Burns Chronicle 1978

Total Page:16

File Type:pdf, Size:1020Kb

Burns Chronicle 1978 Robert BurnsLimited World Federation Limited www.rbwf.org.uk 1978 The digital conversion of this Burns Chronicle was sponsored by Leicester Caledonian Society Council, The Perth Burns Club and The Lanarkshire Association of Burns Clubs in memory of RBWF Past President, A C W Train The digital conversion service was provided by DDSR Document Scanning by permission of the Robert Burns World Federation Limited to whom all Copyright title belongs. www.DDSR.com BURNS CHRONICLE 1978 BURNS CHRONICLE AND CLUB DIRECTORY INSTITUTED 1891 FOURTH SERIES: VOLUME III CONTENTS From the Editor 4 The New President 6 Robert Burns Festival 8 Burns-the Naturalised Russian Gabriel Feldman 10 My Testimony Harold Hampson 14 Burns's Songs in Japan Toshio Namba 16 Long Service Records 21 Personality Parade 22 The Toast to the Ex-Rovers Alastair Hardie 32 Burns Relics on Display in Arbroath Charles C. Easton 36 To a Ball Robert Pine 38 Canada, 1977 J. F. T. Thomson 39 'Antique' Smith's Manuscripts W. H. Dunlop 40 Aberdeen Burns Club 43 Leicester Caledonian Society Centenary Jim Inglis 44 Bobby Go Home! 46 Andrew Y. Crawford-An Appreciation Alex MacMillan 47 Poems 48 One Hundred Years Ago in George Square George Anderson 50 Essay on Burns by Candid1or R. S. Gilchrist 54 Honest Anna John Riddell 60 However Fortune Kicks the Ba' .•• David McGregor 62 Burns' 'Tale o' Truth' Mary Ellen B. Lewis 64 Well Restored by Tranent Club 79 George Anderson A. McArthur 80 Ongauns in Dumfries 82 Tm Robert Burns-Fly Me' The Editor 83 John Laurie Honoured by Dumfries Club 85 A Sassenach's Tribute to Fellow Burnsians Rosalind Keyte 87 Book Reviews 88 Around the Clubs 94 Burns Federation Office-bearers 98 Club Notes 121 Numerical List of Clubs on the Roll 168 Alphabetical List of Clubs on the Roll 201 The title photograph is from the Nasmyth portrait of Burns and is reproduced by courtesy of the Scottish National Portrait Gallery. Published by the Burns Federation, Kilmarnock. Printed by Wm Hodge Co Ltd, Glasgow. ISSN 0307 8957 FROM THE EDITOR MORE years ago than I care now to remember, when I was waffling my way 1 through one of the papers in the final examination for the M.A. degree, one of the questions I was forced to fall back on-for want of something more factual, more positive-was: 'In what way has the British way of life and civilisation made its biggest impact worldwide, and by what methods is it maintained?' All that sticks in my mind was that I wrote at considerable length on the three pillars of British civilisation round the world: pipe bands, golf and Robert Burns. Such was the sheltered life I had led up till that time that, rack my brains as much as I could, I could think of no aspects of the Pax Britannica that did not have a pro­ nounced Scottish flavour. A fair amount of foreign travel over the past umpteen years, however, has only tended to reinforce this viewpoint, whether it be the spectacle of pipe bands in Nepal, the 'new' St. Andrews links in Japan or President Amin disporting himself­ to our intense embarrassment-in kilt and glengarry. Robert Burns is not a cult figure in the manner of some recent literary personalities like Tolkien and Dylan Thomas, but his presence is all-pervasive. Everyone, it seems, has heard of Burns though they may know little else. His words have been misquoted more often than those of any other poet (Shakespeare included) and the songs which he composed or revivified have become, in the parlance of Tin Pan Alley, 'standards' familiar everywhere. They have even become the subject of new interpretations which often render them wellnigh unrecognisable. Last January, for example, as I recovered from jet lag sprawled out on a sun lounger by the pool of the Shangri-La Hotel in Singapore, the haunting strains of an orientalised 'Auld Lang Syne' wafted across the limpid water every half hour or so on the hotel's efficient loudspeaker system, interspersed with other soporific muzak. And then, in Australia, there was a pop singer named Don-whose latest single 'Here's to you, here's to me, Here's to Love' incorporated both the words and music of 'Auld Lang Syne'. Its rapid rise in the charts was probably due to the familiarity of the 'backing'. From the ridiculous to the sublime. In the course of the past year Lord Britten died. One of the last works of this great composer was 'A Birthday Hansel' set to words of Burns and produced originally in honour of the 75th birthday of Queen Elizabeth the Queen Mother. Many people will remember Sir Peter Peers singing of 'Wee Willie Gray and his feather bonnet', to the accompaniment of Ossian Ellis on harp at last year's Edinburgh Festival. Burns himself was not averse to taking some traditional ballad and transforming it into an immortal work of art; and he in turn is the inspiration of countless artists in different media down to the present time. It is with some trepidation that I have taken on the duties of Editor of the Burns Chronicle. My predecessor, Arthur Daw, has set such a very high standard in the 4 two previous editions that I can only· try my best to meet his exacting yardstick. I have endeavoured to produce a varied mixture of the light and the serious, the scholarly treatise and the more ephemeral pieces of this passing world. Every editor must have a policy and mine is two-fold: a chronicle should be a record of contemporary happenings and personalities, and I want to reflect the truly inter­ national nature of this great movement of ours. To these ends, therefore, I should like to strengthen the features headed 'Around the Clubs' and 'Personality Parade'. I want to put a face to those whose names crop up year after year, as contributors to the Chronicle or as indefatigable workers in the Burns movement. This should serve as a record, both for the present and for all time. Secondly I want to place on record the world-wide influence of Burns: how a farmer-poet from a small European country two centuries ago can be such a living force around the globe today. I want to give more substance-preferably with good black and white photographs-to some of the often cryptic club reports I have received from far and wide. Already plans are well in hand for the 1979 Annual Conference in Canada, as our Secretary, Jock Thomson, reports in these pages. Feelings may be divided on the wisdom of the annual jaunts to Moscow (no, not the one near Kilmarnock), but Burns is undeniably a potent force for world peace, and-Heaven knows-we need as much of that as we can get these days. Nearer home, we have pleasure in reporting the continuing success of the Schools Competitions, with more than 120,000 pupils participating. If the Burns movement is to have a meaningful future, we must be ever-mindful of the younger generation. Our congratulations are due to Messrs. Finlayson and Glass for carrying on the good work, so nobly pioneered by Fred Belford. Fred had a record stint as Convener of the Schools Competitions sub-committee and in deciding to lay down the load, he was one of several conveners who have relinquished their onerous posts in the past year or two. On your behalf I should like to pay tribute to Alex MacMillan (Scottish Literature), George Vallance (Memorials) and Albert Finlayson (Schools); to these stalwarts, a sincere thank you. With it, too, a word of welcome and encouragement to those who have taken up where these veterans have left off: Sam Gaw (Memorials),James Glass (Schools) and last, but by no means least, Charles Easton (Liteiature), whose support, moral and otherwise, has kept me afloat after being pitched in at the deep-end, if you will pardon the metaphor. 11 NEWALL TERRACE, JAMES A. MACKAY DUMFRIES, DGl lLN. BURNS QUIZ THE two mistakes in last year's Quiz certainly weren't intentional-so apologies all round. At the same time, it was most heartening to find that so many people spotted them. That bodes well for the future, so far as the study of Robert Burns and his works are concerned. Now the corrections: The Burns Federation was instituted in 1885; the date 1891 was that of the introduction of the Burns Chronicle. While Gilbert is today the best known of the Poet's brothers, there were two others, William and John, who predeceased both Robert and Gilbert. 5 6 THE NEW PRESIDENT Abraham Clarkson Walker Train 1977-78 WHEN Allanton Jolly Beggars Burns Club (Fed. No.: 809) was instituted in 1957, the now sole remaining founder member, Abe Train, little dreamt that in 20 years' time he would hold the highest position in the International Burns Movement. This great honour is no more than he deserves, having dedicated himself to the Burns Movement since that time. In 1958 he was appointed Club Delegate to the Lanarkshire Association meetings and carried out this duty until 1962, when he was elected President of his Club. This post he held until 1975, since when he has efficiently carried out the duties of Club Treasurer. He is held in high esteem in Burns circles all over Lanarkshire, so much so, that the Lanarkshire Association of Burns Clubs elected him President, not once, but twice, from 1962-64 and again 1966-67. In 1963 he was elected District Repre­ sentative to the Burns Federation and executed the duties of this position with such enthusiasm and dignity that his subsequent election as Junior Vice-President in 1975 came as no surprise to those in the movement who knew him well.
Recommended publications
  • 1. August Angellier in Robert Burns, La Vie, Les Oeuvres, 2 Vols (Paris
    Notes CHAPTER 1 THE EARLY PERIOD: BURNS' INTUITIVE USE OF SCOTTISH TRADITION 1. August Angellier in Robert Burns, La Vie, Les Oeuvres, 2 vols (Paris, 1983) pointed to this when he said: 'But underneath this scholarly poetry there existed a popular poetry which was very abundant, very vigorous, very racy and very original'. See especially p. 14 of Jane Burgoyne's selected translation from Angellier in the Burns Chronicle and Club Directory, 1969. Other portions of the translation appeared in 1970, 1971, 1972, 1973. 2. J. De Lancey Ferguson (ed.) The Letters of Robert Burns, 2 vols (Oxford: Clarendon Press, 1931), 1: 106, no. 125. Burns adopted a superior tone here in keeping with the accepted pose of the eighteenth-century man of letters. All references to Burns' letters are to Ferguson's edition. Only letter numbers will be given when the citation appears in the text proper. 3. Most critics and students of Burns take some stance towards his relationship with previous work. Hans Hecht, Robert Burns: The Man and His Work, 2nd rev. ed. (London: William Hodge & Company, 1950), p. 29, suggests that Burns was the culmination of a tradition, but he speaks of a literary rather than a cultural inheritance. 4. See T. S. Eliot, The Sacred Wood (London: Methuen, 1950), pp. 47-59. 5. Angellier earlier suggested this division and I agree with him that Burns' work prior to Edinburgh was dominated by depiction of the world around him. After Edinburgh, Angellier indicates that Burns relied less on the specific incidents and more on general sentiments.
    [Show full text]
  • The Representation of Reality and Fantasy in the Films of Powell and Pressburger: 1939-1946
    The Representation of Reality and Fantasy In the Films of Powell and Pressburger 1939-1946 Valerie Wilson University College London PhD May 2001 ProQuest Number: U642581 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642581 Published by ProQuest LLC(2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 The Representation of Reality and Fantasy In the Films of Powell and Pressburger: 1939-1946 This thesis will examine the films planned or made by Powell and Pressburger in this period, with these aims: to demonstrate the way the contemporary realities of wartime Britain (political, social, cultural, economic) are represented in these films, and how the realities of British history (together with information supplied by the Ministry of Information and other government ministries) form the basis of much of their propaganda. to chart the changes in the stylistic combination of realism, naturalism, expressionism and surrealism, to show that all of these films are neither purely realist nor seamless products of artifice but carefully constructed narratives which use fantasy genres (spy stories, rural myths, futuristic utopias, dreams and hallucinations) to convey their message.
    [Show full text]
  • 1943 the Digital Conversion of This Burns Chronicle Was Sponsored by Southern Scottish Counties Burns Association
    Robert BurnsLimited World Federation Limited www.rbwf.org.uk 1943 The digital conversion of this Burns Chronicle was sponsored by Southern Scottish Counties Burns Association The digital conversion service was provided by DDSR Document Scanning by permission of the Robert Burns World Federation Limited to whom all Copyright title belongs. www.DDSR.com THE ROBER T BURNS ANNUAL AND CHRONICLE 1943 THE BURNS FEDERATION KILMARNOCK 1943 Price Three Shillings and Nine Pence "BURNS CHRONICLE" ADVERTISER CRAIG'S RESTAURANTS for MORNING COFFEE SNACKS · LUNCHEONS AFTERNOON TEA The Rhul The Gordon 123 7-19 Sauchiehall Gordon Street Street Branches throughout the CIty JAMES CRAIG (GLASGOW). LTO •• Woodlands Road. GLASGOW "BURNS CHRONICLE" ADVERTISER JEAN ARMOUR BURNS HOUSES CASTLE STREET, MAUCHLlNE AYRSH I RE Established in 1915 by the Glasgow and District Burns Association These Houses were purchased, repaired, and gifted to the Association by the late Mr. Charles R. Cowie, J.P., of Glasgow. They comprise the Burns House (in which the poet and Jean Armour began housekeeping in 1788), Dr. John M'Kenzie's House, and "Auld Nanse Tinnock's" (the "change-house" of Burns's poem "The Holy Fair"); and provide comfortable acco~modation for nine old ladies, who live rent and rate free and receive a small pension. A portion of the Burns House has been arranged as a Museum, which now contains numerous authentic relics of Jean Armour and the poet: these include the Armour Family Bible and several manuscripts of Burns. An Endowment Fund' for the maintenance of the Houses and the provision of the pensions is being formed.
    [Show full text]
  • RBWF Newsletter July 2015
    The Robert Burns World Federation Newsletter Issue 16 July 2015 This edition of the Newsletter continues to demonstrate the wonderful work being done by the Federation in promoting the life and works of Robert Burns with the younger generation. It is particularly gratifying to see the enthusiasm of pupils involved in the Primary Schools’ Festival and in a repeat performance of the Burns musical ‘Rabbie’ at the Edinburgh Fringe by St George’s Girls School, Edinburgh. Some very welcome thoughts on promoting Burns in the classroom are presented by a secondary school teacher and hopefully it will evoke a response. The rededication ceremony for the laying of the foundation stone for the Burns Mausoleum in Dumfries, some 200 years after the original event, is deservedly given full coverage. Editor In this Issue: Page Reply to an Invitation - Primary Schools Festival 1-2 - Ellisland Youngsters 3 Sir, - Lasses Lunch 3 - Wreath Laying in Kilmarnock 4 Yours this moment I unseal, - Thornhill Burns Club Outing 4 And faith! I’m gay and hearty. - Addressing the Haggis Competition 4 - Poet William Letford Residency 5 To tell the truth and shame the Deil, I am a fou as Bartie. - John Galt Society 5 - 200 Club Results and Membership 6 - A ‘Stookie’ Comes to Life 6 But Foorsday, Sir, my promise leal, - Tom McIlwraith Poetry Competition 6 Expect me o’ your partie, - Burns Mausoleum 200th Anniversary 7-8 If on a beast I can speel - The Kirk’s Alarm 8 - Overseas Literature Report 9 Or hurl in a cartie. - RBBM Events Programme 10 - RBANA Conference Report 10 Yours, - Robert Burns - Burns Teaching in School 11 - Tartan Day 12 Primary Schools Festival The Primary Schools Festival was held in Hutchesons’ Grammar School on Saturday 30th May with over 150 enthusiastic pupils taking part.
    [Show full text]
  • A Discography of Robert Burns 1948 to 2002 Thomas Keith
    Studies in Scottish Literature Volume 33 | Issue 1 Article 30 2004 A Discography of Robert Burns 1948 to 2002 Thomas Keith Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Keith, Thomas (2004) "A Discography of Robert Burns 1948 to 2002," Studies in Scottish Literature: Vol. 33: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol33/iss1/30 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Thomas Keith A Discography of Robert Bums 1948 to 2002 After Sir Walter Scott published his edition of border ballads he came to be chastised by the mother of James Hogg, one Margaret Laidlaw, who told him: "There was never ane 0 my sangs prentit till ye prentit them yoursel, and ye hae spoilt them awthegither. They were made for singing an no forreadin: butye hae broken the charm noo, and they'll never be sung mair.'l Mrs. Laidlaw was perhaps unaware that others had been printing Scottish songs from the oral tradition in great numbers for at least the previous hundred years in volumes such as Allan Ramsay's The Tea-Table Miscellany (1723-37), Orpheus Caledonius (1733) compiled by William Thompson, James Oswald's The Cale­ donian Pocket Companion (1743, 1759), Ancient and Modern Scottish Songs (1767, 1770) edited by David Herd, James Johnson's Scots Musical Museum (1787-1803) and A Select Collection of Original Scotish Airs (1793-1818) compiled by George Thompson-substantial contributions having been made to the latter two collections by Robert Burns.
    [Show full text]
  • How Robert Burns Captured America James M
    Studies in Scottish Literature Volume 30 | Issue 1 Article 25 1998 How Robert Burns Captured America James M. Montgomery Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Montgomery, James M. (1998) "How Robert Burns Captured America," Studies in Scottish Literature: Vol. 30: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol30/iss1/25 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. James M. Montgomery How Robert Burns Captured America Before America discovered Robert Bums, Robert Bums had discovered America. This self-described ploughman poet knew well the surge of freedom which dominated much of Europe and North America in the waning days of the eight­ eenth century. Bums understood the spirit and the politics of the fledgling United States. He studied the battles of both ideas and infantry. Check your knowledge of American history against Bums's. These few lines from his "Ballad on the American War" trace the Revolution from the Boston Tea Party, through the Colonists' invasion of Canada, the siege of Boston, the stalemated occupation of Philadelphia and New York, the battle of Saratoga, the southern campaign and Clinton's failure to support Cornwallis at Yorktown. Guilford, as in Guilford Court House, was the family name of Prime Minister Lord North. When Guilford good our Pilot stood, An' did our hellim thraw, man, Ae night, at tea, began a plea, Within America, man: Then up they gat to the maskin-pat, And in the sea did jaw, man; An' did nae less, in full Congress, Than quite refuse our law, man.
    [Show full text]
  • ROBERT BURNS and FRIENDS Essays by W. Ormiston Roy Fellows Presented to G
    University of South Carolina Scholar Commons Robert Burns and Friends Robert Burns Collections 1-1-2012 ROBERT BURNS AND FRIENDS essays by W. Ormiston Roy Fellows presented to G. Ross Roy Patrick G. Scott University of South Carolina - Columbia, [email protected] Kenneth Simpson See next page for additional authors Publication Info 2012, pages 1-192. © The onC tributors, 2012 All rights reserved Printed and distributed by CreateSpace https://www.createspace.com/900002089 Editorial contact address: Patrick Scott, c/o Irvin Department of Rare Books & Special Collections, University of South Carolina Libraries, 1322 Greene Street, Columbia, SC 29208, U.S.A. ISBN 978-1-4392-7097-4 Scott, P., Simpson, K., eds. (2012). Robert Burns & Friends essays by W. Ormiston Roy Fellows presented to G. Ross Roy. P. Scott & K. Simpson (Eds.). Columbia, SC: Scottish Literature Series, 2012. This Book - Full Text is brought to you by the Robert Burns Collections at Scholar Commons. It has been accepted for inclusion in Robert Burns and Friends by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Author(s) Patrick G. Scott, Kenneth Simpson, Carol Mcguirk, Corey E. Andrews, R. D. S. Jack, Gerard Carruthers, Kirsteen McCue, Fred Freeman, Valentina Bold, David Robb, Douglas S. Mack, Edward J. Cowan, Marco Fazzini, Thomas Keith, and Justin Mellette This book - full text is available at Scholar Commons: https://scholarcommons.sc.edu/burns_friends/1 ROBERT BURNS AND FRIENDS essays by W. Ormiston Roy Fellows presented to G. Ross Roy G. Ross Roy as Doctor of Letters, honoris causa June 17, 2009 “The rank is but the guinea’s stamp, The Man’s the gowd for a’ that._” ROBERT BURNS AND FRIENDS essays by W.
    [Show full text]
  • Set in Scotland a Film Fan's Odyssey
    Set in Scotland A Film Fan’s Odyssey visitscotland.com Cover Image: Daniel Craig as James Bond 007 in Skyfall, filmed in Glen Coe. Picture: United Archives/TopFoto This page: Eilean Donan Castle Contents 01 * >> Foreword 02-03 A Aberdeen & Aberdeenshire 04-07 B Argyll & The Isles 08-11 C Ayrshire & Arran 12-15 D Dumfries & Galloway 16-19 E Dundee & Angus 20-23 F Edinburgh & The Lothians 24-27 G Glasgow & The Clyde Valley 28-31 H The Highlands & Skye 32-35 I The Kingdom of Fife 36-39 J Orkney 40-43 K The Outer Hebrides 44-47 L Perthshire 48-51 M Scottish Borders 52-55 N Shetland 56-59 O Stirling, Loch Lomond, The Trossachs & Forth Valley 60-63 Hooray for Bollywood 64-65 Licensed to Thrill 66-67 Locations Guide 68-69 Set in Scotland Christopher Lambert in Highlander. Picture: Studiocanal 03 Foreword 03 >> In a 2015 online poll by USA Today, Scotland was voted the world’s Best Cinematic Destination. And it’s easy to see why. Films from all around the world have been shot in Scotland. Its rich array of film locations include ancient mountain ranges, mysterious stone circles, lush green glens, deep lochs, castles, stately homes, and vibrant cities complete with festivals, bustling streets and colourful night life. Little wonder the country has attracted filmmakers and cinemagoers since the movies began. This guide provides an introduction to just some of the many Scottish locations seen on the silver screen. The Inaccessible Pinnacle. Numerous Holy Grail to Stardust, The Dark Knight Scottish stars have twinkled in Hollywood’s Rises, Prometheus, Cloud Atlas, World firmament, from Sean Connery to War Z and Brave, various hidden gems Tilda Swinton and Ewan McGregor.
    [Show full text]
  • Shakespeare, William Shakespeare
    Shakespeare, William Shakespeare. Julius Caesar The Shakespeare Ralph Richardson, Anthony SRS Caedmon 3 VG/ Text Recording Society; Quayle, John Mills, Alan Bates, 230 Discs VG+ Howard Sackler, dir. Michael Gwynn Anthony And The Shakespeare Anthony Quayle, Pamela Brown, SRS Caedmon 3 VG+ Text Cleopatra Recording Society; Paul Daneman, Jack Gwillim 235 Discs Howard Sackler, dir. Great Scenes The Shakespeare Anthony Quayle, Pamela Brown, TC- Caedmon 1 VG/ Text from Recording Society; Paul Daneman, Jack Gwillim 1183 Disc VG+ Anthony And Howard Sackler, dir. Cleopatra Titus The Shakespeare Anthony Quayle, Maxine SRS Caedmon 3 VG+ Text Andronicus Recording Society; Audley, Michael Horden, Colin 227 Discs Howard Sackler, dir. Blakely, Charles Gray Pericles The Shakespeare Paul Scofield, Felix Aylmer, Judi SRS Caedmon 3 VG+ Text Recording Society; Dench, Miriam Karlin, Charles 237 Discs Howard Sackler, dir. Gray Cymbeline The Shakespeare Claire Bloom, Boris Karloff, SRS- Caedmon 3 VG+ Text Recording Society; Pamela Brown, John Fraser, M- Discs Howard Sackler, dir. Alan Dobie 236 The Comedy The Shakespeare Alec McCowen, Anna Massey, SRS Caedmon 2 VG+ Text Of Errors Recording Society; Harry H. Corbett, Finlay Currie 205- Discs Howard Sackler, dir. S Venus And The Shakespeare Claire Bloom, Max Adrian SRS Caedmon 2 VG+ Text Adonis and A Recording Society; 240 Discs Lover's Howard Sackler, dir. Complaint Troylus And The Shakespeare Diane Cilento, Jeremy Brett, SRS Caedmon 3 VG+ Text Cressida Recording Society; Cyril Cusack, Max Adrian 234 Discs Howard Sackler, dir. King Richard The Shakespeare John Gielgud, Keith Michell and SRS Caedmon 3 VG+ Text II Recording Society; Leo McKern 216 Discs Peter Wood, dir.
    [Show full text]
  • November 2020
    ‘The Vision’ The Robert Burns World Federation Newsletter Issue 47 November 2020 I have decided to give the newsletter the title of ‘The Vision’ as a nod to Burns’s poem of that name in which he bemoans the lack of recognition for poets from his native Ayrshire. His vision involves the appearance the muse Coila. However, the critic David Daiches remarked that ‘the poet does not quite know what to do with her when he brought her in.’ In composing this edition of the newsletter, I felt much the same as I didn’t know what I was going to do about the lack of copy which normally flows in unsolicited from around the world. Fortunately, my colleagues on the Board came up trumps and offered various leads for suitable material. It is a pleasure to report on a very successful Tamfest which explored Burns’s famous poem Tam o’ Shanter in great depth. The importance of music in relation to Burns also comes across strongly with a couple of articles highlighting his continuing influence on contemporary performers. Editor In this Issue: Page Halloween - Profile of President Marc Sherland 1-2 - A New Tartan for the Federation 2 Amang the bonie winding banks, - Lesley McDonald elected at President of LABC 2 Where Doon rins, wimpling, clear; - Tamfest 2020 3 - Simon Lamb Performance Poet 3 Where Bruce ance ruled the martial ranks, - Singer Lauren McQuistin 4-5 An’ shook his Carrick spear; - Heritage Item, Burns’s Mother’s Well 5 Some merry, friendly, country-folks - 200 Club 6 - New Burns Selection for Every Day 6 Together did convene, - St Andrew’s Day Lecture 6 To burns their nits, an’ pou their stocks, - Volunteers for Ellisland 7 An’ haud their Hallowe’en - Habbie Poetry Competition 8 - Federation Yule Concert 9 Fu’ blythe that night.
    [Show full text]
  • A Conversation with Sir Frank Kermode
    SELLogan 45, 2D. (Spring Browning 2005): 461–479 461 ISSN 0039-3657 A Conversation with Sir Frank Kermode LOGAN D. BROWNING The ten-page article “Some Recent Studies in Shakespeare and Jacobean Drama” by Frank Kermode appeared in the fi rst volume of SEL in the spring of 1961. Kermode, already highly ad- mired in the scholarly world generally, but with the Arden edition of Shakespeare’s Tempest then his only signifi cant publication in the area of Renaissance drama, assessed the general state of the fi eld, but focused particularly on four books and one journal: Alvin Kernan’s The Cankered Muse: Satire of the English Renais- sance, Jonas A. Barish’s Ben Jonson and the Language of Prose Comedy, volume 11 of Shakespeare Quarterly, Bertrand Evans’s Shakespeare’s Comedies, and William Rosen’s Shakespeare and the Craft of Tragedy. By contrast, Richard Dutton treats more than ninety books and journals in this issue’s review essay, “Recent Studies in Tudor and Stuart Drama.” On several occasions over the last few years, the editors of SEL have invited Kermode to reprise his role as review author for SEL, but, no doubt contem- plating the immense amount of work involved, he declined each entreaty. He did, however, agree to submit this past October to the videotaping in his Cambridge fl at of a full day of conversation between himself and SEL’s managing editor, Logan Browning, during which he registered his sense of the state of the profession of literary criticism and scholarship, with particular attention to Shakespeare and his contemporaries.
    [Show full text]
  • Robert Burns World Federation Limited
    Robert Burns World Federation Limited www.rbwf.org.uk The digital conversion of this Burns Chronicle was sponsored by Ian McIntyre The digital conversion was provided by Solway Offset Services Ltd by permission of the Robert Burns World Federation Limited to whom all Copyright title belongs. www.solwayprint.co.uk BURNS CHRONICLE 2018 Edited by Bill Dawson Burns Chronicle founded 1892 The Robert Burns World Federation © Burns Chronicle 2018, all rights reserved. Copyright rests with the Robert Burns World Federation unless otherwise stated. The Robert Burns World Federation Ltd does not accept responsibility for statements made or opinions expressed in the Burns Chronicle, contributors are responsible for articles signed by them; the Editor is responsible for articles initialled or signed by him and for those unsigned. All communications should be addressed to the Federation office. The Robert Burns World Federation Ltd. Tel. 01563 572469 Email [email protected] Web www.rbwf.org.uk Editorial Contacts & addresses for contributions; [email protected] [email protected] Books for review to the office The Robert Burns World Federation, 3a John Dickie Street, Kilmarnock, KA1 1HW ISBN 978-1-907931-68-0 Printed in Scotland by Solway Print, Dumfries 2018 Burns Chronicle Editor Bill Dawson The Robert Burns World Federation Kilmarnock www.rbwf.org.uk The mission of the Chronicle remains the furtherance of knowledge about Robert Burns and its publication in a form that is both academically responsible and clearly communicated for the broader Burnsian community. In reviewing, and helping prospective contributors develop, suitable articles to fulfil this mission, the Editor now has the support of an Editorial Advisory Board.
    [Show full text]