Critical Approaches to the Baroque

Critical Approaches to Baroque: Initial Bibliography Professor Helen Hills

NB: All reasonable – and quite considerable -- efforts have been made to ensure that the vast majority of these texts are available to you from one or other of the libraries at York. Some books may only be available at the British Library or other major copyright library. Please use this bibliography as a useful starting point for your research into your selected topics. It is not exhaustive. You should draw on search engines, bibliographical search materials and databases – and, if necessary consult library staff for assistance – in hunting down materials for specific research topics. But this will certainly help get you started.

Some basic introductory works

R Wittkower, Art & Architecture in Italy: Early Baroque; High Baroque; Late Baroque, revised by J Connors & J Montagu, Yale University Press, 1982

GC Argan, The Baroque Age, New York: Rizzoli, 1989.

E Cropper & C Dempsey, ‘The State of Research In Italian painting of the Seventeenth Century’, Art Bulletin, 69 (1987), pp.494-509.

HA Millon (ed.), The Triumph of the Baroque: Architecture in Europe, 1600-1750, New York: Rizzoli, 1999

Oechslin, Werner, ‘Architectura est scientia aedificandi: Reflections on the Scope of Architectural and Architectural- theoretical Literature’, in The Triumph of the Baroque: Architecture in Europe, 1600-1750, ed. HA Millon, New York: Rizzoli, 1999, pp.206-217.

Pastor, L. 1891-1953. The History of The Popes, ed. by F. I. Antrobus, 40 vols, London: Kegan Paul

P. Portoghesi, ‘Birth of the Baroque in Rome’, in ed. H Millon, The Triumph of the Baroque: architecture in Europe 1600-1750, Thames & Hudson, London, 1999, pp.32-55.

Print culture

Rose Marie San Juan, 'Contaminating Bodies: Print and the 1656 Plague in Naples', in M Calaresu & H Hills (eds), New Approaches to Naples c.1500-c1800, Ashgate: 2013, cap. 3, pp.63ff.

Alexandra M. Korey ‘Creativity, Authenticity, and the Copy in Early Print Culture’ in Rebecca Zorach (eds), Paper Museums: The Reproductive Print in Europe, 1500-1800

Lia Markey ‘The Female Printmaker and the Culture of the Reproductive Print Workshop’ Rebecca Zorach (eds), Paper Museums: The Reproductive Print in Europe, 1500-1800

Sarah Cree ‘Translating Stone into Paper: Sixteenth- and Seventeenth-Century Prints after Antique Sculpture’ Rebecca Zorach (eds), Paper Museums: The Reproductive Print in Europe, 1500- 1800

Health, Medicine, Blood, Barber Surgeons, Plague & Disaster

Olson, Todd, ‘Caravaggio’s Coroner: Forensic Medicine in Giulio Mancini’s Art Criticism’, Oxford Art Jnl, 28.1, 2005, pp.83-98.

Wendy Wassyng Roworth, ‘The Evolution of History Painting: Masaniello’s revolt and other disasters in 17thC Naples’, Art Bulletin, June 1993, vol. 75 n.2, 219-234

Christopher R Marshall, ‘ “Causa di stravaganze”: Order and anarchy in Domenico Gargiulo’s Revolt of Masaniello’ , Art Bulletin , vol 80 n3 Sep 1998, 478-497

James Clifton, ‘Art and Plague at Naples’, in Hope and Healing. Painting in Italy in a Time of Plague, 1500-1800, eds. GA Bailey et al., Clark University, 2005, 97-117

Franco Mormando, ‘Introduction: response to the Plague in early Modern Italy: What the primary sources, printed and painted reveal’, in Hope and Healing. Painting in Italy in a Time of Plague, 1500-1800, eds. GA Bailey et al., Clark University, 2005, 1-44

Rose Marie San Juan, Rome. A City Out of Print, Minneapolis: University of Minnesota Press, 2001, Cap.7, ‘The Uncertainties of Time. Managing and Marketing the Plague of 1656-57’, 217-254

Catherine R Puglisi, ‘Guido Reni’s Pallione del Voto and the Plague of 1630’, Art Bulletin, Vol.77 n.3, Sep 1995, 403-412

Sheila Barker, ‘Poussin, Plague and early modern Medicine’, Art Bulletin, vol.86 n4 Dec 2004, 659-689

Elisabeth Hipp, ‘Poussin’s The Plague at Ashdod. A work of art in multiple contexts’ , in Piety & Plague from Byzantium to the Baroque, eds. Franco Mormando & Thomas Worcester, Kirksville, Missouri: Truman State University Press, 2007, 177-223

Andrew Hopkins, ‘Combating the Plague: Devotional Paintings, Architectural Programs and Votive Processions in Early Modern Venice’, in Hope and Healing. Painting in Italy in a Time of Plague, 1500-1800, eds. GA Bailey et al., Clark University, 2005, 137-152

Andrew Hopkins, ‘Plan and Planning for S. Maria della Salute, Venice’, Art Bulletin, vol.79 n.3 (Sep 1997), 440-465

Sandra Cavallo, Artisans of the Body in early modern Italy: Identities, families and masculinities (Manchester University Press: 2007), Cap 3, 'Barber Surgeons and artisans of the body', pp.64- 88

Sandra Cavallo, Artisans of the Body in early modern Italy: Identities, families and masculinities (Manchester University Press: 2007), Cap. 2 'Health, beauty and hygiene: the broad domain of a barber-surgeon's duties', 38-63

Elmer, Peter (ed), The Healing Arts. Health, Disease and Society on Europe 1500-1800 Manchetser, 2004

Silvia De renzi, 'Barber-surgeons, surgeons and apothecaries' in Elmer, Peter (ed), The Healing Arts. Health, Disease and Society on Europe 1500-1800 Manchetser, 2004, 43-44

Kusukawa, Sachiko, 'The medical REnasiisanc eof the 16thC: Vesalius, medical humanism and bloodletting', Elmer, Peter (ed), The Healing Arts. Health, Disease and Society on Europe 1500- 1800 Manchetser, 2004, 58-79.

Grell, OP, 'Medicine and religion in 16thC Europe', in Peter Elmer (ed), The Healing Arts. Health, Disease and Society on Europe 1500-1800 Manchester, 2004, 84-105

David Gentilcore, 'The Church, the devil, living saints',

David Gentilcore, 'Hospitals, poor relief and health care'

Decorative Arts, Gems, Jewels, Stones, Mineralogy, Telluric Philosophy

Mimi Hellman, ‘The Decroated Flame: Firedogs and the Tensions of the Hearth’, in Taking Shape. Finding Sculpture in the decorative arts , Getty Musum: 2009, pp.176-185

Martina Droth, ‘Truth & Artifice: transforming the real with Sculptural Form’, in Taking Shape. Finding Sculpture in the decorative arts , Getty Musum: 2009, pp.10-19

Katie Scott, ‘Figure & Ornament: Notes on the Late Baroque Art Industry’, in Taking Shape. Finding Sculpture in the decorative arts , Getty Musum: 2009, pp.166-176

Anxiety & Fear

A Vidler, Warped Space: Art, Architecture & Anxiety in Modern Culture, MIT Press: 2001, ‘Skin & Bones’, pp.219-234.

A Vidler, ‘Art History Posthistoire’, Art Bulletin, Sep 1994, pp.407-410.

Ruins, Ruination & Allegory

Van Reijen, W. 1992. ‘Labyrinth and Ruin: The Return of the Baroque in Postmodernity’, Theory, Culture and Society , 9, 1ff

Theorizing / Empiricizing ‘Baroque’

Maravall, J. A. 1986. Culture of the Baroque: Analysis of a Historical Structure , trans. by T. Cochran, Manchester: Manchester University Press

Turner, B. S. 1994. Introduction to Baroque Reason: The Aesthetics of Modernity , by C. Buci Glucksmann, trans. by P. Camiller, London: Sage Publications, 1-36

Wittkower, R. 1972. ‘Problems of the Theme’ in Baroque Art: The Jesuit Contribution , ed. by R. Wittkower and I. B. Jaffe, New York: Fordham University Press, 1-14

H. Damisch, ‘Narcise Baroque ?’ in ed. C. Buci-Glucksmann, Puissance du Baroque: les forces, les formes, les rationalités, Paris: Galilée, 1996.

Giorgio Antel, Plus Ultra: oltre il Barocco. Arte latino-americano a confronto, Milan: Silvana, 2009

Blunt, Anthony, Some Uses and Misuses of the Terms Baroque and Rococo as applied to Architecture, Oxford UP: Oxford, 1973.

Ciavolella Massimo & Patrick Coleman eds., Culture & Authority in the Baroque, University of Toronto Press, 2005.

R. Wittkower, ‘Carlo Rainaldi and the Roman Architecture of the Full Baroque’, The Art Bulletin, Vol.19, no.2, Jun 1937, pp.242-313. Esp. section ‘Centrally Planned Buildings of Bernini, Cortona & Borromini’, pp.271-275. C. Buci Glucksmann Baroque Reason: The Aesthetics of Modernity , , trans. by P. Camiller, London: Sage Publications: 1994.

H. Damisch, ‘Narcise Baroque ?’ in ed. C. Buci-Glucksmann, Puissance du Baroque: les forces, les formes, les rationalités, Paris: Galilée, 1996.

C. Buci-Glucksmann, Baroque Reason: the aesthetics of modernity, trans. P Camiller, London: Sage, 1994.

C Buci-Glucksmann, Le baroque littéraire: théorie et pratiques: actes du colloque, Paris: Fondation Calouste Gulbenkian, 1990.

M. Bal, ‘Ecstatic Aesthetics’, in eds. C. Farago & R. Zwijneberg, Compelling Visuality: the work in and out of history, University of Minnesota Press, 2000

A Vidler, ‘Art History Posthistoire’, Art Bulletin, Sep 1994, pp.407-410.

N. Gryer, W. Moser, Résurgences Baroques, Lettre volée: Bruxelles, 2001 de Beer, ES, ‘Gothic: Origin and Diffusion of the Term The Idea of Style in Architecture’, JWCI, 1948, vol.11, pp.143- 62.

Deleuze, Gilles, Le Pli, trans T Conley, The Fold: Leibniz and the Baroque, University of Minnesota Press, 1993.

Kaufmann, Emil, Architecture in the Age of Reason: Baroque and Post-Baroque in England, France, Italy, Dover Publications, 1955.

Stewart, Matthew, The Courtier and the Heretic: Leibniz, Spinoza, and the Fate of God in the Modern World, Yale UP: New Haven & London, 2007.

Mahon, D. 1947. Studies in Seicento Art and Theory , London: The Warburg Institute

Maravall, J. A. 1986. Culture of the Baroque: Analysis of a Historical Structure , trans. by T. Cochran, Manchester: Manchester University Press

Skrine, P. N. 1978. The Baroque: Literature and Culture in Seventeenth Century Europe , London: Methuen

Turner, B. S. 1994. Introduction to Baroque Reason: The Aesthetics of Modernity , by C. Buci Glucksmann, trans. by P. Camiller, London: Sage Publications, 1-36

Van Reijen, W. 1992. ‘Labyrinth and Ruin: The Return of the Baroque in Postmodernity’, Theory, Culture and Society , 9, 1-26

Wittkower, R., ‘Carlo Rainaldi and the Roman Architecture of the Full Baroque’, The Art Bulletin, Vol.19, no.2, Jun 1937, pp.242-313.

Wittkower, R. 1972. ‘Problems of the Theme’ in Baroque Art: The Jesuit Contribution , ed. by R. Wittkower and I. B. Jaffe, New York: Fordham University Press, 1-14

Wölfflin, H. 1968. Renaissance and Baroque , trans. by K. Simon, Ithaca: Cornell University Press

Croce, Benedetto, Storia della Età barocca in Italia: Pensiero - Poesia e Letteratura Vita Morale , Bari, 1929. V. Tapié, Baroque et Classicisme, Paris, 1957, trans. The Age of Grandeur. Baroque and Classicism in Europe, London, 1960 O. Kurz, `Barocco: Storia di una parola', Lettere italiane, XII, 1960, 414-432. O. Kurz, `Barocco: Storia di un concetto', V. Branca, ed., Barocco Europeo e Barocco Veneziano , Venice, 1962 A. Blunt, Some Uses and Misuses of the Terms Baroque and Rococo as applied to Architecture , Oxford, 1973. Henri Foçillon, Vie des formes (Paris, 1934), trans. C. B. Hogan & G. Kubler, The Life of Forms in Art, (New Haven: Yale, 1942).

Walter Benjamin, The Origin of German Tragic Drama (Ursprung des deutschen Trauerspiels) , trans. by J. Osborne, London: 1977, p.41. Henri Foçillon, Vie des formes (Paris, 1934), trans. C. B. Hogan & G. Kubler, The Life of Forms in Art, (New Haven: Yale, 1942).

Guillerme, J., ‘The Idea of Architectural Language: A Critical Inquiry’, Oppositions, Fall, 1977, pp.21-6.

John Rupert Martin, ‘The Baroque from the Point of View of the Art Historian’, Jnl of Aesthetics and Art Criticism, 14 (1955), pp.164-171.

Robert Harbison, Reflections on Baroque,

G. L Hersey, Architecture and Geometry in the Age of the Baroque,

GC Argan, ‘La “rettorica” e l’arte barocca’, in Retorica e barocco: Atti del III Congresso Internazionale di studi Umanistici, ed. Enrico Castelli, Rome: Fratelli Bocca, 1955, pp.9-14.

GC Argan, Immagine e persuasione: Saggi sul barocco, ed. Bruno Contardi, Miilan: Feltrinelli, 1986.

GC Argan, The Baroque Age, New York: Rizzoli, 1989.

HA Millon (ed.), The Triumph of the Baroque: Architecture in Europe, 1600-1750, New York: Rizzoli, 1999

M. Schapiro, Theory & Philosophy of Art: Style, Artist and Society: Se;ected papers, New York: George Braziller, 1994.

Francesca Cantù.(ed), I linguaggi del potere nell'età barocca / Roma : Viella, 2009. ISBN: 9788883341823

Deleuze & Le Pli: trans. Tom Conley The Fold.

I Lavin, ‘Going for Baroque: observations on the post-modern fold’ in ed S Schütze, Estetica Barocca, Rome: Campisano, 2004.

Stewart, Matthew, The Courtier and the Heretic: Leibniz, Spinoza, and the Fate of God in the Modern World, Yale UP: New Haven & London, 2007.

Simon O’Sullivan, ‘From Possible Worlds to Future Folds (following Deleuze): Richter’s Abstracts, Situationist Cities, and the Baroque in art’, Jnl of the British Society for Phenomenology, Vol.36 n3 Oct 2005, pp.311-329.

Willem van Reijen, ‘Labyrinth and Ruin: The Return of the Baroque in Postmodernity’, Theory Culture and Society, Vol 9, 1992, pp.1-26.

Portraiture

M. Pointon, Hanging the Head: Yale, 2005.

Irving Lavin, ‘Bernini’s Image of the ideal Christian Monarch’, in The Jesuits. Cultures, Sciences, and the Arts, 1540-1773, eds. John O’Malley et al., Toronto-Buffalo-London: University of Toronto Press, 1999, 442-479

Temma Balducci et al., Interior Portraiture & Masculine Identity in France, 1780-1914, Aldershot: Ashgate, 2011

Religious orders, Religious devotion, Piety

Francis Haskell, Patrons & Painters. Art & Society in Baroque Italy, Cap. 3. ‘The Religious Orders’, pp.63ff

J. Connors, ‘S. Ivo alla Sapienza: The First Three Minutes’, JSAH , March 1996, pp.38-57.

J. Connors, ‘Borromini's S. Ivo alla Sapienza: the spiral’, Burl Mag, vol.138, Oct 1996, pp.668ff.

JB Scott, ‘S. Ivo alla Sapienza & Borromini's Symbolic Language’, JSAH , XLI, 1982, pp.294- 317.

Giovanni Careri, Bernini. Flights of Love, the Art of Devotion, trans. Linda Lappin, Chicago & London: University of Chicago Press, 1995, Cap. 3, ‘The Altar of Sant’Andrea al Quirinale’, 87-102

H. Brauer & R Wittkower, Die Zeichnungen des Gianlorenzo Bernini, 2 vols., Berlin, 1931, Vol.I, pp.110-113.

TK Kitao, ‘Bernini’s Church Facades: Methods of Design and the Contrapposti’, JSAH, XXIV, 1965, pp.263-284.

Religious institutional patronage (see also section above)

JW O’Malley & GA Bailey, The Jesuits and the Arts 1540-1773, Philadelphia: St Joseph’s University Press, 2005 eds. John O’Malley et al., The Jesuits. Cultures, Sciences, and the Arts, 1540-1773, Toronto-Buffalo-London: University of Toronto Press, 1999

MW Cole & RE Zorach, eds., The Idol in the Age of Art: objects devotions and the early modern world, 2009

Wisch, Barbara & Diane Cole Ahl, eds., Confraternities and the visual Arts in Renaissance Italy, Cambridge University Press: 2000.

J. Connors, ‘S. Ivo alla Sapienza: The First Three Minutes’, JSAH , March 1996, pp.38-57.

J. Connors, ‘Borromini's S. Ivo alla Sapienza: the spiral’, Burl Mag, vol.138, Oct 1996, pp.668ff.

JB Scott, ‘S. Ivo alla Sapienza & Borromini's Symbolic Language’, JSAH , XLI, 1982, pp.294-317.

R Wittkower, Art & Architecture in Italy: Early Baroque; High Baroque; Late Baroque, revised by J Connors & J Montagu, Yale University Press, 1982.

Abigail Brundin & Matthew Treherne, Forms of Faith in 16thC Italy Ashgate: 2009

Guido Alfani, Fathers and Godfathers: Spiritual kinship in early modern Italy Ashgate 2009

Art patronage, collecting, display

N Penny, ED Schmidt (eds), Collecting Sculpture in early modern Europe, yale UP: New Haven & London, 2008

Carole Paul, The Borghese Collections and the Display of Art in the Age of the Grand Tour, Ashgate 2008

Ciavolella Massimo & Patrick Coleman eds., Culture & Authority in the Baroque, University of Toronto Press, 2005.

Krautheimer, R. & RBS Jones, ‘The Diary of Alexander VII: Notes on Art, Artists and Buildings’, Römisches Jahrbuch für Kunstgeshichte, XV, 1975, pp.208-211.

Wisch, Barbara & Diane Cole Ahl, eds., Confraterniies and the visual Arts in Renaissance Italy, Cambridge University Press: 2000.

R Wittkower, Art & Architecture in Italy: Early Baroque; High Baroque; Late Baroque, revised by J Connors & J Montagu, Yale University Press, 1982.

Leone, Stephanie, The Palazzo Pamphilj in Piazza Navona : constructing identity in early modern Rome /, 2008.

Convegno "Circolazione dei beni, circuiti di affetti, la famiglia europea in età moderna" (2007 : Rome, Italy). Famiglie : circolazione di beni, circuiti di affetti in età moderna / a cura di Renata Ago e Benedetta Borello. 1. ed.Roma : Viella, 2008.

Daniel M Unger, Guercino’s Paintings and his patrons’ politics in early modern Italy, Ashgate, 2010

Letizia Arcangeli e Susanna Peyronel (eds) Donne di potere nel Rinascimento / Roma : Viella, 2008. ISBN: 9788883343650 : [001888087]

Gender, Sex, Sexuality, Reproduction

Lia Markey ‘The Female Printmaker and the Culture of the Reproductive Print Workshop’ Rebecca Zorach (eds), Paper Museums: The Reproductive Print in Europe, 1500-1800

J. Rendell, Barbara Penner et al., Gender Space Architecture. An Interdisciplinary Introduction, Routledge: 2000.

Katherine Crawford, The Sexual Culture of the French renaissance, Cambridge: CUP, 2010

Chandra Muckerji, ‘Material Practices of Domination and Techniques of western Power’, Theory & Society, 31, 2002, 1-31.

Andrea Pearson (ed), Women & Portarits in early modern Rome, Ashgate 2008

Allison Levy (ed), Sex Acts in Early Modern Italy, Ashgate 2010

Berdini, P. 1998. ‘Women under the gaze: A Renaissance genealogy’, Art History , 21, 565-90

Julian Vitullo & Diane Wolfthal, ‘Trading values: negotiating masculinity in late medieval and early modern Europe’, in eds. Juliann Vitullo & Diane Wolfthal, Money, Morality & Culture in late medieval & early modern Europe, Ashgate 2010-03-17

Blunt, A. 1978. ‘Gian Lorenzo Bernini: Illusionism and Mysticism’ Art History , 1, 67-89

Call, M. J. 1997. ‘Boxing Teresa: The Counter Reformation and Bernini’s Cornaro Chapel’ Women’s Art Journal 18, 34-9

Careri, G. 1995. Bernini Flights of Love, The Art of Devotion , trans. by L. Lappin, Chicago: University of Chicago Press

Hartman, Joan & Seeff, A., eds., Structures and Subjectivities: Attending to Early Modern Women, Newark: University of Delaware Press, 2007.

Julia Dabbs (ed.), Life Stories of Women Artists _

Ann Roberts, _ Dominican women and Renaissance Art _

Andrea Pearson _ Women & portraits in early modern Europe. Gender, Agency Identity_

S Cavallo & S Evangelisti (S), _ Domestic Institutional Interiors in Early Modern Europe_

Donne di potere nel Rinascimento / a cura di Letizia Arcangeli e Susanna Peyronel. 1. ed. Roma : Viella, 2008. Arcangeli, Letizia. ISBN: 9788883343650 : [001888087]

Monarchical patronage, Versailles

Chandra Muckerji, ‘Material Practices of Domination and Techniques of western Power’, Theory & Society, 31, 2002, 1-31.

Urbanism, City, Cartographies

Michel de Certeau, The Practice of Everyday Life, ‘Walking in the City’, pp.91-111.

Martha D Pollak, Turin 1564-1680. Urban Design, Military Culture, and the Creation of the Absolutist Capital, Chicago & London: University of Chicago press, 1991, esp. Cap 3, ‘The Making of a Baroque Capital Fortification and urban design as instruments of dynastic representation’, pp.55-82

Richard Krautheimer, The Rome of Alexander VII 1655-1667, Princeton: Princeton UP, 195, Cap. 10, City Plannning and politics: The illustrious Foreigner’, 131-148

J. Connors, ‘Alliance and Enmity in Roman Baroque Urbanism', Römisches Jahrbuch der Bibliotheca Hertziana , XXV, 1985, pp.209-226

Rose Marie San Juan, Rome. A City Out of Print, Minneapolis: University of Minnesota press, 2001, Cap. 3: ‘Andando processionalmente per Roma: Street procession and the Imprints of Urban Charity’, pp. 95-128 (You may find it useful to read Michel de Certeau’s The Practice of Everyday Life )

Martha Pollak, Cities at War in Early Modern Europe, Cambridge University Press, 2010

Marco Folin (ed), Rappresentare la città: Topografie urbane nell’Italia di antico regime, Reggio Emilia: Diabasis, 2010

R. Krautheimer, The Rome of Alexander VII 1655-1667 , Princeton UP: Princeton JN, 1985, Cap. 4, ‘Teatri I: Piazze and Churches’, pp.47-74.

Mårten Snickare, ‘The Construction of Autocracy: Nicodemus Tessin the Younger and the architecture of Stockholm’, in ed. Henry Millon, Circa 1700: Architecture in Europe and the Americas, National Gallery of Art, Washington, 2005, 65-78

Brian Curran, Anthony Grafton, Pamela Long, Benjamin Weiss, Obelisk. A History, Cambridge Mass & London: MIT Press: 2009, Cap. 6, ‘Changing the Stone: Egyptology, Antiquarianism and Magic’, pp.161-178

Lisa Debenedetti, ‘Middle-class Rome: from the baroque city to the European capital’, in ed. Henry Millon, Circa 1700: Architecture in Europe and the Americas, National Gallery of Art, Washington, 2005, 37-45

Laurie Nussdorfer, ‘The Politics of Space in Early Modern Rome’, Memoirs of the American Academy in Rome, 1997, v.42, pp.161-186.

Donatella Calabi, ‘la casa degli ebrei: il ghetto e la ristrutturazione degli immobili nel XVI e XVII secolo’, Asptti dell’abitre in Italia tra XV e XVI secolo: distribuzione, funzioni, impianti, pp.116- 129.

Rita Padovano ed., La presenza ebraici a Roma e nel Lazio dalle origini al ghetto, Padua: Esedra, 2009

R Krautheimer & RBS Jones, ‘The Diary of Alexander VII: Notes on Art, Artists and Buildings’, Römisches Jahrbuch für Kunstgeshichte, XV, 1975, pp.208-211.

Heather Minor, The Culture of Architecture in Enlightenment Rome, University Park: Penn State University Press, 2010-05-19

Relics, Sanctity, Holy archaeology Representing Sanctity: Catholic Reformed Holiness:

Lorenzo Pericolo & Alexander Nagel, Subject as Aporia in early modern Art, Ashgate 2010

The Canons and Decrees of the Sacred and Oecumenical Council of Trent , Ed. and trans. J. Waterworth (London: Dolman, 1848). Also available on-line.

An handful of readings on religious historical context:: J Bossy `The Mass as a Social Institution', Past & Present , 100, (1983), pp.29-61; P Delooz, `Towards a Sociological Study of Canonised Sainthood in the Catholic Church', in Saints & their Cults: Studies in Religious Sociology, Folklore & History , (ed) S Wilson, Cambridge, 1983, pp.189ff; Weinstein & Bell (see bibliog); J Delumeau Catholicism Between Luther & Voltaire: A new View of the Counter- Reformation , London, 1977; P Burke, ‘How to be a Counter-Reformation Saint', in Historical Anthropology of Early Modern Europe , Cambridge, 1987; articles by F McGinness.

Jones, P, Federico Borromeo & the Ambrosiana , Cambridge, 1993;

MP Carroll, Madonnas that Maim: Popular Catholicism in Italy since the 15C, Baltimore & London, 1992

R. Wittkower & IB Jaffe, Baroque art: The Jesuit Contribution, Fordham University Press: New York, 1972.

Gauvin A Bailey, Between Renaissance and Baroque: Jesuit Art in Rome, 1565-1610, University of Toronto press: Toronto, London, 2003.

J Beldon Scott, Architecture for the Shroud, Chicago University Press, 2005

Mauro Mussolin, ‘The rise of the new civic ritual of the Immaculate Conception of the virgin in 16thC Siena’, Renaissance Studies, 2006, v.20n.2, pp.253-275.

S Ostrow, Art & Spirituality in Counter-Reformation Rome, Cambridge university Press,1996.

Giovanni Careri, Bernini: Flights of Love, the Art of Devotion, trans. linda Lappin, University of Chicago Press, 1995.

T Buddensieg, ‘Criticism of Ancient Architecture in the Sixteenth and Seventeenth Centuries’ in Classical Influences on European Culture AD 1500-1700, Cambridge: CUP, 1976, pp.335-348.

Courtwright, N., ‘The Vatican Tower of the Winds & the Architectural Legacy of the Counter Reformation’, in IL60: Essays Honouring Irving Lavin on his Sixtieth Birthday, Italica Press: New York, 1990, pp.117-131.

Lavin, I., Bernini and the Unity of the Visual Arts, New York & London, 1980.

Levey, e. 1990. ‘“A noble medley and concert of materials and artifice”: Jesuit Church Interiors in Rome 1657-1700’ in Saint, Site and Sacred Strategy: Ignatius, Rome and Jesuit Urbanism , ed. by T. M. Lucas, Vatican City: Biblioteca Apostolica Vaticana, 47-61

Lucas, T. M. 1990. ‘Saint, Site and Sacred Strategy’ in Saint, Site and Sacred Strategy: Ignatius, Rome and Jesuit Urbanism , ed. by T. M. Lucas, Vatican City: Biblioteca Apostolica Vaticana, 17-45

Magnuson, T. 1986. Rome in the Age of Bernini , 2 vols, Stockholm: Almqvist and Wiksell International

Marshall, Peter & A Walsham, eds. Angels in the Early Modern World, Cambridge: CUP, 2006.

McGinness, F. J. 1995. Right Thinking and Sacred Oratory in Counter-Reformation Rome , Princeton: Princeton University Press

Nussdorfer, L. 1998. ‘Print and Pageantry in Baroque Rome’, Sixteenth Century Journal , 29, 439-64

Ottolini, P. 1964. ‘Diary of Paolo Ottolini - extract’ in The Painting of Baciccio: Giovanni Battista Gaulli , by R. Enggass, Pennsylvania: Pennsylvania State University Press, doc. 20, 178

Titi, F. 1686. Ammaestramento Utile e Curioso Di Pittura, Scoltura et Architettura Nelle Chiese di Roma , Rome: [n. pub]

Warma, S. 1984. ‘Ecstasy and Vision: Two Concepts Connected with Bernini’s S. Teresa’ Art Bulletin , 66, 508-11

Wrigley, R. 1996. ‘Infectious Enthusiasms: Influence, Contagion and the Experience of Rome’ in Transports: Travel, Pleasure and Imaginative Geography 1600-1830 , ed. by C. Chard and H. Langdon, New Haven: Yale University Press, 75-116

Tom Nichols, ed., Others & OUtscasts in Early Modern Europe: picturing the Social Margins, Ashgate 2007

Scavizzi G., The Controversy on Images from Calvin to Baronius New York 1992.

JB Scott, Architecture for the Shroud: Relic and Ritual in Turin, University of Chicago Press: Chicago, 2003, pp.1-37, 89-117.

Steven Ostrow, Art & Spirituality in Counter-Reformation Rome: The Sistine and Pauline Chapels in S. Maria Maggiore, CUP: New York & Cambridge, 1996, Cap 1, ‘The Sistine Chapel as Franciscan Shrine’, p.5-62.

Jennifer Montagu, Gold, Silver & Bronze. Metal Sculpture of the Roman Baroque, Princetonm: Princeton UP, 1990, Cap. 3, ‘The Adoration of the Host. Tabernacles of the baroque’, pp.47- 72

E Levy, ‘Reproduction in the “Cultic era” of art: Pierre Legros’ Statue of Stanislas Kostka’, Representations, No.58 1997, pp.88-114.

Steven Ostrow, Art & Spirituality in Counter-Reformation Rome: The Sistine and Pauline Chapels in S. Maria Maggiore, CUP: New York & Cambridge, 1996.

Giovanni Careri, Bernini. Flights of Love, the Art of Devotion, trans. Linda Lappin, Chicago & London: University of Chicago Press, 1995, Cap. 2, ‘The Albertoni Chapel’, 51-86

Helen Hills, ‘Demure Transgression: Portraying Female “Saints” in post-Tridentine Italy’, Early Modern Women: An Interdisciplinary Journal, 2008,vol.3, 153-207

Victor I. Stoichita, Visionary Experience in the Golden Age of Spanish Art, London: Reaktion Books, 1995, cap. 1, ‘Framing the Beyond: The Quest for a Definition’, 11-26

Warma, S. 1984. ‘Ecstasy and Vision: Two Concepts Connected with Bernini’s S. Teresa’ Art Bulletin , 66, 508-11.

Maarten Delbeke, ‘Gianlorenzo Bernini’s Bel Composto: The Unification of Life and Work in Biography & Historiographjy’, in Delbeke, M., Evonne Levy & Steven Ostrow (eds), Bernini’s Biographies. Critical Essays, University Park: Pennsylvania State University Press, 2006, pp.251- 174.

James Smith Pierce, ‘Visual and Auditory Space in Baroque Rome’, The Jnl of Aesthetics and Art criticism, Vol. 18, n.1, Sep 1959, pp.55-67.

Call, Michael, ‘Boxing Teresa: The Counter-Reformation and Bernini’s Cornaro Chapel’, Women’s Art Jnl., Vol.18 n.1, 1997, pp.34-9.

Laguardia, G., ‘Santa Teresa and the Problem of Desire’, Hispania, vol.63 n.3, Sep 1980, pp.523-531.

H Belting, Likeness and Presence: A History of the image before the era of art, Chicago & London, 1994 Robert H Westin, ‘Antonio Raggi’s Death of St Cecilia’, Art Bulletin, vol.56 n.3, Sep 1974, 422-429

Snoek, GJC, Medieval Piety from Relics to the Eucharist, Leiden & New York: Brill, 1995

Geary, PJ Furta Sacra. Thefts of relics in the central middle ages, Princeton, 1978

Geary, PJ, ‘Humiliation of the saints’, in S Wilson, Saints and their cults, Cambridge, 1983, 1985, 123-140.

Kämpf, T., ‘Framing Cecilia’s Sacred Body: Paolo Camillo Sfondrato and the Language of Revelation’, The Sculpture Journal, 6, 2001, pp.10-20.

Olsen, Todd, ‘Pitiful Relics: Caravaggio’s Martyrdom of St Matthew ’, Representations, Vol.77, Winter 2002, pp.107- 42.

Herz A ‘Imitator of Christ: The martyr-Cycles of late Sixteenth-Century Rome seen in Context’, Art Bulletin, 1981, pp.53-70.

Joseph Connors, ‘Holy Redundancy and Echo in the Lateran Basilica in Rome’, in ed. E Cropper, Dialogues in Art History, from Mesopotamian to Modern , CASVA Studies in the Hist of Art 74, pp.223-235.

Stuart Lingo, Federico Barocci: Allure and Devotion in Late Renaissance Painting (Yale University Press, 2009)

B Boehm, ‘Body-Part reliquaries: the stae of resrch’, Gesta 36, 1997, 8-19

Caroline Walker Bynum, ‘Body-Part reliquaries and body parts in the Middle Ages’, Gesta 37, 1997, 3-7

S Cornelison, ‘Art imitates architecture: the St Philip reliquary in Renaissance Florence’, Art Bulletin, 82 (202) 642-58

Regis Debray, ‘The Three Ages of Looking’, Critical Inquiry, 21 (1995), 529-55

B Gregory, Salvation at Stake: Christian martyrdom in early modern Europe, Cambridge 1999

Cynthia Hahn, Strange Beauty: Relics 2010.

Cynthia Hahn, Portrayed on the Heart: Narrative effect in pictorial lives of saints from the 10 th through the 13 th C, Berkeley, Los Angeles, London, 2001.

Helen Hills, ‘Nuns and relics: spiritual authority in post-Tridentine Naples, in ed. C van Wyhe, Female Monasticism in early modern Europe, London: 1998, 11-38

Jenifer Montagu, Gold, Silver & Bronze. Metal sculpture of the Roman Baroque, Princeton, 1996

Clive Hart & Kay Gilliland Stevenson, Heaven and the flesh: Imagery of desire from the renaissance to the rococo, Cambridge UP: Cambridge & Melbourne, 1995, Cap. 6, ‘The body and ascension in the sacred rococo art of southern Germany and Austria’, pp.127-147, 211-213.

Judith Bernstock, ‘Bernini’s Memorial to Maria Raggi’, Art Bulletin, vol 62, n2 1980 243-255

Caravaggio

Please read all the original commentaries on Caravaggio which are reproduced in Italian and English translation in Howard Hibbard, Caravaggio, New York, 1983. All the texts are found in an English translation (without parallel Italian text) in Catherine Puglisi, Caravaggio, Phaidon: London, 1998. Eg.,Giovanni Baglione, Le vite de’ pittori, scultori, et architetti dal pontificato di gregorio XIII del 1572 in fino a’ tempi di papa Urbano Ottavo nel 1642, ed. Jacob Hess & Herwarth Röttgen, 3 vols., (1642, Vatican, 1995), I, p.134-9. The Italian text is reprinted alongside an

English translation in W. Friedlaender, Caravaggio Studies, Princeton, NJ, 1955, pp.231-36 & by Howard Hibbard, Caravaggio, New York, 1983, pp.351-56. See esp. Giovanni Pietro Bellori, ‘Michelangelo da Caravaggio’ (Rome 1672) in W. Friedlaender, Caravaggio Studies, Princeton, NJ, 1969, 245-ff

M Fried, ‘Severed Representations in Caravaggio’, in eds., K. Herding & B Stumpfhaus Pathos, Affekt, Gefuhl: die Emotionen in der Kunsten, , Berlin: De Gruyter, 2004, pp.314-329.

Michael Fried, ‘Thoughts on Caravaggio’, Critical Enquiry, 24 Autumn 1997, pp.13-56.

Irving Lavin, ‘Divine Inspiration in Caravaggio’s Two St Matthews’, Art Bulletin

Philip Sohm, ‘Caravaggio’s Deaths’, Art Bulletin, vol.84, n.3, Sep 2002, 449-468 D Carrier, Principles of Art History Writing , University Park, 1991, Chap 3 ‘Caravaggio: The Construction of an Artistic Personality’, pp.49f.

Louis Marin, To Destroy Painting , trans. Mette Hjort, University of Chicago Press: Chicago, 1995, ‘The Portrait in the Convex Mirror’, ‘The Medusa Head as Historical Painting’, ‘Psychoanalytic Interlude’, pp.126-149.

Todd Olson, ‘Caravaggio’s Coroner: Forensic Medicine in Giulio Mancini’s Art Criticism’, Oxford Art Jnl, 28.1, 2005, pp.83-98.

Ferdinando Bologna, ‘Caravaggio: the final years (1606-1610), in F. Bologna (ed), Caravaggio. The Final Years, Electa: Napoli, 2005, 16-47.

Janis C. Bell, ‘Some Seventeenth-century appraisals of Caravaggio’s coloring’, Artibus et historiae, vol.14 n.27, 1993, 103-129

H. Damisch, ‘Narcise Baroque ?’ in ed. C. Buci-Glucksmann, Puissance du Baroque: les forces, les formes, les rationalités, Paris: Galilée, 1996.

Linda Freeman Bauer, ‘Moral Choice in some Paintings by Caravaggio and his Followers’, The Art Bulletin, Vol.73, n.3, Sep 1991, pp.391-398.

Sebastian Schütze, Caravaggio 1571-1610. The Complete Paintings, Köln-Los Angeles: Taschen, 2009.

Valeria Merlini, Caravaggio: Adorazione dei pastori, Milan: Skira, 1910.

R Vodret & G Leone, I colori del buio: i Caravaggeschi nel patrimonio del fondo edifici di culto, Milan: Skira, 2010

S Roberto, San Luigi dei Francesi: La fabrica di una chiesa Nazionale nella Roma del ‘500, Rome: Gangemi, 2005

Monasteries, Convents

*Jutta Gisela Sperling, Convents and the Body politic in Late Renaissance Venice, Chicago & London: Chicago UP, 1999, Cap. 3, ‘The Theology and Politics of Clausura’, 115-169

*Marilyn Dunn, ‘Spaces Shaped for Spiritual Perfection: Convent architecture and Nuns in Early Modern Rome’, in Hills, Helen (ed), Architecture and the Politics of Gender in Early Modern Europe, Aldershot: Ashgate, 2003, pp.151-176.

Marilyn Dunn, ‘Spiritual Philanthropists: Women as Convent Patrons in Seicento Rome’, in ed. C Lawrence, Women and Art in Early Modern Europe, Penn State UP, 1997,pp.154-189.

Marilyn Dunn, ‘Piety and Patronage in Seicento Rome: Two Noblewomen and their Convents’, Art Bull., Dec 1994, LXXVI, pp.644-663

*Francesca Medioli, ‘The Dimensions of the Cloister. Enclosure, Constraint and Protection in seventeenth-century Italy’, in eds. Anne Jacobsen Schutte et al., Time, Space and Women’s Lives in Early Modern Europe, Kirksville, Missouri: Truman State University Press, 2001, 165-180

Cordula van Wyhe (ed.), Female Monasticism in Early Modern Europe, Ashgate: 2008

Vera Fortunati (ed.), Vita artistic nel monatero femminile. Exempla, Bologna: Editrice Compositori, 2002

Donal Cooper, ‘Franciscan Choir Enclosures and the Function of the Double-sided altarpieces in Pre-Tridentine Umbria’, JWCI, Vol. LXIV, 2001, pp.1-54.

P Renée Baernstein, A Convent Tale. A Century of sisterhood in Spanish Milan, New York-London: Routledge, Cap 3, ‘Borromeo’s Revolution, 1565-1584’, 79-112

N Pohl, Women, Space & Utopia 1600-1800, Ashgate: Aldershot, 2006, Cap 4, ‘In this Sacred Space: Convents and Academies’, pp.95-123.

R Gilchrist, Gender and Material Culture. The Archaeology of Medieval Religious Women , Routledge: London, 1994.

KT C Bruzelius, ‘Queen Sancia of Mallorca and the Convent Church of Sta Chiara in Naples, Memoirs of the American Academy in Rome , 50 (1995), pp.69-100

C Bruzelius & C Berman eds., Monastic Architecture for Women: special edition of Gesta, 31, n.2, 1992

Jodi Bilinkoff, Related Lives Confessors & their Penitents 1450-1750, Ithaca & New York: Cornell University Press, 2005

Kate Lowe, Nuns’ Chronicles and Convent Culture in Renaissance and Counter-Reformation Italy, Cambridge UP: Cambridge, Cap 3, ‘The convents and Physical Space’, pp.97-148, esp. pp.117-148.

Hills, H., Invisible City: the Architecture of Devotion in Aristocratic Convents in 17thC Naples, Oxford UP: 2004.

Helen Hills, ‘The Housing of Institutional Architecture: searching for a domestic holy in post-Tridentine Italian convents’, in eds. S Cavallo & S Evangelisti, Domestic and Institutional Interiors, Ashgate, 2008,119-152

Miller, Naomi & Naomi Yavneh, eds. Sibling Relations and Gender in the Early Modern World: Sisters, Brothers and Others , Aldershot: Ashgate, 2006 – esp the section ‘Divine Devotion’, essays by S Laningam, Kari Boyd McBride, Craig Monson, Merry Wiesner-Hanks.

Mauro Mussolin, ‘The rise of the new civic ritual of the Immaculate Conception of the Virgin in 16thC Siena’, Renaissance Studies, 2006, v.20n.2, pp.253-275.

Radke, G., ‘Nuns and their art: the case of San Zaccharia in Renaissance Venice’, Ren. Quarterly, 2001, v.54, n.2, pp.430-459.

Carolyn Valone, ‘Matrons and Motives: Why Women Built in Early Modern Rome’, in KT eds. S. Reiss & DG Wilkins, Beyond Isabella, Truman State UP: Kirksville, 2001, pp.317-335.

(Ed) Julia Dabbs, Life Stories of Women Artists_ Ann Roberts, _Dominican women and Renaissance Art_ Andrea Pearson _Women & portraits in early modern Europe. Gender, Agency Identity_ Eds S Cavallo & S Evangelisti, _Domestic Institutional Interiors in Early Modern Europe_

*Jutta Gisela Sperling, Convents and the Body politic in Late Renaissance Venice, Chicago & London: Chicago UP, 1999, Cap. 3, ‘The Theology and Politics of Clausura’, 115-169

Covering over Treve Rosoman, London Wallpapers: their manufacture and use 1690-1840, Swindon: English Heritage 2009

Painting in Rome c.1600-c.1700

Dempsey, C. 1995. Annibale Carracci: The Farnese Gallery , Braziller: New York

Enggass, R. 1964. The Painting of Baciccio, Giovanni Battista Gaulli 1639-1709 , Pennsylvania: The Pennsylvania State University Press

Fagiolo, M. 1980. ‘Strutture del trionfo Gesuitico: Baciccio e Pozzo’ Storia dell’arte , 38, 353-60

Merz, Jorg Martin, Pierto da Cortona and Roman Baroue Architecture Yale UP: New Haven & London, 2007.

Problems of Periodization:

Barthes, R. 1986. ‘The Discourse of History’ in The Rustle of Language , trans. by R. Howard, Oxford: Basil Blackwell, 127-40 (first publ. Information sur les sciences sociales , 1967)

De Mann, P. 1983. Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism , 2 nd edn, London: Routledge,

Derrida, J. 1987. The Truth in Painting , trans. by G. Bennington and I. McLeod, Chicago: University of Chicago Press

Foucault, M. 1970. The Order of Things , London: Tavistock Publications

M Tafuri, ‘The Historical Project’, in The Sphere and the Labyrinth: Avant-gardes and Architecture from Piranesi to the 1970s, trans. P. d’Acierno & R. Connelly, Ca,bridge, Mass., & London, 1990, pp.1-24. H. Wölfflin, Renaissance und Barock, trans K Simon, Renaissance and Baroque, Cornell University Press: 1961.

Patronage & Collecting; Patronage & Absolutism: (see also sections here on Convents; Painting…)

L Marin, ‘Classical, Baroque: Versailles, or the Architecture of the Prince’, Yale French Studies, N.80, 1991, pp.167- 182.

Chandra Mukerji, Territorial Ambitions and the gardens of Versailles, Cambridge& New York: Cambridge UP, 1997, Cap. 1 ‘The culture of land and the territorial state’, 1-38

N. Elias, The Court Society, trans. E Jephcott, New York: Pantheon Books, (1969) 1983, perhaps especially Cap.3, ‘The structure of dwellings as an indicator of social structure’, pp.41-65.

Ciavolella, Massimo & Patrick Coleman eds., Culture & Authority in the Baroque, University of Toronto Press, 2005.

Haskell, F. 1963. Patrons and Painters: A Study in the Relations between Italian Art and Society in the Age of the Baroque , London: Chatto and Windus

Carole Paul, The Borghese Collections and the Display of Art in the Age of the Grand Tour, Ashgate 2008

Haskell, F., 1972. ‘The Role of Patrons: Baroque Style Changes’ in Baroque Art: The Jesuit Contribution , ed. by R. Wittkower and I. B. Jaffe, New York: Fordham University Press, 55-62

Krautheimer, R. & RBS Jones, ‘The Diary of Alexander VII: Notes on Art, Artists and Buildings’, Römisches Jahrbuch für Kunstgeshichte, XV, 1975, pp.208-211.

Krautheimer, R. 1985. The Rome of Alexander VII 1655-1667 , Princeton: Princeton University Press

Magnuson, T. 1986. Rome in the Age of Bernini , 2 vols, Stockholm: Almqvist and Wiksell International

Noehles, K., La chiesa dei SS Luca e Martina nell’opera do Pietro da Cortona, Rome, 1970.

Pomian, K., ‘La culture de la curiosité,’ in Collectionneurs, amateurs, et curieux, Paris, Venise: XVIe-XVIIIe siècle, Paris, 1987.

Leone, Stephanie, The Palazzo Pamphilj in Piazza Navona : constructing identity in early modern Rome /, 2008.

Ciavolella Massimo & Patrick Coleman eds., Culture & Authority in the Baroque, University of Toronto Press, 2005.

Laurie Nussdorfer, ‘The Politics of Space in Early Modern Rome’, Memoirs of the American Academy in Rome, 1997, v.42, pp.161-186.

Irving Lavin, ‘Bernini’s Image of the ideal Christian Monarch’, in The Jesuits. Cultures, Sciences, and the Arts, 1540- 1773, eds. John O’Malley et al., Toronto-Buffalo-London: University of Toronto Press, 1999, 442-479

Francis Haskell, Patrons & Painters. Art & Society in Baroque Italy, Cap. 3. ‘The Religious Orders’, pp.63ff

Giovanni Careri, Bernini. Flights of Love, the Art of Devotion, trans. Linda Lappin, Chicago & London: University of Chicago Press, 1995, Cap. 3, ‘The Altar of Sant’Andrea al Quirinale’, 87-102

Joseph Connors, ‘S. Andrea al Quirinale: Payments and Planning’, JSAH , vol.41, n.1 (Mar 1982), pp.15-37

Jill Burke & Michael Bury (eds), Art & Identity in Early Modern Rome Ashgate 2010-03-17

Fascist refashioning of architecture in Italy

D Medina Lasansky, ‘The Renaissance Perfected: Architecture, spectacle and tourism in fascist Italy, Cornell University Press, 2004. Relevant sections.

*Anna Notaro, ‘Resurrecting an imperial past: strategies of self-representation and “masquerade” in fascist Rome (1934-1938), in Neil leach (ed), Hieroglyphics of space: reading and experiencing the modern metropolis, Routledge: London & New York, 2002, 59-68.

González-Palacios, A., ‘The Stanza di Apollo e Dafne in the Villa Borghese’, Burl Mag, Vol.137, n.1109, 1995, pp.529-549.

Reiss, T. J. 1997. Knowledge, Discovery and Imagination in Early Modern Europe: the rise of aesthetic rationalism , Cambridge: Cambridge University Press

Alchemy, Transformation, Metamorphosis

Pamela Smith, ‘Theatrum Mundi’, The Business of Alchemy. Science & Culture in the Holy Roman Empire, Princeton UP, 1994

Rebecca Zorach, Blood, Milk, Ink, Gold, The University of Chicago Press: Chicago & London: Cap. 5 'Gold', pp.189-235

Andrea Bolland, ‘ Desiderio and Diletto: Vision, Touch, and the Poetics of Bernini’s Apollo and Daphne’, Art Bulletin, June 2000, Vol.LXXXII, n.2, pp.309-331.

Natalie Zemon Davis, Women on the Margins. Three Seventeenth-century Lives, Harvard University Press: Cambridge Mass & London, 1995, Cap.3, 'Maria Sibylla Merian Metamorphoses', pp.140- 202

Spike Bucklow, The Alchemy of Paint: Art and Secrets from the Middle Age (2009) , Cap. 2, ‘Ultramarine from over the Seas’, pp.43ff.

Helen Hills, ‘Beyond Mere Containment. The Treasury Chapel of San Gennaro in Naples’, California Italian Studies 3:1, 2012 http://escholarship.org/uc/item/7d49p517

Mary Sheriff, ‘Seeing Metamorphosis in Sculpture and the Decorative Arts’, in Taking Shape. Findnig Sculpture in the decorative arts, Los Angeles, 2009, pp.158-165. L. Morelli, ‘Marble, Painted & pure: renaissance sculpture in central Italy’, Sculpture Review, 52 (2003) 16-19

Pamela Smith, The Business of Alchemy. Science & Culture in the Holy Roman Empire, Princeton UP, 1994, esp. Cap.5.

Rebecca Zorach, Paper museums : the reproductive print in Europe, 1500-1800 / Rebecca Zorach and Elizabeth Rodini. Chicago: 2005.

Chicago, Ill. : Smart Museum of Art, 2005. 150 p. : ill. (some col.) ; 28 cm.

Zorach, Rebecca, Gold and its fashioning in 16thC France, Review of English Studies 36 1999.

Zorach, Rebecca, Blood, milk, ink, gold: abundance and excess in the French Renaissance, Chicago UP, 2005

Pamela H Smith, ‘Artists as Scientists:nature & realism in early modern Europe , Endeavour, vol 24 n.1, 2000, pp.13-21

Pamela H Smith, ‘Alchemy as a Language at the Habsburg Court’ , Isis vol 85 (1994) vol.85 no.1 Mar 1994, pp.1-25

Pamela H Smith, The Body of the artisan: art and experience in the scientific revolution, University of Chicago Press, 2006.

Jenifer Montagu, Bronze Silver and gold in Roman Baroque Sculpture, Yale UP 1989.

Festivals and Feasts

Pamela Smith, ‘Theatrum Mundi’, The Business of Alchemy. Science & Culture in the Holy Roman Empire, Princeton UP, 1994

Frederick Hammond, ‘The Creation of a Roman festival: Barberini celebrations for Christina of sweden’, in Life and the Arts in the Baroque Palaces of Rome. Ambiente barocco, eds. Maria Giulia Barberini et al., New haven & London: Yale UP, 1999, 53-70

Ann Sutherland Harris, ‘Bernini’s Four Rivers Fountain as Permanent Theatre’, in eds. Barbara Wisch & Susan Scott Munshower, “All the world’s a stage…” Art and Pageantry in the Renaissance and Baroque, Papers in Art History from the Pennsylvania State University, University Park Pennsylvania: Penn State University Press, 1990, Vol.VI, Cap. 13, pp.488-518

Mark S Weil, ‘The Relationship of the Cornaro Chapel to Mystery Plays and Italian Court Theatre’, in eds. Barbara Wisch & Susan Scott Munshower, “All the world’s a stage…” Art and Pageantry in the Renaissance and Baroque, Papers in Art History from the Pennsylvania State University, University Park Pennsylvania: Penn State University Press, 1990, Vol.VI, Cap. 12, 458-488

Jennifer Montagu, Roman Baroque Sculpture. The Industry of Art, New Haven & London: Yale UP, 1989, Cap. 8, ‘Festivals and Feasts’, 173-197

Louise Rice, ‘Jesuit Thesis Prints and the Festive Academic Defence at the Collegio Romano’, in The Jesuits. Cultures, Sciences, and the Arts, 1540-1773, eds. John O’Malley et al., Toronto-Buffalo-London: University of Toronto Press, 1999, 148-169

Leone, Stephanie, The Palazzo Pamphilj in Piazza Navona : constructing identity in early modern Rome /, 2008.

Charles Avery, Bertos: the triumph of motion, Turin: Allemandi, 2008

Weil, M. S. 1974. ‘The Devotion of the Forty Hours and Roman Baroque Illusions’ Journal of the Warburg and Courtauld Institutes , 37, 218-48

Cesare de Seta, ‘The Architecture of Naples in the 18thC’, in ed. Henry Millon, Circa 1700: Architecture in Europe and the Americas, National Gallery of Art, Washington, 2005, 17-36

Emotion, Affect:

Askew, Pamela, Caravaggio’s Death of the Virgin, Princeton UP: Princeton, 1990

Baglione, Giovanni, Le Vite de’ Pittori, scultori et architetti dal pontificato di Gregorio XIII del 1572 in fino a’ tempi di papa Urbano Ottavo nel 1642, V. Mariani (ed.), facsimile of the 1642 edition (Rome, 1935), p.138.

Bellori, Giovanni Pietro, Le vite de’ Pittori, scultori et architetti moderni, Rome, 1672; reprint, Genoa, 1968, p.261.

Brown, BL, Book review, Renaissance Quarterly, 2004, vol.57, n.3, pp.995-7.

Olson, Todd, ‘Pitiful Relics: Caravaggio’s Martyrdom of St Matthew ’, Representations, Vol.77, Winter 2002, pp.107- 42.

Puglisi, Catherine, Caravaggio, Phaidon: London, 1998.

Puttfarken, T., ‘Caravaggio’s Story of St Matthew: A Challenge to the Conventions of painting’, Ar History, 1998, v.21, n.2, June, pp.163-181.

Sebastian Schütze, Caravaggio 1571-1610. The Complete Paintings, Köln-Los Angeles: Taschen, 2009.

Tuck-Scala, Anna, ‘Caravaggio’s Roman Charity in the Seven Acts of Mercy , in Parthenope’s Splendor: Art of the Golden Age in Naples, pp. 126-163.

Stuart Lingo, Federico Barocci: Allure and Devotion in Late Renaissance Painting (Yale University Press, 2009)

Francine Prose, Caravaggio: Painter of Miracles (Eminent Lives) 2010

Tom Nichols, ed., Others & OUtscasts in Early Modern Europe: picturing the Social Margins, Ashgate 2007

Visitors to Italy:

Addison, J. 1705. Remarks on Several Parts of Italy… , London: Jacob Tonton

Lassels, R. 1670. The Voyage of Italy , Paris: [n.pub]

Misson, M. 1695. A New Voyage to Italy , 2 vols, London:[n.pub]

Raymond, J. 1648. Il Mecurio Italico: An itinerary contayning a voyage.. , London:[n.pub]

Skippon, P. 1746. ‘An Account of A Journey’ in A Collection of Voyages and Travels , 3 rd edn, ed. by A. and J. Churchill, London: [n.pub], vol.vi

Architectural Treatises, Diaries, etc.:

Baldinucci, F. 1966. The Life of Bernini (1682) , trans. by C. Enggass, Pennsylvania: Pennsylvania University Press

Borromini, F., Opus Architectonicum, ed J Connors, Edizioni Polifilo.

Buddensieg, T., ‘Criticism of Ancient Architecture in the Sixteenth and Seventeenth Centuries’ in Classical Influences on European Culture AD 1500-1700, Cambridge: CUP, 1976, pp.335-348.

Guillerme, J., ‘The Idea of Architectural Language: A Critical Inquiry’, Oppositions, Fall, 1977, pp.21-6.

Le Camus de Mézières, Nicolas, Le génie d’architecture ou l’analogie de cet art avec nos sensations, Paris, 1780.

[Borromini, Francesco] San Carlo alle Quattro Fontane di Francesco Borromini nella ‘Relatione dell fabrica’ di fra Juan de San Buenaventura, ed & intro by JM Montijano García, Edizioni Polifilo

Chaney, E. 1985. The Grand Tour and the Great Rebellion: Richard Lassels and ‘The Voyage of Italy’ in the Seventeenth Century , Geneva: Saltkrine

Evelyn, J. 1955. The Diary of John Evelyn , ed. by E. S. de Beer, 4 vols, Oxford: Oxford University Press

Gigli, G. 1958. Diario Romano (1608-1670) ed. by G. Ricciolti, Rome: Tumminelli Editore

Baroque painting:

Lorenzo Pericolo & Alexander Nagel, Subject as Aporia in early modern Art, Ashgate 2010

Daniel M Unger, Guercino’s Paintings and his patrons’ politics in early modern Italy, Ashgate, 2010

Olson, T., ‘Caravaggio’s Coroner: Forensic Medicine in Giulio Mancini’s Art Criticism’, Oxford Art Jnl, 28.1, 2005, pp.83-98.

Bellori, Giovanni Pietro, 1613-1696. Giovan Pietro Bellori : the lifes of the modern painters, sculptors and architects : a new translation and critical edition / edited by Hellmut Wohl, Tommaso Montanari ; edited and translated by Alice Wohl. Cambridge : Cambridge University Press, 2009. Wohl, Hellmut. ISBN: 9780521139540 (pbk.) : [001888530]

Avviso , 1964. in The Paintings of Baciccio, Giovanni Battista Gaulli 1639-1709 , by R. Enggass, Pennsylvania: Pennsylvania State University Press, 178, doc.19

Baldinucci, F. 1966. The Life of Bernini (1682) , trans. by C. Enggass, Pennsylvania:Pennsylvania University Press

John W. O'Malley, ‘ The Sexuality of Christ in Renaissance Art and in Modern Obilivion: Postscript’, October , Vol. 25, (Summer, 1983), pp. 199-203 Stable URL: http://www.jstor.org/stable/778638

W. Friedlaender, Caravaggio Studies, Princeton, NJ, pp.231-36 & by Howard Hibbard, Caravaggio, New York, 1983, pp.351-56.

Todd Olson, ‘Caravaggio’s Coroner: Forensic Medicine in Giulio Mancini’s Art Criticism’, Oxford Art Jnl, 28.1, 2005, pp.83-98.

Todd Olson, ‘Pitiful Relics: Caravaggio’s Martyrdom of St Matthew ’, Representations, Vol.77, Winter 2002, pp.107-42.

Jörg Garms, ‘Architectural Painting: Fantasy and Caprice’, in H Millon, ed., The Triumph of the Baroque: Architecture in Europe 1600-1750, Thames & Hudson, London, 1999, pp.241-277.

David R Marshall, ‘A View of Poggioreale by Viviano Codazzi and Domenico Gargiulo’, JSAH, Vol.45 1986, pp.32- 46.

David R Marshall, ‘The Roman Baths Theme from Viviano Codazzi to G.P. Panini: Transmission and Transformation’, Artibus et historiae, Vol.12, n.23 (1991), pp.129-159.

Stuart Lingo, Federico Barocci: Allure and Devotion in Late Renaissance Painting (Yale University Press, 2009)

Tom Nichols, ed., Others & OUtscasts in Early Modern Europe: picturing the Social Margins, Ashgate 2007

Dance & Baroque; Baroque as Theatre; Music and Architecture:

Franko, Mark, Dance as Text: Ideologies of the Baroque Body, Cambridge University Press: 1993, esp. ‘Prologue: Constructing the Baroque body’, pp.1-14; and ‘Political erotics of burlesque ballet, 1624-1627’, pp.63-108.

Fried, M.1980. Absorption and Theatricality: Painting and Beholder in the Age of Diderot , Berkeley: University of California Press

Giovanni Pozzi, "Dall'orlo del 'visibile parlare," in Visibile parlare: le scritture esposte nei volgari italiani dal medioevo al rinascimento, ed. Claudio Ciociola (Naples: Edizioni Scientifiche Italiane, 1999)

G.B. Marino, Le Dicerie Sacre (Venice, 1674)

Stuart Lingo, Federico Barocci: Allure and Devotion in Late Renaissance Painting (Yale University Press, 2009)

Charles Avery, Bertos: the triumph of motion, Turin: Allemandi, 2008

Death, Violence, Blood

The first chapter of Foucault's Discipline and Punish , 'The body of the condemned', which is suitably gory and also about punishment as spectacle

Michael Cole, ‘Cellini’s Blood’, Art Bulletin, 1999, 215-235.

There is a selection of short extracts from Bataille in a special issue of parallax, 'In Violence,' which might be helpful. parallax 6:2 (2000), pp.83-91.

There are also some violent and visceral essays in his Visions of Excess (maybe 'Sacrificial Mutilation and the Severed Ear of Vincent van Gogh'?).

Chapter 6 of Kaja Silverman's Male Subjectivity at the Margins , 'Masochistic Ecstasy and the Ruination of Masculinity in Fassbinder's Cinema', provides a psychoanalytic reading of violence.

The first chapter, 'The Structure of Torture', in Scarry's The Body in Pain might also be worth a look (especially in relation to bearing witness to pain).

Harald Hendrix, 'The Repulsive Body: Images of Torture in Seventeenth- Century Naples', in Florike Egmond, Robert Zwijnenberg (eds.) Bodily Extremities: Preoccupations with the Human Body in Early Modern European Culture , Ashgate, 2003, pp.10-47.

Lorenzo Pericolo, Caravaggio and Pictorial Narrative: Dislocating the Istoria in Early Modern Painting , London: Harvey Miller, 2011, pp.[to be supplied by Bogdan Cornea]

Philip Sohm, Pittoresco: Marco Boschini, his Critics, and their Critiques of Painterly Brushwork in Seventeenth- and Eighteenth-Century Italy , Cambridge University Press, 1991, pp. [to be supplied by Bogdan Cornea]

Frazer, The Golden Bough , Mary Douglas's Purity and Danger , and Van Gennep's The Rites of Passage (blood isn't listed in the index to this but there are references to it scattered through the text).

Bersani, L & Dutoit U, ‘The Forms of Violence’, October, 8 (1979) 17-29

L Puppi, Torment in Art: Violence, pain and martyrdom, New York, 1991

S. Zizek, The Fragile Absolute or why is the Christian legacy worth fighting for? London & Brooklyn: 2000, 2008

Jean-Luc Nancy's The Ground of the Image , ‘Image and Violence'

Lorenzo Pericolo & Alexander Nagel, Subject as Aporia in early modern Art, Ashgate 2010-03-17

Daniel M Unger, Guercino’s Paintings and his patrons’ politics in early modern Italy, Ashgate, 2010

J Bowker, The Meanings of Death Cambridge 1991

Tom Nichols, ed., Others & OUtscasts in Early Modern Europe: picturing the Social Margins, Ashgate 2007

Lorenzo Pericolo & Alexander Nagel, Subject as Aporia in early modern Art, Ashgate 2010-03-17

Daniel M Unger, Guercino’s Paintings and his patrons’ politics in early modern Italy, Ashgate, 2010

J Bowker, The Meanings of Death Cambridge 1991

Tom Nichols, ed., Others & OUtscasts in Early Modern Europe: picturing the Social Margins, Ashgate 2007

Ghettoes

Kenneth Stow, Jewish Life in early modern Rome: Challenge, conversion and private life, Ashgate: 2007

Barry, Fabio, ‘Roman Apartheid? The Counter-Reformation Ghettoes’, Daidalos , March 1996, n.59, pp.18-31

Laurie Nussdorfer, ‘The Politics of Space in Early Modern Rome’, Memoirs of the American Academy in Rome, 1997, v.42, pp.161-186.

Racheli, Alberto-Maria, ‘Gli insediemanti ebraici a Roma prima del Ghetto’, in Italia judaica: gli ebrei nello Stato pontificio fino al Ghetto, 1555, pp.42-65.

Siegmund, S., The Medici State and the Ghetto for Florence: The Constrcution of an early Modern Jewish Community, Satnford: Stanford UP, 2006.

Zaggia, Stefano, ‘Un loco stabile et separato in questa terra: la vicenda dell’istituzione del ghetto di Padova, 1541- 1603’, Storia urbana, 1991, v.15, n.55, pp.3-21.

'Image and Violence' in Jean-Luc Nancy's The Ground of the Image

Lorenzo Pericolo & Alexander Nagel, Subject as Aporia in early modern Art, Ashgate 2010-03-17

Daniel M Unger, Guercino’s Paintings and his patrons’ politics in early modern Italy, Ashgate, 2010

J Bowker, The Meanings of Death Cambridge 1991

Tom Nichols, ed., Others & OUtscasts in Early Modern Europe: picturing the Social Margins, Ashgate 2007

Allegory

Walter Benjamin, Fumaroli, M., L’age de l’eloquence. Rhétorique et “res literaria” de la Renaissance au seuil de l’époque classique, Hautes Études Médiévales et Modernes, 43, Geneva, 1980.

C. Baskins & L Rosenthal eds., Early Modern Visual Allegory: Embodying Meaning, Ashgate: Aldershot, Oct 2007

Cristelle Baskins & L Rosenthal eds., Early Modern Visual Allegory: Embodying Meaning, Ashgate: Aldershot, 2007- 09-20

Frangenberg T., & Williams R , eds. The Beholder: the Experience of Art in early Modern Europe, Aldershot: Ashgate, 2006.

Frangenberg T., ‘ “As if…”: Pietro Francesco Zanoni on Filippo Gherardi’s ceilingin S. pantaleo, Rome’, in Frangenberg T., & Williams R , eds. The Beholder: the Experience of Art in early Modern Europe, Aldershot: Ashgate, 2006.

Lorenzo Pericolo & Alexander Nagel, Subject as Aporia in early modern Art, Ashgate 2010-03-17

Daniel M Unger, Guercino’s Paintings and his patrons’ politics in early modern Italy, Ashgate, 2010

J Bowker, The Meanings of Death Cambridge 1991

Tom Nichols, ed., Others & OUtscasts in Early Modern Europe: picturing the Social Margins, Ashgate 2007

Jörg Garms, ‘Architectural Painting: Fantasy and Caprice’, in H Millon, ed., The Triumph of the Baroque: Architecture in Europe 1600-1750, Thames & Hudson, London, 1999, pp.241-277.

Hart, C. and Stevenson, K. G. 1995. Heaven and the Flesh: Imagery of Desire from the Renaissance to the Rococo , Cambridge: Cambridge University Press

Haskell, F., Patrons and Painters. Art and Society in Baroque Italy, Yale University Press: New haven & London, 1980.

Holly, M. A. 1996. Past Looking: Historical Imagination and the Rhetoric of the Image , Ithaca: Cornell University Press

Montagu, J., 1968. ‘The Painted Enigma and French Seventeenth Century Art’, Journal of the Warburg and Courtauld Institutes , 31, 307-35

Pierce, J. S. 1959. ‘Visual and Auditory Space in Baroque Rome’ Journal of Aesthetics and Art Criticism , 18, 55-67

Scott, J. B. 1991. Images of Nepotism: The Painted Ceilings of the Palazzo Barberini , Princeton: Princeton University Press

Sjöström, I. 1978. Quadratura: Studies in Italian Ceiling Paintings, Stockholm: Almqvist and Wiksell International Sible de Blaauw et al. eds., Docere, delectare, movere: Affetti, devozione e retorica nel linguaggio artistico del primo barocco romano, Rome: Edizioni de Luca, 1998.

Vittorio De Feo, Andrea Pozzo: Architettura e Illusione, Rome: Officina Edizione, 1988.

D Freedberg, The Power of Images: Studies in the History & Theory of Response, Chicago University Press, 1989.

M Fumaroli, ed., Histoire de la rhétorique dans l’Europe moderne: 1450-1950, Paris: Presses Universitaires de France, 1999.

C Goldstein, ‘Rhetoric and Art History in the Italian Renaissance and Baroque’, Art Bulletin, 73, 1991, pp.641-652.

José A Maravall, Culture of the Baroque: Analysis of a Historical Structure, trans. T Cochran, Minneapolis: University of Minnesota Press, 1986.

Nancy M. Goslee, ‘From Marble to Living Form: Sculpture as Art and Analogue from the Renaissance to Blake’, The Journal of English and Germanic Philology, Vol.77, No.2 (Apr 1978), 188-211.

Patronage:

(see also sections here on Convents; Palaces)

Ciavolella, Massimo & Patrick Coleman eds., Culture & Authority in the Baroque, University of Toronto Press, 2005.

Haskell, F. 1963. Patrons and Painters: A Study in the Relations between Italian Art and Society in the Age of the Baroque , London: Chatto and Windus

Haskell, F., 1972. ‘The Role of Patrons: Baroque Style Changes’ in Baroque Art: The Jesuit Contribution , ed. by R. Wittkower and I. B. Jaffe, New York: Fordham University Press, 55-62

Krautheimer, R. & RBS Jones, ‘The Diary of Alexander VII: Notes on Art, Artists and Buildings’, Römisches Jahrbuch für Kunstgeshichte, XV, 1975, pp.208-211.

Krautheimer, R. 1985. The Rome of Alexander VII 1655-1667 , Princeton: Princeton University Press

Magnuson, T. 1986. Rome in the Age of Bernini , 2 vols, Stockholm: Almqvist and Wiksell International

Noehles, K., La chiesa dei SS Luca e Martina nell’opera do Pietro da Cortona, Rome, 1970.

Pomian, K., ‘La culture de la curiosité,’ in Collectionneurs, amateurs, et curieux, Paris, Venise: XVIe-XVIIIe siècle, Paris, 1987. Leone, Stephanie, The Palazzo Pamphilj in Piazza Navona : constructing identity in early modern Rome /, 2008.

Virtuoso architecture

J. Connors, `Virtuoso Architecture in Cassiano's Rome', Quaderni Puteani 3, London, 1992, pp.23-40.

J Connors, ‘Ars Tornandi: Baroque architecture and the lathe’, Journal of the Warburg and Courtauld Institutes, vol 53, 1990, 217-236

Naples:

L Pestilli, ID Rowland & S Schütze, Napoli è tutto il mondo: Neapolitan art and culture from Humanism to the Enlightenment, International Conference, Rome June 2003, F Serra: Pisa-Rome, 2008

Emilio Ricciardi, Napoli e dintorni nei disegno della Biblioteca Nazionale, Rome: Aracne, 2008

Tom Nichols, ed., Others & OUtscasts in Early Modern Europe: picturing the Social Margins, Ashgate 2007

Gianlorenzo Bernini:

Andrea Bacchi et al. (eds), Bernini and the Birth of baroque Portrait Sculpture, Los Angeles: J Paul Getty Trust, 2008

Andrea Bacchi, Catherine Hess & J Montagu, eds., Bernini and the Birth of Baroque portrait sculpture, Los Angeles, Getty Publications, 2008

Tommaso Montanari, Bernini pittore, Milan: Silvana, 2007

Barolsky, P., ‘As in Ovid, So in Renaissance Art’, Ren. Quarterly Vol 51 n.2, Summer 1998, pp.451-474.

Bernstock, J., ‘Bernini’s Memorial to Maria Raggi’, Art Bull., vol.62 n.2, 1980, pp.243-255.

Bolland, A., ‘Desiderio and Diletto: Vision, Touch, and the Poetics of Bernini’s Apollo and Daphne’, Art Bull., Vol.82, n.2 (Jun 2000), pp.309-330.

Call, Michael, ‘Boxing Teresa: The Counter-Reformation and Bernini’s Cornaro Chapel’, Women’s Art Jnl., Vol.18 n.1, 1997, pp.34-9.

Careri, G., Bernini: Flights of Love, the Art of Devotion, trans. Linda Lappin, University of Chicago Press, 1995.

Chantelou, Paul Fréart de , Journal du voyage du cavalier Bernin en France, ed Ludovic Lalanne, Paris, 1885. English translation: Diary of the Cavaliere Bernini’s Visit to France, Princeton, 1985. Delbeke, M., Evonne Levy & Steven Ostrow (eds), Bernini’s Biographies. Critical Essays, University Park: Pennsylvania State University Press, 2006.

González-Palacios, A., ‘The Stanza di Apollo e Dafne in the Villa Borghese’, Burl Mag, Vol.137, n.1109, 1995, pp.529-549.

Kenseth, Joy, ‘Bernini’s Borghese Sculptures: Another View’, Art Bull., vol.63 n.2, Jun 1981, pp.191-210.

Krautheimer, R. & RBS Jones, ‘The Diary of Alexander VII: Notes on Art, Artists and Buildings’, Römisches Jahrbuch für Kunstgeshichte, XV, 1975, pp.208-211.

Krautheimer, R. 1985. The Rome of Alexander VII 1655-1667 , Princeton: Princeton University Press

Laguardia, G., ‘Santa Teresa and the Problem of Desire’, Hispania, vol.63 n.3, Sep 1980, pp.523-531.

Lavin, I. 1980. Bernini and the Unity of the Visual Arts , 2 vols, Oxford: Oxford University Press

Lebensztejn, J. C. 1998. ‘Framing Classical Space’ Art Journal , 47, 37-41

Magnuson, T. 1986. Rome in the Age of Bernini , 2 vols, Stockholm: Almqvist and Wiksell International

Montagu, J. 1989. Roman Baroque Sculpture , New Haven: Yale University Press Oechslin, Werner, ‘Architectura est scientia aedificandi: Reflections on the Scope of Architectural and Architectural- theoretical Literature’, in The Triumph of the Baroque: Architecture in Europe, 1600-1750, ed. HA Millon, New York: Rizzoli, 1999, pp.206-217.

Pierce, J. S. 1959. ‘Visual and Auditory Space in Baroque Rome’ Journal of Aesthetics and Art Criticism , 18, 55-67

Previtali, G. 1962, ‘Il Constantino messo alla berlina o bernini su la porta di San Pietro’ Paragone , 145, 55-8

Perlove, SK, Bernini & the Idealization of Death: the Blessed Ludovica Albertoni & the Altieri Chapel , University Park, 1990

Stirrup, B., ‘Techniques of Rape: Variety of Wit in Ovid’s “Metamorphoses”, Greece and Rome, 2nd ser., vol.24, n.2, Oct 1977, pp.170-184.

Titi, F. 1686. Ammaestramento Utile e Curioso Di Pittura, Scoltura et Architettura Nelle Chiese di Roma , Rome: [n. pub]

Warma, S. 1984. ‘Ecstasy and Vision: Two Concepts Connected with Bernini’s S. Teresa’ Art Bulletin , 66, 508-11

Westin, RH, ‘Antonio Raggi’s Death of St Cecilia ’, Art Bull, vol.56 n.3 (Sep 1974) pp.422-429.

Wittkower, R., Art & Architecture in Italy: Early Baroque; High Baroque; Late Baroque, revised by J Connors & J Montagu, Yale University Press, 1982

Carole Paul, The Borghese Collections and the Display of Art in the Age of the Grand Tour, Ashgate 2008

Genevieve Warwick, Bernini, Yale: 2010.

Borromini Blunt, A., Borromini, London & Cambridge Mass., 1979. Borromini, F., Opus Architectonicum, ed J Connors, Edizioni Polifilo.

[Borromini] San Carlo alle Quattro Fontane di Francesco Borromini nella ‘Relatione dell fabrica’ di fra Juan de San Buenaventura, ed & intro by JM Montijano García, Edizioni Polifilo Connors, J., Borromini and the Roman Oratory: Style & Society, New York & Cambridge Mass., 1980. Connors, J., ‘Alliance and Enmity in Roman Baroque Urbanism’, Römisches Jahrbuch der Bibliotheca Hertziana, XXV, 1989, pp.207-94. Joseph Connors, ‘Francesco Borromini: la vita 1599-1667’, in Richard Bösel & Christof Frommel, eds., Borromini e l’universo barocco, exh. cat., Rome, 1999, pp.7-21.

Joseph Connors, ‘Borromini, Hagia Sophia, and S. Vitale’, Architectural Studies in memory of Richard Krautheimer, ed. Cecil Striker, Mainz am Rhein, 1996, pp.43-48.

Joseph Connors, ‘S. Ivo alla Sapienza: The First Three Minutes’, JSAH, Vol.55, n.1, 1996, pp38-57.

Joseph Connors, ‘Virgilio Spada’s Defence of Borromini’, Burl Mag CXXXI, 1989, pp.??-??

Herz, A., ‘S Ivo and Prudentius’, JSAH 1989 v.48 n2 pp.150-7.

Wittkower, R., Art & Architecture in Italy: Early Baroque; High Baroque; Late Baroque, revised by J Connors & J Montagu, Yale University Press, 1982

J. Connors, `Virtuoso Architecture in Cassiano's Rome', Quaderni Puteani 3, London, 1992, pp.23-40.

L Steinberg, Borromini's S Carlo alle Quattro Fontane: A Study in multiple Form & architectural Symbolism , New York, 1977 (& also J Connors' review in JSAH 1979 XXXVIII, p.285)

Leone, Stephanie, The Palazzo Pamphilj in Piazza Navona : constructing identity in early modern Rome /, 2008.

Pietro da Cortona

M Merz, Pietro da Cortona, Yale UP, 2010.

Merz M., ‘SS Luca e Martina reconsidered’, Pietro da Cortona: Atti del convegno internazionale Roma-Firenze, 12-15 novembre 1997, ed. CL Frommel & S Schütze (Milan, 1998) pp.231-242.

Noehles, K., La chiesa dei SS Luca e Martina nell’opera do Pietro da Cortona, Rome, 1970.

Leone, Stephanie, The Palazzo Pamphilj in Piazza Navona : constructing identity in early modern Rome /, 2008.

Guarino Guarini & Turin:

Klaiber, S., ‘Guarino Guarini:honesties parentibus multimensis’, Modena 1598: l’invenzione di una capitale, pp.219- 237.

Meek, HA, Guarino Guarini &His Architecture, New Haven and London, 1988.

Norberg-Schulz, C., ‘The Baroque and its Buildings’, in The Triumph of the Baroque: architecture in Europe 1600- 1750, ed. H Millon, pp.56-79.

Scott, JB, Architecture for the Shroud, Chicago University Press, 2005

Varela-Gomes, Paulo, ‘Les projets de Francesco Borromini et Guarino Guarini pour le Portugal’, Revue de l’art, 2001, n.133, pp.81-92.

Charles Avery, Bertos: the triumph of motion, Turin: Allemandi, 2008

Baroque Palace: Architectures of aristocracy

Ciavolella, Massimo & Patrick Coleman eds., Culture & Authority in the Baroque, University of Toronto Press, 2005.

Elias, Norbert, ‘The structure of dwellings as an indicator of social structure’, The Court Society, New York, Cap.3, pp.41-65.

Rosichino, M. 1991. ‘The Diachiaratione of Mattia Rosichino (1640)’ appendix to Images of Nepotism: The Painted Ceilings of the Palazzo Barberini , by J. B. Scott, Princeton: Princeton University Press, 216-9

E Cropper & C Dempsey, ‘The State of Research In Italian painting of the Seventeenth Century’, Art Bulletin, 69 (1987), pp.494-509.

Waddy, P. 1999. ‘Inside the Palace: People and Furnishings’ in Life and Arts in the Baroque Palaces of Rome: Ambiente Barocco , ed. by S. Walker and F. Hammond, New Haven: Yale University Press, 21-37

Walker, S. and Hammond, F. Life and Arts in the Baroque Palaces of Rome: Ambiente Barocco , New Haven: Yale University Press

Zerner, H. 1998. ‘Classicism as Power’ Art Journal , 47, 3

Connors, J., ‘Alliance and Enmity in Roman Baroque Urbanism’, Römisches Jahrbuch der Bibliotheca Hertziana, XXV, 1989, pp.207-94. Christian Elling, Rome: The Biography of her Architecture from Bernini to Thorvaldsen, Boulder: Colorado, 1975.

P. Waddy, Seventeenth-Centuury Roman palaces: Use and the Art of the Plan, New york, 1990.

N. Elias, ‘The structure of dwellings as an indicator of social structure’, The Court Society, New York, Cap.3, pp.41- 65.

F Haskell, Patrons and Painters. Art and Society in Baroque Italy, Yale University Press: New haven & London, 1980.

Leone, Stephanie, The Palazzo Pamphilj in Piazza Navona : constructing identity in early modern Rome /, 2008.

Charles Avery, Bertos: the triumph of motion, Turin: Allemandi, 2008

Cartographies & Territoriality

Ashley West, ‘Between artistry and documentation: a passage to India and the problem of representing new global encounters’, in Lorenzo Pericolo & Alexander Nagel, Subject as Aporia in early modern Art, Ashgate 2010

Svetlana Alpers, ‘The Mapping Impulse in Dutch Art’, in ed., David Woodward, Art & Cartography, Chicago & London: University of Chicago Press, 1987, 51-96

David Buisseret (ed.), Monarches, Ministers and Maps: The Emergence of Cartography as a tool of Government in Early Modern Europe, Chicago & London: Chicago University Press, 1992

Chandra Muckerji, ‘Entrepreneurialism, Land Management and Cartography during the Age of Louis XIV’, in ed. Paula Findlen & Pamela Smith, Merchants and Marvels, New York: Routledge, 2002, 248-76

Newman K, Cultural Capitals: Early Modern London & Paris, Princeton: Princeton UP, 2007.

‘Maps of the Jesuit Mission in Spanish America, 18th Century (Archives of the Society of Jesus, Rome, Hist. Soc. 150, I)’, Imago Mundi, Vol. 15,(1960), pp. 114-118. Stable URL: http://www.jstor.org/stable/1150285 ------

Robin Wagner-Pacifici, The Art of Surrender: Decomposing Soveriegnty at conflict’s End, Chicago: Chicago University Press, 2005

Denis Cosgrove, ‘Mapping New Worlds: Culture and Cartography in Sixteenth-centyrt Venice’, Imago Mundi, 44, 1992, 65-89

Thomas Fragenberg, ‘Chorographies of Florence: The Use of City Views and City Plans in the 1`6thC’, Imago Mundi, 46, 1994, 41-64

PDA Harvey, The History of Topographical Maps, London: Thames & Hudson, 1980

Josef W Konvitz, Cartography in France 1660-1848, Chicago: Chicago UP, 1987

Liba Taub, The Historical Function of the "Forma Urbis Romae", Imago Mundi, Vol. 45, (1993), pp. 9-19. Stable URL: http://www.jstor.org/stable/1151156

Alain renaux, Louis XIV’s Botanical Engravings, Ashgate, 2010-03-17

Plague /Revolt/ Disorder

Eds. GA Bailey et al., Hope and Healing. Paintinhg in Italy ina Time of Plague 1500-1800, Clark University & CS Graphics Singapore, 2005

Calvi, G., ‘A Metaphor for Social Exchange: The Florentine Plague of 1630’, Representations, n.13 1986, pp.139-163.

L Marshall, ‘Manipulating the Sacred: Image & Plague in Renaissance Italy’, Renm Quart vol.47 n3, 1994, pp.485-532

Tom Nichols, ed., Others & OUtscasts in Early Modern Europe: picturing the Social Margins, Ashgate 2007

Urbanism:

Liam M Brockey, ed., Portuguese Colonial Cities in the early modern world, Ashgate: 2008

Connors, J., ‘Alliance and Enmity in Roman Baroque Urbanism’, Römisches Jahrbuch der Bibliotheca Hertziana, XXV, 1989, pp.207-94.

Dubbini, Renzo, Geography of the Gaze: Urban and Rural Vision in Early Modern Europe, trans. LG Cochrane, Chicago University Press, 2002.

William S Hecksher, ‘Bernini's Elephant and Obelisk’, The Art Bulletin , Vol. 29, No. 3 (Sep., 1947), pp. 155-182 Stable URL: http://www.jstor.org/stable/3047128

Elling, Christian, Rome: The Biography of her Architecture from Bernini to Thorvaldsen, Boulder: Colorado, 1975.

Ghirardo, DY, ‘The Topography of prostitution in Renaissance Ferrara’, JSAH, 2001, v.60, n.4, pp.402-431.

E Iversen, Obelisks in Exile, Vol. 1: The Obelisks of Rome, Copenhagen, 1968.

Nussdorfer, Laurie ‘The Politics of Space in Early Modern Rome’, Memoirs of the American Academy in Rome, 1997, v.42, pp.161-186.

P. Waddy, Seventeenth-Centuury Roman palaces: Use and the Art of the Plan, New york, 1990.

The Capriccio

Katie Scott, ‘Cartouche’, in Taking Shape. Finding Sculpture in the decorative arts, pp.171ff.

Jörg Garms, ‘Architectural Painting: Fantasy and Caprice’, in H Millon, ed., The Triumph of the Baroque: Architecture in Europe 1600-1750, Thames & Hudson, London, 1999, pp.241-277.

David R Marshall, ‘A View of Poggioreale by Viviano Codazzi and Domenico Gargiulo’, JSAH, Vol.45 1986, pp.32- 46.

David R Marshall, ‘The Roman Baths Theme from Viviano Codazzi to G.P. Panini: Transmission and Transformation’, Artibus et historiae, Vol.12, n.23 (1991), pp.129-159.

Charles Avery, Bertos: the triumph of motion, Turin: Allemandi, 2008

Aacdemies, Curiosity, Virtuosity, & Wonder:

Pamela Smith, The Business of Alchemy. Science & Culture in the Holy Roman Empire, Princeton UP, 1994, esp. Cap.5.

Dubbini, Renzo, Geography of the Gaze: Urban and Rural Vision in Early Modern Europe, trans. LG Cochrane, Chicago University Press, 2002.

Pomian, Kryzysztof , ‘La culture de la curiosité,’ in Collectionneurs, amateurs, et curieux, Paris, Venise: XVIe-XVIIIe siècle, Paris, 1987.

Charles Avery, Bertos: the triumph of motion, Turin: Allemandi, 2008

The Accademia seminars: the Accademia di San Luca in Rome, c. 1590-1635 / edited by Peter M. Lukehart. Washington [D.C.] : National Gallery of Art ; New Haven : Distributed by Yale University Press, 2009.

Gardens

Chandra Muckerji, ‘Dominion, Demonstration, and Domination: Religious doctrine, territorial politics, and French plant collection’, in Colonial Botany: Science, Commerce, and Politics in the Early Modern World, eds. Londa Schiebinger & Claudia Swan, Philadelphia: University of Pennsylvania Press, 2005, 19-33

Ed. John Dixon Hunt, New Directions in Graden History, Philadelphia: University of Pennsylvania Press, 2002

Domestic Interiors / Furniture

Martina Droth (ed), Taking Shape. Finding Sculpture in the decorative arts, Getty Publications, 2009. (a range of wonderful essays)

The Smithsonian, Rococo: The Continuing Curve 1730-2008, Washington DC, 2009

[The Getty Collection], French Furniture and Gilt Bronzes Baroque and Regence: Catalogue of the Getty Collection, The Getty Foundation: Los Angeles, c.2009

Deborah Cherry & Katie Scott (eds), Between Luxury and Everyday, [Art History journal special issue 2005]

Useful websites: http://www.360cities.net/image/abbey-andechs-bavaria