Competing Ideologies in Greek Culture, Ancient and Modern
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Demeter and Dionysos: Connections in Literature, Cult and Iconography Kathryn Cook April 2011
Demeter and Dionysos: Connections in Literature, Cult and Iconography Kathryn Cook April 2011 Demeter and Dionysos are two gods among the Greek pantheon who are not often paired up by modern scholars; however, evidence from a number of sources alluding to myth, cult and iconography shows that there are similarities and connections observable from our present point of view, that were commented upon by contemporary authors. This paper attempts to examine the similarities and connections between Demeter and Dionysos up through the Classical period. These two deities were not always entwined in myth. Early evidence of gods in the Linear B tablets mention Dionysos as the name of a deity, but Demeter’s name does not appear in the records until later. Over the centuries (up to approximately the 6th century as mentioned in this paper), Demeter and Dionysos seem to have been depicted together in cult and in literature more and more often. In particular, the figure of Iacchos in the Eleusinian cult seems to form a bridging element between the two which grew from being a personification of the procession for Demeter, into being a Dionysos figure who participated in her cult. Literature: Demeter and Dionysos have some interesting parallels in literature. To begin with, they are both rarely mentioned in the Homeric poems, compared to other gods like Hera or Athena. In the Iliad, neither Demeter nor Dionysos plays a role as a main character. Instead they are mentioned in passing, as an example or as an element of an epic simile.1 These two divine figures are present even less often in the Odyssey, though this is perhaps a reflection of the fewer appearances of the gods overall, they are 1 Demeter: 2.696. -
Athenians and Eleusinians in the West Pediment of the Parthenon
ATHENIANS AND ELEUSINIANS IN THE WEST PEDIMENT OF THE PARTHENON (PLATE 95) T HE IDENTIFICATION of the figuresin the west pedimentof the Parthenonhas long been problematic.I The evidencereadily enables us to reconstructthe composition of the pedimentand to identify its central figures.The subsidiaryfigures, however, are rath- er more difficult to interpret. I propose that those on the left side of the pediment may be identifiedas membersof the Athenian royal family, associatedwith the goddessAthena, and those on the right as membersof the Eleusinian royal family, associatedwith the god Posei- don. This alignment reflects the strife of the two gods on a heroic level, by referringto the legendary war between Athens and Eleusis. The recognition of the disjunctionbetween Athenians and Eleusinians and of parallelism and contrastbetween individualsand groups of figures on the pedimentpermits the identificationof each figure. The referenceto Eleusis in the pediment,moreover, indicates the importanceof that city and its majorcult, the Eleu- sinian Mysteries, to the Athenians. The referencereflects the developmentand exploitation of Athenian control of the Mysteries during the Archaic and Classical periods. This new proposalfor the identificationof the subsidiaryfigures of the west pedimentthus has critical I This article has its origins in a paper I wrote in a graduateseminar directedby ProfessorJohn Pollini at The Johns Hopkins University in 1979. I returned to this paper to revise and expand its ideas during 1986/1987, when I held the Jacob Hirsch Fellowship at the American School of Classical Studies at Athens. In the summer of 1988, I was given a grant by the Committeeon Research of Tulane University to conduct furtherresearch for the article. -
Daimonic Imagination
Daimonic Imagination Daimonic Imagination: Uncanny Intelligence Edited by Angela Voss and William Rowlandson Daimonic Imagination: Uncanny Intelligence, Edited by Angela Voss and William Rowlandson This book first published 2013 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2013 by Angela Voss and William Rowlandson and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-4726-7, ISBN (13): 978-1-4438-4726-1 TABLE OF CONTENTS Preface and Acknowledgments .................................................................. ix Introduction ................................................................................................. 1 Part I: Daimonic History Chapter One ................................................................................................. 8 When Spirit Possession is Sexual Encounter: The Case for a Cult of Divine Birth in Ancient Greece Marguerite Rigoglioso Chapter Two .............................................................................................. 23 Encounters at the Tomb: Visualizing the Invisible in Attic Vase Painting Diana Rodríguez Pérez Chapter Three ........................................................................................... -
Sacred Union
SACRED UNION Awakening to the Consciousness of Eden Also by Tanishka The Inner Goddess Makeover Sacred Union: Awakening to the Consciousness of Eden, Volume One: Creating Sacred Union Within Coming Soon Sacred Union: Awakening to the Consciousness of Eden, Volume Three: Creating Sacred Union in Community SACRED UNION Awakening to the Consciousness of Eden By TANISHKA Volume Two: Red Tantra Creating Sacred Union in Partnership Copyright © 2014 by Tanishka All rights reserved. No part of this book may be reproduced by any mechanical, photographic or electronic process, or in the form of a phonographic recording; nor may it be stored in a retrieval system, transmitted, or otherwise copied for public or private use—other than 'fair use' as brief quotations embodied in articles and reviews— without the prior written permission of the publisher. The intent of the author is only to offer information of a general nature to assist in personal growth and self-awareness. In the event you use any of the information contained within this book, as is your legal right, no responsibility will be assumed by the publisher for your actions. First Printing: 2014 ISBN: 978-0-9874263-3-8 Published by Star of Ishtar Publishing P.O. Box 101, Olinda VIC 3788 Australia www.starofishtar.com Dedication To those who are dedicated to restoring the sacred balance of opposites here on Earth. Acknowledgements I would like to thank the Christ, the Magdalene, Ishtar, Gaia, Luna and Sol for pouring their teachings through me as a channel, as well as their patience and faith in me to birth this book. -
The Protrepticus of Clement of Alexandria: a Commentary
Miguel Herrero de Jáuregui THE PROTREPTICUS OF CLEMENT OF ALEXANDRIA: A COMMENTARY to; ga;r yeu'do" ouj yilh'/ th'/ paraqevsei tajlhqou'" diaskedavnnutai, th'/ de; crhvsei th'" ajlhqeiva" ejkbiazovmenon fugadeuvetai. La falsedad no se dispersa por la simple comparación con la verdad, sino que la práctica de la verdad la fuerza a huir. Protréptico 8.77.3 PREFACIO Una tesis doctoral debe tratar de contribuir al avance del conocimiento humano en su disciplina, y la pretensión de que este comentario al Protréptico tenga la máxima utilidad posible me obliga a escribirla en inglés porque es la única lengua que hoy casi todos los interesados pueden leer. Pero no deja de ser extraño que en la casa de Nebrija se deje de lado la lengua castellana. La deuda que contraigo ahora con el español sólo se paliará si en el futuro puedo, en compensación, “dar a los hombres de mi lengua obras en que mejor puedan emplear su ocio”. Empiezo ahora a saldarla, empleándola para estos agradecimientos, breves en extensión pero no en sinceridad. Mi gratitud va, en primer lugar, al Cardenal Don Gil Álvarez de Albornoz, fundador del Real Colegio de España, a cuya generosidad y previsión debo dos años provechosos y felices en Bolonia. Al Rector, José Guillermo García-Valdecasas, que administra la herencia de Albornoz con ejemplar dedicación, eficacia y amor a la casa. A todas las personas que trabajan en el Colegio y hacen que cumpla con creces los objetivos para los que se fundó. Y a mis compañeros bolonios durante estos dos años. Ha sido un honor muy grato disfrutar con todos ellos de la herencia albornociana. -
Ritualdynamics
Originalveröffentlichung in: H.F.J. Horstmanshoff- H.W. Singor- F.T. van Straten - J.H.M. Strubbe (eds.), Kykeon. Studies in Honour of H.S. Versnel, Leiden-Boston-Cologne: Brill 2002, S. 23-48 RITUAL DYNAMICS: THE BOIOTIAN FESTIVAL OF THE DAIDALA ANGELOS CHANIOTIS 1. Sources and puzzles In Turkish folkore Nasreddin Hoca is a representative of populär wisdom; his stories are well-known in Greece as well. One of them goes as follows: Nasreddin Hoca had been appointed as a judge in a dispute between two men. After the plaintiff had presented his case, Nasreddin Hoca looked at him and said: 'You are right'. Then it was the defendant's turn to present his argument and, again, Hoca's response was the same: 'You are right'. Thereupon one of the on- lookers at the trial turned to Hoca and said: 'You are the judge; you have to pass a judgment now'. Hoca looked at him calmly and an- swered: 'You are right, too'. Whenever I heard this story as a child, I laughed, but at the same time I was puzzled about its meaning. I still am, but I can not help thinking of this story whenever I read different interpretations of the same Greek festival. Of course, not everyone is right, but there is hardly any study which does not offer a new interesting insight. I also could not help thinking of Hoca's story again, when I read the jacket of the second volume of the Inconsistencies in Greek and Roman Religion. There, Henk Versnel expresses his conviction 'that the three approaches to religion known as "sub- stantivistic", functionalist and cultural-symbolic respectively, need not be mutually exclusive.' If I have chosen such a puzzling festival as the Daidala for this paper in honor of Henk Versnel, it is because I think that it pre- sents an interesting case of a ritual, in the study of which different interpretative approaches are not mutually exclusive or contradic- tory, but complementary. -
Ave Developed a General Understanding That the Origins of Sports Activitieslie Rooted in the Cults of Antiquity
ge. DOCUMENT RESUME ED 129 827 SP 010 544 AUTHOR Eisen, George TITLE The Role of Women in Ancient Fertility Cults andthe Origin of Sports. PUB DATE Jun 76 NOTE 11p.; Paper presented to the Annual Conventionof North American Society for Sport History (4th, Eugene, Oregon, June 16-19, 1976) EDRS PRICE MF-$0.83 HC-$1.67 Plus Postage. DESCRIPTORS Ancient History; *Athletics; Dance; *Mythology; *Religious Factors; Social History; Wouens Athletics; *Womens Studies IDENTIFIERS Agricultural Cults; *Fertility Cults; Sport History ABSTRACT Sports historians have developed a general understanding that the origins of sports activitieslie rooted in the cults of antiquity. More specifically, it can be seenthat ancient religious customs and festivals in honor of fertilitygoddesses were transformed into sports activities in which womenfigured prominently. Throughout the Mediterranean basin, cultsof the Earth Mother (Magna Mater, Gain, Isis, Demeter) wereclosely associated with fertility and agriculture. Festivals heldin honor of these goddesses involved singing, acrobatic dancing,and racing. Women, as devotees of these deities, were the majorparticipants in bare-foot fertility races, ball games, and cult rituals,which later developed into nonreligious folk games. It wouldthus seem that women's contributions to the development of sports and games were more important than previously acknowledged by scholars. (NB) *********************************************************************** * Documents acquired by ERIC include manyinformal unpublished * * materials not available-from othersources.,ERIC makes every effort * * to obtain-tte-best copyavailable:,Neverthelesm..iteisof murginal * * reproducibility are.often encounterdd andthistffectsc,tthe quality .*'. * of the:microfiche andhardcopy'reproductionstEiIUkei'-available_ * * via the:ERIC Document Reproduction-Service'.1EDR$W:168S%is not * responsible for the-quality ofthe:originak:do00entReproductions:, * supplfed by EDRS-are the .best-that canbelaide2ficin'the,original.;_. -
On the Months (De Mensibus) (Lewiston, 2013)
John Lydus On the Months (De mensibus) Translated with introduction and annotations by Mischa Hooker 2nd edition (2017) ii TABLE OF CONTENTS Abbreviations .......................................................................................... iv Introduction .............................................................................................. v On the Months: Book 1 ............................................................................... 1 On the Months: Book 2 ............................................................................ 17 On the Months: Book 3 ............................................................................ 33 On the Months: Book 4 January ......................................................................................... 55 February ....................................................................................... 76 March ............................................................................................. 85 April ............................................................................................ 109 May ............................................................................................. 123 June ............................................................................................ 134 July ............................................................................................. 140 August ........................................................................................ 147 September ................................................................................ -
Music and Ritual in Primitive Eleusis
APOSTOLUS Ν. ATHANASSAKIS University of California at Santa Barbara MUSIC AND RITUAL IN PRIMITIVE ELEUSIS To Benjamin Schwartz, my teacher, on his seventieth birthday. The story of Persephone's rape and of Demeter* s arrival in Eleusis is told primarily in the Homeric Hymn to Demeter. Interestingly enough, once Demeter finds herself inside the palace of Keleos, it is not Metaneira, the queen, but wise old Iambê who knows how to entertain her ( 184—211). Demeter turns down the queen's throne for a humbler seat covered with a sheepskin offered by Iambê. It is Iambê's jests (χλεΰαι) which restore smile and laughter to the grief- stricken guest ( 200—204). Demeter also turns down the customary wine offered by the queen and bids her make a κυκεών, a mixed drink consisting of barley groats (άλφι), water (ΰδωρ), and pennyroyal (γλήχων). The version given in the Orphicorum Fragmenta (Kern 46—53) is rather different.The most articulate ac count is the one given by Clement of Alexandria in Protr. II 20,1—21,2 (Kern 52). According to this account when Demeter reached Eleusis the most important local ruler was Dysaules, and his wife's name was Baubô. The lesser kings or barons were Triptolemos, the cowherd, Eumolpos the shepherd, and Euboulos, the swineherd. Baubô offered Demeter the kykeôn, but the goddess demurred because she was in mourning. Then Baubô resorted to an unusual means of persuasion : ώς ειπούσα πέπλους άνεσύρετο δείξε δε πάντα σώματος ουδέ πρέποντα τύπον παις δ' ήεν "Ιακχος χειρί τέ μιν ρίπτασκε γελών Βαυβοΰς ύπο κόλποις· ή δ' έπεί οδν μείδησε θεά, μείδησ' ένΐ θυμω δέξατο δ* αίόλον άγγος, εν φ κυκεών ενέκειτο. -
THE ELEUSINIAN MYSTERIES of DEMETER and PERSEPHONE: Fertility, Sexuality, Ancl Rebirth Mara Lynn Keller
THE ELEUSINIAN MYSTERIES OF DEMETER AND PERSEPHONE: Fertility, Sexuality, ancl Rebirth Mara Lynn Keller The story of Demeter and Persephone, mother and daugher naturc goddesses, provides us with insights into the core beliefs by which earl) agrarian peoples of the Mediterranean related to “the creative forces of thc universe”-which some people call God, or Goddess.’ The rites of Demetei and Persephone speak to the experiences of life that remain through all time< the most mysterious-birth, sexuality, death-and also to the greatest niys tery of all, enduring love. In these ceremonies, women and inen expressec joy in the beauty and abundance of nature, especially the bountiful harvest in personal love, sexuality and procreation; and in the rebirth of the humail spirit, even through suffering and death. Cicero wrote of these rites: “Wc have been given a reason not only to live in joy, but also to die with bettei hope. ”2 The Mother Earth religion ceIebrated her children’s birth, enjoyment of life and loving return to her in death. The Earth both nourished the living and welcomed back into her body the dead. As Aeschylus wrote in TIic Libation Bearers: Yea, summon Earth, who brings all things to life and rears, and takes again into her womb.3 I wish to express my gratitude for the love and wisdom of my mother, hlary 1’. Keller, and of Dr. Muriel Chapman. They have been invaluable soiirces of insight and under- standing for me in these studies. So also have been the scholarship, vision atdot- friendship of Carol €! Christ, Charlene Spretnak, Deem Metzger, Carol Lee Saiichez, Ruby Rohrlich, Starhawk, Jane Ellen Harrison, Kiane Eisler, Alexis Masters, Richard Trapp, John Glanville, Judith Plaskow, Jim Syfers, Jim Moses, Bonnie blacCregor and Lil Moed. -
Bbbs 38 (2012)
38 2012 BULLETIN OF BRITISH BYZANTINE STUDIES BULLETIN OF BRITISH BYZANTINE STUDIES 38 ISSN 0265-162 2012 being the Bulletin of the Society for the Promotion of Byzantine Studies 1. Chairmen, Secretaries and Addresses of National Committees of the International Association of Byzantine Studies Albania: Dhorka Dhamo, Pellumb Xhufi, Rr Sulejman Pasha Pall 124, Shk. 3, Apart 37, Tirana, Albania Australia: Dr Bronwen Neil (President), Centre for Early Christian Studies, Australian Catholic University, PO Box 456, Virginia, Queensland 4014 ([email protected]); Dr Andrew Gillett (Secretary & Newsletter Editor), Department of Ancient History, Division of Humanities, Macquarie University, New South Wales 2109. Email: [email protected] Austria: Prof Dr Andreas Külzer (Secretary), Institut für Byzantinistik und Neogräzistik der Universität Wien, Postgrasse 7, A-1010 Vienna, Austria. Email: [email protected] Belgium: Anne Tihon (President); Jacques Noret (Vice-President and Treasurer); Caroline Mace (Secretary). Address of the Society for Byzantine Studies: Rue Ducale 1, 1000 Brussels, Belgium; address of the secretariat: Kardinaal Mercierplein 2, B3000 Leuven, Belgium Brazil: Angela Comnene, G. Kambani, 505 St Laurent Blvd, suite 106, Ottawa K1K4-4, Canada Bulgaria: Prof. Vassil Ghiuselev (President), University of Sofia "St Kliment Ohridski", Faculty of History, 15 Tsar Osvoboditel Bd., Room 40A, 1504 Sofia, Bulgaria. Canada: Antony Littlewood, Dept. of Classical Studies, The University of Western Ontario, Talbot College, London, Ontario, Canada N6A 3K7 Chile: Alejandro Zorbas, Universidad de Chile, Facultad de Filosofia, Centro de Estudios Bizantinos y Neohelenicos, Casilla 10136, Santiago, Chile China: Zhu Huan, Xu Jia-Lin, Wang Yue, History Dept., Lanzhou University, 730000 Lanzhou, Gansu Province, P. -
The Art and Archaeology of Ancient Greece Judith M
Cambridge University Press 978-1-107-00123-7 - The Art and Archaeology of Ancient Greece Judith M. Barringer Frontmatter More information The Art and This richly illustrated, color textbook introduces the art and Archaeology of archaeology of ancient Greece, from the Bronze Age through the Roman conquest. Suitable for students with no prior knowledge of Ancient Greece ancient art, this book reviews the main objects and monuments of the ancient Greek world, emphasizing the context and function of these artefacts in their particular place and time. Students are led to a rich understanding of how objects were meant to be perceived, what “messages” they transmitted, and how the surrounding environment shaped their meaning. The book includes more than 500 illustrations (with over 400 in color), including specially commissioned photographs, maps, fl oorplans, and reconstructions. Judith Barringer examines a variety of media, including marble and bronze sculpture, public and domestic architecture, painted vases, coins, mosaics, terracotta fi gurines, reliefs, jewelry, armor, and wall paintings. Numerous text boxes, chapter summaries, and timelines, complemented by a detailed glossary, support student learning. • More than 500 illustrations, with over 400 in color, including specially commissioned photographs, maps, plans, and reconstructions • Includes text boxes, chapter summaries and timelines, and detailed glossary • Looks at Greek art from the perspectives of both art history and archaeology, giving students an understanding of the historical and everyday context of art objects Judith M. Barringer is Professor of Greek Art and Archaeology in Classics at the University of Edinburgh. Her areas of specialization are Greek art and archaeology and Greek history, myth, and religion.