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Main Exhibition Tour - Free Public Art Forum .- Free.. - .. Be among the first to view the Strand Ephemera exhibition and hear first-hand from Engage with some of the foremost writers and thinkers on Public Art in Australia the exhibiting artists about their work. Explore the concepts and meaning behind including leading contemporary sculptors and installation artists. each sculpture. Art Workshops - Free Wilson/Ryan/Grose Guided Art Tours - Free Create your own printed flag with Strand Ephemera artist Michelle Hall. Collaborate Explore the art works of Strand Ephemera 2007 in the muted tones of twilight with a with Michelle on the Strand in a series of drop-in workshops for all ages. guide. Tours include performances by Extensions Youth Dance Company. Feast on Art: Community Art Day - Free Artist Talks - Free •• Relax, bring along a picnic, chat and enjoy live music, performances by Extensions listen to artists talk candidly about their art. Youth Dance Company and art workshops. Meet some ofthe exhibiting artists. PERC TUCKER REGIONAL GALLERY Cnr Denham St & Flinders Mall, Townsville [email protected] (07) 4727 9011 eta 1001 FREE ADMISSION Mon - Fri » 10 am -5 pm nd ~\lnett\ h Strand Sat - Sun » 10 am -2 pm S\t3, , 49 artworks a\ong t e etl\eta.(Otl\ ,tol cttande\l" \N\N ,,11';' Support the event by purchasing a $S catalogue. The catalogue indudes artist statements, a map showing the artwork locations and a Ferry Property People's Choice voting slip. Catalogues available from: -Perc Tucker Regional Gallery, comer of Denham St & Flinders Mall in the dty. -Strand Ephemera Information Desk located on the Strand adjacent to the Picnic Bay Ufesaving Club and open from loam to 6pm each day. Bring along a picnic, relax and enjoy. There are activities for all ages, live music and performances. Drop-in workshops with Strand Ephemera 2007 artists I live music I Meet the artists up close I live performances by Extensions Youth Dance Company. ~. 19(: e A.t.lnou..C_"1lIfnftM~~ --..... ..., Queensland ~v::::[ xstXrata mTownsvill~ -------~~».-u.---~ IT"h1i!iiiH!.iIillili .

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Legislative Assembly Hansard 1963
Queensland Parliamentary Debates [Hansard] Legislative Assembly TUESDAY, 15 OCTOBER 1963 Electronic reproduction of original hardcopy 654 Questions [ASSEMBLY] Questions TUESDAY, 15 OCTOBER, 1963 Answer:- "Australia relies for its existence in the Mr. SPEAKER (Hon. D. E. Nicholson, world free sugar market on being economi Murrumba) read prayers and took the chair cally efficient. To this end, major economies in cost are derived by using at 11 a.m. megasse as fuel. Whilst present export prices are high, very recent history shows QUESTIONS a different position, and it would be unrealistic to assume the present high level NEW T.A.B. AGENCIES.-Mr. Dean, of prices will last indefinitely. I would pursuant to notice, asked The Treasurer,- add that every care is taken to reduce to ( 1) Did he see the newspaper statement an absolute minimum any nuisance arising made by the chairman of the Totalisator from the use of megasse as fuel during the Administration Board in The Courier-Mail crushing season." of October 7, that new Totalisator Administration Board Shops would always SEPTIC SYSTEMS AT MURARRIE AND be opening in Queensland? MAYFIELD STATE SCHOOLS.-Mr. Houston, pursuant to notice, asked The Minister for (2) If so, will he give serious con Works,- sideration to curtailing this fast-developing monster which is causing hardship in many When will septic systems be installed homes and also having a detrimental effect at the Murarrie and Mayfield State on many local business concerns, because Schools? money so spent in these shops is directed into an unproductive channel? Answer:- "No indication can be given as to when Answer:- septic systems will be installed at the (1 and 2.) "I know of no such news Murarrie and Mayfield State Schools.
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2009 Annual Report MUSEUM and GALLERY SERVICES QUEENSLAND OUR FIRST FIVE YEARS: 2005–2009
2009 ANNUAL REPORT MUSEUM AND GALLERY SERVICES QUEENSLAND LIMITED Level 3, 381 Brunswick Street Fortitude Valley Qld 4006 ABN 32 109 874 811 ACN 109 874 811 M&GSQ 2009 Annual Report MUSEUM AND GALLERY SERVICES QUEENSLAND OUR FIRST FIVE YEARS: 2005–2009 Museum and Gallery Services Queensland Limited (M&GSQ) commenced trading in late 2004. 2009 marks the end of our first five years, so here is a snapshot of our achievements over that time. INDUSTRY DEVELOPMENT M&GSQ staff has responded to 37 organisations from more than 4,200 enquiries from Queensland’s museum and constituents and stakeholders. gallery sector have participated in M&GSQ’s Standards Program. TOURING EXHIBITIONS M&GSQ, in partnership with Museums Australia (RTO 2001– 08), issued 11 Certificates IV in Museum Practice; 1 Certificate III in Museum Practice; and 191 Statements of attainment. 293 organisations have participated in Museums Alight!, STATE-WIDE DELIVERY M&GSQ’s annual week-long State-wide celebration of International Museum Day. M&GSQ has managed 54 touring exhibitions to 219 venues across Queensland and Australia. These exhibitions have shown the work of 1,166 artists and 48 curators. 57 Gallery and Museum Achievement Awards (GAMAA) An audience of 728,121 has have been presented: visited exhibitions toured by • 18 organisational Winners M&GSQ. • 11 individual Winners M&GSQ’s programs and activities • 18 organisational Special have been delivered in every Commendations TRAINING & PROFESSIONAL region of Queensland: DEVELOPMENT 8.3% in Far North Queensland • 10 individual
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Annual Report 2011–12 Annual Report 2011–12 the National Gallery of Australia Is a Commonwealth (Cover) Authority Established Under the National Gallery Act 1975
ANNUAL REPORT 2011–12 ANNUAL REPORT 2011–12 The National Gallery of Australia is a Commonwealth (cover) authority established under the National Gallery Act 1975. Henri Matisse Oceania, the sea (Océanie, la mer) 1946 The vision of the National Gallery of Australia is the screenprint on linen cultural enrichment of all Australians through access 172 x 385.4 cm to their national art gallery, the quality of the national National Gallery of Australia, Canberra collection, the exceptional displays, exhibitions and gift of Tim Fairfax AM, 2012 programs, and the professionalism of our staff. The Gallery’s governing body, the Council of the National Gallery of Australia, has expertise in arts administration, corporate governance, administration and financial and business management. In 2011–12, the National Gallery of Australia received an appropriation from the Australian Government totalling $48.828 million (including an equity injection of $16.219 million for development of the national collection), raised $13.811 million, and employed 250 full-time equivalent staff. © National Gallery of Australia 2012 ISSN 1323 5192 All rights reserved. No part of this publication can be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without permission in writing from the publisher. Produced by the Publishing Department of the National Gallery of Australia Edited by Eric Meredith Designed by Susannah Luddy Printed by New Millennium National Gallery of Australia GPO Box 1150 Canberra ACT 2601 nga.gov.au/AboutUs/Reports 30 September 2012 The Hon Simon Crean MP Minister for the Arts Parliament House CANBERRA ACT 2600 Dear Minister On behalf of the Council of the National Gallery of Australia, I have pleasure in submitting to you, for presentation to each House of Parliament, the National Gallery of Australia’s Annual Report covering the period 1 July 2011 to 30 June 2012.
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Annual Report 0 5 Tasmanian Regional Arts
Annual Report 0 5 Tasmanian Regional Arts CONTENTS: PRESIDENT'S REPORT 2 EXECUTIVE DIRECTOR'S REPORT 4 ORGANISATIONAL OVERVIEW 5 2005 ACTIVITIES SUMMARY 7 TRA PEOPLE 8 2005 IN REVIEW 11 PROGRAMS 14 ARTS PLUS Youth 14 Wellbeing 16 Community 19 ARTS 2U Performing Arts 26 Visual Arts 30 ARTS ASSIST Creative Volunteering 32 Regional Arts Fund 33 TRA ROLL OF HONOUR 41 LIST OF PARTNERSHIPS 42 LIST OF ARTISTS 45 Tasmanian Regional Arts receives program funding from the Australian Government through the Australia Council, its arts funding and advisory body and from the Tasmanian Government through Arts Tasmania. CONTACT: Lucy Kenneth Executive Director, Tasmanian Regional Arts PO Box 172 Latrobe 7307 Ph: 03 6426 2344 Fax: 03 6426 2889 Email: [email protected] Web: www.tasregionalarts.org.au COVER IMAGE: Choices Lindi Gee from Art Ability Exhibition 2005. PRESIDENT'S REPORT ordinated and managed by Cultural / conclusion during 2005. Initiated by Touring Officer Teresa Beck-Swindale in former Executive Director, Siobhan conjunction with Pip Stanley and Arts Reid, it has generated many successful Deloraine. The mountain of organisation arts projects and we thank her required for such a successful weekend most sincerely for her strategic was enormous and tribute must be paid concept development and inaugural to everyone involved. implementation. Another highlight of the year was the Branch activity has again been visit of the Board of Regional Arts inspirational and one only has to Australia, the thirteen members of refer to the statistics later in this which came from all states to attend a report to appreciate the commitment, springtime meeting in Launceston.
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Highways Byways
Highways AND Byways THE ORIGIN OF TOWNSVILLE STREET NAMES Compiled by John Mathew Townsville Library Service 1995 Revised edition 2008 Acknowledgements Australian War Memorial John Oxley Library Queensland Archives Lands Department James Cook University Library Family History Library Townsville City Council, Planning and Development Services Front Cover Photograph Queensland 1897. Flinders Street Townsville Local History Collection, Citilibraries Townsville Copyright Townsville Library Service 2008 ISBN 0 9578987 54 Page 2 Introduction How many visitors to our City have seen a street sign bearing their family name and wondered who the street was named after? How many students have come to the Library seeking the origin of their street or suburb name? We at the Townsville Library Service were not always able to find the answers and so the idea for Highways and Byways was born. Mr. John Mathew, local historian, retired Town Planner and long time Library supporter, was pressed into service to carry out the research. Since 1988 he has been steadily following leads, discarding red herrings and confirming how our streets got their names. Some remain a mystery and we would love to hear from anyone who has information to share. Where did your street get its name? Originally streets were named by the Council to honour a public figure. As the City grew, street names were and are proposed by developers, checked for duplication and approved by Department of Planning and Development Services. Many suburbs have a theme. For example the City and North Ward areas celebrate famous explorers. The streets of Hyde Park and part of Gulliver are named after London streets and English cities and counties.
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Annual Report 98-99.Qxd
annual report 1998–99 annual report 1998–99 national gallery of australia Annual Report 1998–99 © National Gallery of Australia 1999 ISSN 1323-5192 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without permission in writing from the publisher. Produced by the Publications Department of the National Gallery of Australia, Canberra. Printed in Australia by Goanna Print, Canberra. National Gallery of Australia GPO Box 1150, Canberra ACT 2601 Telephone (02) 6240 6411 Facsimile (02) 6240 6529 Website: www.nga.gov.au Cover: Arthur Boyd Reflected Bride I 1958 Purchased with funds from the Nerissa Johnson Bequest 1999 Reproduced with the permission of Bundanon Trust 17 September 1999 The Honourable Peter McGauran MP Minister for the Arts and the Centenary of Federation Parliament House CANBERRA ACT 2600 Dear Minister I have pleasure in providing to you the Annual Report of the National Gallery of Australia for 1998–99, as required under the National Gallery Act 1975 and the Commonwealth Authorities and Companies Act 1997. The report follows the Guidelines for the Content, Preparation and Presentation of Annual Reports by Statutory Authorities (1982) and the Commonwealth Authorities and Companies Orders for Report of Operations (August 1998). Kerry Stokes AO Chairman of Council iii annual report 1998–99 Contents Letter of Transmission iii Chairman’s Foreword 1 Director’s Report 2 Corporate Overview 6 Performance 1998–99 Developing the Collection 11 Maintaining the Collection 16 Providing Access and Information 18 Managing Resources 26 Appendixes 1.
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The Queensland Journal of Labour History
The Queensland Journal Of Labour History No. 13, September 2011 ISSN 1832-9926 Contents EDITORIAL Jeff Rickertt 1 BLHA President’s Column Greg Mallory & Bob Reed 3 IN MEMORIAM Patrick Edward Dunne Trevor Campbell 5 ARTICLES E.J. Hanson Sr and E.J. Hanson Jr: Divergent Caroline Mann-Smith 8 Directions in the Queensland Labour Movement, 1904–1967 Notes on Early Trade Unionism in Townsville Phil Griffiths 17 George Britten Speaks about a Lifetime of Jeff Rickertt and 24 Jobsite Militancy Carina Eriksson A Labour view of a Socialist — Tristram Hunt’s Howard Guille 35 Marx’s General: the Revolutionary Life of Friedrich Engels BOOK REVIEWS Union Jack Tony Reeves 47 The Ayes Have It: the History of the Brian Stevensen 49 Queensland Parliament, 1957–1989 CONTRIBUTORS 53 NOTICEBOARD 54 iii SUBSCRIBE TO LABOUR HISTORY — THE NATIONAL JOURNAL OF ASSLH Labour History (ISSN: 0023 6942) is an internationally recognised journal published twice a year, in November and May, by the Australian Society for the Study of Labour History of which the Brisbane Labour History Association is the Brisbane branch. Contents, abstracts and prices of back issues are available at the web site www.asslh.org.au. The journal is available in both printed form and via the non-profit publisher JSTOR. The association with JSTOR offers individual subscribers a range of advantages, including online access to the full run of Labour History from 1962 on. Members of the BLHA who are not already receiving Labour History are encouraged to subscribe. The full rate for individuals is $70.00; the concession rate for students/unwaged is $40.00.
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Dr Sylvia Ditchburn DFA,G.DipMusCur,MCA,PhD visual artist PO Box 121 Belgian Gardens Qld 4810 Townsville ph/fax 07 4721 2602 email [email protected] sylviaditchburn.com sylviaditchburnfineartgallery.com CURRICULUM VITAE Sylvia Ditchburn’s love of colour and country is reflected in her art. A peripatetic artist spanning the continent from Townsville to Broome, Alice to Adelaide and beyond searching for the wonderous and sublime in nature for her art. An energetic and prolific artist Sylvia continues to hold regular solo exhibitions in regional and capital cities, international art districts in China and New York, group exhibitions and art residencies, one of the most notable being Arthur Boyd’s Bundanon Trust as well as Redgate China. The beauty and diversity of country is experienced and intellectual stimulation by way of academic study with a Doctorate of Philosophy in visual arts, informs her work. Sylvia is a professional business woman and artist with her own boutique gallery in Townsville city since 2008. STUDIES 1993-1998 Doctoral Studies, James Cook University (JCU) Townsville (awarded 2000) Thesis: Women's Art in Tropical Landscapes:11 Women Artists in Townsville, north Queensland, exhibit and talk about their work Exhibition: Plenty: 11 Women Artists of Townsville, Perc Tucker Regional Gallery, Townsville (1996) curated by S. Ditchburn Exhibition catalogue, video and CDRom documents the work, a web site was created for the duration of my PhD studies at JCU 1990-1992 Master of Creative Arts JCU 1st Class awarded 1992
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14-15Art Gallery of Ballarat Annual Report
Art Gallery of Ballarat Annual Report 14-15 Annual Report 2014-15 Chair’s Report 4 Director’s Report 8 Association Report 10 Gallery Guides Report 12 Acquisitions 14 Adopt an Artwork 26 Donations, Gifts, and Bequests 27 Exhibitions 28 EIKŌN: Icons of the Orthodox Christian World 30 Touring Exhibitions 32 Outward Loans 34 Publications & Merchandise 36 Education Report 38 Public Programs 40 ISSN 0726-5530 Gallery Staff and Volunteers 49 Art Gallery of Ballarat Board Members 50 ACN: 145 246 224 ABN: 28 145 246 224 Budget Summaries 52 40 Lydiard Street North Ballarat Victoria 3350 T 03 5320 5858 F 03 5320 5791 [email protected] www.artgalleryofballarat.com.au Image right: installation view of EIKŌN: Icons of the Orthodox Christian World Image next page: Hugh DT Williamson Gallery Vision The Art Gallery of Ballarat where Art Inspires, Stimulates and Challenges Mission To foster and enrich the cultural life of our city, our region and the Nation by acquiring, conserving and presenting a great collection of art. Image: installation view of Art and Australia 2003 – 2013 3 Chair’s Report Art Gallery of Ballarat Board of Directors I often tell people that the Art Gallery of Ballarat is about a city wide program around the exhibition, including withdrawal of our café proprietors early this year allowed us art: we buy it, we show it, we lend it and we store it. The launching the Season of the Arts Program. The Archibald to trial The Salon, a relaxed meeting area, which has been challenge for us is how to do this in a creative and inspiring Prize 15-16 Exhibitions and the Art Gallery of Ballarat major very popular with Association Members, staff and visitors.
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GALLERY SERVICES Annual Report 2014/2015 GALLERY SERVICES Overview
20 14 GALLERY SERVICES Annual 15Report 2014/2015 Publisher Gallery Services, Townsville City Council PO Box 1268 Townsville Queensland, 4810 Australia [email protected] +61 7 4727 9011 © Gallery Services, Townsville City Council and the authors 2015 Gallery Services Shane Fitzgerald Manager Gallery Services Eric Nash Curator Erwin Cruz Exhibitions and Collection Coordinator Michael Pope Education and Programs Coordinator Rob Donaldson Digital Media and Exhibition Design Coordinator Jo Stacey Team Leader Administration Gallery Services Holly Grech-Fitzgerald Collections Management Officer Carly Sheil Digital Media and Exhibition Design Officer Andrea Schutz Digital Media and Exhibition Design Fellow Sarah Welch Public Art Officer Leonardo Valero Exhibitions Officer Rurik Henry Exhibitions Officer Tegan Ollett Education and Programs Officer Jess Cuddihy Education and Programs Assistant Ruth Hughes Administration Officer Strand Ephemera 2011 Wendy Bainbridge Administration Officer Winner Danielle Berry Arts Officer Festivals and Events Award Damian Cumner Gallery Assistant Townsville Airport North Queensland Tourism Awards Jillian Macfie Gallery Assistant 2012 Sarah Reddington Gallery Assistant Denise Weightman Gallery Assistant Strand Ephemera 2013 Kelly Bianchi Gallery Assistant Winner Best Tourism and Events Communication Award Government Communications Australia Awards for Excellence 2014 Brick by Brick Townsville City Council Highly Commended Temporary or Travelling Exhibition Level 2 Award Art Acquisition Working Group Museum and Galleries National Awards 2014 Councillor Sue Blom Chair Screengrab6 Councillor Gary Eddiehausen Winner Councillor Colleen Doyle Visual Arts Exhibition over $5000 Mr Shane Fitzgerald NQ Arts Awards 2015 Ms Margo McOmish Ms Gail Mabo Troy Emery: into the wild Mr Steve Price Finalist Mrs Stacey Morrison Visual Arts Exhibition over $5000 Mr Paul Martinez NQ Arts Awards 2015 Cover: Marjolein Dallinga Skin [detail] CANADA MATERIALS: WOOL, SILK Perc Tucker Regional Gallery (07) 4727 9011 Cnr.
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JUDY WATSON Australian Indigenous Art Has a Broad Reputation As Being
JUDY WATSON Australian indigenous art has a broad reputation as being innovative; but few artists are as intriguing as Judy Watson. While her work takes its inspiration from the land and traditions of the Waanyi culture, Watson distils her distinctive stained canvases into poetic abstractions that have the power to speak to all. Margie West comments: ‘Even though the messages in her work are often tough, they are conveyed in an almost subliminal and subtle way, to be discovered in the layering of the surface and the imagery that floats mirage-like on it.’ Describing herself as a ‘cultural traveller,’ Judy Watson has completed projects in India, Italy, France and the United States and exhibited widely over the last 20 years. She co-represented Australia at the 1997 Venice Biennale with Emily Kame Kngwarreye, Yvonne Koolmatrie and won the Moet & Chandon Fellowship in 1995. Her recent public art commissions include: Wurreka, a fifty metre etched zinc wall for Melbourne Museum; Walama forecourt, a sculptural installation of woven steel screens and upturned bronze dilly bags at Sydney International Airport and Ngarrn-gi, a fifty metre etched zinc wall for the Victorian County Court. Her survey exhibition sacred ground beating heart opened at the John Curtin Gallery, Perth in 2003, subsequently touring to the Institute of Modern Art, Brisbane and South East Asia. She is currently working on a commission for the new Brisbane Magistrates Court. 1 JUDY WATSON Born 1959 Mundubbera, Queensland, Australia Lives and works in Brisbane, Australia Represented
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Encounters in Vanuatu: Process and Interactions in Visual Arts Catherine Kay University of Wollongong
University of Wollongong Thesis Collections University of Wollongong Thesis Collection University of Wollongong Year Encounters in Vanuatu: process and interactions in visual arts Catherine Kay University of Wollongong Kay, Catherine, Encounters in Vanuatu: processes and interactions in visual arts, MCA thesis, Faculty of Creative Arts, University of Wollongong, 2009. http://ro.uow.edu.au/theses/4055 This paper is posted at Research Online. I Encounters in Vanuatu: Processes and Interactions in Visual Arts A thesis submitted in (partial) fulfilment of the requirements for the award of the degree Master of Creative Arts ‐ Research From UNIVERSITY OF WOLLONGONG FACULTY OF CREATIVE ARTS By Catherine Kay Bachelor of Visual Arts Canberra School of Arts Australian National University 1990 Graduate Diploma in Art History and Curatorship Australian National University 1993 Master of Creative Arts‐ Studio Practice University of Wollongong 1995 2009 II CERTIFICATION I, Catherine F. Kay, declare that this thesis, submitted in partial fulfilment of the requirements for the award of Master of Creative Arts in the Faculty of Creative Arts, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Catherine F Kay 27 October 2009 Table of Contents III Glossary IV Abstract V Acknowledgements VI Prologue VIII Introduction IX CHAPTER 1 Encounters with ni‐Vanuatu traditional and contemporary art in Port Vila 1 This chapter gives an overview of contemporary opportunities for viewing baskets in Port Vila, in museums, markets and galleries and provides a background to the processes of my research. CHAPTER 2 First Encounters in Vanuatu 11 Core concerns for island communities such as those in Vanuatu include an understanding of the multiplicity within island cultures, a developing relationship between genders and a situation of constant change and development in relation to dominant external influences.
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