydney connects continents McMaster, Gerald Suggested citation: McMaster, Gerald (2012) All our relations: The 18th Biennale of Sydney connects continents. Canadian Art, 29 (2). pp. 76-81. ISSN 0825-3854 Available at http://openresearch.ocadu.ca/id/eprint/2119/ Open Research is a publicly accessible, curated repository for the preservation and dissemination of scholarly and creative output of the OCAD University community. Material in Open Research is open access and made available via the consent of the author and/or rights holder on a non-exclusive basis. Since he took a leave of absence from the Art Gallery ofOntario (AGO) to work 011 the 18th Bie11nale of Syd11ey with atheri11e de Zegher, a former AGO colleag11e, Gerald McMa ter ha bee11 hard to pin dow11 for 11ews: he ha bee11 tral'elling the world a11rl looking at arti t for the show, which ope11s at the e11d ofJ1111e. We caught 11p with him via email a11d a ked a few q11e tion . Canadian Alt: What's your role in the 18th Biennale of Sydney? Gerald McMaster: Along with atherine de Zegher, I'm the arti tic director for the Biennale, which will open this June in Sydney, Au tralia. A collaborator , we began in conversation, with the idea that our dialogue would develop outward into other conver- sations. Essentially, we are a curatorial partner hip, omething that isn't new to me at all. Catherine and I had worked on an exhibition for the Drawing enter a Imo t ten year ago, and then we connected again for the rehang of the Canadian and European galleries at the Art Gallery of Ontario. -
The Queensland Journal of Labour History
The Queensland Journal Of Labour History No. 13, September 2011 ISSN 1832-9926 Contents EDITORIAL Jeff Rickertt 1 BLHA President’s Column Greg Mallory & Bob Reed 3 IN MEMORIAM Patrick Edward Dunne Trevor Campbell 5 ARTICLES E.J. Hanson Sr and E.J. Hanson Jr: Divergent Caroline Mann-Smith 8 Directions in the Queensland Labour Movement, 1904–1967 Notes on Early Trade Unionism in Townsville Phil Griffiths 17 George Britten Speaks about a Lifetime of Jeff Rickertt and 24 Jobsite Militancy Carina Eriksson A Labour view of a Socialist — Tristram Hunt’s Howard Guille 35 Marx’s General: the Revolutionary Life of Friedrich Engels BOOK REVIEWS Union Jack Tony Reeves 47 The Ayes Have It: the History of the Brian Stevensen 49 Queensland Parliament, 1957–1989 CONTRIBUTORS 53 NOTICEBOARD 54 iii SUBSCRIBE TO LABOUR HISTORY — THE NATIONAL JOURNAL OF ASSLH Labour History (ISSN: 0023 6942) is an internationally recognised journal published twice a year, in November and May, by the Australian Society for the Study of Labour History of which the Brisbane Labour History Association is the Brisbane branch. Contents, abstracts and prices of back issues are available at the web site www.asslh.org.au. The journal is available in both printed form and via the non-profit publisher JSTOR. The association with JSTOR offers individual subscribers a range of advantages, including online access to the full run of Labour History from 1962 on. Members of the BLHA who are not already receiving Labour History are encouraged to subscribe. The full rate for individuals is $70.00; the concession rate for students/unwaged is $40.00. -
303718122.Pdf
Main Exhibition Tour - Free Public Art Forum .- Free.. - .. Be among the first to view the Strand Ephemera exhibition and hear first-hand from Engage with some of the foremost writers and thinkers on Public Art in Australia the exhibiting artists about their work. Explore the concepts and meaning behind including leading contemporary sculptors and installation artists. each sculpture. Art Workshops - Free Wilson/Ryan/Grose Guided Art Tours - Free Create your own printed flag with Strand Ephemera artist Michelle Hall. Collaborate Explore the art works of Strand Ephemera 2007 in the muted tones of twilight with a with Michelle on the Strand in a series of drop-in workshops for all ages. guide. Tours include performances by Extensions Youth Dance Company. Feast on Art: Community Art Day - Free Artist Talks - Free •• Relax, bring along a picnic, chat and enjoy live music, performances by Extensions listen to artists talk candidly about their art. Youth Dance Company and art workshops. Meet some ofthe exhibiting artists. PERC TUCKER REGIONAL GALLERY Cnr Denham St & Flinders Mall, Townsville [email protected] (07) 4727 9011 eta 1001 FREE ADMISSION Mon - Fri » 10 am -5 pm nd ~\lnett\ h Strand Sat - Sun » 10 am -2 pm S\t3, , 49 artworks a\ong t e etl\eta.(Otl\ ,tol cttande\l" \N\N ,,11';' Support the event by purchasing a $S catalogue. The catalogue indudes artist statements, a map showing the artwork locations and a Ferry Property People's Choice voting slip. Catalogues available from: -Perc Tucker Regional Gallery, comer of Denham St & Flinders Mall in the dty.