Nov 13 Irish News
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Katie Martin
Katie Martin Some fact´s at first… When and where were you born? I was born in Coventry, England on the 1st of September 1980. Your height? 5’ 7 ½ . What is your favourite food? Seafood and Pasta Your favourite music? Chart music and R´and´ B. Joss Stone, maroon 5, Lucie Silvas, Kelly Clarckson, etc. Your favourite movie? „Notting Hill“, „My best friends Wedding“, „Stepmom“. Julia Roberts is my favourite actress. Your favourite city / place in the world, you have visited so far? Cape town in South Africa is my most favourite place in the whole world. Do you have any hidden talents, we don’t know about? I have a Diploma in make up artistory for film and television. What’s the most treasured moment in your life, so far? My most treasured moment in the Show is dancing in Hyde Park with Feet of Flames and also performing Lead for the first time. About your family… Please tell us something about your parents - what do they do for their living? Do they dance as well? My dad is an engineer and my mom is a nurse. My mum is also an amazing Irish Dancing teacher and was my very first teacher. Do you have any brothers or sisters? How old are they? Do they dance, too? What do they do for their living? My brothers name is Thomas and he is 23 years old. He is also in Troupe 1. Is it hard for you, to be apart from your family for such a long time while touring? How often are you able to travel back home again? It can be hard but because we have been touring for so many years we´re use to it now. -
2014–2015 Season Sponsors
2014–2015 SEASON SPONSORS The City of Cerritos gratefully thanks our 2014–2015 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. YOUR FAVORITE ENTERTAINERS, YOUR FAVORITE THEATER If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at 562-916-8510. THE CERRITOS CENTER FOR THE PERFORMING ARTS (CCPA) thanks the following current CCPA Associates donors who have contributed to the CCPA’s Endowment Fund. The Endowment Fund was established in 1994 under the visionary leadership of the Cerritos City Council to ensure that the CCPA would remain a welcoming, accessible, and affordable venue where patrons can experience the joy of entertainment and cultural enrichment. For more information about the Endowment Fund or to make a contribution, please contact the CCPA Administrative Offices at (562) 916-8510. MARQUEE Sandra and Bruce Dickinson Diana and Rick Needham Eleanor and David St. Clair Mr. and Mrs. Curtis R. Eakin A.J. Neiman Judy and Robert Fisher Wendy and Mike Nelson Sharon Kei Frank Jill and Michael Nishida ENCORE Eugenie Gargiulo Margene and Chuck Norton The Gettys Family Gayle Garrity In Memory of Michael Garrity Ann and Clarence Ohara Art Segal In Memory Of Marilynn Segal Franz Gerich Bonnie Jo Panagos Triangle Distributing Company Margarita and Robert Gomez Minna and Frank Patterson Yamaha Corporation of America Raejean C. Goodrich Carl B. Pearlston Beryl and Graham Gosling Marilyn and Jim Peters HEADLINER Timothy Gower Gwen and Gerry Pruitt Nancy and Nick Baker Alvena and Richard Graham Mr. -
Trinity Irish Dance Study Guide.Indd
● ● ● ● ● Photo by Lois Greenfield. About the Performance The Performance at a Glance Each of these different elements can be the basis for introducing students to the upcoming performance. Who are the Trinity Irish Dance Company? Trinity Irish Dance Company were formed in 1990 by Mark Howard in an effort to showcase Irish music and dance as an art form. The company is made up of 18- 25 year olds, and has received great critical and popular acclaim from audiences throughout the world. They have performed all over the world, and have collaborated with many notable contemporary choreographers and musicians. Trinity holds a unique place in the dance world, offering a highly skilled presenation of progressive Irish step dance. Who is Mark Howard? Mark Howard is the founder and artistic director of the Trinity Irish Dance Company, and choreographs much of the company’s work. Born in Yorkshire, England, and raised in Chicago, Mark Howard began dancing at the age of nine, and later went on to become a North American champion Irish dancer. He started the Trinity Academy of Irish Dance at the age of 17, and dancers from this school have won 18 world titles for the United States at the World Irish Dance Championships in Ireland. Howard wanted to find a way for his dancers to do more than just compete for tropies and prizes, so in 1990 he founded the Trinity Irish Dance Company as a way to showcase Irish music and dances as an art form. Mark Howard continues to choregraph new works for the company, and he has expanded his independent career to work in theater, television, concert and film. -
School Show Study Guide
420 East Packer Avenue Bethlehem, PA 18015-3179 (610) 758-2787 www.ZoellnerArtsCenter.org School Show Study Guide: Wednesday, March 13, 2019 at 10:00am Baker Hall at Zoellner Arts Center USING THIS STUDY GUIDE Dear Educator, On Wednesday, March 13, your class will attend a performance by Murphy’s Celtic Legacy, at Lehigh University’s Zoellner Arts Center in Baker Hall. You can use this study guide to engage your students and enrich their Zoellner Arts Center field trip. Materials in this guide include information about the performance, what you need to know about coming to a show at Zoellner Arts Center and interesting and engaging activities to use in your classroom prior to and following the performance. These activities are designed to go beyond the performance and connect the arts to other disciplines and skills including: Dance Culture Expression Social Sciences Teamwork Choreography Before attending the performance, we encourage you to: Review the Know before You Go items on page 3 and Terms to Know on pages 9. Learn About the Show on pages 4. Help your students understand Ireland on pages 11, the Irish dance on pages 17 and St. Patrick’s Day on pages 23. Engage your class the activity on pages 25. At the performance, we encourage you to: Encourage your students to stay focused on the performance. Encourage your students to make connections with what they already know about rhythm, music, and Irish culture. Ask students to observe how various show components, like costumes, lights, and sound impact their experience at the theatre. After the show, we encourage you to: Look through this study guide for activities, resources and integrated projects to use in your classroom. -
'I Just Started Crying'
June 2017 Boston’s hometown VOL. 28 #6 journal of Irish culture. $2.00 Worldwide at All contents copyright © 2017 bostonirish.com Boston Neighborhood News, Inc. ‘I just started cryIng’ needed in Ireland: assertive leaders, political systems that are working By Joe leaRy BiR columniSt At a time when Ireland is facing a serious Brexit crisis in both the North and the South, the need for revital- ized aggressive leadership and functioning political systems is very apparent. Far more than its population merits, Ireland is a coun- try whose sons and daughters lead much of the world. Here in the United States men Commentary and women of Irish heritage have an enormous influence over education, politics, business, our armed forces and religious life. College presidents, chief executives, governors, senators, and other leaders are proud of their Irish heritage, and effective in their jobs. With last month’s resignation of Enda Kenny as Taoiseach and as leader of the major political party Fine Gael, Ireland is searching for new leaders while probably facing new general elections within the year. Enda Kenny is a good man; perhaps not at the top of his class when it comes to intellectual matters, but a hardworking politician with enthusiastic people skills. He was born in Castlebar, Co. Mayo, elected to the Former Vice President Joe Biden and friends at the Seaport Hotel last month. Flavio D photo Parliament in1975 as its youngest member at age 24, replacing his father. Today, at 66 years old, he is the Parliament’s oldest member. Biden a surprise guest at Boston dinner As leader of Fine Gael, Kenny was elected prime minister in March 2011 during the time of Ireland’s By Rowan walRath Martin J. -
Boston Irish March 2020
Vol. 1, Issue 1 March 2020 BostonIrish.com Parade-goers enjoyed the sights and sounds of the St. Patrick’s Day Parade along Broadway in South Boston in 2019. This year’s parade in Southie starts at 1 p.m. on Sunday, March 15. See more on Page 2. Photo by Steven Senne/AP * Annual Percentage Yield (APY) of WINcentive Savings is .10% APY and is accurate as of 1/1/19. APY is subject to change without notice. Must be a member in good standing of City of Boston Credit Union to open WINcentive Savings. Only one WINcentive Savings account Now you can build your savings allowed per member. Business and trust accounts or other non-consumer accounts are not eligible. Unlimited deposits allowed, but per calendar year prize pool entries are earned by month-over-month balance increases with each $25 deposit increase equal to one (1) entry with the following maximum entries per drawing period - maximum number of entries per and have a chance to WIN! month equals 4, maximum number of entries per quarter equals 12 and maximum number of entries per year equals 48. Account holder is only eligible to win once per drawing pool period. ® At least one account holder must be 18 years or older. Account must be open and active to With WINcentive Savings*, a prize-linked savings account offered by win any prize during drawing period. Early withdrawal penalites apply; first withdrawal $10 fee, City of Boston Credit Union you can watch your savings grow and have the second withdrawal $25 fee, third withdrawal account closure is required with no penalty. -
Blas International Summer School of Irish Traditional Music and Dance Irish World Academy of Music and Dance University of Limerick
Blas International Summer School of Irish Traditional Music and Dance Irish World Academy of Music and Dance University of Limerick DANCE TUTORS COLIN DUNNE Colin Dunne is a leading figure in the world of traditional Irish dance, who has made the cross over into contemporary dance and theatre. Best known internationally for his performances and choreography in Riverdance and Dancing on Dangerous Ground, he has been forging a new creative path since his time as artist in residence at University of Limerick where he completed an MA in contemporary dance in 2002. In 2007 he was nominated for a UK Critics Circle National Dance Award (best male: modern dance) for performances at The Barbican in Fabulous Beast’s production of The Bull. His first solo show Out of Time premiered in January 2008. Colin Dunne was born in 1968 in Birmingham, England to Irish parents. He took his first lesson in Irish step dance at the age of three with the locally based Comerford School. At the age of 9, he won his first World Championship title and was the first dancer to win the World, All England and All Ireland titles in the same year. From the age of 12 he was taught by Marion Turley in Coventry and when he retired from competition at the age of 22, he had won a total of nine World, eleven Great Britain, nine All Ireland and eight All England titles. He was influenced from an early age by tap dance – Gregory Hynes in particular – which contributed to his often complex approach to rhythm within the structures of traditional Irish music. -
Music Library 2020 Part 2: Ensemble Repertoire Table of Contents
Music Library 2020 part 2: ensemble repertoire Table of Contents Concert Band 3 beginning 4 very easy 9 easy 28 medium easy 54 medium 83 medium advanced 104 advanced 114 not rated 119 Choir 120 unison 121 2-part 121 SA 123 SSA 123 3-part mixed 124 SAB 125 SATB 126 SSAA 130 SSAATTBB 130 SSATBB 130 TB 131 TBB 131 TTB 131 TTBB 131 Full Orchestra 133 very easy 134 easy 134 medium easy 135 medium 136 medium advanced 137 advanced 138 String Orchestra 139 beginning 140 very easy 140 easy 148 medium easy 164 medium 179 medium advanced 191 advanced 193 Jazz Band 195 very easy 196 easy 197 medium easy 201 medium 206 medium advanced 211 advanced 213 ©2020 MakeMusic. All rights reserved. 2 Concert Band beginning 4 very easy 9 easy 28 medium easy 54 medium 83 medium advanced 104 advanced 114 not rated 119 ©2020 MakeMusic. All rights reserved. 3 Concert Band beginning Title Composer Arranger Publisher Print on Demand 10 to the Power Grice, Rob Composers' Planet 12 the Clock Strikes Grice, Rob C.L. Barnhouse Co. 1st Classic Suite Hannickel, Mike Curnow Music Press, Inc. Admiration March Clark, Larry Carl Fischer LLC. All Aboard! Conaway, Matt C.L. Barnhouse Co. Along Came a Spider Hannickel, Mike Curnow Music Press, Inc. Anasazi Legend Compello, Joseph Carl Fischer LLC. Android Attack Oare, Michael Hal Leonard Corp. Andromeda Connection, The Barrett, Roland Belwin Attack of the Slide Trombones Hannickel, Mike Curnow Music Press, Inc. Ayre and Dance Pearson, Bruce Neil A. Kjos Music Co. Band on Parade Sweeney, Michael Hal Leonard Corp. -
This Is How We Dance: the Impact of Riverdance on Irish Step Dancing
THIS IS HOW WE DANCE: THE IMPACT OF RIVERDANCE ON IRISH STEP DANCING OLIVIA STEFFAN A Thesis Submitted to the Faculty of Drexel University by Olivia Steffan in partial fulfillment of the requirements for the degree of Master of Science in Arts Administration Fall 2014 © Copyright 2014 Olivia Steffan All Rights Reserved. ii ACKNOWLEDGEMENTS The completion of this thesis would not have been possible without help, guidance, support, and love. To everyone who has helped me, I want to give my most heartfelt thanks. I also want to recognize the following: To the Arts Administration faculty at Drexel for their continual support, guidance and advice. To my father, Grant Steffan, for his continual support of my dreams, and for making my trip to the Western Reserve Historical Society Archives in Cleveland possible. Finally, to Matthew Gomez, for proofreading my drafts, and bringing me an endless supply of coffee. iii TABLE OF CONTENTS LIST OF FIGURES……………………………………………………………………....iv ABSTRACT……………………………………………………………………………...v INTRODUCTION………………………………………………………………………..1 LITERATURE REVIEW………………………………………………………………...5 RESEARCH METHODS………………………………………………………………..18 CHAPTER 1: AN INCREASE IN THE TOTAL NUMBER OF IRISH DANCE PARTICIPANTS………………………………………………………………………...26 CHAPTER 2: AN INCREASE IN THE GLOBAL SPREAD AND GLOBAL PARTICIPATION IN IRISH DANCE…………………………………………………..32 NOTES AND LIMITATIONS…………………………………………………………..36 CONCLUSION…………………………………………………………………………..38 APPENDIX A: TRANSCRIPT OF INTERVIEW WITH KATHLEEN RYAN-NATTER………………………………………………….40 APPENDIX B: -
The Music of Ireland: Traditional and Contemporary 75608 ENIR 395, 01, 3 Credits; 75607M U SI291, 01, 3 Credits
University of Montana ScholarWorks at University of Montana Syllabi Course Syllabi 9-2013 MUSI 291.01: The uM sic of Ireland - Traditional and Contemporary Patrick C. Williams University of Montana - Missoula, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/syllabi Recommended Citation Williams, Patrick C., "MUSI 291.01: The usicM of Ireland - Traditional and Contemporary" (2013). Syllabi. 637. https://scholarworks.umt.edu/syllabi/637 This Syllabus is brought to you for free and open access by the Course Syllabi at ScholarWorks at University of Montana. It has been accepted for inclusion in Syllabi by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. All students must practice academic honesty. Academic misconduct is subject to an academic penalty by the instructor and/or disciplinary sanction by the university. All students need to be familiar with the Student Conduct Code, available for review online atwww.uint.edu/SVA/VPSA/Index.cfm/page/1321 IRISH STUDIES The Music of Ireland: Traditional and Contemporary 75608 ENIR 395, 01, 3 credits; 75607M U SI291, 01, 3 credits Tentative Schedule for Fall Semester, 2013 Wednesday Evenings, 6-9 p.m., Rm. 105, Music Building Professor Patrick C. Williams, Rm. 106, Ext 4471 Required texts: Irish Traditional Music,Gearoid O hAllmhurain (UC Bookstore) FOCUS: Irish Traditional Music,Sean Williams (UC Bookstore) Course Description The Music of Ireland: Traditional and Contemporaryis designed as an introductory- level survey of instrumental and vocal music, along with dance, presented within (and without) the cultural history of the country, and communities of the Irish diaspora in Europe and North America. -
Trinity II Center for Performing Arts
Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 3-16-2008 Trinity II Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "Trinity II" (2008). Center for Performing Arts Memorabilia. Book 230. http://opus.govst.edu/cpa_memorabilia/230 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. fOfi PfftfORrllNCi DftTS Governors State University presents m .Mummiiiiii • • March 16,2008 The taking of video or photographs is strictly prohibited. Program is subject to change. The Center for Performing Arts'200 7-2008 Season Illinois is sponsored in part by a generous grant from : Council The Illinois Arts Council, an agency of the state of Illinois. THE PROGRAM ARTISTIC DIREC TOR and FOUNDER MARK HOWARD ASSOCIATE ARTISTIC DIRECTOR Celtic Thunder (1997) Ellen Gahl Choreography by Mark Howard REHEARSAL DIRECTORS Music by Stone and Liz Carroll Lighting Design by Joel Silver Mallory McCi-acken & Michelle McNamara Musical Interlude TOURING COMPANY Elizabeth Arens Colleen Kenyon Megan Rodts Cassie Cavender Morgan l_ucey Danna Schultz STEP ABOUT (1991) Kelly Dalton Mallory McCracken Sarah Tully Choreography by Mark Howard Daniel Fehrenbach Katie Moore Nora Turek Colleen Goy Tae Olson Megan White Music by Liz Carroll Lighting Design by Joel Silver Killian Hlava Matt Pipito Sydney Wippman THE MUSICIANS John Coiidroii Barret Harvey Jeff Lindblade BLACKTHORN (1992) Choreography by Mark Howard The Trinity II Irish Dance Company quickly dispels whatever notions you may have about Irish Music by Stone and Ned Folkerth Lighting by Joel Silver dance. -
The Mostly Celtic Songbook
The Mostly Celtic Songbook Mostly Celtic Songbook 2 Introduction After sitting in on some of the former Tuesday evening open seisiúns at C.B. Hannegan’s in Los Gatos, and trying to sing along but not remembering the lyrics, it seemed like a good idea to compile a songbook that we could all potentially share. After one or two pints and a few encouraging words from Tony Becker, the idea became a project. So, here it is. In retrospect, it turned out to be more helpful to me than to the group, as most continued to use their own song collections. But at least I got most of the more frequently played songs together in one handy document, in keys that I can actually sing (the “suggested key”). It was well worth the effort, and a great way to learn the songs. In some cases, I took the liberty of editing some of the traditional lyrics for readability and sing-ability, especially the lyrics I got from the Web, and adding or changing a few chords, since many of the songs exist in several different versions anyway. Thanks to YouTube, I was able to correct a lot of mistakes. Some of the songs are still under copyright protection, so if I’ve given a wrong attribution, please send me a note so I can correct the error. A thousand apologies if that is the case. This book is intended for private use only, not for commercial publication. The chords are written in Nashville notation (well, sort of), so transposing is simple.