2018 Berlin & Beyond Film Festival

Total Page:16

File Type:pdf, Size:1020Kb

2018 Berlin & Beyond Film Festival 22 nd Edition New films from Germany, Feb 9-11, 2018 Austria & Switzerland Castro Theatre Feb 12, 2018 Shattuck Cinemas Feb 13-15, 2018 Goethe-Institut BerlinBeyond.com 22 nd BERLIN & BEYOND FILM FESTIVAL SCHEDULE CASTRO THEATRE SHATTUCK CINEMAS 429 Castro Street (near Market) 2230 Shattuck Avenue San Francisco, CA 94114 Berkeley, CA 94704 FRIDAY, FEB. 9, 2018 MONDAY, FEB. 12, 2018 9:30 a.m. MY BROTHER SIMPLE p. 23 4:30 p.m. GODLESS YOUTH p. 16 12:30 p.m. ROCK MY HEART p. 23 7:00 p.m. WELCOME TO GERMANY p. 9 4:00 p.m. WE USED TO BE COOL p. 29 9:45 p.m. EGON SCHIELE: p. 11 DEATH AND THE MAIDEN 6:30 p.m. Opening Night Film p. 9 WELCOME TO GERMANY 9:00 p.m. Opening Night Party p. 9 GOETHE-INSTITUT AUDITORIUM SATURDAY, FEB. 10, 2018 530 Bush Street (street entry) 11:00 a.m. WUNDERLICH’S WORLD p. 17 San Francisco, CA 94108 1:15 p.m. THAT TRIP WE TOOK p. 28 WITH DAD TUESDAY, FEB. 13, 2018 3:30 p.m. TEXT FOR YOU p. 24 6:00 p.m. CODE OF SURVIVAL p. 30 6:30 p.m. Centerpiece Film p. 10 8:00 p.m. PARADISE p. 29 THE BLOOM OF BERLIN & BEYOND GOETHE-INSTITUT YESTERDAY WEDNESDAY, FEB. 14, 2018 9:45 p.m. MR. GAY SYRIA p. 31 6:00 p.m. THE FINAL JOURNEY p. 25 Now in its 22nd year, the Berlin & Beyond Celebrating its 50th Anniversary in 2017, 8:00 p.m. BEUYS p. 30 Film Festival has been the leading festival the San Francisco branch has been pro - SUNDAY, FEB. 11, 2018 of contemporary German cinema in the moting German culture and language 10:00 a.m. ROCK MY HEART p. 23 THURSDAY, FEB. 15, 2018 Americas since 1996. since 1967. 12:30 p.m. GODLESS YOUTH p. 16 6:00 p.m. MY BROTHER SIMPLE p. 23 With an annual attendance of over 10,000 In addition to its presentation of the Berlin 4:00 p.m. STREAKER p. 17 8:15 p.m. DREAM BOAT p. 31 film-goers, the festival has presented over & Beyond Film Festival, its year-round 6:15 p.m. THREE PEAKS p. 27 500 motion pictures from German-speak - cultural activities include art exhibitions, 8:30 p.m. Closing Night Film p. 11 ing countries in its history. weekly film screenings, and partnerships EGON SCHIELE: with local cultural institutions. The Goethe- DEATH AND THE MAIDEN The festival has welcomed many celebrated Institut is comprised of 159 institutes in film talents, including Mario Adorf, Fatih 98 countries. Goethe.de/SF Akin, Moritz Bleibtreu, Daniel Brühl, Han - nelore Elsner, Florian David Fitz, Bruno SUPPORT THE FESTIVAL Ganz, Maria Schrader, Barbara Sukowa, All foreign-language films will be Michael Verhoeven, and Wim Wenders. • Berlin & Beyond is a 501(c)(3) non-profit shown with English subtitles. and welcomes donations. Give today at Since its inauguration in 1996, the main donate.berlinbeyond.com BerlinBeyond.com venue of the festival has always been the @BerlinBeyond Details, Updates & Trailers #BerlinBeyond22 Castro Theatre, the famous movie palace • Berlin & Beyond receives financial sup - that celebrated its 95th anniversary in port and in-kind donations from various 2017. Berlin & Beyond has been a gateway companies and organizations, from local for the public to experience the diversity, institutions to world-renowned brands. history and progress of German-speaking For the detailed sponsorship deck, visit CONTENTS countries; while celebrating the universal sponsor.berlinbeyond.com 3: Schedule 13 : Special Guests 33 : Credits spirit and vision of filmmakers. 5: Welcome 16 : Swiss Window 33 : Acknowledgments • For volunteer opportunities, visit 6: Partners and Sponsors 18 : Memories 34 : Become a Member volunteer.berlinbeyond.com 9: Opening Night 21 : Youth 4 German Cinema 36: Tickets & Venues 10 : Centerpiece 24 : Features 36: Contact 11 : Castro Closing Night 30 : Docs nd Top Image: © Barak Shrama 2 22 Berlin & Beyond Film Festival Cover: Karoline Herfurth in "Text for You" © Anne Wilk/Hellinger Doll BerlinBeyond.com 3 Filmproduktion/Warner Bros. Entertainment WELCOME - WILLKOMMEN Welcome to the 22nd Berlin & Beyond Film Festival! Join us for three full days and nights at San Francisco’s legendary Castro Theatre (Feb. 9-11), a night of encores at Shattuck Cinemas in Berkeley (Feb. 12), and three evenings at the Goethe-Institut (Feb. 13-15). Engage with our vivid selection of films, crossing cultures, experiences, histo - ries, and vital topics, along with film talents present for engaging post-film Q&As. Since 1996, Berlin & Beyond Film Festival Stories of bold and provocative artists are has been North America’s leading annual on display with Dieter Berner’s fascinating showcase solely dedicated to the cinematic drama Egon Schiele: Death and the Maiden movements of German-speaking countries. on Closing Night, and Andres Veiel’s new Each year, we roll out the red carpet to wel - documentary on the life of Joseph Beuys. come top films and talents of the year from this region, from major box office hits to We are proud to present captivating films by award winners, to smaller productions and women directors: the documentary Mr. Gay discoveries from up-and-coming filmmakers. Syria by Ayse Toprak; the directorial feature debut by Karoline Herfurth, Text for You ; Several films reflect on belonging and iden - the generational film, We Used to Be Coo l tity. Our Opening Night Film is the social by Marie Kreutzer; the road movie set in comedy Welcome to Germany , directed and 1968, That Trip We Took with Dad by Anca written by Simon Verhoeven, who will join us. Miruna L ăzărescu. This year marks 50 years This film, along with the courageous docu - since the international Protests of 1968, with mentary Mr. Gay Syria , engage us in conver - civil rights protests, progressive political sations about the global refugee crisis. movements, and the fights for free speech and reforms that changed the world. Our Youth 4 German Cinema (Y4GC) program is honored to have the presence of Markus We are grateful for the empowering support Goller, the director and co-screenwriter of of our sponsors, partners, and friends from My Brother Simple , the 2017-2018 Y4GC near and far, whose steadfast generosity winning film. Renowned Swiss filmmaker makes this festival possible. Likewise, we Alain Gsponer will present the North Amer - extend our gratitude to our hardworking and ican Premiere of Godless Youth , his cine - dedicated festival team, volunteers, and col - matic vision based on the enduringly popular laborators. Special thanks to the filmmakers novel by Ödön von Horváth. and industry professionals for shar ing their cinematic works with us. We are also thrilled to welcome to town two of Germany’s most talented actors, We are most grateful to you, the festival - and we will honor their on-going career goers, for attending Berlin & Beyond year achievements with the Spotlight Award in after year. Get ready to join us for a cinematic Acting. Frederick Lau, with his memorable adventure! Thank you. Vielen Dank. roles in such groundbreaking films as The Wave and Victoria , is here with My Brother Sigrid Savelsberg Simple and Text for You . Lars Eidinger, who Director, Goethe-Institut San Francisco has quite an international port folio with re - President, Berlin & Beyond cent film works as Clouds of Sils Maria and Personal Shopper , is here to present our Sophoan Sorn Centerpiece film, The Bloom of Yesterday . Festival Director, Berlin & Beyond Photo credits: © Loredana La Rocca and © Barak Shrama BerlinBeyond.com 5 ­ PRESENTED BY SIGNATURE SPONSORS PREMIERE SPONSORS AND SPECIAL SUPPORT PATRON SPONSORS MEDIA PARTNERS SPECIAL THANKS SUPPORTING SPONSORS FOOD & BEVERAGE SPONSORS • LUFTHANSA • ALTO INTERNATIONAL SCHOOL COMMUNITY OUTREACH PARTNERS • CHRISSA IMPORTS • ARAB FILM AND MEDIA INSTITUTE • FRAMELINE • GERMAN AMERICAN BUSINESS ASSOCIATION • ITALIAN CULTURAL INSTITUTE • JEWISH FILM INSTITUTE • OPEN AUSTRIA • BABSI’S VIENNESE TREATS • KASA INDIAN EATERY • SFFILM 6 22 nd Berlin & Beyond Film Festival BerlinBeyond.com 7 OPENING NIGHT FILM DRIVEABLE TECH. THE NEW 2018 ALL-ELECTRIC BMW i3. FEATURING BMW CONNECTED APP COMPATIBILITY. t n e m n i a t r e t n E . s o r B r e n r a W © WELCOME TO GERMANY WILLKOMMEN BEI DEN HARTMANNS Fri. Feb. 9, 2018 6:30 p.m. Winner of the German Film Award Aud- Castro Theatre, San Francisco ience Award, the Bavarian Film Award for Northern California Premiere Best Film, the BAMBI for National Film, In Person: Simon Verhoeven and nominated for European Comedy at the European Film Awards. Mon. Feb. 12, 2018 7:00 p.m. Shattuck Cinemas, Berkeley Recently retired teacher Angelika decides, against her skeptical husband Richard’s 116 min. Germany (2016). DCP. will, to take in a refugee. Soon afterward, German w/ English subtitles. the young Nigerian Diallo moves into the Hartmann's home, and a whirlwind of com - Director/Screenwriter: Simon Verhoeven plications ensue. These events not only dis - Starring: Senta Berger, Heiner Lauterbach, rupt the lives of Angelika and Richard’s Florian David Fitz, Palina Rojinski, adult children Philip and Sophie; they also Elyas M‘Barek, Eric Kabongo put their own marriage as well as Diallo’s Cinematography: Jo Helm chances of integration to the test. Despite Producers: Simon Verhoeven, Quirin Berg, all the chaos, hope prevails that the family Max Wiedemann, Michael Verhoeven will recover its stability, confidence, and World Sales: Picture Tree International peace. This timely social comedy was Ger - many's most successful local film of 2016 Opening Night Sponsors: and the first part of 2017, and stars veteran actress Senta Berger. OPENING NIGHT PARTY Fri. Feb. 9, 2018 9:00 p.m. In the theatre’s mezzanine level, c elebrate with old and new friends, meet our special guests, and savor a variety of appetizers and drinks.
Recommended publications
  • Neues Textdokument (2).Txt
    Filmliste Liste de filme DVD Münchhaldenstrasse 10, Postfach 919, 8034 Zürich Tel: 044/ 422 38 33, Fax: 044/ 422 37 93 www.praesens.com, [email protected] Filmnr Original Titel Regie 20001 A TIME TO KILL Joel Schumacher 20002 JUMANJI 20003 LEGENDS OF THE FALL Edward Zwick 20004 MARS ATTACKS! Tim Burton 20005 MAVERICK Richard Donner 20006 OUTBREAK Wolfgang Petersen 20007 BATMAN & ROBIN Joel Schumacher 20008 CONTACT Robert Zemeckis 20009 BODYGUARD Mick Jackson 20010 COP LAND James Mangold 20011 PELICAN BRIEF,THE Alan J.Pakula 20012 KLIENT, DER Joel Schumacher 20013 ADDICTED TO LOVE Griffin Dunne 20014 ARMAGEDDON Michael Bay 20015 SPACE JAM Joe Pytka 20016 CONAIR Simon West 20017 HORSE WHISPERER,THE Robert Redford 20018 LETHAL WEAPON 4 Richard Donner 20019 LION KING 2 20020 ROCKY HORROR PICTURE SHOW Jim Sharman 20021 X‐FILES 20022 GATTACA Andrew Niccol 20023 STARSHIP TROOPERS Paul Verhoeven 20024 YOU'VE GOT MAIL Nora Ephron 20025 NET,THE Irwin Winkler 20026 RED CORNER Jon Avnet 20027 WILD WILD WEST Barry Sonnenfeld 20028 EYES WIDE SHUT Stanley Kubrick 20029 ENEMY OF THE STATE Tony Scott 20030 LIAR,LIAR/Der Dummschwätzer Tom Shadyac 20031 MATRIX Wachowski Brothers 20032 AUF DER FLUCHT Andrew Davis 20033 TRUMAN SHOW, THE Peter Weir 20034 IRON GIANT,THE 20035 OUT OF SIGHT Steven Soderbergh 20036 SOMETHING ABOUT MARY Bobby &Peter Farrelly 20037 TITANIC James Cameron 20038 RUNAWAY BRIDE Garry Marshall 20039 NOTTING HILL Roger Michell 20040 TWISTER Jan DeBont 20041 PATCH ADAMS Tom Shadyac 20042 PLEASANTVILLE Gary Ross 20043 FIGHT CLUB, THE David
    [Show full text]
  • Before the Forties
    Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY
    [Show full text]
  • International Casting Directors Network Index
    International Casting Directors Network Index 01 Welcome 02 About the ICDN 04 Index of Profiles 06 Profiles of Casting Directors 76 About European Film Promotion 78 Imprint 79 ICDN Membership Application form Gut instinct and hours of research “A great film can feel a lot like a fantastic dinner party. Actors mingle and clash in the best possible lighting, and conversation is fraught with wit and emotion. The director usually gets the bulk of the credit. But before he or she can play the consummate host, someone must carefully select the right guests, send out the invites, and keep track of the RSVPs”. ‘OSCARS: The Role Of Casting Director’ by Monica Corcoran Harel, The Deadline Team, December 6, 2012 Playing one of the key roles in creating that successful “dinner” is the Casting Director, but someone who is often over-looked in the recognition department. Everyone sees the actor at work, but very few people see the hours of research, the intrinsic skills, the gut instinct that the Casting Director puts into finding just the right person for just the right role. It’s a mix of routine and inspiration which brings the characters we come to love, and sometimes to hate, to the big screen. The Casting Director’s delicate work as liaison between director, actors, their agent/manager and the studio/network figures prominently in decisions which can make or break a project. It’s a job that can't garner an Oscar, but its mighty importance is always felt behind the scenes. In July 2013, the Academy of Motion Pictures of Arts and Sciences (AMPAS) created a new branch for Casting Directors, and we are thrilled that a number of members of the International Casting Directors Network are amongst the first Casting Directors invited into the Academy.
    [Show full text]
  • German Films Quarterly 1/2021
    GFQGERMAN FILMS QUARTERLY WITH ARTICLES AND PORTRAITS ON FACE TO FACE WITH GERMAN FILMS – THE FILMMAKERS DIVERSITY IN GERMAN FILMMAKING DIRECTORS BARBARA OTT & JULIAN RADLMAIER PRODUCER MARTIN HEISLER ISSUE 1-2021 ACTOR & EUROPAN SHOOTING STAR ALBRECHT SCHUCH efp_ESS2021_Anzeige_GERMANFILM_148x210_pfad_druck.indd 1 18.01.21 11:23 GFQ 1-2021 INTRODUCTION © Kurt Krieger © Kurt Dear Readers, The pandemic has changed the film industry to a great extent, bringing it close to a standstill at times in 2020. Despite the challenges we and the industry are facing, we are optimistic about 2021. This is because we love cinema and good films and series – and particularly in these difficult times, they are also some­ thing that is needed by audiences around the world. Time and again in recent years, German feature films and series have succeeded in captivating viewers abroad, and we are confident that this will be the case in 2021 as well. In particular, the new wave of German documentaries is establishing itself increasingly as a favourite with international audiences. We are just as proud of the German Films campaign FACE TO FACE, which has been in existence for six years now, and delighted that we will be able to continue it with a great new pool of talent in 2021 – despite the difficult current conditions. Films and series are created through the work of a large team, which is why we have decided to highlight a greater diversity of film professions in 2021 and are proudly presenting the premiere of our new faces in this issue of GFQ. German Films Quarterly will broaden its format in 2021: We will also open our publication to contri­ butions dealing with internationally controversial topics in the film industry.
    [Show full text]
  • Interim Report for the Second Quarter and First Half-Year of 2015 1
    Interim Report for the Second Quarter and First Half-Year of 2015 1 Content 02 PROSIEBENSAT.1 AND Q2 2015 AT A GLANCE INTERIM CONSOLIDATED 03 ACTUAL FIGURES AND FORECASTS FINANCIAL STATEMENTS INTERIM GROUP 44 Income Statement MANAGEMENT REPORT 45 Statement of Comprehensive Income 05 Explanatory Notes on Reporting Principles 46 Statement of Financial Position 06 IMPORTANT EVENTS H1 2015 48 Cash Flow Statement 08 Our Group: Basic Principles 50 Statement of Changes in Equity 08 Report on Economic Position: Q2 2015 51 Notes 08 Business and Industry Environment 71 Responsibility Statement by Management 14 CONTENT HIGHLIGHTS Q2 2015 15 Comparison of Actual and Expected Business 72 Review Report Performance 16 Major Influencing Factors on Financial Position and ADDITIONAL INFORMATION Performance 18 Group Earnings 74 Group Key Figures: 23 Group Financial Position and Performance Multi-Year Overview 29 Business Development of Segments 75 Segment Key Figures: 32 Employees Multi-Year Overview 33 The ProSiebenSat.1 Share 76 Editorial Information 35 Events after the Reporting Period 77 Financial Calendar 37 Risk and Opportunity Report 40 Outlook 40 Future Business and Industry Environment 42 Company Outlook 2 PROSIEBENSAT.1 AT A GLANCE The ProSiebenSat.1 Group is one of the largest independent media corporations in Europe. Free TV fi- nanced by advertising is our core business. With the stations SAT.1, ProSieben, kabel eins, sixx, SAT.1 Gold, and ProSieben MAXX, we are the number one in the German TV advertising market. We have tapped into an attractive new business area with the distribution of our television channels in HD quality. We are also Germany’s leading online video marketer.
    [Show full text]
  • Audience Affect, Interactivity, and Genre in the Age of Streaming TV
    . Volume 16, Issue 2 November 2019 Navigating the Nebula: Audience affect, interactivity, and genre in the age of streaming TV James M. Elrod, University of Michigan, USA Abstract: Streaming technologies continue to shift audience viewing practices. However, aside from addressing how these developments allow for more complex serialized streaming television, not much work has approached concerns of specific genres that fall under the field of digital streaming. How do emergent and encouraged modes of viewing across various SVOD platforms re-shape how audiences affectively experience and interact with genre and generic texts? What happens to collective audience discourses as the majority of viewers’ situated consumption of new serial content becomes increasingly accelerated, adaptable, and individualized? Given the range and diversity of genres and fandoms, which often intersect and overlap despite their current fragmentation across geographies, platforms, and lines of access, why might it be pertinent to reconfigure genre itself as a site or node of affective experience and interactive, collective production? Finally, as studies of streaming television advance within the industry and academia, how might we ponder on a genre-by- genre basis, fandoms’ potential need for time and space to collectively process and interact affectively with generic serial texts – in other words, to consider genres and generic texts themselves as key mediative sites between the contexts of production and those of fans’ interactivity and communal, affective pleasure? This article draws together threads of commentary from the industry, scholars, and culture writers about SVOD platforms, emergent viewing practices, speculative genres, and fandoms to argue for the centrality of genre in interventions into audience studies.
    [Show full text]
  • HOW to BERLINALE Una Breve Guía Para Presentar Tus Películas
    HOW TO BERLINALE Una breve guía para presentar tus películas SECCIONES Y PROGRAMAS International Competition cuenta con unas 25 películas en la sección Oficial (dentro y fuera de la competición). Los premios son decididos por un Jurado Internacional. Contacto: [email protected] Berlinale Special y Berlinale Special Gala son programas comisariados por el director del festival. Sólo son accesibles con invitación y no acepta inscripciones. Se presentan nuevas producciones extraordinarias y películas de o sobre personalidades del mundo del cine, las cuales están estrechamente ligadas al festival. Contacto: [email protected] Panorama dentro de la Sección oficial (no competitiva) presenta nuevos trabajos de directores de renombre; muestra óperas primas y otros nuevos descubrimientos. La selección de los filmes da una visión global de las tendencias del arte cinematográfico mundial. Contacto: [email protected] Forum se centra en las nuevas tendencias en el cine mundial, formas de narración prometedoras y nuevas voces. Forum también destaca debuts de directores así como la innovación en los trabajos de jóvenes cineastas. El Forum Expanded se dedica a los límites entre cine y artes visuales. Es un programa comisariado por el Forum al que sólo se accede con invitación y no aceptan inscripciones. Contacto: [email protected] Generation abre Berlinale a los jóvenes y niños. Las competiciones de Kplus y 14plus no sólo presentan producciones realizadas especialmente para niños y jóvenes; también muestran películas dirigida a los jóvenes y a público de otras edades debido a su forma y contenido. El marketing potencial de estas películas se ve, de este modo, potenciado. Contacto: [email protected] Berlinale Shorts cuenta con cortometrajes de cineastas y artistas innovadores.
    [Show full text]
  • Racko – No Better Friend!
    LEON AND LINUS JOLINE LAETITIA INES SIEGFRIED MONIKA DE GREIFF SCHWÄRZLER HOLLINGER TERPOORTEN MANZ AND CHEWAKKA AS »RACKO« DIRECTED BY ULI MÖLLER WRITTEN BY NICOLE WALTER-LINGEN AND KONSTANTIN FERSTL RACKO – NO BETTER FRIEND! HERE COMES A TRUE FRIEND FOR RACKO – EIN HUND FÜR ALLE FÄLLE ALL LIFE’S ADVENTURES – Series | 13 x 25’ | Family Entertainment | Filmbüro Münchner Freiheit/BR, FAMILY ENTERTAINMENT AT ITS BEST! ARD, Das Erste | GER (OV), ENG ST (eps 1 + 2) Flori had never met his grandfather or his sole heir to the farm subject to the condition A contemporary family story starring a loyal grandfather’s dog Racko, but for some reason the that the 12-year old looks after Racko! A big city four-legged friend set against the picturesque loveable dog singled Flori out as his new master on apartment building is no place for a Bavarian backdrop of the Alps. It has been a long time the day they first met, the day his grandfather farm dog but could Flori and his mother really coming but now finally this generation has an died. When the will was read, Flori and his mother give up their lives to go and live on a farm? animal hero of its own that the whole family were shocked to discover that he Flori was the Things start to change pretty quickly... will love. CHRISTMAS IS IN DANGER! STRANGE THINGS ONLY 24 DAYS LEFT HAPPEN IN TO FIND THE REAL BEKKEBAKKEN... SANTA CLAUS… 2ND SEASON2 COMINGSEASON SOON LET IT GLOW – HOW PAULINE SAVED CHRISTMAS ZOMBIELARS BEUTOLOMÄUS UND DER WAHRE WEIHNACHTSMANN ZOMBIELARS Event Series | 24 x 15’ | WunderWerk in co-production with KiKA | GER (OV), ENG ST Series | 26 x 15’ | Dramedy | Tordenfi lm/NRK | NORWEGIAN (OV), ENG ST When an impostor is chosen as the new Santa Claus, Santa’s gift bag sets out to When 12-year-old Lars comes to town, he is immediately perceived as a threat.
    [Show full text]
  • SMALL CRIMES DIAS News from PLANET MARS ALL of a SUDDEN
    2016 IN CannES NEW ANNOUNCEMENTS UPCOMING ALSO AVAILABLE CONTACT IN CANNES NEW Slack BAY SMALL CRIMES CALL ME BY YOUR NAME NEWS FROM NEW OFFICE by Bruno Dumont by E.L. Katz by Luca Guadagnino planet mars th Official Selection – In Competition In Pre Production In Pre Production by Dominik Moll 84 RUE D’ANTIBES, 4 FLOOR 06400 CANNES - FRANCE THE SALESMAN DIAS NEW MR. STEIN GOES ONLINE ALL OF A SUDDEN EMILIE GEORGES (May 10th - 22nd) by Asghar Farhadi by Jonathan English by Stephane Robelin by Asli Özge Official Selection – In Competition In Pre Production In Pre Production [email protected] / +33 6 62 08 83 43 TANJA MEISSNER (May 11th - 22nd) GIRL ASLEEP THE MIDWIFE [email protected] / +33 6 22 92 48 31 by Martin Provost by Rosemary Myers AN ArtsCOPE FILM NICHolas Kaiser (May 10th - 22nd) In Production [email protected] / +33 6 43 44 48 99 BERLIN SYNDROME MatHIEU DelaUNAY (May 10th - 22nd) by Cate Shortland [email protected] / + 33 6 87 88 45 26 In Post Production Sata CissokHO (May 10th - 22nd) [email protected] / +33 6 17 70 35 82 THE DARKNESS design: www.clade.fr / Graphic non contractual Credits by Daniel Castro Zimbrón Naima ABED (May 12th - 20th) OFFICE IN PARIS MEMENTO FILMS INTERNATIONAL In Post Production [email protected] / +44 7731 611 461 9 Cité Paradis – 75010 Paris – France Tel: +33 1 53 34 90 20 | Fax: +33 1 42 47 11 24 [email protected] [email protected] Proudly sponsored by www.memento-films.com | Follow us on Facebook NEW OFFICE IN CANNES 84 RUE D’ANTIBES, 4th FLOOR
    [Show full text]
  • The Altering Eye Contemporary International Cinema to Access Digital Resources Including: Blog Posts Videos Online Appendices
    Robert Phillip Kolker The Altering Eye Contemporary International Cinema To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/8 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Robert Kolker is Emeritus Professor of English at the University of Maryland and Lecturer in Media Studies at the University of Virginia. His works include A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg Altman; Bernardo Bertolucci; Wim Wenders (with Peter Beicken); Film, Form and Culture; Media Studies: An Introduction; editor of Alfred Hitchcock’s Psycho: A Casebook; Stanley Kubrick’s 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies. http://www.virginia.edu/mediastudies/people/adjunct.html Robert Phillip Kolker THE ALTERING EYE Contemporary International Cinema Revised edition with a new preface and an updated bibliography Cambridge 2009 Published by 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com First edition published in 1983 by Oxford University Press. © 2009 Robert Phillip Kolker Some rights are reserved. This book is made available under the Cre- ative Commons Attribution-Non-Commercial 2.0 UK: England & Wales Licence. This licence allows for copying any part of the work for personal and non-commercial use, providing author
    [Show full text]
  • „O.K.“ Programm Von 08.10
    Monatsübersicht Oktober/November Programm von 01.10. - 07.10.2020 Länge/FSK Do., 01.10. Fr., 02.10. Sa., 03.10. So., 04.10. Mo., 05.10. Di., 06.10. Mi., 07.10. Kino 1 Pelikanblut 127/16 20:15 20:15 20:15 20:15 20:15 20:15 Special: n.b. 17:00 Landstr. 35 Oktober/ Leinwand-Lyrik mit Ralph Turn- 20:00 69502 Hemsbach heim & Sherlock Holmes Tel.: 06201/43185 – November www.brennessel-kino.de Eine Nacht im Louvre 96/0 11:30 2020 17:45 17:45 17:45 17:45 17:45 17:45 Lichtspielhaus seit 1927 Meine wunderbar seltsame Woche 84/0 15:15 mit Tess Bis an die Grenze n.b. 11:00 Liebe Gäste der „Brennessel“, es geht endlich wieder los! Nach pandemiebe- Verleihung der BRONZENEN BRENNESSEL dingter Pause und Notprogramm starten wir Kino 2 David Copperfield - 120/6 20:30 20:30 20:30 20:30 20:30 20:30 nun – trotz einiger Einschränkungen, die Ihrer an Regisseur MICHAEL VERHOEVEN für „O.K“ Einmal Reichtum und zurück Sicherheit dienen - unser gewohntes Programm- schema. Als Dank für Ihre Unterstützung & Ge- duld während der Brennessel-Schließung präsen- Er hat das Nachkriegskino geprägt Der göttliche andere 92/6 18:00 18:00 18:00 18:00 18:00 18:00 18:00 tieren wir gleich drei Highlights: Am 3. Oktober wie kaum ein anderer deutscher wird der Leinwandlyriker Ralph Turnheim (www. leinwand-lyrik.de) Sherlock Holmes wieder aufer- Regisseur: Michael Verhoeven. Länge/FSK stehen lassen. Gäste, die Corona-Gutscheine für „O.K.“ Programm von 08.10.
    [Show full text]
  • 2017 DGA Episodic Director Diversity Report (By STUDIO)
    2017 DGA Episodic Director Diversity Report (by STUDIO) Combined # Episodes # Episodes # Episodes # Episodes Combined Total # of Female + Directed by Male Directed by Male Directed by Female Directed by Female Male Female Studio Title Female + Signatory Company Network Episodes Minority Male Caucasian % Male Minority % Female Caucasian % Female Minority % Unknown Unknown Minority % Episodes Caucasian Minority Caucasian Minority A+E Studios, LLC Knightfall 2 0 0% 2 100% 0 0% 0 0% 0 0% 0 0 Frank & Bob Films II, LLC History Channel A+E Studios, LLC Six 8 4 50% 4 50% 1 13% 3 38% 0 0% 0 0 Frank & Bob Films II, LLC History Channel A+E Studios, LLC UnReal 10 4 40% 6 60% 0 0% 2 20% 2 20% 0 0 Frank & Bob Films II, LLC Lifetime Alameda Productions, LLC Love 12 4 33% 8 67% 0 0% 4 33% 0 0% 0 0 Alameda Productions, LLC Netflix Alcon Television Group, Expanse, The 13 2 15% 11 85% 2 15% 0 0% 0 0% 0 0 Expanding Universe Syfy LLC Productions, LLC Amazon Hand of God 10 5 50% 5 50% 2 20% 3 30% 0 0% 0 0 Picrow, Inc. Amazon Prime Amazon I Love Dick 8 7 88% 1 13% 0 0% 7 88% 0 0% 0 0 Picrow Streaming Inc. Amazon Prime Amazon Just Add Magic 26 7 27% 19 73% 0 0% 4 15% 1 4% 0 2 Picrow, Inc. Amazon Prime Amazon Kicks, The 9 2 22% 7 78% 0 0% 0 0% 2 22% 0 0 Picrow, Inc. Amazon Prime Amazon Man in the High Castle, 9 1 11% 8 89% 0 0% 0 0% 1 11% 0 0 Reunion MITHC 2 Amazon Prime The Productions Inc.
    [Show full text]