DOCSLIB.ORG

PRESS RELEASE – Monday 30Th September PAINES PLOUGH

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
PRESS RELEASE – Monday 30Th September PAINES PLOUGH PRESS RELEASE – Monday 30th September PAINES PLOUGH ANNOUNCE ANNIVERSARY GALA TO CELEBRATE A DECADE OF COME TO WHERE I’M FROM AND A TRANSFER OF SAM STEINER’S YOU STUPID DARKNESS! TO SOUTHWARK PLAYHOUSE, A CO-PRODUCTION WITH THEATRE ROYAL PLYMOUTH IMAGES CAN BE DOWNLOADED HERE www.painesplough.com / @painesplough /#PP2019 / Theatre. Everywhere. Paines Plough have today announced a special one-off event at the Criterion Theatre on 18th November and a transfer of Sam Steiner’s YOU STUPID DARKNESS! to Southwark Playhouse, a co-production with Theatre Royal Plymouth. The announcements mark the final programming from former co-Artistic Directors James Grieve and George Perrin. Charlotte Bennett and Katie Posner are set to announce their new season for the company on Friday 4 October. The one-off event at the Criterion Theatre on 18th November to celebrate 10 years of COME TO WHERE I’M FROM, their nationwide live and digital project which sees playwrights from across the country pen plays about the places they call home. The event will star some of the nation’s leading playwrights performing their own plays about the communities and times that have shaped them. With more to be announced, writers performing on the night include: James Graham, Dennis Kelly, April De Angelis, Simon Stephens, Roy Williams, Zia Ahmed and Chloë Moss. The event, in celebration of Paines Plough’s history of discovering and developing talented writers from across the country, aims to raise £25,000 to invest in to the next generation of playwrights. Tickets are now on sale. Since 2010, Paines Plough’s nationwide project Come To Where I’m From has seen over 160 playwrights from across the country write about the places they call home. Each play is performed for one-night only and then becomes part of the free Come To Where I’m From smartphone app which houses all the mini-plays that have been performed since the project began to create a vivid patchwork quilt of accents, experiences and impressions of the UK. The app is free to download from the Apple Store and Google Play. The 160-strong audio play library includes a huge range of playwrights, from Olivier Award winners to first timers. Recent additions include: Alice Birch, Mike Bartlett, Roy Williams, Vinay Patel and Lizzie Nunnery. Paines Plough also announced today that Sam Steiner’s YOU STUPID DARKNESS! will run at Southwark Playhouse from 16 January – 22 February with a Press Night on Monday 20 January. An urgent play from Sam Steiner about the struggle for optimism and community amid the chaos of a collapsing world, the show opened with co-producer Theatre Royal Plymouth earlier this year. The production is directed by former Paines Plough co-Artistic Director James Grieve. “I just think it’s, you know, important to look at the good things that are happening as well.” Everything’s been falling apart for a while now. In a cramped, crumbling office four volunteers spend a few hours every Tuesday night on the phone to strangers telling them everything is going to be ok. As the outside world disintegrates around them, Frances, Joey, Angie and Jon teeter on the edge of their own personal catastrophes. Their hopes and fears become entangled as they try, desperately, to connect with the callers and with each other. Details of Paines Plough’s Programme 2019 can be found here. James Graham is from Mansfield and is an Olivier and Tony Award nominated writer. Credits include THIS HOUSE, INK and THE ANGRY BRIGADE, as well as the book of the Broadway musical FINDING NEVERLAND and numerous film and TV projects including Brexit: The Uncivil War starring Benedict Cumberbatch. Dennis Kelly grew up in Barnet and is an internationally celebrates playwright. Credits include MATILDA THE MUSICAL, ORPHANS, UTOPIA and most recently GIRLS & BOYSstarring Carey Mulligan at the Royal Court Theatre. April De Angelis is a West London writer of Sicilian descent whose 30-year career highlights include JUMPY, WILD EAST and PLAYHOUSE CREATURES as well as an adaptation of Ferrante’s MY BRILLIANT FRIEND due to transfer to the National Theatre. Simon Stephens hails from Stockport and is the renowned author of over 15 major plays, including THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT TIME, HEISENBERG and SEA WALL starring Andrew Scott. Roy Williams OBE grew up in Notting Hill, London, and is an Olivier and BAFTA award- winning playwright. His most celebrated plays include LIFT OFF, CLUBLAND, OFFSIDE and most recently SUCKER PUNCH. He was appointed Officer of the Order of the British Empire in 2008 and sits on the board of trustees for Theatre Centre. In 2018, he was a made a fellow of The Royal Society of Literature. Zia Ahmed is a poet from North West London and is a London Laureate and former Roundhouse Poetry Slam champion. His debut play I WANNA BE YOURS was first produced by Paines Plough in 2018, and will be going on a national tour in autumn 2019, finishing with a five-week run at the Bush Theatre. Chloë Moss is a Liverpudlian playwright whose work includes HOW LOVE IS SPELT, THE GATEKEEPER and THIS WIDE NIGHT which transferred to New York with actress Edie Falco and for which she was awarded the Susan Smith Blackburn Playwriting Prize. Sam is a playwright and screenwriter from Manchester. His debut play, the award-wining LEMONS LEMONS LEMONS LEMONS LEMONS, was first produced by Walrus Theatre (a company he co-founded), and has subsequently been performed all over the world, in eight different languages. Since then Sam’s work on stage has included KANYE THE FIRST (HighTide) and most recently A TABLE TENNIS PLAY (Walrus Theatre) at the Edinburgh Fringe. Other pieces of Sam’s work have been showcased at the Royal Exchange, Soho, Southwark Playhouse, Sala Beckett in Barcelona, and the Cannes and London Film Festivals. He completed an attachment at Paines Plough as their Playwright Fellow and holds an MA in Screenwriting from the National Film and Television School. Sam is currently under commission at Paines Plough, and developing television and film projects with Euston North and Sunny March. James Grieve was Joint Artistic Director of Paines Plough 2010-2019. He was formerly co- founder and Artistic Director of nabokov, and Associate Director of The Bush Theatre. His forthcoming work includes GOD’S DICE by David Baddiel starring Alan Davies at Soho Theatre and a new production of CABARET for Gothenburg Opera in Sweden. James’ directing credits for Paines Plough include YOU STUPID DARKNESS! by Sam Steiner, POP MUSIC by Anna Jordan, OUT OF LOVE by Elinor Cook, BLACK MOUNTAIN by Brad Birch, HOW TO BE A KID by Sarah McDonald-Hughes, THE ANGRY BRIGADE by James Graham, BROKEN BISCUITS and JUMPERS FOR GOALPOSTS by Tom Wells, HOPELESSLY DEVOTED and WASTED by Kate Tempest, AN INTERVENTION and LOVE, LOVE, LOVE by Mike Bartlett, FLY ME TO THE MOON by Marie Jones, TINY VOLCANOES by Laurence Wilson, YOU CANNOT GO FORWARD FROM WHERE YOU ARE RIGHT NOW by David Watson, THE SOUND OF HEAVY RAIN by Penelope Skinner and HAPPINESS by Nick Payne for BBC Radio 3. Further credits include the new musical THE ASSASSINATION OF KATIE HOPKINS (Theatr Clwyd - Winner Best Musical Production, UK Theatre Awards 2018), a new production of LES MISERABLES for Wermland Opera in Karlstad, Sweden, TRANSLATIONS (Sheffield Theatres / ETT / Rose – Winner Best Production, UK Theatre Awards 2014), 66 BOOKS: A NOBODY by Laura Dockrill, THE WHISKY TASTER by James Graham, ST PETERSBURG by Declan Feenan and PSYCHOGEOGRAPHY by Lucy Kirkwood (The Bush), ARTEFACTS by Mike Bartlett (nabokov/The Bush, National Tour & Off-Broadway); KITCHEN, BEDTIME FOR BASTARDS and NIKOLINA by Van Badham (nabokov), and the world premieres of OLD STREET by Patrick Marber (nabokov Arts Club) and THE LIST by David Eldridge (Arcola). -ENDS- For further information about Paines Plough please contact Maisie Lawrence at The Corner Shop PR: [email protected] / 0207 831 7657 LISTINGS COME TO WHERE I’M FROM Monday 18th November, 7pm The Criterion Theatre 18-223 Piccadilly, St. James's, London W1V 9LB Tickets from £10 www.criteriontheatre.co.uk #CTWIFGala YOU STUPID DARKNESS! 16th January - 22nd February Southwark Playhouse 77-85 Newington Causeway, London SE1 6BD Mondays – Saturdays, Tuesday and Saturday Matinees. Tickets from £14 http://www.southwarkplayhouse.co.uk Press Night: Monday 20th January #YOUSTUPIDDARKNESS! ABOUT PAINES PLOUGH "The lifeblood of the UK’s theatre ecosystem." The Guardian Paines Plough was formed in 1974 over a pint of Paines Bitter in the Plough pub. Since then we’ve produced more than 150 new productions by world renowned playwrights like Stephen Jeffreys, Abi Morgan, Sarah Kane, Mark Ravenhill, Dennis Kelly, Mike Bartlett, Kate Tempest and Vinay Patel. We’ve toured those plays to hundreds of places from Bristol to Belfast to Brisbane. "That noble company Paines Plough, de facto national theatre of new writing." The Daily Telegraph In the past three years we’ve produced 30 shows and performed them in over 200 places across four continents. We tour to more than 30,000 people a year from Cornwall to the Orkney Islands; in village halls and Off-Broadway, at music festivals and student unions, online and on radio, and in our own pop-up theatre ROUNDABOUT. Our Programme 2019 premieres the best new British plays on tour the length and breadth of the UK in theatres, clubs and pubs everywhere from city centres to seaside towns. ROUNDABOUT hosts a jam-packed Edinburgh Festival Fringe programme and brings mini-festivals to each stop on its nationwide tour. Our COME TO WHERE I’M FROM app features 180 short audio plays available to download free from the App Store and GooglePlay.
Load more

Recommended publications
  • A Midsummer Night's Dream
    Thursday 26 November, 7.30pm Friday 27 November, 2pm & 7.30pm Saturday 28 November, 7.30pm A Midsummer Night’s Dream By William Shakespeare Suba Das director Guildhall School of Music & Drama Milton Court Founded in 1880 by the Situated across the road from Guildhall City of London Corporation School’s Silk Street building, Milton Court offers the School state-of-the-art Chairman of the Board of Governors performance and teaching spaces. Milton Vivienne Littlechild Court houses a 608-seat Concert Hall, a 223-seat theatre, a Studio theatre, three Principal major rehearsal rooms and a TV studio suite. Lynne Williams Students, staff and visitors to the School experience outstanding training spaces as Vice-Principal & Director of Drama well as world-class performance venues. Orla O’Loughlin Please visit our website at gsmd.ac.uk Photographs of the final year acting company are by: David Buttle (Charlie Beck, Lily Hardy, Hope Kenna, Isla Lee, Noah Marullo, Umi Myers, Felix Newman, Jidé Guildhall School is part of Culture Mile: Okunola, Sonny Pilgrem, Alyth Ross), Samuel Black (Dan culturemile.london Wolff), Harry Livingstone (Nia Towle), Wolf Marloh (Zachary Nachbar-Seckel), Clare Park (Grace Cooper Milton), Phil Sharp (Kitty Hawthorne, Sam Thorpe-Spinks), Michael Shelford (Levi Brown, Sheyi Cole, Aoife Gaston, Guildhall School is provided by the City of London Brandon Grace, Conor McLeod, Hassan Najib, Millie Smith, Corporation as part of its Tara Tijani, Dolly LeVack), David Stone (Justice Ritchie), contribution to the cultural life Faye Thomas (Caitlin Ffion Griffiths, Genevieve Lewis) of London and the nation A Midsummer Night’s Dream by William Shakespeare Suba Das director Grace Smart designer Ed Lewis composer Lucy Cullingford movement director Jack Stevens lighting designer Thomas Dixon sound designer Thursday 26, Friday 27, Saturday 28 November 2020 Live performances broadcast from Milton Court Theatre Recording of this performance by any means whatsoever is strictly prohibited.
    [Show full text]
  • Daniel Evans
    www.hamiltonhodell.co.uk Daniel Evans Talent Representation Telephone Christian Hodell +44 (0) 20 7636 1221 [email protected], Address [email protected], Hamilton Hodell, [email protected] 20 Golden Square London, W1F 9JL, United Kingdom Theatre Title Role Director Theatre/Producer COMPANY Robert Jonathan Munby Sheffield Crucible Theatre THE PRIDE Oliver Richard Wilson Sheffield Crucible Theatre THE ART OF NEWS Dominic Muldowney London Sinfonietta SUNDAY IN THE PARK WITH GEORGE Tony Award Nomination for Best Performance by a Lead Actor in a Musical 2008 George Sam Buntrock Studio 54 Outer Critics' Circle Nomination for Best Actor in a Musical 2008 Drama League Awards Nomination for Distinguished Performance 2008 GOOD THING GOING Part of a Revue Julia McKenzie Cadogan Hall Ltd SWEENEY TODD Tobias Ragg David Freeman Southbank Centre TOTAL ECLIPSE Paul Verlaine Paul Miller Menier Chocolate Factory SUNDAY IN THE PARK WITH GEORGE Wyndham's Theatre/Menier George Sam Buntrock Olivier Award for Best Actor in a Musical 2007 Chocolate Factory GRAND HOTEL Otto Michael Grandage Donmar Warehouse CLOUD NINE Betty/Edward Anna Mackmin Crucible Theatre CYMBELINE Posthumous Dominic Cooke RSC MEASURE FOR MEASURE Angelo Sean Holmes RSC THE TEMPEST Ariel Michael Grandage Sheffield Crucible/Old Vic Nominated for the 2002 Ian Charleson Award (Joint with his part in Ghosts) GHOSTS Osvald Steve Unwin English Touring Theatre Nominated for the 2002 Ian Charleson Award (Joint with his part in The Tempest) WHERE DO WE LIVE Stephen Richard
    [Show full text]
  • NT Associates and Peter Hall Bursary Recipients
    Thursday 15 October NATIONAL THEATRE ANNOUNCES NEW ASSOCIATES AND PETER HALL BURSARY RECIPIENTS The National Theatre announced today that Rufus Norris, NT Director and Joint Chief Executive, has invited Ola Animashawun and Clint Dyer to join as Associates of the National Theatre. In addition, The Peter Hall Bursary has been expanded to support three new artists. The directors who have been invited to receive this fund are Ned Bennett, Ola Ince and Nancy Medina and they will be supported by the NT for the next two years. Ola Animashawun, was previously the founder and Head of the Royal Court Young Writers Programme, where he was also an Associate. Ola will work at Associate level in both Learning and the New Work Department at the NT, as well as continuing in his role as Connections Dramaturg which he has held since 2018. In this new position he will work cross organisationally towards racial equity and increased representation both in the work presented on stage and at all levels in the NT’s workforce. Ola is joined by Clint Dyer who becomes an NT Associate following playing ‘Cutler’ in the NTs Olivier winning production of Ma Rainey’s Black Bottom, the success of Death of England and the programming of Death of England: Delroy, which will open in the Olivier theatre later this month. In this role Clint will work closely with Rufus Norris and the Senior Artistic team and together with the Associates will advise on programming decisions. He will also continue to act and write and direct his own work.
    [Show full text]
  • Download the Full Programme
    Autumn Special Online from 8 September 2020, 1:00pm | Holy Trinity Church, Haddington Chloë Hanslip violin Danny Driver piano Ludwig van Beethoven Violin Sonata No. 1 in D Major, Op. 12, No. 1 Sergey Prokofiev Five Melodies Ludwig van Beethoven Violin Sonata No. 10 in G Major, Op. 96 The Lammermuir Festival is a registered charity in Scotland SC049521 Ludwig van Beethoven Violin Sonata No. 1 in D Major, Op. 12, No. 1 1. Allegro con brio 2. Tema con variazioni: Andante con moto 3. Rondo: Allegro Beethoven’s first three violin sonatas were composed between 1797–98. Although they were dedicated to Antonio Salieri, with whom he might briefly have studied, they show the unmistakable influence Mozart made on Beethoven’s music at the time, as he acquired full fluency in the Viennese Classical style. And in the customary Classical style, they are indicated as sonatas ‘for pianoforte and violin’, with both instruments having a more or less equal role. While the Op. 12 violin sonatas are not necessarily as formally daring as the piano sonatas of the same period, they reveal Beethoven’s firm grasp of how to write idiomatically for the violin, as well as his increasing understanding of how to create a sonata style based on the apparent unification of two opposing forces. The opening movement begins with a bold unison figure, which quickly gives way to a sonorous first subject. In the central development section, rapid passages of semiquavers are passed between violin and piano in quick sequence, making for a vigorous dialogue. The middle movement takes the form of a theme and variations, the theme being audibly based on the opening figure of the previous movement.
    [Show full text]
  • March 22 – May 26 Stackner Cabaret
    MARCH 22 – MAY 26 STACKNER CABARET CREATED BY Richard Maltby, Jr., CONCEIVED BY William Meade ADAPTED FROM THE BROADWAY PRODUCTION BY Richard Maltby, Jr. AND Jason Edwards ORCHESTRATIONS BY Steven Bishop AND Jeff Lisenby ADDITIONAL ARRANGEMENTS BY David Abbinanti DIRECTED BY Dan Kazemi Broadway or ballet— you decide. WPS Medicare supplement insurance Want to keep your doctor? Pick a new one? It’s up to you. At home or traveling, choose any doctor or facility in the U.S. that accepts Medicare patients. wpsmedicaresolutions.com 1-800-236-1448 WPS Health Insurance is proud to support the arts. This is an advertisement for insurance. Neither Wisconsin Physicians Service Insurance Corporation nor its agents are connected with the federal Medicare program. WPS_FTLGHTSAD01_1804 ©2018 All rights reserved. JO8147 32847-100-1804 Gina Della General Manager Pella... Perfectly Beautiful. Take advantage of our most popular options 2.99% Interest for 84 months on approved credit -OR- 1/2 Off Pre-Finishing on all Wood Windows & Patio Doors on qualified orders Your windows and doors in harmony with you. www.PellaWI.com | 855-734-4373 Milwaukee 18-19 SEASON | VOLUME 29 | ISSUE #4 PRESIDENT + PUBLISHER Steve Marcus VICE PRESIDENT Matt Thiele DIRECTOR OF OPERATIONS Greg Widener ART DIRECTOR Sarah Sallmann GRAPHIC DESIGNERS Andrea Klohn | Kathleen Enders THEATRE + VENUE RELATIONS Ryan Albrechtson EDITOR + DIGITAL CONTENT MANAGER Stephanie Harte COMPANY COMPTROLLER Karin Marcus ACCOUNTING MANAGER Lisa Cunningham PRODUCTION SUPERVISOR Kyle Jewell PRODUCTION ASSISTANT Sean McGibany ADVERTISING SALES // CHICAGO Will M. McAuliffe ADVERTISING SALES // MADISON Courtney Neckar ADVERTISING SALES // MILWAUKEE Jacqueline Jaske | Barbara Kluth | Daryl Skardzinski CHICAGO // MADISON // MILWAUKEE Milwaukee: 262.782.9751 | Chicago 773.938.6697 | Madison: 608.257.4560 Toll Free: 888.376.3700 | Fax: 888.397.6160 | www.footlights.com Footlights is published by Marcus Promotions, Inc.
    [Show full text]
  • PRESS RELEASE – Tuesday 19Th November PAINES PLOUGH
    PRESS RELEASE – Tuesday 19th November PAINES PLOUGH ANNOUNCE CASTING FOR SAM STEINER’S YOU STUPID DARKNESS! AT SOUTHWARK PLAYHOUSE, A CO-PRODUCTION WITH THEATRE ROYAL PLYMOUTH IMAGES CAN BE DOWNLOADED HERE www.painesplough.com / @painesplough /#PP2019 / Theatre. Everywhere. Paines Plough have today announced casting for the transfer of Sam Steiner’s YOU STUPID DARKNESS! to Southwark Playhouse, a co-production with Theatre Royal Plymouth. An urgent play about the struggle for optimism and community amid the chaos of a collapsing world, the production is directed by former Paines Plough co-Artistic Director James Grieve and the cast includes: Andrew Finnigan; Jenni Maitland; Lydia Larson; Andy Rush. The show opened at Theatre Royal Plymouth earlier this year and will run at Southwark Playhouse from 16 January – 22 February with a Press Night on Monday 20 January. “I just think it’s, you know, important to look at the good things that are happening as well.” Everything’s been falling apart for a while now. In a cramped, crumbling office four volunteers spend a few hours every Tuesday night on the phone to strangers telling them everything is going to be ok. As the outside world disintegrates around them, Frances, Joey, Angie and Jon teeter on the edge of their own personal catastrophes. Their hopes and fears become entangled as they try, desperately, to connect with the callers and with each other. Andrew will reprise his role as Joey. His theatre credits include: BROKEN BISCUITS (Live Theatre/Paines Plough and UK tour); DRIP (Hull City of Culture/Boundless Theatre/Tour); MY UNCLE FREDDIE, WORMTOWN (The Customs House, South Shields) and Great North Run for BBC Radio 4.
    [Show full text]
  • The Annual 2016/17
    THE ANNUAL REPORT 2016/17 Primary school children celebrating 10 years of ROH Thurrock with Alice (in Wonderland) Reimagined TRUSTEES’ ANNUAL REPORT INTRODUCTION STRATEGIC REPORT FINANCIAL SUMMARY GOVERNANCE ACKNOWLEDGEMENTS 326 performances at the Royal Opera House; UK Theatre Awards 2016 for ‘Achievement On the main stage: 7 new operas, in Opera’ for Contemporary opera and Royal 3 new ballets Philharmonic Society Award for large-scale 31% of tickets at £30 or less composition for 4.48 Psychosis; 2017 Critics’ 38% of tickets at £40 or less Circle National Dance Awards for Principal of 47% of tickets at £50 or less The Royal Ballet, Francesca Hayward, Fellow 20,900+ attended a subsidized 75% of income Principal Zenaida Yanowsky and Soloist of performance with low-cost tickets for generated from ticket The Royal Ballet, Reece Clarke families and schools sales, fundraising and commercial activity; £4+ generated through ticket sales, fundraising and commercial activity for every pound of grant received 670,500 attendances at our Covent Garden theatre: 95% occupancy 29,800+ people took part in 806,900+ creative projects; 11,700+ young attendances of ROH people experienced cultural Cinema screenings activities as a result of ROH LAST YEAR IN worldwide in 41 attendances Bridge; 20,900+ SUMMARY countries; Live at low-priced, enhanced cinema screenings in performances for families, schools the UK at 459 cinema and students; 20,800+ registered screens; 727,000+ for the ROH Students’ ticket people viewed World scheme; 13,600 registered on Ballet
    [Show full text]
  • You Stupid Darkness!
    PRESS RELEASE – Wednesday 9 January 2019 NEW IMAGES CAN BE DOWNLOADED HERE www.painesplough.com / @painesplough /#PP2019 / Theatre. Everywhere. Paines Plough and Theatre Royal Plymouth present YOU STUPID DARKNESS! by Sam Steiner Directed by James Grieve Design by Amy Jane Cook Lighting Design by Peter Small Sound Design by Dominic Kennedy Movement by Annie-Lunette Deakin-Foster Assistant Direction by Freddie Crossley • FULL CASTING ANNOUNCED FOR YOU STUPID DARKNESS!, A WORLD PREMIERE FROM SAM STEINER • NEW IMAGES RELEASED TODAY • YOU STUPID DARKNESS RUNS AT THEATRE ROYAL PLYMOUTH FROM 7-23 FEBRUARY Paines Plough and Theatre Royal Plymouth have today announced the full cast for YOU STUPID DARKNESS!, a World Premiere from Sam Steiner (Lemons, Lemons, Lemons, Lemons, Lemons; Kanye the First), directed by Paines Plough Joint Artistic Director James Grieve. The new play, set in a call centre for Brightline helpline, looks at the struggle for optimism and community amid the chaos of a collapsing world. The cast includes David Carlyle, Andrew Finnigan, Becci Gemmell and Lydia Larson. The production marks the continuation of a long-standing relationship between Paines Plough and Theatre Royal Plymouth and follows the success of Love, Love, Love and The Angry Brigade. Everything’s been falling apart for a while now. In a cramped, crumbling office four volunteers spend a few hours every Tuesday night on the phone to strangers telling them everything is going to be ok. As the outside world disintegrates around them, Frances, Joey, Angie and Jon teeter on the edge of their own personal catastrophes. Their hopes and fears become entangled as they try, desperately, to connect with the callers and with each other.
    [Show full text]
  • Blanche Mcintyre Director / Writer
    Blanche McIntyre Director / Writer * Winner - Best Director: TMA 2013 UK Theatre Awards * Winner of the 2011 Critcs' Circle Most Promising Newcomer Award for ACCOLADE and FOXFINDER (both at the Finborough Theatre) * FOXFINDER: Listed in Independent's top 5 picks for 2011 * ACCOLADE: Best Director and Best Production at Off West End Theatre Awards 2011; Listed in the Spectator's Top Ten Plays for 2011; Time Out's Best Fringe Show 2011 National Theatre Studio Director's Course (2010) Winner - Leverhulme Bursary (2009) Agents Giles Smart Assistant Ellie Byrne [email protected] +44 (020 3214 0812 Credits In Development Production Company Notes THE LITTLE FOXES Gate Theatre, Dublin By Lillian Hellman 2020 Theatre Production Company Notes HYMN Almeida / Sky Arts By Lolita Chakrabarti 2021 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes BOTTICELLI IN THE FIRE Hampstead By Jordan Tannahill 2019 BARTHOLOMEW FAIR Shakespeare's Globe - By Ben Jonson 2019 Sam Wanamaker Playhouse TARTUFFE National Theatre By Molière 2019 Adapted by John Donnelly & Director Blanche McIntyre WOMEN IN POWER Nuffield Based on Aristophanes' 2018 ASSEMBLY WOMEN THE WINTER'S TALE Shakespeare's Globe By William Shakespeare 2018 THE WRITER Almeida By Ella Hickson 2018 TITUS ANDRONICUS RSC By William Shakespeare 2017 THE NORMAN CONQUESTS Chichester Festival By Alan Ayckbourn 2017 Theatre THE TWO NOBLE KINSMEN RSC: The Swan By William Shakespeare 2016 NOISES
    [Show full text]
  • E M M a H O L L a N D
    E M M A H O L L A N D P R SACHA WARES RETURNS TO THE ALMEIDA THEATRE FOLLOWING LAST YEAR’S CRITICALLY ACCLAIMED PRODUCTION OF MIKE BARTLETT’S GAME TO DIRECT THE WORLD PREMIERE OF BOY A NEW PLAY BY LEO BUTLER FROM 5 APRIL – 28 MAY 2016 AND A COMPLEMENTARY OUTREACH PROGRAMME FUNDED BY THE ARSENAL FOUNDATION SEES THE ALMEIDA PARTNER WITH ARSENAL IN THE COMMUNITY TO FURTHER ENGAGE WITH THE YOUNG PEOPLE OF THE LONDON BOROUGH OF ISLINGTON Sacha Wares will be returning to Almeida Theatre to direct the world premiere of Leo Butler’s new play Boy, after her directorial success with the critically acclaimed production, Game, by Mike Bartlett, in 2015. Boy will run at the Almeida Theatre from 5 April until 28 May 2016, with press night on 12 April 2016. Director Sacha Wares is joined by a formidable creative team, including two powerhouse contemporary designers, Miriam Buether for set design (Wild Swans, Sucker Punch, My Child, Generations), who worked with Sacha on Game at the Almeida in 2015, and Ultz for costume (Jerusalem, Hobson’s Choice, Fallout, Pied Pier), who will be collaborating with Miriam, on design, for the very first time. Further creative credits include movement by Leon Baugh, lighting by Jack Knowles and sound by Gareth Fry. A boy At a bus stop. Easily missed. Playwright Leo Butler casts a sharp eye over the city and picks someone for us to follow. Sacha Wares (Director) is associate director at the Young Vic and was previously Associate Director of the Royal Court from 2007-2013.
    [Show full text]
  • Ariadne Auf Naxos Ariane À Naxos OPÉRA EN UN ACTE PRÉCÉDÉ D’UN PROLOGUE LIVRET DE HUGO VON HOFMANNSTHAL CRÉÉ LE 4 OCTOBRE 1916 AU HOFOPER DE VIENNE
    Ariadne auf RICHARD Naxos STRAUSS FESTIVAL D’AIX-EN-PROVENCE DU 4 AU 24 JUILLET 2018 70e édition du Festival e Festival d'Aix-en-Provence célèbre cette année sa 70e édition. Cet anniversaire 'est une année particulière pour le Festival d'Aix. Elle est marquée par un double m'offre l'occasion de rendre hommage aux générations d'artistes, de professionnels, de événement. D'abord un anniversaire, ensuite un départ. techniciens et de mécènes du monde entier qui ont forgé l'identité du Festival et qui l'ont fait vivre, tout au long de ces décennies, à travers un formidable travail de coopération. Je Un anniversaire, parce qu'en 1948, à la sortie de la guerre, Gabriel Dussurget – mélomane pense notamment au grand metteur en scène Patrice Chéreau dont les productions auront averti – eut l'idée géniale de créer un festival d'art lyrique à Aix-en-Provence. Depuis marqué l'histoire du Festival. 70 ans, chaque été, le cœur de la ville continue de battre au rythme de la scène mythique de l'Archevêché. LLa programmation de cette 70e édition sera fidèle à ce qui fait la force et la singularité de la C manifestation depuis sa création. Les plus grands compositeurs y seront à l'honneur : Mozart bien Que serait Aix aujourd'hui sans ce prestigieux rendez-vous musical ? Soixante-dix années se sont sûr, qui a toujours occupé une place singulière à Aix, sera présent avec La Flûte enchantée, sous la écoulées à façonner la renommée du Festival, à faire rayonner la ville au-delà des frontières de direction musicale de Raphaël Pichon et mise en scène par Simon McBurney ; de même que Richard l'Hexagone.
    [Show full text]
  • PRESS-RELEASE-Shakespeares-Globe-Announces-Winter-Season.Pdf
    PRESS RELEASE SHAKESPEARE’S GLOBE ANNOUNCES 2021/22 WINTER SEASON IN THE SAM WANAMAKER PLAYHOUSE 1 September 2021 Shakespeare’s Globe has announced its Winter Season for 2021/22 in the candlelit Sam Wanamaker Playhouse. The season will feature Shakespeare’s Measure for Measure directed by Blanche McIntyre, Hamlet directed by Sean Holmes, The Merchant of Venice directed by Abigail Graham, and a festive reimagining of Hans Christian Andersen’s The Fir Tree written by Hannah Khalil. Alongside productions in the Playhouse, there will also be two week-long festivals (including the return of Shakespeare and Race) and half-term events for families. The Globe will continue to reach audiences at home and internationally through livestreamed productions of Measure for Measure, Hamlet and The Merchant of Venice. Michelle Terry, Artistic Director, said: “As we slowly emerge from a period of deep uncertainty, change and challenge, we turn to these plays to ask some of the most profound questions about who we are, why we are, and what on earth can we do about it. In a quest for love, identity, justice or revenge, these plays are full of people making conscious and unconscious choices that determine either their salvation or destruction. This is a season deliberately designed to tackle the big moral questions and complexities with heart, humour and humanity.” For the very first time, audiences will be able to buy tickets to the main productions in the Sam Wanamaker Playhouse for £5, with 48 standing tickets available per show. The Globe’s Summer Season continues until 30 October, and despite restrictions and continued difficulties with the pandemic, has successfully welcomed over 86,000 audience members into 150 performances, with only 2 cancelled to date.
    [Show full text]