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After Tomorrow 15Min, 2.35:1, 2008

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After Tomorrow 15Min, 2.35:1, 2008 After tomorrow 15min, 2.35:1, 2008 Joseph Mawle S y n o pS i S M A i n C as t : Returning to the village of his estranged the Woman – Kika Markham wife, James grows increasingly Film work includes: Franklyn, Paint It Yellow, The concerned when the sinister owner of Fever, Esther Khan, Killing Me Softly, Wonderland, The the guest house refuses to let him leave. Innocent & Truffaut’s Les Deux Filles Sur Le Continent. A psychological suspense with a TV work includes: Einstein and Eddington, Longford, Messiah, The Line of Beauty, Dirty Filthy Love. Theatre surprising yet moving denouement. work includes: Julius Caesar, The Vagina Monolgues, The Permanent Way, The Taming of the Shrew. Written and Directed by Emma Sullivan Emma trained as a visual artist at Central St Martins James – Joseph Mawle and the Royal College of Art in London, before com- Joseph made his lead screen debut in Blast! Films pleting an MA in Fiction Direction at the National Film SOUNDPROOF, Winner BAFTA Best Director. Recent and Television School, UK. As a writer/director she has credits include CLAPHAM JUNCTION for Channel 4, made several shorts as well as writing features. She is Clerkenwell Films PERSUASION and BBC/HBO mini developing a psychological thriller (as writer/director) series THE PASSION. This year he can be seen in THE with producer Annalise Davis and is also attached to RED RIDING TRILOGY directed by James Marsh, Domi- direct a thriller feature with producer Celine Haddad nic Savages FREEFALL and Jimmy McGoverns BAFTA/ (ex Pathé London) and writer Tom Williams. Emmy award winning series THE STREET. Phillip Rid- ley’s new feature film HEARTLESS is due for release produced by Annalise Davis – Wilder Films later in the year. Annalise worked as a producer for a communications agency in London before completing an MA in Produc- Gwennie – Claire Hackett ing at the National Film & Television School. While Originally from the Wirral, Claire trained at RADA. there she produced several award winning short films, Since graduating in 1985 she has worked extensively which played at festivals worldwide. She has since in theatre, TV and film. Her TV credits include WIL- worked on a number of high profile feature films, -in LIAM AND MARY, POIROT, INSTINCT and GROWING cluding THE PROPOSITION, STONED and INCENDIARY. RICH and she has enjoyed working on dramas writ- Annalise currently has a slate of feature films in devel- ten by Jimmy McGovern notably CRACKER and THE opment through her company Wilder Films, including STREET. Work in film includes the lead role in Willy a psychological thriller with writer/director Emma Sul- Russel’s DANCIN THRU THE DARK and LIAM directed livan. Her feature film, LAID OFF, written and directed by Stephen Frears. by Zam Salim and starring Mark Rylance, Jodie Whit- taker and Riz Ahmed, it is set to shoot later this year. Screen East is the regional screen Screen East allocates Lottery fund- Our New Cinema Fund supports agency dedicated to developing a ing on behalf of the UK Film Council emerging talent and established film- thriving film, TV and digital media through the Regional Investment Fund makers. The fund invests £5 million industry for the East of England. The for England (RIFE). of Lottery money a year into produc- agency aims to: tion including £1 million in an ambi- • drive the content sector to the The UK Film Council is the Govern- tious programme of shorts schemes heart of the digital economy ment backed lead agency for film in producing more than 450 films to • build the region’s ‘on-screen’ the UK ensuring that the economic, date including Cinema Extreme, the identity through indigenous cultural and educational aspects of Completion Fund, Digital Nation and production and inward investment film are effectively represented at Digital Shorts to encourage directors, of filmed entertainment home and abroad. We invest Gov- producers and creative talent to ex- • delight audiences with the choice ernment grant-in-aid and Lottery plore new storytelling methods in the and quality of on-screen content money in developing new filmmak- short film genre. • empower young people to shape ers, in funding exciting new British their vision through media films and in getting a wider choice of expression. films to audiences throughout the UK. We also invest in training, promoting Britain as an international filmmaking Kika Markham location and in raising the profile of British films abroad. Funded by the UK Film Council & Screen East Digital Shorts Scheme. For further information about the film please contact: Annalise Davis, Wilder Films +44 (0)7734 682852 or [email protected] Kika Markham.
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