Transcultural Approaches to Arabic Script on the Royal Norman Mantle and Alb
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Isabelle Dolezalek Arabic Script on Christian Kings Das Mittelalter Perspektiven Mediävistischer Forschung
Isabelle Dolezalek Arabic Script on Christian Kings Das Mittelalter Perspektiven mediävistischer Forschung Beihefte Herausgegeben von Ingrid Baumgärtner, Stephan Conermann und Thomas Honegger Band 5 Isabelle Dolezalek Arabic Script on Christian Kings Textile Inscriptions on Royal Garments from Norman Sicily Gedruckt mit freundlicher Unterstützung der Deutschen Forschungsgemeinschaft (DFG) ISBN 978-3-11-053202-9 e-ISBN (PDF) 978-3-11-053387-3 e-ISBN (EPUB) 978-3-11-053212-8 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliografische Information der Deutschen Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2017 Walter de Gruyter GmbH, Berlin/Boston Typesetting: Satzstudio Borngräber, Dessau-Roßlau Printing and binding: CPI books GmbH, Leck ♾ Gedruckt auf säurefreiem Papier Printed in Germany www.degruyter.com Contents Preface — IX Introduction — XI Chapter I Shaping Perceptions: Reading and Interpreting the Norman Arabic Textile Inscriptions — 1 1 Arabic-Inscribed Textiles from Norman and Hohenstaufen Sicily — 2 2 Inscribed Textiles and Arabic Inscriptions in European Medieval Arts — 43 3 Historical Receptions of the Ceremonial Garments from Norman Sicily — 51 4 Approaches to Arabic Inscriptions in European Medieval Arts: Methodological Considerations — 64 Chapter II An Imported Ornament? Comparing the Functions -
The Qur'an's Challenge: a Literary & Linguistic Miracle (Original Article At
The Qur'an's Challenge: A Literary & Linguistic Miracle (Original article at: http://www.hamzatzortzis.com/essays-articles/exploring-the-quran/the-inimitable-quran/) “Read! In the Name of your Lord Who has created. He has created man from a leech-like clot. Read! And your Lord is the Most Generous. Who has taught (the writing) by the pen. He has taught man that which he knew not.” Surah Al-’Alaq (The Clot) 96: 1-5 These were the first verses of the Qur’an to be revealed to Prophet Muhammad (upon whom be peace) over fourteen hundred years ago. Prophet Muhammad, who was known to have been in retreat and meditation in a cave outside Makkah, had received the first revelation of a book that would have a tremendous impact on the world. Not being able to read or write or known to have composed any piece of poetry and not having any special rhetorical gifts, Prophet Muhammad had just received the beginning of a book that would deal with matters of belief, law, politics, rituals, spirituality, and economics in an entirely new literary form. This unique literary form is part of the miraculous nature of the Qur’an, that led to the dramatic intellectual revival of desert Arabs. Thirteen years after the first revelation, it became the primary reference for a new state in Madinah, providing the new civilisation’s political, philosophical, and spiritual outlook. In this chapter, we will begin to examine why the Qur’an is impossible to imitate by reviewing how the language of the Qur’an compares to the normal literary forms of Arabic poetry and prose. -
The Unique Necklace Volume.Pdf
Great Books of Islamic Civilization Ibn ∏Abd The Center for Muslim Contribution to Civilization Rabbih the Unique Necklace the l-‘Iqd al-Farı¯d (The Unique Necklace) is one of the classics of Arabic literature. the Compiled in several volumes by an Andalusian scholar and poet named Ibn Unique Necklace A‘Abd Rabbih (246–328 A.H. / 860–940 C.E.),it remains a mine of information about various elements of Arab culture and letters during the four centuries before his death.Essentially it is a book of adab,a term understood in modern times to specifically II Volume mean literature but in earlier times its meaning included all that a well-informed person had to know in order to pass in society as a cultured and refined individual.This Unique meaning later evolved and included belles lettres in the form of elegant prose and verse that was as much entertaining as it was morally educational, such as poetry, pleasant anecdotes, proverbs, historical accounts, general knowledge, wise maxims, and even practical philosophy. Ibn ‘Abd Rabbih’s imagination and organization saved his encyclopedic Necklace compendium from becoming a chaotic jumble of materials by conceiving of it as a necklace composed of twenty-five ‘books’, each of which carried the name of a jewel. Each of the twenty-five ‘books’ was organized around a major theme and had an introduction written by Ibn ‘Abd Rabbih, followed by his relevant adab selections of Volume II verse and prose on the theme of the ‘book’. He drew on a vast repertoire of sources including the Bible,the Qur’an and the Hadith,and the works of al-Jahiz,ibn Qutayba, al-Mubarrad,Abu ‘Ubayda ibn al-Muthanna and several others, as well as the diwans of many Arab poets, including his own poetry. -
Sung Poetry in the Oral Tradition of the Gulf Region and the Arabian Peninsula
Oral Tradition, 4/1-2 (1989): 174-88 Sung Poetry in the Oral Tradition of the Gulf Region and the Arabian Peninsula Simon Jargy Historical Background As far back as we can go in the past history of the Arabs and Arabia, we fi nd poetry present as a huge memorial to their real and imaginary heroic exploits, as a witness to their way of life and feelings, and most of all as an expression of the deepest roots of their soul. Being essentially oral in its origins and developments, this poetry, with its rhythms, intonations, accents, and long or short syllables fi tted in quite naturally with music. In the old classical Arabic terminology, poetry (Shicr) identifi es with song (Nashīd): reciting it is synonymous with singing it (Anshada al-Shicr). This bond between Shicr (poetry) and Inshād (chant or recitative) still has the same meaning in the spoken Arabic of the Peninsula and the Gulf region where Nishīda (song) is synonymous with Giṣīda (poem). In pre-Islamic Arabia, Inshād likely had a dual function: religious and social. Both stem from the rhythmical syllables of the Arabic language (rhymed prose: Sajc, and metrical poetry: Shicr), as well as from rhythmical movements of camels. Coming from ancient times, this is the Ḥidā’ (literally “stimulating the camel’s step”) that the Bedouin sings following the steps of his camel and for his own entertainment. It has survived in the actual form we call “recitative” or “cantilena,” as the common Ḥadwā still designates, in the spoken Bedouin dialect of the Gulf, the folk songs of both the desert and the sea. -
Kent Academic Repository Full Text Document (Pdf)
Kent Academic Repository Full text document (pdf) Citation for published version Bevilacqua, Alexander and Loop, Jan (2018) The Qur’an in Comparison and the Birth of ‘scriptures’. Journal of Qur'anic Studies . ISSN 1465-3591. (In press) DOI Link to record in KAR http://kar.kent.ac.uk/68852/ Document Version Author's Accepted Manuscript Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact: [email protected] If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html The Qur’an in Comparison and the Birth of ‘scriptures’* Alexander Bevilacqua (WILLIAMS COLLEGE) Jan Loop (UNIVERSITY OF KENT) The Qur’an was a protean book in early modern Europe. From the sixteenth century to the eighteenth, Europeans developed several distinct ways of thinking about it and about the person whom they took to be its author, the Prophet Muammad. Medieval Western Christians already regarded the Qur’an as a lawbook. -
Marius Canard (1888-1982): a Bio-Bibliographical Notice
MARIUS CANARD (1888-1982): A BIO-BIBLIOGRAPHICAL NOTICE BY FARHAD DAFTARY HE death in September 1982 of emeritus Professor Marius Canard, T at the ripe age of ninety-three, has taken from our midst a French savant of international eminence. A leading Islamist and an accom- plished Byzantinist, Canard was perhaps the last of that generation of French orientalists who spent the greater part of his academic career in North Africa and played a decisive role in furthering our knowledge of Islamic history and civilization. Marius Canard was born on 26 December 1888 at the small village of Dracy-Saint-Loup, in the Morvan region of central France, where his father was a schoolmaster. After completing his secondary education at the College Bonaparte in the nearby town of Autun, he enrolled at the Faculty of Letters of the University of Lyon, where he earned his licence de lettres. It was there that Canard became aware of his interest in oriental languages and had his first contact with Arabic; attending the classes of Gaston Wiet (1887-1971), the then newly appointed professor of Arabic, Persian and Turkish at Lyon. Having obtained his aggrega- tion in grammar, which qualified him for a teaching career in the French state-supported secondary schools, the lycee system, M. Canard became a professor in 1913 at the Lycee de Toulon. But soon afterwards in August 1914, following the outbreak of World War I, the young Professor Canard abandoned his teaching position at Toulon and, like so many of his compatriots, enlisted in the army. He had started riding horses from an early age, thus allowing him to join the 16th cavalry regiment at Beaune. -
Cilician Armenian Mediation in Crusader-Mongol Politics, C.1250-1350
HAYTON OF KORYKOS AND LA FLOR DES ESTOIRES: CILICIAN ARMENIAN MEDIATION IN CRUSADER-MONGOL POLITICS, C.1250-1350 by Roubina Shnorhokian A thesis submitted to the Department of History In conformity with the requirements for the degree of Doctor of Philosophy Queen’s University Kingston, Ontario, Canada (January, 2015) Copyright ©Roubina Shnorhokian, 2015 Abstract Hayton’s La Flor des estoires de la terre d’Orient (1307) is typically viewed by scholars as a propagandistic piece of literature, which focuses on promoting the Ilkhanid Mongols as suitable allies for a western crusade. Written at the court of Pope Clement V in Poitiers in 1307, Hayton, a Cilician Armenian prince and diplomat, was well-versed in the diplomatic exchanges between the papacy and the Ilkhanate. This dissertation will explore his complex interests in Avignon, where he served as a political and cultural intermediary, using historical narrative, geography and military expertise to persuade and inform his Latin audience of the advantages of allying with the Mongols and sending aid to Cilician Armenia. This study will pay close attention to the ways in which his worldview as a Cilician Armenian informed his perceptions. By looking at a variety of sources from Armenian, Latin, Eastern Christian, and Arab traditions, this study will show that his knowledge was drawn extensively from his inter-cultural exchanges within the Mongol Empire and Cilician Armenia’s position as a medieval crossroads. The study of his career reflects the range of contacts of the Eurasian world. ii Acknowledgements This project would not have been possible without the financial support of SSHRC, the Marjorie McLean Oliver Graduate Scholarship, OGS, and Queen’s University. -
Inquiries Into Proto-World Literatures: the Challenging “Literary Fate” Of
FOCUS 38 Modern studies in Persian prosody fre- quently debate the origin of the quatrain Inquiries into Proto-World (Per. robā‛ī - Ar. rubā‛ī)1 as a metrical form Literatures: The Challenging which clearly arose in an indigenous lyrical tradition. This identifies quatrains as the “Literary Fate” of the Quatrain entry point to claim Persian prosodic pat- terns as having an independent origin across the Persian and from the Arabic ones. However, late 20th century scholarship relies on a response- Arabic Literary Tradition approach to the matter, and is essentially grounded in dismantling Arabo-centric prosodic categorization - i.e. founded on the Khalīlian prosodic model2 - which gathers both traditions since the 9th cen- tury, rather than on overcoming the Khalīlian framework as a self-evident late feature within the earlier Persian lyrical tra- dition. Chiara Fontana Recent studies of comparative prosody among Arabic-Persian-Urdu and Turkish Western studies on Persian metrical sys- poetry. This study closely investigates the works (e.g. Ashwini and Kiparsky 147-173) tem debate the linguistic origins of qua- spread of robāʽī/rubāʽī from Persian to broaden Prince and Paoli’s approach to trains, (Per. robāʽiyyāt - Ar. rubāʽiyyāt) in Arabic literature employing a holistic cul- generative prosody across Middle Eastern Arabic, and regard prosodic Persian turally embedded methodology to re- languages, yet the analysis of the quatrain schemes independently of Arabic coun- read their linkages in global terms, as an is still essentially founded on metrical terparts, despite reciprocally influenced example of an inherited “Proto-World observations. This partial perspective may metrical patterns. Attempts to dismantle Literature”. -
The Aesthetics of Saj'in the Quran and Its Influence on Music
Fatemeh Karimi Tarki Int. Journal of Engineering Research and Applications www.ijera.com ISSN : 2248-9622, Vol. 3, Issue 5, Sep-Oct 2013, pp.830-833 RESEARCH ARTICLE OPEN ACCESS The Aesthetics Of Saj‘In The Quran And Its Influence On Music By The Survey Of Saj‘And The Music In Surah Al-Takwir Fatemeh Karimi Tarki Theological and Arabic Language Department, Ferdowsi University of Mashhad, Mashhad, Iran Abstract The Quran is a miracle and it is proved in different aspects. If you consider the philosophy of it appearance in Jahiliyyah times –the Arabs were really grate in composing poems - you will understand the most important aspect of its miracle is the eloquence. A lot of expert fishermen have tried to achieve eloquence pearls in the Quran ocean and search for eloquence aspects in the book. They have found Maani, Bayan and Badii` pearls in this ocean full of different pearls. This essay tries to image a little of this ocean beauties for the readers. Aesthetics of Saj‘ in the Quran and its influence on the special music of its verses is the subject of this essay by considering the saj‘ and music in surah al-Takwir. Key words: saj‘, the Quran, music, surah al-Takwir I. Introduction you feel great by reading or hearing an artificial and Before starting the discussion, it is better to wise speech. introduce some terms like saj‘, music and Aesthetics. III. Music Saj‘ Abū Naṣr Al-Farabi in his book kitāb iḥṣāʾ al-ʿulūm The meaning of this word is pigeon's song. As (On the Introduction of Knowledge) says that music is a a term it means using some words that are similar in the knowledge of songs, and it includes two parts: one of last letter(s) or rhythm in prose. -
Stories and Travel Diaries Relating to the Universal Expositions in Paris (1867, 1889, 1900)
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenstarTs Cristiana Baldazzi The Arabs in the Mirror: Stories and Travel Diaries relating to the Universal Expositions in Paris (1867, 1889, 1900) Our object is to visit this Fair or ‘Ukāẓ’ of provinces and nations, this market of fortunes and ambitions, spectacle of precious objects and prestigious projects, of strengths and energies, arena of inventions and innovations, exhibition of perspicacity and guide in the art of imitation and inspiration of the tradition.1 It is thus that the Egyptian writer Muḥammad al-Muwayliḥī (1858-1930)2 defines the Paris Exposition of 1900 which he chose as the place wherein to set the second part3 of his work Ḥadīṯ ‘Īsà ibn Hišām,4 one of the first modern Arab novels which follows in 1 M. Muwayliḥī, Ḥadīṯ ‘Īsa ibn Hišām. Fatra min al-zaman (Cairo: Kalimāt ‘arabiyya lil-tarǧama wa al-našr, 2013), 275. 2 His date of birth is uncertain, 1858 o 1868, especially considering that of his father, Ibrāhīm, which is also uncertain 1844. The author, in the company of his father, traveled in Italy, England and France, where he came in contact with many writers and intellectuals. In 1900 he accompanied the Egyptian Khe- divé on an official visit first to London then to Paris for the Universal Exposition. Cf. R. Allen, A Period of Time. Part One: A Study of Muḥammad al-Muwayliḥī’ s Ḥadīṯ ‘Īsā ibn Hišām (London: Ithaca Press, 1992), 1-14; A. Sābāyārd, Raḥḥālūna al-‘Arab wa ḥaḍārat al-ġarb fī al-nahḍa al-‘arabiyya al-ḥadīṯa (Beirut: Nawfal, 19922), 146-147. -
Essay: the Fu: China and the Origins of the Prose Poem Morton Marcus
THE PROSE POEM: AN INTERNATIONAL JOURNAL Volume 8 | 1999 Essay: The Fu: China And The Origins Of The Prose Poem Morton Marcus © Providence College The author(s) permits users to copy, distribute, display, and perform this work under the following conditions: (1) the original author(s) must be given proper attribution; (2) this work may not be used for commercial purposes; (3) the users may not alter, transform, or build upon this work; (4) users must make the license terms of this work clearly known for any reuse or distribution of this work. Upon request, as holder of this work’s copyright, the author(s) may waive any or all of these conditions. The Prose Poem: An International Journal is produced by The Berkeley Electronic Press (bepress) for the Providence College Digital Commons. http://digitalcommons.providence.edu/prosepoems/ ESSAY THE FU: CHINA AND THE ORIGINS OF THE PROSE POEM There is a popular notion among prose poets and literati from Europe and the Americas that the prose poem originated in the early nineteenth century with Aloysius Bertrand's Gaspard de la Nuit, and that Baudelaire continued its development in Le Spleen de Paris (Paris Spleen). Then Rimbaud followed with Les Illuminations, and a half-dozen other poets, almost all French, brought the form into the twentieth century. In reality, the prose poem started in China during the Han Dynasty (206 B.C.-220 A.D.), where it was known as fu, or rhymed prose. Essentially the fu was a court entertainment written for the emperor or for other nobles' amusement to accompany ceremonies, rituals and informal gatherings. -
Byzantium in Dialogue with the Mediterranean
Byzantium in Dialogue with the Mediterranean - 978-90-04-39358-5 Downloaded from Brill.com11/09/2020 07:50:13PM via free access <UN> The Medieval Mediterranean peoples, economies and cultures, 400–1500 Managing Editor Frances Andrews (St. Andrews) Editors Tamar Herzig (Tel Aviv) Paul Magdalino (St. Andrews) Larry J. Simon (Western Michigan University) Daniel Lord Smail (Harvard University) Jo Van Steenbergen (Ghent University) Advisory Board David Abulafia (Cambridge) Benjamin Arbel (Tel Aviv) Hugh Kennedy (soas, London) volume 116 The titles published in this series are listed at brill.com/mmed - 978-90-04-39358-5 Downloaded from Brill.com11/09/2020 07:50:13PM via free access <UN> Byzantium in Dialogue with the Mediterranean History and Heritage Edited by Daniëlle Slootjes Mariëtte Verhoeven leiden | boston - 978-90-04-39358-5 Downloaded from Brill.com11/09/2020 07:50:13PM via free access <UN> Cover illustration: Abbasid Caliph al-Mamun sends an envoy to Byzantine Emperor Theophilos, Skyllitzes Matritensis, Unknown, 13th-century author, detail. With kind permission of the Biblioteca Nacional de España. Image editing: Centre for Art Historical Documentation (CKD), Radboud University Nijmegen. Library of Congress Cataloging-in-Publication Data Names: Slootjes, Daniëlle, editor. | Verhoeven, Mariëtte, editor. Title: Byzantium in dialogue with the Mediterranean : history and heritage / edited by Daniëlle Slootjes, Mariëtte Verhoeven. Description: Leiden ; Boston : Brill, [2019] | Series: The medieval Mediterranean : peoples, economies and cultures, 400-1500, issn 0928-5520; volume 116 | Includes bibliographical references and index. Identifiers: lccn 2018061267 (print) | lccn 2019001368 (ebook) | isbn 9789004393585 (ebook) | isbn 9789004392595 (hardback : alk. paper) Subjects: lcsh: Byzantine Empire--Relations--Europe, Western.